Format SLR Camera F60 / Specifications

Total Page:16

File Type:pdf, Size:1020Kb

Format SLR Camera F60 / Specifications 35mm [135] Format SLR Camera F60 / Specifications Type of camera: Integral-motor autofocus 35mm single-lens reflex (SLR) Film loading: Film automatically advances to first frame when camera with built-in TTL Speedlight back is closed Picture format: 24 × 36mm [standard 35mm (135) film format Frame counter: Digital display in LCD panel; additive type; counts back Lens mount: Nikon F mount while film is being rewound Lenses: AF Nikkor lenses, AI-P-type Nikkor lens. IX-Nikkors cannot Film advance: Film automatically advances one frame when shutter is be used released; in b mode, shots are taken as long as shutter Focus modes: Autofocus (AF) or Manual (M) release button is depressed; shooting speed: approx. 1 fps Autofocus: Auto-Servo AF: chooses Single-Servo AF or Continuous- Film rewind: Film automatically starts to rewind at the end of the film Servo AF operation according to the subject status (i.e. roll; rewind speed: approx. 17 sec. with 36-exposure film moving or stationary) or approx. 14 sec. with 24-exposure film; mid-roll rewind Note: Continuous-Servo AF is automatically selected when possible exposure mode is set to b Self-timer: Electronically controlled; timer duration: 10 sec.; cancelable Autofocus detection system: TTL phase detection system using Nikon Advanced Reflex mirror: Automatic, instant-return type AM200 autofocus module; AF-Assist Illuminator provided Accessory shoe: Standard ISO-type with hot-shoe contact, ready-light con- Autofocus detection range: Approx. EV -1 to 19 (at ISO 100) tact, TTL flash contact, monitor contact; mount receptacle Autofocus lock: Focus is locked when shutter release button is lightly for Posi-Mount system provided pressed and stationary subject is in focus in Auto-Servo AF Built-in TTL Speedlight: Activated by pressing Speedlight lock-release button; Focus tracking: Automatically activated with a moving subject guide number: 15 (at ISO 100, m); angle of coverage: 28mm lens or longer lens with some limitations; approx. 4 z A Exposure modes: : General-Purpose Program, : Auto-Multi Program sec. recycling time (Flexible Program possible), F: Shutter-Priority Auto, D: Flash synchronization speed: 1/125 sec. or slower Aperture-Priority Auto, G: Manual, and five Vari-Program modes (x: Portrait, c: Landscape, v: Close-Up, b: Sport, Automatic Balanced Possible with built-in TTL Speedlight or Nikon dedicated n: Night Scene) Fill-Flash: Speedlights such as SB-28/28DX, SB-27, SB-23, SB-22s, Programmed Both shutter speed and aperture are set for the following and SB-29; Matrix Balanced Fill-Flash in Auto exposure modes; Center-Weighted Fill-Flash in Manual exposure Auto exposure control: modes: z, A, x, c, v, b and n mode Shutter-Priority Aperture automatically selected to match manually set Standard TTL flash: Activated when using a non-CPU lens Auto exposure control: shutter speed in F mode Aperture-Priority Shutter speed automatically selected to match manually Flash ready-light: When Speedlight is off: blinks when using flash is recom- mended; when Speedlight is on: lights up when built-in Auto exposure control: set aperture in D mode Speedlight or Nikon dedicated Speedlight is ready to fire; G Manual exposure control: Both aperture and shutter speed are set manually in blinks after shooting to warn of insufficient light for correct mode exposure F Shutter speed/ Rotating the Command Dial changes shutter speed in Power source: Two CR123A or DL123A-type lithium batteries aperture adjustment: and G modes or aperture value in D mode in 1/2 EV steps. I O To change aperture value in G mode, rotate the Command Battery power confirmation: for sufficient power; indicates batteries are O Dial while pressing the aperture button nearing exhaustion; blinking indicates batteries are just about exhausted; no indication/symbol appears when Auto exposure lock: Available by pressing the AE-L button while the exposure batteries are completely exhausted or improperly installed meter is on Number of 36-exposure Exposure compensation: With exposure compensation button; ±3 EV range, in 1/2 At 20°C/68°F At -10°C/14°F film rolls per fresh battery A F D G Without flash Approx. 