Blue/Orange Final Document:Blue
We l c o m e t o
Glorious greetings to you all! What a pair of pearls The Old Globe has in store for us this fall, as we kick off It’s an exciting time at The Old Globe. The our newly reconfigured Season 2003-04! 2003-04 season is beginning in the Old Globe Ahoy to the gifted Stan Theatre and the Cassius Carter Centre Stage, Wojewodski, who returns to us after while the final production of our triumphant serving as Dean of the Yale School of summer season plays the Lowell Davies Festival Drama and Artistic Director of the Yale Theatre. This summer San Diego theatregoers Repertory Theater, with his rousing pro- were treated to spectacular performances by duction of Tom Stoppard’s Rough Crossing. The celebrated André Globe artists to rave reviews. You may have seen Previn provides a few witty tunes for this art deco transatlantic the exceptional notice and rare west coast cruise which flounders in storms on the high seas as two play- review The New York Times gave our production of Julius Caesar. The wrights race against time to find an ending to their new musical, 2003-04 season is sure to continue The Old Globe tradition of theatri- The Cruise of the Dodo! Hilarious complications ensue as they try cal excellence beginning with Tom Stoppard’s hilarious Rough Crossing to mollify their fragile and jealous composer, while navigating the and the Olivier Award-winning Blue/Orange. treacherous romantic currents of their lead actors and an eager Of course, before we know it, the holiday season will be upon us, but hopeless ship’s steward. and this year the Globe has three wonderful productions for the entire Rough Crossing is a lesser known and rarely performed family. First, our annual tradition of Dr. Seuss’ How the Grinch Stole Stoppard play filled with witty puns, physical comedy and clever Christmas!, which is made possible through the generosity of Audrey conceits. For over forty years, this multi-Tony and Olivier Award- Geisel and The San Diego Union-Tribune. Now in its sixth year, the Grinch winner has brought artful wordplay and tremendous passion to returns to captivate audiences of all ages. This November will also the world stage. This is Stoppard at his lightest and most begin the “Seussentenial,” a year long 100th birthday celebration hon- delightful! oring the creative genius of Theodor Seuss Geisel. The Old Globe will Leading off in the Cassius Carter Center Stage is our very celebrate with tens of thousands of children and families, both here at own Richard Seer’s production of the timely tale, Blue/Orange. A the Globe and in our communities and schools, as part of this national fresh new voice in the theatre, award-winning British playwright event. Additionally, we are delighted to inaugurate the first annual Joe Penhall has penned a savagely funny psychological boxing “Grinch Family Gala” on November 15, a fun-filled event where San match in which the patient, whose treatment triggers a profes- Diego families can enjoy a wonderful afternoon of theater activities, a sional disagreement between two psychiatrists, becomes their special luncheon, as well as a performance of the Grinch. unwitting punching bag. Health insurance comes under attack During the holidays San Diego audiences can also rock out with as well, as the doctors are encouraged to release the patient pre- the New Year’s Eve musical Striking 12, featuring one of America’s hippest maturely as a cost-cutting measure. This much decorated winner rock music ensembles, GrooveLily. of England’s Olivier Award for best new play of 2001 is an incen- If Grinch and Striking 12 weren’t enough, The Old Globe is honored diary and darkly comical tale of race, madness and a Darwinian to host the much-anticipated return to our stage of Teatro Máscara power struggle. Mágica’s La Pastorela de Felicidad, the traditional nativity play that will So settle in – we have riches beyond imagining – making light up the Lowell Davies Festival Theatre with holiday magic. theater-going a constant star on your horizon. Thanks for bring- Finally, I would like to acknowledge our family of Season ing the art of the theater to the heart of San Diego! Sponsors, whose generous gifts, along with the support of patrons like you, continues to allow us to bring San Diego the best of the American theatre and our much needed education programs to our community.
JACK O’BRIEN Artistic Director
LOUIS G. SPISTO Executive Director
PERFORMANCES MAGAZINE P1 S p o n s o r s
Our 2003 Season Sponsors continue a tradition of annual leadership gifts of $50,000 or more to The Old Globe that help us sustain the highest possible quality of work appearing on our stages. We are deeply grateful to these most generous donors. The Lipinsky Family Donald and Darlene Shiley Anonymous Sheryl and Harvey P. White Karen and Donald Cohn
We also gratefully acknowledge our generous sponsors of this production of Blue/Orange:
and Karen and Donald Cohn MARSH Inc. is the world’s leader in employee benefits, risk solutions and insurance services. In keeping with their aim to “speak the local language and understand the local culture,” MARSH is actively involved throughout the San Diego community. They are long-time supporters of the Globe, providing major financial and volunteer support for several productions. Sue Ebner, Senior Vice President at MARSH, has served on the Globe’s Board of Directors since 2001. Karen and Donald Cohn have been actively involved with The Old Globe for over a decade. Karen joined the Globe Board in 1993 and subsequently served two terms as Board President, as well as Chair for three of the Theatre’s Galas, including the extremely successful Grinch Gala of 1998. Past production sponsorships have included Twelfth Night, A Midsummer Night’s Dream, The Doctor Is Out and Wonderful Tennessee. Karen currently serves as a member of the Board’s Executive Committee, and the Co-Chair of the Globe’s Endowment and Capital Campaign. We extend our gratitude to MARSH and Karen and Donald Cohn for their community leadership in supporting the important arts and education programs in the region. We’re very pleased to honor them as sponsors of Blue/Orange.
P2 PERFORMANCES MAGAZINE CASSIUS CARTER CENTRE STAGE | SEPTEMBER 19, 2003 – OCTOBER 26, 2003
PRESENTS
BY Joe Penhall
SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Robin Sanford Roberts Charlotte Devaux Chris Rynne Paul Peterson
VOICE & DIALECT COACH STAGE MANAGER Jan Gist Lisa Porter*
DIRECTED BY Richard Seer
BLUE/ORANGE was first performed at the Cottesloe Theatre, Royal National Theatre on April 7, 2000. Michael Codron and Lee Dean transferred the Royal National Theatre’s Production to the Duchess Theatre, London on April 30, 2001. The American Premiere took place at the Atlantic Theatre Company, Neil Pepe, Artistic Director/Beth Emelson, Producing Director in New York City in December, 2002. BLUE/ORANGE by Joe Penhall is presented by arrangement with Dramatists Play Service, Inc., in New York.
Si desea una sinopsis de esta obra en Espan~ol, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this play in Spanish, please request it from an usher.
Casting by: Liz Woodman, C.S.A. * Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
PERFORMANCES MAGAZINE P3 Cast of Characters IN ALPHABETICAL ORDER
Christopher...... TEAGLE F. BOUGERE* Bruce...... BRIAN HUTCHISON* Robert...... NED SCHMIDTKE*
Setting: The action takes place over 24 hours in a modern NHS psychiatric hospital in London. There will be one 15-minute intermission.
* Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
P r o f i l e s
Teagle F. Bougere Brian Hutchison Ned Schmidtke (Christopher) (Bruce) (Robert) THE OLD GLOBE: Debut. BROADWAY: The THE OLD GLOBE: All My Sons, The Hostage, Albee’s THE OLD GLOBE: Pericles. BROADWAY: Tempest (with Patrick Stewart, directed by Men, Henry V, Love’s Labour’s Lost.BROADWAY: The Aren’t We All? (also national tour). REGION- George C. Wolfe, Drama League Award). OFF- Invention of Love, Proof.REGIONAL: Can’t Let Go (world AL: Six Degrees of Separation, National Tour; BROADWAY: A Last Dance for Sybil (with Ruby premiere), Keen Company; The Drawer Boy, Studio Richard II, Macbeth, Tartuffe, Stratford Dee), The Winter’s Tale (with David Arena; Beatrice et Benedict, New York Philharmonic; Fit Shakespeare Festival, Canada; The Moliere Straithairn), Classic Stage Company; Antony to be Tied (workshop), Playwright’s Horizons; Comedies, Mark Taper Forum; Driving Miss and Cleopatra (with Vanessa Redgrave), King Madwoman of Chaillot, The Waiting Room, Daisy, Utah Shakespeare Festival; The Real Lear (with Harris Yulin), Othello (with Patrick Williamstown; Three Tall Women, Pittsburgh Public Thing, Court Theatre; Henry IV, parts 1 and 2, Stewart). FILM: A Beautiful Mind, Two Weeks Theatre. FILM: Sudden Death, Jetfighter. TV: All My Much Ado About Nothing, The Three Musketeers, Notice, The Imposters, The Pelican Brief, Murder in Children, Guiding Light. EDUCATION: Mr. Hutchison The School for Scandal, Oregon Shakespeare Black and White, What the Deaf Man Heard (with received his BA from Lafayette College and his MFA Festival; Molly Sweeney, Indiana Repertory James Earl Jones). TV: The Cosby Show, Law & from USD/The Old Globe Professional Actor Theatre; Twelfth Night, Cymbeline, Chicago Order, Third Watch, The Job. Training Program. Shakespeare; The Three Sisters, The Winter’s Tale, Goodman Theatre; Later Life, American Stage Festival; Libra, Steppenwolf Theatre; Mrs. Warren’s Profession, Nothing Sacred, Uncommon Ground, Northlight Theatre; Don Juan, Passion
