On Laughter and Dreaming in Pushkin
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The Transformation of Pushkin's Eugene Onegin Into Tchaikovsky's Opera
THE TRANSFORMATION OF PUSHKIN'S EUGENE ONEGIN INTO TCHAIKOVSKY'S OPERA Molly C. Doran A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2012 Committee: Eftychia Papanikolaou, Advisor Megan Rancier © 2012 Molly Doran All Rights Reserved iii ABSTRACT Eftychia Papanikolaou, Advisor Since receiving its first performance in 1879, Pyotr Il’yich Tchaikovsky’s fifth opera, Eugene Onegin (1877-1878), has garnered much attention from both music scholars and prominent figures in Russian literature. Despite its largely enthusiastic reception in musical circles, it almost immediately became the target of negative criticism by Russian authors who viewed the opera as a trivial and overly romanticized embarrassment to Pushkin’s novel. Criticism of the opera often revolves around the fact that the novel’s most significant feature—its self-conscious narrator—does not exist in the opera, thus completely changing one of the story’s defining attributes. Scholarship in defense of the opera began to appear in abundance during the 1990s with the work of Alexander Poznansky, Caryl Emerson, Byron Nelson, and Richard Taruskin. These authors have all sought to demonstrate that the opera stands as more than a work of overly personalized emotionalism. In my thesis I review the relationship between the novel and the opera in greater depth by explaining what distinguishes the two works from each other, but also by looking further into the argument that Tchaikovsky’s music represents the novel well by cleverly incorporating ironic elements as a means of capturing the literary narrator’s sardonic voice. -
A Study of Nabokov's Commentary on Pushkin's Eugene Onegin: the First Half of Chapter II
On Chapter Two: I-XVII Shoko Miura To study Vladimir Nabokov's Commentary to Eugene Onegin is to discover with what remarkable energy and meticulous research Nabokov enables us to relive Pushkin's writing of the poem. It is the method Nabokov uses in his lectures as well. He follows the story of the poet's experiences day by day, his readings, his correspondences, his creations of poems and prose, the frustrations with the authorities, the various emotions that went through Pushkin's heart, in order to revive the genius that made Eugene Onegin. Only, because of the form of the Commentary, the story is broken into separate and scattered annotations. While it will take more than this brief study to piece together the entire story, reading and researching only a few pages of the Commentary enables us to see what Nabokov was trying to accomplish. It was my task to cover the first half of Chapter II (Stanzas 1–17, Commentary 217-266) in which nothing very dramatic happens, but which establishes the fundamental stage upon which the love story and the tragedy will later occur. Chapter II begins with the pastoral theme in the first five stanzas. It dwells on Onegin’s uneventful daily management of his land, the beauty of the countryside and, naturally, his boredom. The appearance of Lenski then introduces the theme of friendship which develops between him and Onegin. Pushkin stayed in Odessa the entire time that he was writing the stanzas 1 to 17, so that there is a slow and controlled plot development and a unified pace in the flow of narrative. -
The Superfluous Man in Nineteenth-Century Russian Literature
Hamren 1 The Eternal Stranger: The Superfluous Man in Nineteenth-Century Russian Literature A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Kelly Hamren 4 May 2011 Hamren 2 Liberty University School of Communication Master of Arts in English Dr. Carl Curtis ____________________________________________________________________ Thesis Chair Date Dr. Emily Heady ____________________________________________________________________ First Reader Date Dr. Thomas Metallo ____________________________________________________________________ Second Reader Date Hamren 3 Acknowledgements I would like to thank those who have seen me through this project and, through support for my academic endeavors, have made it possible for me to come this far: to Dr. Carl Curtis, for his insight into Russian literature in general and Dostoevsky in particular; to Dr. Emily Heady, for always pushing me to think more deeply about things than I ever thought I could; to Dr. Thomas Metallo, for his enthusiastic support and wisdom in sharing scholarly resources; to my husband Jarl, for endless patience and sacrifices through two long years of graduate school; to the family and friends who never stopped encouraging me to persevere—David and Kathy Hicks, Karrie Faidley, Jennifer Hughes, Jessica Shallenberger, and Ramona Myers. Hamren 4 Table of Contents: Chapter 1: Introduction………………………………………………………………………...