65 Approx. 16 EV steps (in , , and mode) (using AF Zoom-Nikkor Exposure metering: 3D Matrix: with D-type, G-type AF Nikkor; Six-segment 35-80mm f/4-5.6D)* Without flash for half Approx. 38 Approx. 10 Matrix: with non-D-type AF Nikkor, AI-P Nikkor; Center- of all exposures Weighted: in Manual exposure mode or with Auto *After lightly pressing the shutter release button for 5 sec., autofo- Exposure Lock cus operation covers the full range from infinity (∞) to the closest Exposure metering range: EV 1 to 20 at ISO 100, 50mm f/1.4 lens distance and back to infinity before each shot. With a shutter speed of 1/125 sec. or faster. After the exposure meter automati- Exposure meter switch: Activated by turning on power, lightly pressing shutter cally turns off (2 sec. or 5 sec. with flash), the same operation fol- release button; stays on for 5 sec. after removing finger lows for the next shot. from button, or 2 sec. after releasing shutter Body finish: Silver and black available Shutter: Electronically controlled vertical-travel focal-plane shutter LCD panel information: Shutter speed, aperture, flash sync mode, film speed, Shutter release: Electromagnetic exposure compensation, frame counter/compensation Shutter speeds: In z, A, D, x, c, v, b, n: 30 to 1/2000 sec. automatical- value, ‡ warning, ‹ warning, ° warning, film loading, ly set. In F, G: 30 to 1/2000 sec., Long Time Exposure self-timer, battery power and Flexible Program (only be selected in G) Camera back: Hinged back with film cartridge confirmation window; Viewfinder: Fixed-eyelevel pentaprism high-eyepoint type; approx. unchangeable × × 0.69 to 0.74 magnification with 50mm lens set at infinity; Dimensions (W × H × D): F60: Approx. 148.5 × 96 × 69mm or 5.8 × 3.8 × 2.7 in.; approx. 90% frame coverage F60D: Approx. 148.5 × 96 × 70mm or 5.8 × 3.8 × 2.8 in. -1 Diopter adjustment: -1.5 to +1.0m Weight (body only): F60: Approx. 575g or 20.3 oz.; F60D: Approx. 585g or Eyepoint: Approx. 17mm 20.6 oz. Focusing screen: Fixed Nikon Clear Matte Screen II with central focus brack- ets for autofocus operation Viewfinder information: Focus indication (in-focus indication and AF impossible Date/time imprint function (For F60D only) warning), ‡ warning, ‹ warning, ° warning, exposure Display mode: Year/Month/Day, Day/Hour/Minute, No Imprint, value (shutter speed, aperture), exposure warning, elec- Month/Day/Year and Day/Month/Year; built-in clock: 24- tronic analog display, exposure compensation, focus hour type with timing accuracy within ±90 seconds a brackets, Center-Weighted Metering area, flash ready-light month; leap year adjustment until 2019 (charged indication, full output warning and flash recom- mended) Usable film: ISO 32 to 3200 DX-coded film Viewfinder illuminator: Automatically activates when exposure meter is on Power source: One 3V lithium battery (CR2025 type) Film speed range: ISO 25 to 5000 Battery life: Approx. 3 years (May vary depending on extent of imprint use, film speed in use, etc) Film speed setting: Automatically set to ISO speed of DX-coded film used All specifications apply when fresh CR123A-type batteries are used at normal temperature (20°C/68°F). Specifications and designs are subject to change without any notice or obligation on the part of the manufacturer. © 2000 Nikon Corporation NIKON CORPORATION FUJI BLDG., 2-3, MARUNOUCHI 3-CHOME, CHIYODA-KU, TOKYO 100-8331, JAPAN www.nikon-image.com/eng/ January 2001.