P4 PERFORMANCES MAGAZINE P r o f i l e s CONTINUED Play, Arena Stage; Cyrano de Bergerac, Plenty, Robin Sanford Roberts FILM/TV: Ms. Devaux was formerly the costume Huntington Theatre. FILM: Mercury Rising, My (Scenic Design) designer, stylist and wardrobe supervisor for Best Friend’s Wedding, Chain Reaction, The Relic, Music Television New Zealand’s live children’s programs THE OLD GLOBE: Rounding Third, Faith Box. TV: JAG, West Wing, The Practice, ER, Crossing and drama series. She has also designed a vari- Healer, Betrayal, Da, Art, God’s Man in Texas, Old Jordan, Fastlane, Roswell, First Monday, Early Edition. ety of New Zealand independent short films. Wicked Songs, Private Eyes, Collected Stories, Albee’s People, The Old Settler, Scotland Road, Miracles, Sylvia, The Compleat Wrks of Willm Shkspr Joe Penhall (Abridged), Voir Dire, The Substance of Fire, Chris Rynne (Playwright) Uncommon Players; also, The Old Globe Galas (Lighting Design) Joe Penhall’s first play, Wild Turkey, was per- for 1999, 2000, 2001, 2002. With The Old THE OLD GLOBE: Time Flies, Knowing Cairo, formed at the Old Red Lion as part of the 1993 Globe/University of San Diego Professional Beyond Therapy, SantaLand Diaries ('01), London New Play Festival. Some Voices, which Actor Training Program: All in the Timing, The Associate designer for Dr. Seuss’ How the premiered at the Royal Court Theatre Upstairs Misanthrope, Love’s Labour’s Lost, Pericles. Grinch Stole Christmas!. Assistant designer for in 1994, won him a Thames Television Bursary BROADWAY: It Ain’t Nothin’ but the Blues. over 30 productions on the Globe and Festival and the John Whiting Award in 1995. Also in REGIONAL: Fire on the Mountain, Working, The stages. With The Old Globe/University of San 1995, his play Pale Horse premiered at the Merchant of Venice, The Beauty Queen of Leenane, Diego Professional Actors Training Program: Royal Court Theatre Upstairs and won the Avenue X, It Ain’t Nothin’ but the Blues, San Diego All in the Timing, A Winter's Tale, Two Gentlemen of Thames Television Best Play Award. Penhall's Rep; Blues in the Night, Three Tall Women, Verona, Macbeth, Getting Married. ELSEWHERE: other works for the stage include Love and California Schemin’, Sacramento Theatre U.S. premiere of Noel Coward's Star Quality at Understanding, which debuted at the Bush Company; Waiting for Godot, Angels in America, the Pasadena Playhouse; Associate designer for Theatre in 1997 and had its U.S. premiere the Flesh and Blood, Swine Palace Productions; Norma, San Diego Opera; Luis Valdez’s following year at the Long Wharf Theatre; and Three Mashas, Telluride Theatre Festival; Dixie Mummified Deer, San Diego Rep; Lighting sys- The Bullet, which debuted at the Donmar Highway, Hahn Cosmopolitan Theatre; tem design and Hedwig and the Angry Inch, Warehouse in 1998. He adapted his play Some Dirigible, Circle X Theatre. Additionally, Ms. Cygnet Theatre; Travesties, Importance of Being Voices into a feature film in 2000. Penhall was Roberts was awarded a 1997 NEA/Theatre Earnest, A Perfect Ganesh, Summer and Smoke, The the 1995 Thames Writer in Residence at the Communications Group Designer Fellowship; African Company Presents Richard III, Auntie Royal National Theatre, where Blue/Orange had she is currently teaching in the Theatre Arts Mame, North Coast Rep; The Mystery of Irma its world premiere in 2000. Mr. Penhall cur- program at the University of San Diego. EDU- Vep, Fifth of July, Boys in the Band, Love! Valour! rently lives in London. CATION: Ms. Roberts received her MFA in Compassion! (Patte Award), Destiny of Me, Scenic Design from the University of Diversionary Theatre; Crazy for You, Starlight California, San Diego and holds a Bachelor’s Theatre. TV: Lighting Designer for the 2001 Richard Seer Degree in Architecture from L.S.U. San Diego Sockers commercials. EDUCA- (Director) TION: Mr. Rynne holds a B.A. in Theatre from THE OLD GLOBE: All My Sons, Da, Old UCSD. Wicked Songs. Additionally, Mr. Seer has been Director of The Old Globe/ University of San Charlotte Devaux Diego Professional Actor Training Program (Costume Design) Paul Peterson THE OLD GLOBE: Designer: Splendour, All My since 1993. With the program he has directed (Sound Design) Sons, Betrayal, The SantaLand Diaries, Da; Psychopathia Sexualis, Reckless, The Water Engine, THE OLD GLOBE: Rough Crossing, Time Flies, Resident Assistant Costume Designer: Twelfth Night, Burn This, Cloud 9, The Cherry Pentecost, Knowing Cairo, Loves & Hours, Imaginary Friends, Dr. Seuss’ How the Grinch Orchard, Translations. BROADWAY: Da, for Splendour, All My Sons, Faith Healer, Smash, An Stole Christmas!, A Midsummer Night’s Dream, The which he received the Theatre World Award Infinite Ache, Compleat Female Stage Beauty, Boswell Sisters, The Hostage, Old Wicked Songs, for his performance as Young Charlie in the Betrayal, The SantaLand Diaries, Dr. Seuss’ How Things We Do for Love, The Woman in Black, 1978 Tony Award-winning production. the Grinch Stole Christmas!, The Pavilion, Enter the Crumbs from the Table of Joy, The Countess, Vita and ELSEWHERE: He has directed or performed Guardsman, The Boswell Sisters, Vita and Virginia, Virginia, Art. ELSEWHERE: Linnaeus, Prince of in over 60 productions at theatres in this The Countess, Crumbs from the Table of Joy, Orson's Flowers, Botanic Gardens, Christchurch, New country and Great Britain, including produc- Shadow, God's Man in Texas, Travels with My Aunt. Zealand, and Royal Botanic Gardens, Sydney, tions at the Goodman Theatre in Chicago, The ELSWHERE: The Magic Fire, Milwaukee Rep; Australia (winner, Fringe First, Edinburgh, Kennedy Center, Stratford Shakespeare POP Tour (1999 & 2000), La Jolla Playhouse; Scotland), also in New Zealand: Suburb, Twelfth Festival, The Brooklyn Academy of Music, The Sic, A Knife in the Heart, Richard III, The Chairs, Night, Christchurch Repertory Theatre; Hopes, Huntington Theatre Company in Boston, Demonology, Alice in Modernland, Sledgehammer Dreams and Perditions, The Court Theatre. Washington’s Playwrights’ Theatre, Studio Theatre; Forever Plaid, Backstage at Aubergine; Charlotte is an Associate Designer of The Arena Theatre in Buffalo, the Edinburgh Gross Indecency, Diversionary Theatre; also Christchurch Drama Theatre and has designed Fringe Festival and the Sybil Thorndike credits at The Wilma Theatre, L.A. numerous children’s productions, also Dr. Repertory Theatre in England, to name a few. TheatreWorks, San Diego Repertory Theatre, Livingstone, I Presume (premiere), London, UK. North Coast Repertory Theatre, Cape Fear
PERFORMANCES MAGAZINE P5 Regional Theatre, Hope Summer Repertory Jan Gist The Old Globe/University of San Diego Theatre, Malashock Dance & Company, The (Voice & Dialect Coach) Professional Actor Training Program. University of San Diego, San Diego State Jan Gist has worked as a voice, speech, and dialect University, and the Freud Theatre at UCLA. coach at theatres around the country, including: EDUCATION: BFA in Drama with an empha- Time Flies, Julius Caesar, Pentecost, Compleat Female Liz Woodman Casting sis in Technical Design from San Diego State Stage Beauty, An Infinite Ache,, Faith Healer, Pericles, (Casting) University. Taming of the Shrew, at The Old Globe. Credits at THE OLD GLOBE:Splendour, Loves & Hours, Oregon Shakespeare Festival include four plays in Knowing Cairo, Pentecost, Compleat Female Stage 1991; David Edgar’s new play Continental Divide Beauty, An Infinite Ache, All My Sons, Faith Healer, Lisa Porter and Noel Coward’s Present Laughter in 2003; A Pericles, The Taming of the Shrew, Twelfth Night, The (Stage Manager) Weaving of Words and Sounds (original poetry). Also Boswell Sisters, A Midsummer Night’s Dream, Art, THE OLD GLOBE: Ms. Porter worked at the credits at Alabama Shakespeare Festival, Utah Dinner with Friends, The Countess, Love’s Labour’s Lost, Globe in 1988 as an intern and is delighted to Shakespearean Festival, The Shakespeare Theatre, The Trojan Women, The Full Monty, God’s Man in be back as a Stage Manager. INTERNATION- Arena Stage, Milwaukee Repertory Theare and Texas, Orson’s Shadow, Cymbeline, Things We Do For AL: Ms. Porter has stage managed internation- PlayMakers’ Repertory. Ms. Gist worked on the Love, Private Eyes, The Weir, Bedroom Farce, Blues for an al tours for Mikhail Baryshnikov, Laurie film The Rosa Parks Story and can be heard on the Alabama Sky, Paramour, Romeo and Juliet, The Old Anderson, Richard Foreman, and Singaporean upcoming radio program A Way With Words, as Settler, Cowgirls, All in the Timing. REGIONAL: The director Ong Keng Sen. She has collaborated well as the voiceover for the San Diego Museum Alley Theatre, Hartford Stage. FILM: The Lunch with independent filmmaker Hal Hartley on of Art’s Degas in Bronze exhibit. Additionally, Gist Date (Academy Award). TV: Loving (Artios Award two short films and his play Soon, which pre- has taught and led workshops around the country, nomination), Another World, Texas Dottie. ELSE- miered at the Salzburg Festival. BROADWAY: including the national VASTA conference in WHERE: Ms. Woodman has cast many plays in Substitute Stage Manager for Les Mis`erables, Shakespeare’s Shapely Language on speaking the New York, fromSugar Babies to Timon of Athens The Lion King. OFF-BROADWAY: Everybody’s text’s structures. Ms. Gist is an originating and (National Actors Theatre) to Cowgirls, The Full Ruby, Venus, Saturn Returns, Henry V, The Public published member of the Voice and Speech Monty and A Thousand Clowns with Tom Selleck. Theater. REGIONAL: Venus, Uncle Vanya, Betty’s Trainers’ Association and has been published in She cast Not About Nightingales for Trevor Nunn in Summer Vacation, The Taming of the Shrew, Yale The Voice and Speech Trainers Associations’ Journal both London and New York. Currently, she is the Repertory Theatre. EDUCATION: Ms. Porter (original poetry), The Complete Voice and Speech casting director for the national company of The holds an MFA from the Yale School of Drama Workout Book (voice exercises), and More Stage Full Monty (Artios Award Nomination). MEM- and is currently a Visiting Lecturer of Stage Dialects (Yiddish dialect). Gist holds a BFA from BERSHIPS: Casting Society of America, ATAS, Management at Yale. Carnegie Mellon University and an MFA from League of Professional Theatre Women. Wayne State University. Ms. Gist teaches with ADDITIONAL STAFF
Assistant to the Director ...... Eli Hans Assistant Scenic Designer ...... Amanda Stephens Grinch Family Assistant Costume Designer...... Lucien Anselmo PHOTO BY Production Intern ...... Amy Bristol
Adults – $125 – $75 UNDERSTUDIES GalaChildren (12 and under) Bruce ...... Christopher Gottschalk Robert ...... Jeffrey Brick SPECIAL THANKS
HOW THE GRINCH STOLE CHRISTMAS! Lewis L. Judd, M.D. Mary Gilmore Marston Professor of Psychiatry Chair, Department of Psychiatry, UCSD
CAST OF DR. SEUSS’ Patricia Hoffman-Judd, Ph.D. Clinical Professor of Psychiatry Department of Psychiatry, UCSD Save The Scenic, Costume, Lighting, and Sound Designers in LORT Theatres are represented by United Scenic Artists Local USA-829, IATSE. To receive an invitation call (619) 231- the The Director is a member of the Society of Stage 1941 x2322 Directors and Choreographers, an independent national labor union.