….5 Chapter 2: Epiphany and Alienation...................................……………………………………...26 Chapter 3: “Yes—Feeling Early Cooled within Him”……………………………..……………42 Chapter 4: A Soul not Dead but Dying…………………………………………………………..67 Chapter 5: Where There’s a Will………………………………………………………………...96 Chapter 6: Conclusion…………………………………………………………………………..130 Works Cited…………………………………………………………………………………….134 Hamren 5 Introduction The superfluous man is one of the most important developments in the Golden Age of Russian literature—the period beginning in the 1820s and climaxing in the great novels of Dostoevsky and Tolstoy. -
Meat: a Novel
University of New Hampshire University of New Hampshire Scholars' Repository Faculty Publications 2019 Meat: A Novel Sergey Belyaev Boris Pilnyak Ronald D. LeBlanc University of New Hampshire, [email protected] Follow this and additional works at: https://scholars.unh.edu/faculty_pubs Recommended Citation Belyaev, Sergey; Pilnyak, Boris; and LeBlanc, Ronald D., "Meat: A Novel" (2019). Faculty Publications. 650. https://scholars.unh.edu/faculty_pubs/650 This Book is brought to you for free and open access by University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Faculty Publications by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Sergey Belyaev and Boris Pilnyak Meat: A Novel Translated by Ronald D. LeBlanc Table of Contents Acknowledgments . III Note on Translation & Transliteration . IV Meat: A Novel: Text and Context . V Meat: A Novel: Part I . 1 Meat: A Novel: Part II . 56 Meat: A Novel: Part III . 98 Memorandum from the Authors . 157 II Acknowledgments I wish to thank the several friends and colleagues who provided me with assistance, advice, and support during the course of my work on this translation project, especially those who helped me to identify some of the exotic culinary items that are mentioned in the opening section of Part I. They include Lynn Visson, Darra Goldstein, Joyce Toomre, and Viktor Konstantinovich Lanchikov. Valuable translation help with tricky grammatical constructions and idiomatic expressions was provided by Dwight and Liya Roesch, both while they were in Moscow serving as interpreters for the State Department and since their return stateside. -
Experimental Fracture Mechanics Through Digital Image Analysis Alireza Mehdi-Soozani Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1986 Experimental fracture mechanics through digital image analysis Alireza Mehdi-Soozani Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Mechanical Engineering Commons Recommended Citation Mehdi-Soozani, Alireza, "Experimental fracture mechanics through digital image analysis " (1986). Retrospective Theses and Dissertations. 8272. https://lib.dr.iastate.edu/rtd/8272 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or as a I7"x 23" black and wWte photographic print. -
Faults and Joints
133 JOINTS Joints (also termed extensional fractures) are planes of separation on which no or undetectable shear displacement has taken place. The two walls of the resulting tiny opening typically remain in tight (matching) contact. Joints may result from regional tectonics (i.e. the compressive stresses in front of a mountain belt), folding (due to curvature of bedding), faulting, or internal stress release during uplift or cooling. They often form under high fluid pressure (i.e. low effective stress), perpendicular to the smallest principal stress. The aperture of a joint is the space between its two walls measured perpendicularly to the mean plane. Apertures can be open (resulting in permeability enhancement) or occluded by mineral cement (resulting in permeability reduction). A joint with a large aperture (> few mm) is a fissure. The mechanical layer thickness of the deforming rock controls joint growth. If present in sufficient