Recommended publications
  • Image Forming Method and System Bilderzeugungsverfahren Und System Procédé De Formation D’Image Et Système
    Europäisches Patentamt *EP000800114B1* (19) European Patent Office Office européen des brevets (11) EP 0 800 114 B1 (12) EUROPEAN PATENT SPECIFICATION (45) Date of publication and mention (51) Int Cl.7: B41J 2/01, B41J 2/325, of the grant of the patent: G03C 8/40, G03C 5/04, 05.11.2003 Bulletin 2003/45 G03D 13/00, G03G 15/01, (21) Application number: 97103995.3 G03G 15/10, G03G 15/16, H04N 1/00, H04N 1/21, (22) Date of filing: 10.03.1997 H04N 1/29 (54) Image forming method and system Bilderzeugungsverfahren und System Procédé de formation d’image et système (84) Designated Contracting States: (56) References cited: BE DE FR GB IT NL EP-A- 0 210 660 EP-A- 0 385 496 EP-A- 0 492 579 EP-A- 0 513 547 (30) Priority: 11.03.1996 JP 5335796 EP-A- 0 557 858 EP-A- 0 558 284 14.01.1997 JP 489997 EP-A- 0 609 966 EP-A- 0 626 611 EP-A- 0 650 850 EP-A- 0 671 276 (43) Date of publication of application: WO-A-94/26521 FR-A- 2 193 216 08.10.1997 Bulletin 1997/41 GB-A- 2 056 103 GB-A- 2 299 787 US-A- 3 576 632 US-A- 3 821 762 (73) Proprietor: Fuji Photo Film Co., Ltd. US-A- 4 908 520 US-A- 5 049 908 Kanagawa-ken (JP) US-A- 5 109 252 US-A- 5 160 946 US-A- 5 215 852 US-A- 5 305 016 (72) Inventors: US-A- 5 451 561 US-A- 5 461 440 • Ishikawa, Shun-ichi US-A- 5 466 560 US-A- 5 486 891 Minamiashigara-shi, Kanagawa-ken (JP) US-A- 5 512 533 • Kubodera, Seiiti Minamiashigara-shi, Kanagawa-ken (JP) • PATENT ABSTRACTS OF JAPAN vol.
    [Show full text]
  • FILM FORMATS ------8 Mm Film Is a Motion Picture Film Format in Which the Filmstrip Is Eight Millimeters Wide
    FILM FORMATS ------------------------------------------------------------------------------------------------------------ 8 mm film is a motion picture film format in which the filmstrip is eight millimeters wide. It exists in two main versions: regular or standard 8 mm and Super 8. There are also two other varieties of Super 8 which require different cameras but which produce a final film with the same dimensions. ------------------------------------------------------------------------------------------------------------ Standard 8 The standard 8 mm film format was developed by the Eastman Kodak company during the Great Depression and released on the market in 1932 to create a home movie format less expensive than 16 mm. The film spools actually contain a 16 mm film with twice as many perforations along each edge than normal 16 mm film, which is only exposed along half of its width. When the film reaches its end in the takeup spool, the camera is opened and the spools in the camera are flipped and swapped (the design of the spool hole ensures that this happens properly) and the same film is exposed along the side of the film left unexposed on the first loading. During processing, the film is split down the middle, resulting in two lengths of 8 mm film, each with a single row of perforations along one edge, so fitting four times as many frames in the same amount of 16 mm film. Because the spool was reversed after filming on one side to allow filming on the other side the format was sometime called Double 8. The framesize of 8 mm is 4,8 x 3,5 mm and 1 m film contains 264 pictures.
    [Show full text]
  • LOGIK SLIDE and FILM SCANNER UK VER LSCAN11 Manual
    Slide & Film Scanner Instruction Manual LSCAN11 1 Contents Unpacking ...........................................................................................................3 System Requirements ........................................................................................4 PC System Requirements ..................................................................................................4 Mac System Requirements ................................................................................................4 Product Overview ...............................................................................................5 Place Film / Slide Into The Holder ......................................................................6 Installing the Software .......................................................................................7 Installing the Software in Windows ...............................................................................7 Installing the Software in Mac .........................................................................................7 Connections ........................................................................................................8 Acquire Picture ...................................................................................................9 Acquire Picture from Windows ........................................................................................9 Acquire Picture from Mac ................................................................................................11
    [Show full text]
  • FS60 User Manual V1.0 14MP Film and Photo Scanner