P6 PERFORMANCES MAGAZINE La terre est bleue... The Earth is blue... La terre est bleue comme une orange The earth is blue like an orange
Jamais une erreur les mots ne mentent pas Never a mistake words do not lie
Ils ne vous donnent plus `a chanter They no longer give you cause to sing
Au tour de baisers de s’entendre It’s kisses turn to get along (hear each other)
Les fous et les amours Madmen and lovers
Elle sa bouche d’alliance She her wedding-ring mouth
Tous les secrets tous les sourires All the secrets all the smiles
Et quels vêtements d’indulgence And what garments of indulgence
À la croire toute nue. To believe her quite naked.
Les guêpes fleurissent vert The wasps are flowering green
L’aube se passe autour du cou The dawn is worn around the neck
Un collier de fenêtres A necklace of windows
Des ailes couvrent les feuilles Wings cover the leaves
Tu as toutes les joies solaires You have all the solar joys
Tout le soleil sur la terre All the sunlight upon the earth
Sur les chemins de ta beauté. On the roads of your beauty.
– Paul Éluard
PERFORMANCES MAGAZINE P7 PSYCHIATRY IN BLUE/ORANGE A CONVERSATION WITH... LEWIS L. JUDD, M.D. – AND – PATRICIA HOFFMAN-JUDD, PH.D. Mary Gilmore Marston Professor of Psychiatry Clinical Professor of Psychiatry Chair, Department of Psychiatry, UCSD Department of Psychiatry, UCSD
Q. What is the relationship A. In both Great Britain and the United States, psychiatrists in train- between a psychiatrist in train- ing require four years of education beyond medical school. They are required to care for patients under the supervision of more senior and ing and his/her supervisor? experienced consulting or supervising psychiatrists. Psychiatrists in train- ing are, in general, required to defer to the judgment and professional opin- ions of their senior attending psychiatrists, who have the ultimate respon- sibility for the patient’s care. In this sense the attending psychiatrist has considerable power over the training psychiatrist and the patient. The opin- ion of the supervising psychiatrist will be the final one and the training
Q. What are the primary A. Paranoid Schizophrenia is among the most severe and disabling differences between a diagnosis of all the psychiatric disorders; it is primarily a chronic lifelong and very serious condition. However, the severity of the disorder can wax and wane of Paranoid Schizophrenia and overtime and patients if treated appropriately can respond and have peri- Borderline Personality Disorder? ods of time when they are relatively normal and symptom free. The diag- nostic hallmarks of this disabling disorder are delusions and hallucinations and disorganized speech and behavior. A delusion is an erroneous or false belief that is not rational and has no basis in fact, but the patients cannot be convinced that the delusion is wrong. The most common hallucinations are auditory, occurring when the patient is clearly conscious and the patient perceives they are hearing voices that are coming from another source out- side themselves. Delusions can be paranoid (i.e. “someone is persecuting me”) or bizarre in nature i.e. (“I am God”). Borderline Personality Disorderwas described, many years ago, as a disorder that existed on the borderline between “neurosis” and “psychosis.” Modern thinking supported by empirical research has shown that this dis- order is separate and distinct with its own characteristics, signs and symp- toms. It usually appears in early adulthood and is characterized by a perva- sive and persistent pattern of instability of interpersonal relationships, self- image, emotions, and marked impulsivity. Individuals with the borderline disorder usually have intense and disrupted interpersonal relationships. They often feel maltreated and hurt by significant others and become very angry and/or suicidal in response. As a means to manage their intense and unstable emotions they may also abuse drugs and alcohol, binge eat or gamble excessively. They often are self-mutilating as a means to reduce intolerable levels of anxiety and loneliness. These patients often dissociate and under increased stress experience psychotic states which are brief and rarely last more than a few days.
P8 PERFORMANCES MAGAZINE Q. Can a patient’s race or A. In general, the content of major psychiatric disorders may be cultural background be responsible influenced by the person’s particular background and experiences but not the actual symptoms and behavior. As humans, members of the psychiatric for their psychoses and behavior? profession may carry certain prejudices and stereotypes about members of a particular racial/ethnic group that may influence their assignation of a diagnosis. Cross cultural studies conducted by the World Health Organization have found that the diagnoses of major psychiatric disorders like these are based on the same symptoms and diagnostic criteria wherever the patient is living and individuals with psychiatric disorders including the borderline disorder are found in people of all ethnic, racial and cultural backgrounds.
Q. Under what conditions are A. Sections 1, 2, and 3, as referred to in the play, are procedures in patients hospitalized involuntarily? Britain for admitting and holding a psychiatric patient in the hospital invol- untarily. Here in the United States, patient’s civil rights are also protected very scrupulously, and the California Welfare and Institutions Code specifies under what circumstances psychiatric patients can be held in the hospital on an involuntary basis. Code 51-50 (corresponds to Britain’s Section 1) – allows a psychiatrist, psychologist, emergency room physician or licensed physician in psychiatric training to admit a psychiatric patient to the hospital for 72 hours for obser- vation and evaluation for being homicidal, suicidal or gravely disabled due to a mental condition. Code 52-56 (probably corresponds to Section 2) allows a psychiatric patient to be held involuntarily for 14 days, on the basis that the patient is a danger to self and others, but only after an authorized hearing by duly appointed hearing officer supports the decision. Conservatorship (probably corresponds to Section 3) refers to a legal procedure whereby the patient is declared more permanently gravely dis- abled and unable to manage daily affairs. He/she is assigned a legal guardian to make all major life decisions and manage finances. The conservatorship can only be rescinded by the court. The conservator, assigned by the court is either a family member or court appointee.
PERFORMANCES MAGAZINE P9 PHOTO BY CRAIG SCHWARTZ.
DANA DELANY BILLY CAMPBELL (TWO-TIME EMMY AWARD- (“ONCE AND AGAIN,” WINNER,“CHINA BEACH”) “THE ROCKETEER”)
“I love you with so much of my heart that none is left to In this charming and suspenseful battle ofprotest.” the sexes, young lovers Hero and Claudio are set to be married. To pass the time, they conspire to set a “lover’s trap” for Benedick, an arrogant confirmed bachelor, and Beatrice, his favorite sparring partner. Meanwhile, the evil Don Jon conspires to break up the wedding by falsely accusing Hero of infidelity. Witty wordplay, passionate poetry and clever plot turns abound in this delightful comedy – perfectly set under the stars in Balboa park! Much Ado About Nothing | By William Shakespeare | Directed by Brendon Fox August 30 - October 12 in the outdoor Lowell Davies www.TheOldGlobe.org | 619-23-GLOBE |
P10 PERFORMANCES MAGAZINE Sep13– Oct 2 20036
“Few modern playwrights serve a fizzier champagne of verbal wit…” — THE NEW YORK TIMES By Tom Stoppard | Freely adapted from Ferenc Molnar’s Play at the Castle Directed by Stan Wojewodski | Old Globe Theatre Tom Stoppard, Academy Award-winning screenwriter of Shakespeare in Love and critically-acclaimed author of such contemporary masterpieces as Rosencrantz and Guildenstern are Dead, Arcadia, and The Invention of Love, brings us this hilarious screwball comedy of romance and rewrites on the high seas. Two desperate playwrights race against time to find an ending to their new musical comedy while on a trans-Atlantic voyage. Can they negotiate the treacherous romantic currents around their haughty leading lady, pompous leading man and perilously high-strung composer — or will they run aground on the bitter shoals of writer's block? With music by André Previn, this is one tuneful voyage you won't want to miss!
www.TheOldGlobe.org | 619-23-GLOBE |
PERFORMANCES MAGAZINE P11 2003 Board of Directors
Welcome home to The Old Globe. We’re pleased that you’re here. There are changes in the air. We hope you’ll approve. One change is the return to our original name. We’re “The Old Globe” again, after a period of marketing ourselves as “The Globe Theatres.” We learned from that experiment that the theatrical world cannot resist calling us by the name we grew up with, “The Old Globe,” so we decided to go back to using it ourselves. On our three stages themselves, you’ll find a lot more that’s new at The Old Globe. In the year ahead, we will continue to bring meaningful works to you from the great masters of classical theatre like Shakespeare and Moliere. What a treat to have them both on our current production schedule. We also look forward to having you join us for plays by some of the world’s lead- ing contemporary playwrights, including Arthur Miller, William Inge, and Nicky Silver, among others. We’re working hard at being accessible to you off-stage, as well as on-stage. Have you logged on to our new web site? Please try it out for your next subscription, or for your next purchase of individual tickets. Encourage your out of town guests to do so, as well. The site is filled with information about our productions, artists, staff, history, events for supporters, and much, much more. We thank American Express for the grant which allowed us to develop this site, and we invite you to visit us there, at www. theoldglobe.org. Well, the lights seem to be dimming. It’s time to sit back and enjoy the performance. One last thing. Please let us know, from time to time, how we’re doing. We’ll succeed in keeping The Old Globe new, only with your thoughtful advice. We look forward to it. Now, on with the show!