number, open joints may provide adequate porosity and permeability such that an otherwise impermeable rock may become a productive fractured reservoir. In quarrying, the largest block size depends on joint frequency; abundant fractures are desirable for quarrying crushed rock and gravel. Joint sets and systems Joints are ubiquitous features of rock exposures and often form families of straight to curviplanar fractures typically perpendicular to the layer boundaries in sedimentary rocks. A set is a group of joints with similar orientation and morphology. Several sets usually occur at the same place with no apparent interaction, giving exposures a blocky or fragmented appearance. Two or more sets of joints present together in an exposure compose a joint system. -
A Strategy for Representing Difference and Cultural Diversity on Stage, and Jump for Jordan: a Play
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2016 Dialogic interplay: A strategy for representing difference and Cultural Diversity on stage, and Jump for Jordan: a play Donna T. Abela University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Abela, Donna T., Dialogic interplay: A strategy for representing difference and Cultural Diversity on stage, and Jump for Jordan: a play, Doctor of Creative Arts thesis, School of the Arts, English and Media, University of Wollongong, 2016. -
Crack Growth During Brittle Fracture in Compres1
CRACK GROWTH DURING BRITTLE FRACTURE IN COMPRES1 by -SIST. TEC, L I SRA' BARTLETT W. PAULDING, JR. LIN DGRE~N Geol. Eng., Colorado School of Mines (1959) SUBMITTED IN PARTIAL, FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY at the MASSACHjUSETTS INSTITUTE OF TECHNOLOGY June 1965 Signature of Author Departmenit of Geology an4'Geophysics, February 9, 1965 Certified by.......... Thesis Supervisor- Accepted by .... Chairman, Departmental Committee on Graduate Students Room 14-0551 77 Massachusetts Avenue Cambridge, MA 02139 Ph: 617.253.5668 Fax: 617.253.1690 MITLibraries Email: [email protected] Document Services http,//Iibraries.mit.,edu/doos DISCLAIMER OF QUALITY Due to the condition of the original material, there are unavoidable flaws in this reproduction. We have made every effort possible to provide you with the best copy available. If you are dissatisfied with this product and find it unusable, please contact Document Services as soon as possible. Thank you. Author misnumbered pages. ABSTRACT Title: Crack Growth During Brittle Fracture in Compression. Author: Bartlett W. Paulding, Jr. Submitted to the Department of Geology and Geophysics February 9, 1965 in partial fulfillment of the requirements for the degree of Doctor of Philosophy at the Massachusetts Institute of Technology. Photoelastic analysis of several two-crack arrays pre- dicts that compressive fracture is initiated at cracks oriented in a particular en schelon manner. Observation of partially-fractured samples of Westerly granite, obtained during uniaxial and confined compression tests by stopping the fracture process, indicate that fracture is initiated by en echelon arrays of biotite grains and pre-existing, trans-granular, cracks. -
A Philosophy of the Dreaming Mind
Dream Pluralism: A Philosophy of the Dreaming Mind By Melanie Rosen A THESIS SUBMITTED TO MACQUARIE UNIVERSITY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF COGNITIVE SCIENCE, FACULTY OF HUMAN SCIENCE MACQUARIE UNIVERSITY, NSW 2109, AUSTRALIA JULY 2012 Table of Contents Abstract 9 Declaration 11 Acknowledgements 13 Introduction 15 Part 1: Dream Pluralism 25 Chapter 1: The Empirical Study of Dreams: Discoveries and Disputes 27 1.1 Stages of sleep 29 1.1.1 NREM Sleep 30 1.1.2 REM Sleep 32 1.1.3 The Scanning Hypothesis: an attempt to correlate eye movements with dream reports 33 1.2 Dream reports 35 1.2.1 The benefits of lab-based research 36 1.2.2 The benefits of home-based research 38 1.3 Measuring the physiology of the sleeping brain and body 41 1.3.1 Physiological measures: pros and cons 42 1.4 Cognitive and neural features of sleep 48 1.5 Lucid dreamers in the dream lab 55 Conclusion 59 1 Chapter 2: Bizarreness and Metacognition in Dreams: the Pluralist View of Content and Cognition 61 2.1 A pluralistic account of dream content 62 2.1.1 Bizarre and incoherent dreams 63 2.1.2 Dreams are not particularly bizarre 66 2.1.3 Explanations of the conflicting results 69 2.1.4 Dreams vs. fantasy reports 72 2.2 Cognition in dreams: deficient or equivalent? 