    FS60 User Manual v1.0 14MP Film and Photo Scanner Thank you for your purchase of this Magnasonic product. Please read this user manual carefully before using product to ensure proper use. Keep this manual in a safe place for future reference. magnasonic.com/support We reserve the right to change models, configurations, or specification without notice or liability. Product may not be exactly as shown. © MAGNASONIC®, MAGNASONIC®, the MAGNASONIC® marks may be registered. All other trademarks are property of their respective owners Since 1954, Magnasonic has been a leader in developing innovative and unique products. We are dedicated to empowering people using six key fundamentals: superior quality, performance, simplicity, style, value and a fanatical obsession with outstanding customer service. At Magnasonic, our mission is a simple one – create people-driven products that make life’s daily adventures easier and more fun. We believe everyday experiences should be extraordinary. Thank you for your purchase of this Magnasonic® product. We hope you enjoy your experience. Questions? Give us a chance to help, we’re just a click away. www.youtube.com/magnasonic Magnasonic.com/support Magnasonic.com/contact Don’t forget to register your product with us! Magnasonic.com/registration Table Of Contents What’s Included ...................................................................................................................3 Product Information ...........................................................................................................4
    [Show full text]
  • Cameras in the Curriculum. a Challenge to Teacher Creativity. Volume 1, 1982/83. an NEA/KODAK Program
    DOCUMENT RESUME ED 238 409 IR 010 931 AUTHOR Ford, Faye, Ed. TITLE Cameras in the Curriculum. A Challengeto Teacher Creativity. Volume 1, 1982/83. An NEA/KODAK Program. INSTITUTION Eastman Kodak Co,, Rochester, N.Y.; National Education Association, Washington,D.C. SPONS AGENCY National Foundation for theImprovement of Education, Washington, D.C. PUB DATE 83 NOTE 146p. PUB TYPE Reports Descriptive (141) Guides Classroom Use Guides (For Teachers) (052) EDRS PRICE MF01 Plus Postage. PC Not Availablefrom EDRS. DESCRIPTORS Awards; Case Studies; Elementary SecondaryEducation; Instructional Innovation; *Material Development; *Photography; Production Techniques;Program Descriptions; Program Development; *Program Tmplementation; *Teacher Developed Materials; *Teaching Methods; *Visual Aids ABSTRACT This book describes 119 award-winningprojects from a program which established a national teachers' competitionto select and disseminate superior teacher-planned anddeveloped programs which use photography as an integral part of the K-12 school curriculum. All subject areas, grade levels, andstates are represented in summaries of projects thatwere granted $200 implementation awards after being selected by a National EducationAssociation (NEA) review panel from entries submitted by eachstate NEA affiliate. Chosen from final reports of these programs submittedto the NEA, reports of six grand prize winners are first presented in theirentirety. These reports and summaries of the other projects includeproject title; teacher; locale; subject; grades;a purpose and description of project; activities; materials,resources, and expenses; and outcomes and adaptation. Grand prize winners includeprograms in fourth grade language arts, secondary science, kindergartenreading readiness, and intermediate art, social studies, and geology.(LMM) *********************************************************************** * Reproductions supplied by EDRSare the best that can be made * * from the original document.
    [Show full text]
  • Ingham County News Photo.) Noon, No Decision Had Been Alger Had Signed a Contl"Lct to Don Hayworth and George D
    Steel t'l'llllll;li fill' Interior wulls have 1Jc1m ~~•·e<:led IUJd much of the pluste••boJu•d Is In Jllnce. Within 2 m· 3 wecll!i p:ustcJ•Ing· !1-l CXJICCWd to stnrt, Ilatzel & Buehler of Lansing has the electrical contract. 'fhe electrlcal work, preliminary to plastering, ls nearing· completion, Primary power lines have not yet IJcen run to the hospital site. In· Ronald · Silowerman, Williams· stullulion, reported Consumel'll ton, lo~t hIs life on his 17th birth· Power Co., awaits decision of the day. The car he was driving on hospltal board on PUI'Itlng areas. Holt road, a haif·mlle east of "We'll have to ltecp poles out Burltlay road, went out of control of parlting lots, if possible," ex· and struci< a tree Tuesdny night. plained Glen Coon, Mason Con· 1'he hoy rlll'tl ol' u fmcttll'l!d sumers manager, "and it costs Nimll awtl a brolwn 1wcl\, Jle money to ~et and move poles, As '''"n lmd 11 lwnlwn 111'111 111111 1~ soon as the parlting area decision brol•cn leg·, Jlo clletl In the Is made, the primary lines will be Wl'eclmg·e, run," Ballot List · He was the son or Mt. and Mrs. 'J'he fiOWel' lines will l'OIIlll Glenn Showerman, 2355 Stock· lu 1'1'11111 t.lul snnth, IJIUt l'rom bridge rond. Is Certified Columbia sll·cet. He had been to visit a friend, J, A. Dm t Co., Mason, has the Sherry Moore, daughter of Mr. It's ofiiciul now.