Paul I. Meyer, President, Board of Directors
Board of Lisa A. Barkett Sheila Lipinsky EMERITUS DIRECTORS Directors Joseph Benoit Timothy A. MacDonald Garet B. Clark John A. Berol Carlos Malamud* J. Dallas Clark Harvey P. White, Michael Busselen Richard V. McCune Honorary Chairman Mary N. Clendeninn Robert L. Noble, A.I.A. Sally Furay, R.S.C.J. Karen Cohn* John Rebelo Bernard Lipinsky Paul I. Meyer* Valerie S. Cooper Sandra Redman (1914–2001) President Christopher L. Crockett Tom Sayles Delza Martin Susan Major* Darlene G. Davies Phyllis Schwartz Patsy Shumway Executive Vice President David W. Down Curtis A. Smith Robert H. Gleason* Bruce M. Dunlap Louis G. Spisto* HONORARY DIRECTORS Vice President – Development Sue Ebner Anne C. Taubman Mrs. Richard C. Adams Tim K. Zinn* Bea Epsten Anthony S. Thornley Vice President – Finance Victor P. Gálvez Dean Thorp Clair Burgener Sally Furay*, R.S.C.J. Lee Goldberg Cherie Halladay Tirschwell Mrs. John H. Fox Treasurer Ronald Heller, M.D. Evelyn Mack Truitt (1908–2003) Sheryl White* Kay Taylor Hopkins Carol M. Veit Audrey Geisel Secretary Viviana Iban~ez Patricia Weil Joseph E. Jessop, Jr. Julie Meier Wright Paul Harter Sheri Karpinski Carolyn Yorston Gordon Luce Katherine Kennedy Dolly Poet *Denotes Executive Stephen M. Krant, M.D., F.A.C.S. Committee Member Deborah Szekely Hon. Pete Wilson
The Old Globe is supported in part by grants from the City of San Diego Commission for Arts and Culture, the California Arts Council, the County of San Diego and the National Endowment for the Arts; and is a constituent of the Theatre Communications Group and a member of the League of Resident Theatres and the San Diego Performing Arts League. This theater operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the union of professional actors and stage managers in the United States; and also under an agreement with the Society of Stage Directors and Choreographers (an independent, national labor union), and the International Alliance of Theatrical Stage Employees Local 122.
P12 PERFORMANCES MAGAZINE Advisory Council Members
Robert S. Albritton Fifth & Hawthorn Rena Minisi & Rich Paul Harry & Selma Tennebaum & Georgie Leslie Restaurant/Ed Nickelson Maria & Michael Morris Dixie & Ken Unruh Lawrence Alldredge & Dave Witt David & Noreen Mulliken Jordine & Harvey Von Wantoch & Dawn Moore Susanna & Michael Flaster Neiman Marcus Lewis L. Warner Paul Black Mary Ann & Arnold Ginnow Arthur & Marilyn Neumann Omar & Carol Winter Patricia Butler Sheryl A. Harris Charles Noell June Yoder Dr. & Mrs. Edgar D. Canada Leonard & Elaine Hirsch Jane & Victor Ottenstein Robert & Deborah Young Dallas & Mary Clark Alfred & Pat JaCoby James & Claudia Prescott Steven J. Cologne Russell & Mary Johnson RAdm. Arthur & Peggy Price, Jr. R. Patrick & Sharon Connell Marge & Jerry Katleman Paul & Katherine Ponganis Celeste & Steven Cowell Mr. & Mrs. Julian Kaufman Ann & Ernest Pund For more information, Bob & Gladys King Bobbie & Blaine Quick please contact Brad Ballard Susan B. Cowell at (619) 231-1941, x2309. Sid & Jenny Craig Ken & Sheryl King Jeannie & Arthur Rivkin Dr. & Mrs. Francis C. Cushing, Jr. Dr. Ara and Sosi Klijian Mr. & Mrs. Roger Roberts Pat & Dan Derbes Phyllis & Martin Kornfeld Saks Fifth Avenue Mrs. Philip H. Dickinson Ruth & Ronald G. Leonardi Donald & Darlene Shiley Nina & Robert Doede Peter & Inge Manes Ms. Roberta J. Simpson Bernard Eggertsen, M.D. Bob Martinet /Susan Parkin Dorothy & Joel Sollender & Ms. Florence Nemkov Dr. Marianne McDonald Gail Squires & Yaman Sencan Marion M. Eggertsen Merrill Lynch / Jeanette Stevens Barbara & Dick Enberg Mr. Scott Wilson Jay & Diane Sweeney Danah H. Fayman Judy & George Miller Marc Tarasuck, AIA Members Make the Difference The Old Globe rewards its members with the following exclusive benefits, services and events: General Membership: The Circle Patrons: BRONZE ($50 to $249): 10% discount on purchases at the Helen CRAIG NOEL CIRCLE ($1,500 to $2,499) Unlimited admission Edison Gift Shop; Subscription discount on American Theatre to the Lipinsky Family Suite; Personal VIP ticket service; Four magazine; Backstage tour and reception; Complimentary admis- additional Bard Cards; Invitations to all Circle Patron events; sion to Insights Seminars; Invitation to the annual members’ Priority upgrades on subscription seating. meeting; Ticket exchange fee waived PLAYWRIGHT CIRCLE ($2,500 to $4,999) Collector’s edition of SILVER ($250 to $499) Listing in program magazine for one Shakespeare’s works (upon request); Listing on lobby signs in year; Discounts at participating restaurants for pre- and post- Old Globe Theatre lobby; Listing as a contributor on Globe show dining; Service charge waived for all single ticket purchases website (upon request).
GOLD ($500 to $999) One complimentary admission for two to FOUNDER CIRCLE ($5,000 to $9,999) Complimentary admis- the Lipinsky Family Suite; Two Bard Cards for desserts or bever- sion for two to a Circle Patron event of your choice; Two addition- ages at Lady Carolyn’s Pub; $10 gift certificate for purchases at the al meals from the Lipinsky Family Suite menu. Gift Shop (no cash exchange value); Complimentary usage of two blan- kets for Festival productions DIRECTOR CIRCLE ($10,000 to $24,999) Valet parking for one performance of each production; Two house seats to a perfor- PLATINUM($1,000 to $1,499) One additional admission for two mance of your choice; Access to host a reception or meeting at The to the Lipinsky Family Suite; Four additional Bard Cards; One 12- Old Globe; Eligibility for production sponsorship in the Cassius oz. bag of Globe gourmet roasted coffee Carter Centre Stage ($15,000 and above; please call for details).
Production Sponsorships: ($25,000 and above): Many individual and corporate members at this level choose to direct their support toward sponsorship of productions or specific education programs. Additional benefits for production sponsorships at this level include prominent recognition at The Old Globe, as well as many special VIP privileges.
For more information about membership at any level, please contact The Old Globe development department at (619) 231-1941, x2309.
PERFORMANCES MAGAZINE P13 D o n o r s
The Old Globe, the flagship of San Diego’s performing arts community, maintains a long-standing reputation as one of this country’s leading non-profit theatres. The ability to uphold this standard, while keeping ticket prices affordable, is due in large part to the annual financial support of nearly 4,000 individuals, businesses, and foundations. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and many other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight: Benefactors Director Circle Arthur & Eleanor Herzman ($100,000 and above) ($10,000 to $24,999) Melissa & James Hoffmann City of San Diego, Anonymous (2) Susan & John Major Commission for Arts & Culture Elisabeth & John Bergan Bob Martinet Audrey S. Geisel/The San Diego The Louis Yager Cantwell Dr. Marianne McDonald Foundation Dr. Seuss Fund Private Foundation Money/Arenz Foundation, Inc. The San Diego Foundation Neil & Mary Clendeninn Arthur & Marilynn Neumann Weingart-Price Fund Valerie & Harry Cooper Pratt Memorial Fund The San Diego Union-Tribune Mr. & Mrs. Brian Devine Ellen C. Revelle The Shubert Foundation Christina L. Dyer Jeannie & Arthur Rivkin Dr. Robert and Bea Epsten Ms. Jeanette Stevens Lee & Frank Goldberg Deborah Szekely Season Sponsors Dr. Ronald & Susan Heller Evelyn Mack Truitt ($50,000 to $99,999) and Family Brent V. Woods & Laurie C. Mitchell J. Dallas & Mary H. Clark Fund of Dr. & Mrs. Harry F. Hixson, Jr. Mrs. June E. Yoder The San Diego Foundation Wanda & Tom Insley Karen & Donald L. Cohn Deni & Jeff Jacobs Playwright Circle Globe Guilders Joseph E. Jessop, Jr. ($2,500 to $4,999) The Lipinsky Family Katherine Kennedy/ The Parker Foundation Relocation Coordinates Dr. & Mrs. Wayne Akeson (Gerald & Inez Parker) Nina Lannan Associates, Inc. Robert S. Albritton Sempra Energy Mrs. Anna P. Lord Dr. Tony & Sue Allessandra Donald & Darlene Shiley Richard V. McCune Anonymous (1) Wells Fargo Paul & Maggie Meyer/ Jan & Rich Baldwin/ Sheryl & Harvey P. White Latham & Watkins, LLP Nth Generation Computing Mr. Steve Miller Ken & Ginger Baldwin Laurie D. Munday Melissa Garfield Bartell & Michael Bartell Production Robert L. Noble, AIA Charles & Molly Brazell Sponsors John & Laura Robbins Garet & Wendy Clark ($25,000 to $49,999) Patsy & Forrest Shumway Sid & Jenny Craig American Airlines Anne Taubman & David Boyle Ann & John Davies American Express Company Cherie Halladay Tirschwell Dean & Mrs. M. H. Dessent Anonym0us (1) Mr. & Mrs. Lawrence Veit Bernard J. Eggertsen & Florence Nemkov AT&T Patricia & Christopher Weil Martha & George Gafford Bank of America Family Foundation Madeline L. & Milton D. Goldberg Mr. & Mrs. William J. Barkett Carolyn W. Yorston Family Foundation John A. Berol Ellen & Tim Zinn Rita C. Grady Break-Away Tours Russell & Mary Johnson California Arts Council Dr. & Mrs. Richard L. Kahler California Bank & Trust Founder Circle Bob & Gladys King Continental Airlines ($5,000 to $9,999) Dr. Ron & Mrs. Ruth Leonardi County of San Diego Lawrence G. Alldredge & Dawn Moore Peter & Inge Manes Kathyrn Hattox Mr. & Mrs. James W. Bastien Drs. Frank & Pat Montalbano Joan & Irwin Jacobs Teresa & Tom Bernard Maria & Michael Morris Mr. & Mrs. Neil Kjos Cecilia Carrick & Stan Nadel Mrs. Margaret F. Peninger National Endowment for the Arts Nina & Robert Doede Dolly & Jim Poet Northern Trust Bank Mrs. Danah H. Fayman Mr. & Mrs. Blaine Quick Qualcomm, Inc. Susanna & Michael Flaster Jeremiah B. Robins Saks Fifth Avenue Mrs. John H. Fox* The San Diego Foundation Sheraton San Diego Hotel & Marina Samuel J. & Katherine French Fund, Jay & Diane Sweeney Union Bank of California Wells Fargo Trustee Dr. & Mrs. Andrew J. Viterbi Mandell Weiss Charitable Trust Mary Ann & Arnold Ginnow Lewis & Jean Warner Stanley E. Willis II Robert Gleason & Marc Matys Jean & Tim Weiss Fred & Alicia Hallett Robert & Deborah Young
P14 PERFORMANCES MAGAZINE Craig Noel Circle James & Claudia Prescott Ms. Sherrill Leist ($1,500 to $2,499) RAdm. Arthur & Peggy Price, Jr. Carl Levinger Mrs. Mary Thomas Adams Ann & Ernest Pund Ms. Leah S. Liersch In Memory of Charles R. Allen Roger & Christine Roberts Tom Mabie & Rhonda Heth Anonymous (2) Ms. Roberta J. Simpson Mr. Robert E. Mackey, Jr. Mr. & Mrs. John E. Barbey, Jr. Dotti & Joel Sollender Mr. Calvin Manning Diana Barliant & Nowell Wisch Gail Squires & Yaman Sencan Joseph L. Marshall & Dr. C. K. Barta & Inge Lehman Gwen Stoughton Rosemarie Marshall Johnson, M.D. Jack Benson Takahashi Family Fund of Laura Martin Joan & Jeremy Berg The San Diego Foundation Elizabeth & Edward McIntyre John & Karen Berger, M.D. Marc R. Tarasuck, AIA Dick & Betty Meads Stephen & Pamela Billings The Tarlov Family Mr. & Mrs. James S. Milch Paul Black Harry & Selma Tennebaum Law Offices of Miller, Monson, William & Janice Bopp Dixie & Ken Unruh Peshel, Polacek & Hoshaw Mr. & Mrs. Blaine A. Briggs John & Christy Walton Judith & Neil Morgan Mrs. Jeanette Burnett WD-40 Company Josiah & Rita Neeper Dr. & Mrs. Edgar D. Canada Betty Jo & Hal Williams Gail Powell Davis Ken & Deni Carpenter Omar & Carol Winter Brenda Marsh-Rebelo & John Rebelo Dr. & Mrs. Clifford W. Colwell Ms. Julie Meier Wright William & Susane Roberts Ms. Heidi Conlan/ Ms. Nancy J. Robertson The Sahan Daywi Foundation Dr. H. Warren Ross Platinum Mrs. William C. Ruzich R. Patrick & Sharon Connell ($1,000 to $1,499) Celeste & Steve Cowell Warren & Beverly Sanborn Susan B. Cowell Richard Addesso Margery P. Schneider Mrs. Willard T. Cudney Ms. Gail Andrade Rodney & Dolores Smith Dr. & Mrs. Francis C. Cushing, Jr. Anonymous (2) David & Sharon Snelling Darlene G. Davies Atkins & Associates Gloria Penner Snyder & Bill Snyder in memory of Lowell Davies Sally & John Berry Eugene L. & Hannah Step Pat & Dan Derbes Charlotte & Charles Bird Mr. & Mrs. Charles Taubman Mrs. Philip Hugh Dickinson Cynthia Bolker & Greg Rizzi Mrs. Claire Tavares Marion Eggertsen Robert & Lillie Breitbard Foundation Celeste & Gene Trepte Ira & Noddy Epstein Arthur & Sophie Brody Uncle Biff’s California Killer Cookies Ron & Sandy Erbetta Dr. & Mrs. Robert M. Callicott Laki & Carol Vassiliadis Bruce & Patricia Fischer Ruth Mary Picard Campbell Doris & Lou Vettese Hon. & Mrs. Charles W. Froehlich, Jr. Carol & Rudy Cesena Jordine & Harvey Von Wantoch Karen & Orrin Gabsch Carol & Jeff Chang Merle & Phil Wahl Barbara & Albert Garlinghouse Richard & Stephanie Coutts Shirli Fabbri Weiss Bill & Judy Garrett James H. & Rita F. David Beverly & Allan Zukor Bud, Nancy & Rebecca Goodpasture Rick & Linda Dicker Norman & Valerie Hapke Dieter & Susan Fischer/ Sheryl A. Harris Dieter’s Mercedes Service Gold Mr. & Mrs. Leonard Hirsch Elaine & Murray Galinson ($500 to $999) Alfred & Pat JaCoby Nancy Reed Gibson Anonymous (3) Ron & Christy Johnson Martin & Enid Gleich Susan Atkins Marge & Jerry Katleman Geraldo & Scarrain Gomes Mike & Rhoda Auer Mrs. Katherine Kaufman Dr. & Mrs. William Gott Mr. & Mrs. David A. Baer Willis J. & Janice Kaufman John Greenbush & Dr. Marilyn Friesen Joseph C. Baker William & Edythe Kenton Sandra Gulden & Leon J. Goldberger Randall & Vivian Black Mr. & Mrs. Irving J. Kern Gulden Private Foundation Mary Ann Blair Ken & Sheryl King Mrs. Cheryl Haimsohn Drs. Gary & Barbara Blake Dr. Ara & Sosi Klijian James & Betty Hempstead Robert & Nancy Blayney Phyllis & Martin Kornfeld Maria & Michael Herman Joyce & Bob Blumberg Terry & Mary Lehr Dr. David K. Hostetler Mrs. Suzanne I. Bond Judy & George Miller Sharon Lee Hudson Ronda & Stanley Breitbard Rena Minisi & Rich Paul Richard & Janet Hunter Carol & Anthony Broad David & Noreen Mulliken Mrs. T. Bruce Iredale Ted Bromfield, Esq. Ruth & Jim Mulvaney Rosalie Kostanzer Charles E. Noell Stuart & Joanne Butler Bob & Laura Kyle Sandra & Harry Carter Mr. & Mrs. Matthew Pollack Dr. & Mrs. James E. Lasry Paul & Katherine Ponganis Ledford Enterprises Inc. Harry & Carol Cebron Drs. Lynne Champagne & Wilfred Kearse
PERFORMANCES MAGAZINE P15 D o n o r s CONTINUED
Doug & Elisabeth Clark Barry & Janet Sharpless Randy Clark & Michael Fairchild Steve & Carolyn Conner In Memory of Edward Silverstein Gary & Penny Cowell Gordon F. Costine Mr. & Mrs. Randall Silvia Brian Cromer Clif & Jane Cowgill Alan & Esther Siman Mr. Ronald D. Culbertson Wes & Elaine Dillon Susan Sincoff & Dr. Joseph Yedid Ms. Frances Curtis Dr. & Mrs. William R. Dito Dr. Timothy S. Smith Robert P. Dahlquist Jim & Sally Ditto Herbert & Elene Solomon John Wm. Davis & William M. Hughes Dr. Paul & Kelly Dougherty Harold Stanley Theodore E. Davis Silvia Dreyfuss/LABS, Inc. Ann & Robert Steiner Alex & Betty DeBakcsy Mary & David Fitz Mr. Robert H. Stickel Capt. & Mrs. Donald L. Dill Ms. Pat Frost Mrs. John R. Stitt In Memory of Edith Dolnick Hal & Pam Fuson Charles B. Tesar, M.D. Mr. & Mrs. Glen Doughty Drs. Tom & Jane Gawronski Daniel J. Travanti Hal & Jacque Eastman Arthur & Judy Getis Will & Vanessa Van Loben Sels Ms. Elizabeth Eldridge Dr. & Mrs. Michael Goldbaum Natalie C. Venezia & Paul A. Sager Peggy Elliott Carol & Don Green Kenneth & Lorelei Warburton Dan & Phyllis Epstein Mr. & Mrs. James Harris Dennis & Carol Wilson Lisa Erburu & M. Cocalis Alice B. Hayes Bill & Heidi Woods Donald & Patricia Falkner Dorothy V. Hill Zona Weekly Dr. Susan Dersnah Fee Drs. Andrew & Sonia Israel Mr. & Mrs. Robert Fei Sandra & Robert Kritzik Richard & Donna Ferrier Mr. & Mrs. Fritz Kuhn Silver Drs. Lawrence & Irene Fine Elaine & Adrian Kuyper ($250 to $499) Larry & Jan Ford Dr. Eric Lasley Mr. Gale Acker & Dr. Nancy Acker Dr. Richard & Randee Friedman Georgie B. Leslie B.J. & Sybil Adelson Joseph & Annette Fritzenkotter Arthur & Sandy Levinson Tom & Louise Adler Christopher W. Garrett Don & Mary Jane Lincoln George Amerault Mirna & Martin Gaspare Mrs. Thelma Lindblade Anonymous (8) Charlie C. George Ernie & Sandy Lippe Mrs. Ina S. Bartell Patricia & Norman Gillespie Stan & Susan Loft Beverly Bartlett & Barbara Sailors Deni D. Goodman Mr. & Mrs. Edward Lyon Richard & Linda Basinger Hubert F. Gordon, Trustee/ Ms. Jo Bobbie MacConnell Mr. & Mrs. William E. Beamer The San Diego Foundation Carl Maguire & Margaret Sheehan Lee & Amnon Ben-Yehuda Gordon Family Trust Fund Drs. Betty Joan Maly & John Meyers Edgar & Julie Berner Ms. Euvoughn L. Greenan Dr. Robert & Marcia Malkus Lanie & Lazare F. Bernhard Dr. Henry & Mary Ellen Gregg Ron & Mercy Mandelbaum Douglas & Dawn Bertozzi Vivienne D. Griffin Charlie & Jackie Mann Mr. & Mrs. Stanley Birstein Mr. George Guerra Gary & Margaret Mathews Robert Blanton & Ann Clark Dan Guest & Catherine Lee R.J. Maus, Architects Ms. Sheila M. Bobenhouse & Deborah A. Hammond Dr. & Mrs. M. Joseph McGreevy Mr. Jeffrey C. Truesdell Robert W. & Helen M. Hammond Elizabeth & Louis Meyer Nick Bonaker Robert M. & Helen M. Hansen Dr. Ronald H. Miller Dr. James Lewis Bowers Jay & Mary Hanson Akiko Charlene Morimoto Mrs. Henri Brandais George D. Hardy William E. & Lollie M. Nelson Dr. Andrew Breiterman Mayme & Albert Harris Audrey Newman Ronald & Dorothy Brown Alex & Mary Hart Katherine Newton Ruth Bunn Dr. & Mrs. C.R. Henkelmann Willene D. Nichols Clint & Susie Burdett Thomas M. Henry Rod & Barbara Orth Linda Burgum-Sunkel Mr. & Mrs. Arnold Hess Mr. & Mrs. David J. Pettitt David Burns & Diane Lischio Donald J. Hickey Marcia & Jim Piper John & Kirk Butler Mr. & Mrs. Thomas O. Hippie Ken D. Pischel, M.D. & Beth & Tim Cann Alexa Kirkwood Hirsch Katherine Ozanich, M.D. Jane Carrigan Mark & Lynn Hofflund Mary & Kedar Pyatt William & Shirley Carrington Peggy & John Holl Stuart & Linda Robinson George & Ellen Casey Terry Usher Holt & Peter D. Holt Drs. Sara Rosenthal & Julie Prazich Charlene Chatham & Wm. “Skip” Price Jean E. Holtz Don & Darlene Russell Woo Y. Choi Nancy & Bill Homeyer Marilies Schoepflin, PhD. Mr. & Mrs. Henry B. Clark, Jr. Bonnie & Cecil Hornbeck