80 2.2.1 What is metacognition? 80 2.2.2 Metacognition in dreams 83 Conclusion 97 Chapter 3: Rethinking the Received View: Anti-Experience and Narrative Fabrication 99 3.1 Malcolm on dreaming 101 3.1.1 Dreams and verification 102 3.1.2 Evidence against Malcolm 109 3.2 Metaphysical anti-experience theses 115 3.2.1 The cassette view 115 3.2.2 Arguments against the cassette view 118 3.2.3 Consciousness requires recognition or clout 120 3.3 Narrative fabrication in dream reports 122 3.3.1 Rationalisation of strange content 123 3.3.2 Confabulation and memory loss 127 3.3.3 Altered states of consciousness and what it’s like to be a bat. -
Folklore and the Construction of National Identity in Nineteenth Century Russian Literature
Folklore and the Construction of National Identity in Nineteenth Century Russian Literature Jessika Aguilar Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy In the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Jessika Aguilar All rights reserved Table of Contents 1. Introduction……………………………………………………………………………..…..1 2. Alexander Pushkin: Folklore without the Folk……………………………….20 3. Nikolai Gogol: Folklore and the Fragmentation of Authorship……….54 4. Vladimir Dahl: The Folk Speak………………………………………………..........84 5. Conclusion……………………………………………………………………………........116 6. Bibliography………………………………………………………………………………122 i Introduction In his “Literary Reveries” of 1834 Vissarion Belinsky proclaimed, “we have no literature” (Belinskii PSS I:22). Belinsky was in good company with his assessment. Such sentiments are rife in the critical essays and articles of the first third of the nineteenth century. A decade earlier, Aleksandr Bestuzhev had declared that, “we have a criticism but no literature” (Leighton, Romantic Criticism 67). Several years before that, Pyotr Vyazemsky voiced a similar opinion in his article on Pushkin’s Captive of the Caucasus : “A Russian language exists, but a literature, the worthy expression of a mighty and virile people, does not yet exist!” (Leighton, Romantic Criticism 48). These histrionic claims are evidence of Russian intellectuals’ growing apprehension that there was nothing Russian about the literature produced in Russia. There was a prevailing belief that -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Amplitude Inversion of Fast and Slow Converted Waves for Fracture Characterization of the Montney Formation in Pouce Coupe Field, Alberta, Canada
AMPLITUDE INVERSION OF FAST AND SLOW CONVERTED WAVES FOR FRACTURE CHARACTERIZATION OF THE MONTNEY FORMATION IN POUCE COUPE FIELD, ALBERTA, CANADA by Tyler L. MacFarlane c Copyright by Tyler L. MacFarlane, 2014 All Rights Reserved A thesis submitted to the Faculty and the Board of Trustees of the Colorado School of Mines in partial fulfillment of the requirements for the degree of Master of Science (Geo- physics). Golden, Colorado Date Signed: Tyler L. MacFarlane Signed: Dr. Thomas L. Davis Thesis Advisor Golden, Colorado Date Signed: Dr. Terence K. Young Professor and Head Department of Geophysics ii ABSTRACT The Montney Formation of western Canada is one of the largest economically viable gas resource plays in North America with reserves of 449TCF. As an unconventional tight gas play, the well development costs are high due to the hydraulic stimulations necessary for economic success. The Pouce Coupe research project is a multidisciplinary collaboration between the Reservoir Characterization Project (RCP) and Talisman Energy Inc. with the objective of understanding the reservoir to enable the optimization of well placement and completion design. The work in this thesis focuses on identifying the natural fractures in the reservoir that act as the delivery systems for hydrocarbon flow to the wellbore. Characterization of the Montney Formation at Pouce Coupe is based on time-lapse mul- ticomponent seismic surveys that were acquired before and after the hydraulic stimulation of two horizontal wells. Since shear-wave velocities and amplitudes of the PS-waves are known to be sensitive to near-vertical fractures, I utilize isotropic simultaneous seismic in- versions on azimuthally-sectored PS1 and PS2 data sets to obtain measurements of the fast and slow shear-velocities.