    [Show full text]
  • Swift Publisher User Manual
    1 Contents Introduction Brief Description Licensing Updating Swift Publisher Removing Swift Publisher Useful Web Resources End User License Agreement BeLight Software Privacy Statement Program Interface Swift Publisher Main Window The Inspector The Preferences Dialog Menus Keyboard Shortcuts Working with Documents Document Types Document Preview in the Main Window Creating a New Document Opening an Existing Document Saving a Document Using Templates Layout Page Layout Managing Layers Moving Objects Aligning and Distributing Objects Rulers 2 Guide Lines and Margin Guides The Grid Choosing Paper Custom Paper Layout Working with Multipage Documents Multipage Document Properties Additional Page Layout Capabilities Managing Pages in the Main Window The Pages Panel Adding and Removing Pages Changing the Page Order Navigating Through the Document Numbering Pages Master Pages Page Spreads Creating Booklets Working with CD/DVD/Blu-ray Media Optical Disc Document Properties Managing CD/DVD/Blu-ray Elements in the Main Window Working with Labels, Envelopes, Postcards and Business Cards Document Properties Double-Sided Documents Dynamic Data Fields Types of Dynamic Data Fields Adding and Removing Data Fields Changing the Data Field Properties Working with Barcodes Adding and Removing Barcodes 3 Barcode Properties Barcode Types Importing Importing Contacts Importing Data from a Text File Importing from iTunes and Photos Editing Documents Selecting Objects Changing the Object Size Rotating Objects Grouping Objects Filling Objects with Colors Applying
    [Show full text]
  • KODAK PROFESSIONAL PLUS-X 125 Film / 125PX
    TECHNICAL DATA / BLACK-AND-WHITE FILM February 2002 • F-4018 KODAK PROFESSIONAL PLUS-X 125 Film / 125PX KODAK PROFESSIONAL PLUS-X 125 Film is a —NOTICE— medium-speed, continuous-tone panchromatic film that is a To reflect our enduring commitment to black-and-white photography, black-and-white film production will take place in good choice for general-purpose outdoor or studio an even more advanced film-coating facility. New technology photography. It features extremely fine grain and excellent applied to these superior, time-tested emulsions will result in sharpness. slightly different processing times for the film family. But the KODAK PROFESSIONAL PLUS-X Film is available in same great films—those you've known and trusted for years— will still deliver the same breathtaking results. 135 size and 35 mm long rolls on a 5-mil gray acetate base, and in 120 and 220 size on a 3.6-mil acetate base. The 120 Use the packaging examples below to determine which film and 220 sizes have a retouching surface on the emulsion side. you have, then refer to the corresponding publication for development times. FEATURES BENEFITS New packaging, refer to this Former packaging, refer to • Extremely fine grain • Excellent for producing publication (F-4018) Kodak publication F-8: high-quality images • Wide exposure latitude • Rich tonality maintained with overexposure and underexposure • Very high sharpness • Excellent for applications that require a high degree of enlargement • High resolving power • Good rendition of detail SIZES AVAILABLE Sizes and CAT numbers may differ from country to country. The numbers below apply to products sold in the United Sates.
    [Show full text]
  • With 30 Years of Nature Travel
    About Tom Dempsey W ith 30 years of nature travel photography experience in over 20 countries, Tom has mastered the use of lightweight camerasSierra forNational photography Geographic DKon thePublishing go. His imagesRough Guidesappear Moonin travel Travel Guidespublications by , , , , , and more. www.PhotoSeek.com He authors internet website and teaches photography workshops in his home city of Seattle. [email protected] comments and order images/books: Above: Tom traveling in New Zealand, a favorite destination. Photo by Carol Dempsey. (2007) “We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time.” Little Gidding — T. S. Eliot, Back cover: Natural tannins released from decomposing vegetation stain Tidal River brown, in Wilson’s Promontory National Park, Victoria, Australia. Captured with a compact camera. (2004) Canon PowerShot G5 210 | Light Travel Tom Dempsey Light Travel Photography on the Go PhotoSeek Publishing Seattle, Washington � Right: A Nepali woman turns a large prayer wheel at Pangboche Gompa, a Buddhist temple near Mount Everest in Sagarmatha National Park, a UNESCO World Heritage Site in Nepal. (2007) Previous pages: The mountains of Eiger, Mönch, and Jungfrau (Ogre, Monk, and Virgin) reflect in a pond at Kleine Scheidegg train station in Switzerland. Six images were stitched to make this panorama—learn how on pages 44-45. Jungfrau-Aletsch is inscribed on the World Heritage List by UNESCO. (2005) Cover photo: Trekkers pause at 13,000 feet/4000 meters elevation near the impressive mountain face of Fang (25,088 feet/7647 meters) in the Annapurna Sanctuary, Nepal.