P16 PERFORMANCES MAGAZINE Kendyl & Merri Houdyshell L.M. & Marcia McQuern Mr. & Mrs. Fred C. Stalder Kenneth Hoyt Metropolis Furniture Mr. & Mrs. Charles M. St. Laurent Bettina J. Huber James & Dorothy Mildice Abbe & David Stutz Rob & Liz Jackson Mr. & Mrs. Stan Minick Mr. & Mrs. Ronald Styn Richard & Katherine Jarvis Dr. & Mrs. Isaac Mizrahi Virginia Sunelli In Memory of Donald Jenkins Carole Morrison Mrs. J. B. Swedelius Mr. & Mrs. William S. Johnston Connie Myers Mr. & Mrs. Clifford Sweet Kenneth & Marilyn Jones Dr. & Mrs. James H. Nelson Dr. Blake S. & Mrs. Peggy Jean Talbot Judge Anthony C. & Joyce Joseph Niddrie & Hegemier LLP Dr. Terry & Naomi Tanaka Drs. Irvin & Nancy Kaufman Stephen Nielander & Dominique Alessio Dr. Marshall & Leila Taylor Patricia & Alexander Kelley Charlotte W. Nielsen Steven & Anoush Tencati Terri & Paul Kidd Judge A. V. Nigro Betsy & Michael Thomas/ Mark Kjos & Kelly Gale Gwen & Dr. Mike Nobil San Diego Area Postal Annex+ Mr. Philip M. Klauber Ray & Diane Nobis Judge & Mrs. David R. Thompson Leroy & Jo Ann Knutson Judge & Mrs. Paul Overton Lt. & Mrs. Jack E. Timmons Curt & Nancy Koch Sheila Palmer Design Associates John & Kay Torell Marvin Krichman & Francy Starr Susan C. Parker Jack Tygett & Joyce Shoemaker Marvin Kripps, M.D. William & Sandra Peavey Mr. & Mrs. Stan Ulrich Inger & Kai Kristensen Clifford T. Pentrack & Ginny Unanue Wayne Kao Mary E. Giovaniello Mr. & Mrs. James van der Plaats Lou Krueger Mrs. Seymour W. Perlman Mrs. Nellora J. Walker Paul K. Laikind Deborah Brooks Pettry Kathy & Jim Waring John Q. Lalas, Jr. Vicki Quinones-Hartwell Pitt & Virginia Warner Mr. Daniel La Marche Dr. Helen Ranney Jo & Howard Weiner Pinkee Lauridsen Anne F. Ratner Mr. & Mrs. David Weinrieb Harriet Lazer & James Walker Jeffrey & Vivien Ressler Mr. & Mrs. James D. Welterlen Dixon & Pat Lee Ms. Kalpana Rhodes Ross & Barbara White Jim & Veronica Lee George A. Rice Mr. & Mrs. Roland Wilhelmy Dick & Sonie Lennon Andrew Ries, M.D. & Michael & Penny Wilkes Tom & Terry Lewis Vivian Reznik, M.D. Cass Witkowski Mr. & Mrs. James Lim Mark & Lisa Robillard Mr. & Mrs. John W. Witt Philip Lindsley Dr. & Mrs. David Roseman Dr. Perri L. Wittgrove Donald C. Lipkis & Arlene Pollard Ursula R. Roth Keith Wong Mr. & Mrs. Mathew Loonin Dr. Norman & Barbara Rozansky Mr. & Mrs. C.E. Wylie/ Mark C. Lorenzo Frank & Cheryl Ruyak C.E. Wylie Construction Company Charles & Robin Luby Amy Rypins Alan Zeleznikar Sally & Bill Luster Joseph & Carol Sabatini Vicky Zollweg & J. Michael Dunteman Dr. David Lynn George & Karen Sachs Judge & Mrs. Frederick Mandabach Edward & Rae Samiljan *Deceased Delza Martin Regina J. Schard Harold & Beverly Martyn Mr. & Mrs. Arthur Schiff This list is current as of August 15, 2003 Susan B. Mason Dr. & Mrs. Roger H. Schmitt Cdr. & Mrs. John C. Mathews III Stephen & Brenda Schulman Chris Maxin & Linda J. Seifert Stephanie Buttell-Maxin Alice & Lew Silverberg Dr. & Mrs. John H. Mazur Eunice M. Simmons, M.D. Valli & Tom McDougle Tina & Marvin Simner Teresa McEuen Anne & Ronald Simon Harold O. McNeil, Esq. Terrence & Kathryn Slavin
To learn more about membership and the benefits offered at each level, please visit the Globe’s website at www.TheOldGlobe.org or call (619) 231-1941, x2305.
PERFORMANCES MAGAZINE P17 Corporate Members
CORPORATE LEADERS $25,000 AND ABOVE
SAKS FIFTH AVENUE
Corporate Donors Evans Hotels Neiman Marcus ($2,500 to $24,999) Fifth & Hawthorn Nokia Ariston Consulting FloraStyle Nordstrom & Technologies, Inc. Goldman Ferguson Partners The Prado at Balboa Park Barney & Barney Higgs, Fletcher & Mack, LLP Relocation Coordinates Bertrand at Mister A’s Home Bank of California San Diego National Bank BRG Consulting Kforce Professional Staffing Scudder Private Investment Counsel Chalone Wine Estates KPMG, LLP Slayton International Executive Search City National Bank Latham & Watkins, LLP Stewart Title of California Cornerstone America Marsh, Inc. Target Stores Cush Automotive Merrill Lynch The T Sector Charitable Foundation Mervyn’s TK&A Custom Catering De Anza Harbor Resort Mission Federal Credit Union U.S. Bank
National Corporate Theatre Fundis a non-profit corporation created to increase and strengthen support from the business community for eleven of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions of $10,000 or more to National Corporate Theatre Fund:
Benefactors ($20,000 & Above) Pacesetters ($15,000 to $19,999) Donors ($10,000 to $14,999) Altria Group, Inc. Citigroup CreditSuisseFirstBoston Ogilvie & Mather Ernst & Young CVS/pharmacy Gershman Brown Davis, Polk & Wardwell New York Quick & Reilly JPMorgan Chase Robert K. Futterman & Praxis Media/Palace Production Fleet Bank Marsh & McLennan Companies, Inc. Center/Rabbit Ears Entertainment GE Fund Associates, LLC KPMG Merrill Lynch & Co. Vellmeir Development Stauback Retail Services Mintz, Levin, Cohn, Ferris, Viacom Inc. UBS Glovsky & Popeo Zaremba Group
Corporate Members enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Chris Graham at (619)231-1941, x2308.
P18 PERFORMANCES MAGAZINE The Craig Noel League
“I want this theatre to have the security of an endowment so that we may continue to engage and inspire audiences for generations to come.” — Craig Noel The Craig Noel League was established in November 2000 to provide for the future and secure the legacy Craig Noel and countless others fashioned for The Old Globe. The League honors those thoughtful friends who help us do so through a gift by will or trust. Please join us in thank- ing these very generous friends who are helping to build the Craig Noel League.
Craig Noel Robert S. Albritton Jean & David Laing Dolores & Rod Smith Anonymous (10) Jerry Lester Foundation John & Cindy Sorensen League Members Nancine Belfiore Dr. Bernard Lipinsky* Marje Spear Dr. & Mrs. Edgar D. Canada Heather Manion Nancy A. Spector & Alan R. Spector Securing the future Garet & Wendy Clark Calvin Manning Eric Leighton Swenson through planned gifts. J. Dallas & Mary H. Clark Paul I. & Margaret W. Meyer Anne C. Taubman Carol Corolla* Judy & George Miller Marian Trevor (Mrs. Walter M.)* Patricia W. Crigler, Ph.D., Steve Miller Evelyn Mack Truitt CAPT/USN/Ret. Dr. Robert W. Miner Carol & Lawrence Veit Patricia & Donn DeMarce Laurie Dale Munday Harvey & Jordine Von Wantoch Mrs. Philip H. Dickinson Shirley Mulcahy Sheryl & Harvey P. White Dr. & Mrs. Robert Epsten Stanley Nadel & Cecilia Carrick Mrs. Jack Galen Whitney Frank A. Frye, III Arthur & Marilyn Neumann Julie Meier Wright Robert Gleason & Marc Matys Craig Noel Carolyn Yorston Marcy Goldstone Greg & Polly Noel *Deceased Kathryn Crippen Hattox PACEM (Pacific Academy of David & Debbie Hawkins Ecclesiastical Music) For more information on Craig & Mary Hunter Mrs. Margaret F. Peninger The Craig Noel League, Barbara Iredale Florence Borgeson Plunkert* please contact Brad Ballard Bob Jacobs Dolly & Jim Poet at (619) 231-1941, x 2309. Joseph E. Jessop Dorothy Shorb Prough* J. Robert & Gladys H. King Donald & Darlene Shiley Marilyn Kneeland B. Sy & Ruth Ann Silver
Endowment The Old Globe has received Anonymous (2) National Endowment Gifts gifts, dedicated to John A. Berol for the Arts the endowment, from many Joe A. Callaway* Stephen Nielander & Supporting the theatre generous supporters over the Dr. David & Ava Carmichael Dominique Alessio in perpetuity. years. Just as past gifts to Maria Carrera Mrs. Margaret F. Peninger the endowment have helped J. Dallas & Mary H. Clark Florence Borgeson Plunkert* to create the theatre and In Memory of Lowell Davies Jessie W. Polinsky* educational programs of today, Morey & Jeanne Feldman Jeannie & Arthur Rivkin continued support of the and Family San Diego Trust and Savings endowment will ensure a The Globe Guilders Mr. & Mrs. Gene Trepte financially strong and artisti- Jim & Betty Hempstead *Deceased cally excellent Globe for Hollis Foundation tomorrow. Please join us in Mrs. Anna P. Lord For more information, thanking these very special Mission Valley please contact Brad Ballard donors for their far-sighted Community Foundation at (619) 231-1941, x 2309. support of The Old Globe.