    [Show full text]
  • The Daily Egyptian, December 01, 1983
    Southern Illinois University Carbondale OpenSIUC December 1983 Daily Egyptian 1983 12-1-1983 The aiD ly Egyptian, December 01, 1983 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_December1983 Volume 69, Issue 68 Recommended Citation , . "The aiD ly Egyptian, December 01, 1983." (Dec 1983). This Article is brought to you for free and open access by the Daily Egyptian 1983 at OpenSIUC. It has been accepted for inclusion in December 1983 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Bill revives Civil Rights 'Daily 'Egyptian Commission WASHINGTON lAP) President Rp.agan revived the Thursday. December I. 1983. Vol. 69. No.68 Southern Illinois University U.S. Commission on Civil Rights on Wednesday after waiting until Virtually the last moment to sign legislati(Jll reducing his power to influence Weather, distal Ice called factors the panel. Reagan named the com­ mission's last chairman, Clarence M. Pt'ndieton, to serve on the reconstituted panel and said outgoing staff director Pilot gives opinions on flight Linda Chavez should resume Ih' John Rac'in" her position, although her ap­ Staff Writer pointment is subject to con­ currence by the full com­ Capt. Curtis Welge. Air mission. Illinois' chief pilot, testified Technically, the commission Wednesday that - if he had been e .• died at midnight Tuesday. The at the controls -- he might have bill signed by Reagan revives it, pmceeded with Flight 710 but with greater congressional despite the plane's faulty - and less presidential - generator. control over its makeup. Flight 710 ended in a crash in The 218 C:lreer employees of which the three-member crew the commission.
    [Show full text]
  • Kodak Versus Fujifilm
    Kodak versus Fujifilm The news about Kodak’s entry into Chapter 11 was paired with a Wall Street Journal story on how Fujifilm faced the same threat of digital photography, but were able to successfully adapt to the new challenges. To me, Kodak’s descent into bankruptcy is almost unimaginable, because I remember how dominant it was in film sales. I worked some summers in a photo store selling film and cameras. At the time, Kodak films were the most expensive, followed by Fuji and then Agfa. If customers asked us how the films differed, we told paper from the same maker even though printer them (as was true) that modern films only had very paper of different manufacturers produces outputs minor quality differences that would be visible in that are even more similar than film from different really large prints. They did have some subtle manufacturers. colour differences, which happened to match the packaging: the Kodak in yellow boxes had a subtle When digital photography hit Kodak, they had the glow, Fuji in green boxes had neutral and bright expertise to make digital cameras but failed to colors, and the Agfa in red boxes could draw capitalize on it. That part of the story is well known. towards red. At the time, our customers were But arguably still picture markets could never be the picking up Kodak and Fuji film in roughly equal same after digital photography, because much of the numbers in the most common 35mm format, which mystery of printing went away. The digital camera meant that Kodak got more revenue.
    [Show full text]
  • Distracted Spectatorship, the Cinematic Experience and Franchise Films
    Distracted Spectatorship, the Cinematic Experience and Franchise Films By Elizabeth Nichols BA, MA Lancaster University 2017 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy This thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere P a g e | ii Contents List of Figures ........................................................................................................................... iv Abstract ...................................................................................................................................... v Introduction: Distracted Spectatorship and the Cinematic Experience ..................................... 1 Chapter One: Defining the Cinematic Experience ................................................................... 17 Section One: Defining the Cinematic ................................................................................... 17 Section Two: Defining Experience ...................................................................................... 22 Chapter Two: Defining Distracted Spectatorship .................................................................... 37 Section One: Defining Spectatorship ................................................................................... 37 Section Two: Defining Distraction ....................................................................................... 49 Section Three: Defining Distracted Spectatorship Throughout
    [Show full text]