PERFORMANCES MAGAZINE P19 Gift Now is the time to start shopping for the holidays. We have wonderful gifts for the entire family. Everyone will look great in an Old Globe T-shirt, sweatshirt or jacket. Give a piece of The Old Globe this year with a script, book, video or theatre game. GIFT SHOP HOURS: Tue – Sun noon through 4pm 6pm through intermission FOR INFORMATION, PLEASE CALL (619) 231-1941 x2802. LADY CAROLYN’S PUB
FULL BAR | COFFEE | CAPPUCCINO | FRUIT DRINKS | DESSERTS | SOUPS | SALADS | SANDWICHES Join us before the show or at intermission for a quick drink at our full-service bar or enjoy a delicious dessert with a rich cappuccino or a refreshing soda. We also offer warm stuffed croissants, sandwiches, crispy fruit crumbles and hearty soups served in sourdough bread tureens. PUB HOURS: Tuesday – Friday 6:30pm through intermission Saturday – Sunday 1:00pm through intermission of evening performances FOR MORE INFORMATION, PLEASE CALL (619) 231-1941 x2751.
P20 PERFORMANCES MAGAZINE by William Shakespeare November 15 - November 23, 2003 Cassius Carter Centre Stage Two shipwrecked twins discover things are not always what they seem in the magical land of Illyria. Love, laughter, and hijinks fill the air in Shakespeare’s romantic masterpiece.
Call today for tickets to this annual sell-out! The Old Globe Box Office (619) 23-GLOBE
Presented by The Old Globe/University of San Diego Master of Fine Arts in Drama Program Visit www.globemfa.org for more information
PERFORMANCES MAGAZINE P21 Associate Artist s OF THE OLD GLOBE
In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theater.
Jack O’Brien, Artistic Director Louis G. Spisto, Executive Director Craig Noel, Artistic Director
William Anton Tovah Feldshuh Joseph Hardy Katherine McGrath Marion Ross David Ogden Stiers Jacqueline Brookes Monique Fowler Mark Harelik John McLain Steven Rubin Conrad Susa Lewis Brown Ralph Funicello Bob James Jonathan McMurtry Ken Ruta Deborah Taylor Kandis Chappell Lillian Garrett-Groag Tom Lacy Stephen Metcalfe Douglas W. Schmidt Sada Thompson George Deloy Harry Groener Diana Maddox Robert Morgan Seret Scott Paxton Whitehead Tim Donoghue A.R. Gurney Dakin Matthews Steve Rankin David F. Segal James R. Winker Richard Easton Deborah May Don Sparks Robert Wojewodski
PATRON INFORMATION Unable to Attend? If you find you are unable to use your tickets, please give them to a friend or Ticket Services turn them in to the Box Office and receive a tax credit for your donation. HOURS Monday / noon – 6:00 pm Restrooms & Telephones Tuesday through Saturday / noon – 8:30 pm Restrooms are located in the lower lobby of the Old Globe Theatre and adja- cent to the Festival Theatre; pay phones may be found in the lower Globe Sunday / noon – 7:30 pm lobby and next to the Gift Shop. Closed Holidays PHONE (619) 23-GLOBE or (619) 239-2255 Seating of Latecomers FAX (619) 239-1037 Although we understand parking is often at a premium, the seating of late- comers is extremely disruptive. Latecomers may be given alternative seating Administration and will be seated at an appropriate interval. HOURS Young Children Monday – Friday / 9:00 am – 5:00 pm Children under 5 years of age will not be admitted to performances. PHONE (619) 231-1941 WEBSITE www.TheOldGlobe.org Electronic Devices & Cameras ADDRESS Use of recording devices and cameras is not permitted. If you are The Old Globe wearing a digital watch or pager, or if you are carrying a cellular phone, please P.O. Box 122171 silence it prior to entering the theater. San Diego, CA 92112-2171 Direct Ear™ Listening System For the convenience of the hearing impaired, the Direct Ear™ Listening Ordering Tickets / Change of Address System has been installed in the Old Globe Theatre. Lightweight headsets The Old Globe accepts Visa, Discover, MasterCard, or American Express. may be obtained from the house manager prior to performances. Direct Ear™ Phone orders are subject to a $6.00 per order service charge. Ticket exchanges Listening System is provided courtesy of Sonus. are subject to a service charge. If you have moved, please notify the subscrip- tion office so records may be updated. Phone (619) 235-2250 during business Public Tours hours or mail your change of address to the subscription office. Go behind the scenes at The Old Globe to learn about the history, three stages, shops and crafts areas. Open tours: most Saturdays and Sundays at 10:30 a.m. Groups by reservation. $5 adults; $2 seniors and students. Phone (619) 231-1941 for information/reservations. SPEAKERS BUREAU As part of The Old Globe’s educational outreach to the community, the Theatre offers a Speakers Bureau program that will provide a speaker for your club, civic, or church group to talk about the Globe’s productions, free of charge. The Old Globe engages several knowledgeable Docents, who are available year-round to share with your group the institution’s fasci- nating history as well as exciting information about the current season of plays. For more information, or to book a Speakers Bureau representative, please contact Diane Sinor at (619) 231-1941 x2140 or Carol Green at (619) 582-1079.
P22 PERFORMANCES MAGAZINE DIRECTOR P r o f i l e s
Jack O’Brien Craig Noel Louis G. Spisto Artistic Director Artistic Director Executive Director Recent Globe productions include Imaginary Craig Noel was first appointed director in 1939, Louis G. Spisto was appointed Executive Friends, Twelfth Night, The Full Monty, The Seagull, The directing 15 productions prior to World War II, Director of The Old Globe in October 2002. He Magic Fire, How the Grinch Stole Christmas!, the Since then has directed more than 221 plays of has over twenty years experience managing some world premieres of Associate Artist A.R. Gurney’s all styles and periods, and produced more than of this country’s leading arts organizations, Labor Day and Tina Howe’s Pride’s Crossing, as well 365 (over 40 of which were directed by William where his track record for fiscal as well as artistic as Time and Again, The Doctor Is Out (Getting Away Roesch from 1961 through 1976) His vision for leadership has been highly praised. He returns to With Murder) by Stephen Sondheim and George the Globe during the past 60 years resulted in the Southern California arts community from Furth, plus productions of Henry IV, Much Ado the establishment of the Shakespeare Festival in his most recent position as Executive Director of About Nothing, Oleanna, Damn Yankees, King Lear, the late '40s, expansion to two theaters in the American Ballet Theatre in New York City. While Ghosts, Hamlet, Uncle Vanya, and world premieres of '50s, Globe Educational Tours in the '70s and there, he increased ticket income and annual Terrence McNally’s Up in Saratoga, A.R. Gurney’s Teatro Meta in the '80s. Among recent directori- contributions for the organization by nearly 20 The Snow Ball and The Cocktail Hour, Tom Dulack’s al assignments were The Pavilion and Over the percent. He also tripled the Ballet’s touring Breaking Legs, Stephen Metcalfe’s Emily. else- River and Through the Woods. ELSEWHERE: dur- weeks and the resources devoted to education where: Hairspray (Tony Award), The Invention of ing the 1940s, dialogue director, 20th Century and training programs. Prior to his position at Love (Tony nominations, best director and play), Fox Studios; former director, Ernie Pyle Theatre, the ABT, he served as the President of the Lincoln Center Theater, The Full Monty (Tony Tokyo. Honors include the Governor's Award for Detroit Symphony Orchestra, where he provided nominations, best director and musical), Eugene the Arts; the mayoral proclamation of “the Year fundraising leadership and creative direction for O’Neill Theatre; More to Love; Labor Day, of Craig Noel" (1987) in San Diego; inclusion in the orchestra’s $60 million renovation project, Manhattan Theatre Club; St. Louis Woman, City The San Diego Union's list of 25 persons who and helped dramatically increase ticket sales Center Encores!; Pride’s Crossing, The Little Foxes, shaped San Diego; 1985 Outstanding Alumnus while initiating several new series for the orches- Hapgood (Lucille Lortel Award for Direction, of the Year, SDSU; Honorary Doctor of Humane tra. Spisto established a reputation as a superb 1995), Lincoln Center; Damn Yankees (Tony nomi- Letters, University of San Diego; a combined arts executive here in California, where he spent nation, best musical revival) and Two tribute from the Public Arts Advisory Council over ten years as the Executive Director of the Shakespearean Actors (Tony nominations, best and San Diego County Board of Supervisors; the Pacific Symphony Orchestra in Orange County. director and play) on Broadway; Porgy and Bess for mayor's Living Treasure Award; Member, College During his tenure there, he tripled the orchestra’s Houston Grand Opera and Broadway (Tony of Fellows of the American Theatre. annual budget all while eliminating a prior Award), as well as Radio City Music Hall; The deficit and successfully completing the orches- Magic Flute, San Francisco Opera; Tosca, Santa Fe tra’s first endowment campaign. In addition, he Opera; Cosi fan Tutte and Aida, Houston Grand established a series of innovative recording pro- Opera; The Most Happy Fella, Michigan Opera and jects with Sony Classical and oversaw many Broadway. TV: An Enemy of the People, All My Sons, I nationally-recognized commissioning projects. A Never Sang for My Father, Painting Churches, and The strong advocate of arts education, he built one of Skin of Our Teeth, all for PBS’ American Playhouse. the largest and most respected music training Recent awards: 2002 “Mr. Abbott” Award and outreach efforts. During his career, Spisto (SDCF), 2001 Joan Cullman Award for has also served as Director of Marketing for the Extraordinary Creativity, 2001 Joe A. Callaway Pittsburgh Symphony Orchestra and Director of Award (SDCF), the Drama League’s Julia Hansen Operations and Development for the Performing Award for Excellence in Directing, 2001. Arts Center at UC Berkeley. He holds a Masters Member, College of Fellows of the American degree from the University of Wisconsin in Arts Theatre; Honorary Doctor of Humane Letters, Administration and a Bachelors of Business University of San Diego. Mr. O’Brien is the recip- Administration from the University of Notre ient of the Drama League’s Julia Hansen Award Dame, and spent many years acting, directing for Excellence in Directing, 2001. Member, and producing plays and musicals throughout College of Fellows of the American Theatre; his student days, as well as in professional sum- Honorary Doctor of Humane Letters, University mer theater. of San Diego.
PERFORMANCES MAGAZINE P23 Jack O’Brien Louis G. Spisto Craig Noel S t a f f Artistic Director Executive Director Artistic Director
Karen Carpenter Nick Fouch M.H. Schrenkeisen PROFESSIONAL MARKETING ASSOCIATE ARTISTIC CHARGE CARPENTER, CARTER SHOP FOREMAN TRAINING Becky Biegelsen DIRECTOR Danny Griego Rory Murphy Llance Bower PUBLIC RELATIONS MANAGER Michael G. Murphy CHARGE SCENIC ARTIST LEAD CRAFTSMAN PROGRAM COORDINATOR Frank Teplin GENERAL MANAGER Edee Armand, Ken Scar Jennifer G. Brawn Gittings Maria Carrera, Cynthia AUDIENCE DEVELOPMENT Dave Henson ASSISTANT SCENIC ARTISTS BUYER Caywood,Patricia Conolly, MANAGER DIRECTOR OF MARKETING J.W. Caldwell, Victoria Erbe, Raphael Acosta, Ryan Buckalew, Gerhard Gessner, Jan Gist, Jessica Brodkin AND COMMUNICATIONS Laura Sheppard Patricia Rutter, Kristin Steva Colleen Kelly, Fred Robinson, MARKETING COORDINATOR Mark Somers SCENIC ARTISTS CRAFTSPERSONS Terry Ross Sandra Parde, Andrea Rhodes DIRECTOR OF FINANCE Pat Cain MFA FACULTY MARKETING ASSISTANTS Richard Seer Costumes PROPERTY MASTER, GLOBE James Feinberg,Corey Craig Schwartz DIRECTOR OF Stacy Sutton Marcus Polk PRODUCTION Johnston, Robin Sanford PHOTOGRAPHER PROFESSIONAL TRAINING COSTUME DIRECTOR PROPERTY MASTER, CARTER Roberts Charlotte Devaux Trevor Hay MFA PRODUCTION STAFF RESIDENT DESIGN ASSISTANT PROPERTY MASTER, FESTIVAL Ticket Services ARTISTIC Amanda Jagla James Connelly Margi Levy EDUCATION TICKET SERVICES MANAGER Brendon Fox ASSISTANT TO THE DIRECTOR PROPERTIES ASSISTANT Bonnie Johnston ASSOCIATE DIRECTOR/ Shelly Williams DIRECTOR OF EDUCATION Tim Cole, Elizabeth Moeck CASTING ASSISTANT MANAGERS DESIGN ASSISTANT, FESTIVAL Lighting Holly Ward Lorraine Boyd TOUR COORDINATOR Deborah Dimery EXECUTIVE ASSISTANT Lucien Rose Anselmo Chris Rynne GROUP SALES MANAGER DESIGN ASSISTANT/SHOPPER INTERIM LIGHTING DIRECTOR Carol Green John Donlon Diane Sinor SPEAKERS BUREAU DRAMATURGY ASSOCIATE K. Glee Brandon, Sally Ward Tonnie Ficken GROUP SALES ASSISTANT DYERS/PAINTERS MASTER ELECTRICIAN, COORDINATOR GLOBE Elisabeth Everhart Raúl Moncada Linda Black Patrick McBride, LITERARY ASSOCIATE VIP TICKET SERVICES LEAD CRAFTSPERSON Jim Dodd Jonathan McMurtry REPRESENTATIVE MASTER ELECTRICIAN, TEACHING ARTISTS Janet Hayatshahi Maggie Frede, Richard Gregg, CARTER LITERARY ASSISTANT Drussillia Garcia, Mame Gile, Louise M. Herman, Marsha Kevin Liddell Ashleyrose Gilham, Merilee Jan Gist Kuligowski, Chris Moad, Randal MASTER ELECTRICIAN, FINANCE VOCAL COACH Kunkle, Mary Jan Livensparger, Sumabat FESTIVAL Rita Edenfield Nikki Maack, Jean McKissick, DRAPERS Bryce Ambrose, Jason Bieber, ACCOUNTING SUPERVISOR Stage Management Raúl Moncada, Paul Ortiz, Saleena Gloria Bradford, Su Lin Chen, James Feinberg, Chris Jose Cortez Shaw, Shouna Shoemake, Brittany D. Adams, Leila Knox, ACCOUNTING ASSISTANT Gwen Dunham, Anne Glidden Gottschalk, Fred Holt, Megan Summers, Lora Tange, Willow Lisa Porter Grace, Susan Sachs, Sasha Rieker Lujan, Miranda Mikesh, Leah Diane Jenkins STAGE MANAGERS ACCOUNTING ASSISTANT Winters, Laurel Withers ASSISTANT CUTTERS Nelman, Stephen Schmitz, TICKET SERVICES STAFF Lindsay Byrne, Tracy Skoczelas Mary Miller Brennan Taylor, Erica Zeckser Kenn Burnett ASSISTANT STAGE MANAGER COSTUME ASSISTANT ELECTRICIANS PAYROLL/HUMAN RESOURCES CLERK PATRON SERVICES Nunzia Pecoraro Mike Callaway PRODUCTION ASSISTANT CUTTER/STITCHER Sound Lynn Dougherty RECEPTIONIST THEATRE MANAGER Robert Drake Babs Behling, Mariah Bowers, Paul Peterson DIRECTOR OF PRODUCTION Moira Gleason, L. Jay Maness, Veronica Freed, Rachel Hill, SOUND DIRECTOR DEVELOPMENT Rick Page Debra Pratt Ballard Naomi Katz, Margo Selensky, Erik Carstensen HOUSE MANAGERS ASSOCIATE DIRECTOR Maureen Latour, Samya Serougi, MASTER SOUND Brad Ballard OF PRODUCTION TECHNICIAN, GLOBE ASSOCIATE DIRECTOR, Merlin D. “Tommy” Thompson Georgia Veale, Sarah Wiley MAJOR & PLANNED GIFTS PATRON SERVICES Ellen Dieter STITCHERS Chris Judd REPRESENTATIVE COMPANY MANAGER MASTER SOUND Chris Graham Andrea Daniel, Becky Hanson, TECHNICIAN, CARTER ASSOCIATE DIRECTOR, Dana Juhl Jan Burgoyne CORPORATE RELATIONS FOOD & BEVERAGE MANAGER PRODUCTION COORDINATOR Lindsay Miller Jeremy Nelson CRAFTS ARTISANS MASTER SOUND Diane Addis Robert Byrd, Roland Roberge, Amy Bristol TECHNICIAN, FESTIVAL MEMBERSHIP PRODUCTION INTERN Molly O’Connor ADMINISTRATOR Nicola Roberts, Felicia Tobias WIG & MAKEUP SUPERVISOR Caren Heintzelman PUB STAFF MIC RUNNER, FESTIVAL S. Alexis Stein Kathleen Kurz EVENTS MANAGER Megan Sullivan Technical ASSISTANT TO WIG & MAKEUP FRONT OF HOUSE ASSISTANT Benjamin Thoron SUPERVISOR ADMINISTRATION Suzanne E. Vaucher TECHNICAL DIRECTOR ASSOCIATE EVENTS MANAGER Cheryl Ferguson Karen Batul June Andujar Rose Espiritu, Joe Kocurek Liz Eisele, Wendy Stymerski WIG ASSISTANT EXECUTIVE ASSISTANT GIFT SHOP SUPERVISORS ASSISTANT TECHNICAL Donor Services DIRECTORS Beverly Boyd HEAD DRESSER Information Technology Stephen Serieka Security/Parking Services Amanda Stephens DEVELOPMENT ASSOCIATE RESIDENT DESIGN ASSISTANT Lisa Wylie, Alison Reyes Dean Yager Rachel “Beahr” Garcia WIGS RUNNING CREW INFORMATION TECHNOLOGY James Ferguson, Rose SECURITY/PARKING Matt McKinney MANAGER Southall, Brett Young SERVICES SUPERVISOR INTERN Rebecca Morgan DRESSER, GLOBE ThadSteffen SUITE CONCIERGES Ed Byrd, Irene Herrig, Rusty Jolgren Angela Miller INFORMATION TECHNOLOGY Matt Alder, Sam Catterton, SHOP FOREMAN/ ASSISTANT Brandi Mahan MASTER CARPENTER DRESSER, CARTER Tressa Shaver, Rose Southall, SECURITY OFFICERS Bob Dougherty Michael Dondanville Human Resources Kevin Tom, Brett Young Carlos Delso, Sherisa Elisin, MASTER CARPENTER, CREW CHIEF, FESTIVAL V.I.P. VALET ATTENDANTS Deborah Elliot, Jane Geren, FESTIVAL THEATRE Traci Van Wyk, Tim Hooper, Kerry Hogan-Bean Jim Fennelly HUMAN RESOURCES Amber Roberts, Kevin Tom, Jim Masacek Kristen Sauter MANAGER TELEFUNDING MANAGER Mark Zedaker FLYMAN, STAGE CARPENTER, DRESSERS, FESTIVAL Alfonso Acosta, Russell Allen, PARKING ATTENDANTS GLOBE Angela Land Maintenance Mark Dalton, Sally Donatiello, Jeremiah Aldrich-Lutz, RENTAL ASSISTANT Sean La Motte Don Gillespie, Jr., Mark Jon Stephen Aldrich-Lutz, BUILDING MANAGER Gottschalk, Jessica Morrow Forrest Aylsworth, Properties Violanda Corona, Ismael TELEFUNDING ASSOCIATES David Berzansky, Curt Neil A. Holmes Delgado, Humberto Elvira, Carlsteen, Jim Hopper, PROPERTIES DIRECTOR David Gaspar, Roberto Rogelio Rosales CARPENTERS Gonzalez, Margarita Meza, Jose Morales, Maria Rios BUILDING STAFF
P24 PERFORMANCES MAGAZINE