Howard Lucraft Showcase for Modern Jazz Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Howard Lucraft Showcase For Modern Jazz mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Showcase For Modern Jazz Country: US MP3 version RAR size: 1487 mb FLAC version RAR size: 1889 mb WMA version RAR size: 1363 mb Rating: 4.4 Votes: 463 Other Formats: VOX DMF FLAC MP2 WAV AAC ASF Tracklist A1 Blue Moon A2 I'll Never Say "Never Again" Again A3 California Zephyr A4 I May Be Wrong A5 Larrissa B1 Midnight Sun B2 Smog A La Mode B3 Jazz For Gene B4 Two Part Contention Credits Accordion – Pete Jolly (tracks: A2, A5, B3) Bass – Leroy Vinnegar (tracks: A2, A5, B3), Monty Budwig (tracks: A3, B1, B4), Red Mitchell (tracks: A1, A4, B2) Clarinet – Buddy Collette (tracks: A1) Directed By – Howard Lucraft Drums – Mel Lewis (tracks: A1, A4), Shelly Manne (tracks: A2, A5, B3), Stan Levey (tracks: A3, B1, B2, B4) Flute – Bud Shank (tracks: A1, B2) Guitar – Howard Lucraft (tracks: A5, B3), John Doe (tracks: A1, A4, B2) Oboe – Bob Cooper (tracks: A3, B1) Piano – Claude Williamson (tracks: A3, B1, B4), Pete Jolly (tracks: A2, B3) Saxophone [Alto] – Art Pepper (tracks: A3, B1, B4), Bud Shank (tracks: A4, B2), Charlie Mariano (tracks: A5, B3) Saxophone [Baritone] – Buddy Collette (tracks: A4, B2), Charlie Mariano (tracks: A5, B3) Saxophone [Tenor And Alto] – Charlie Mariano (tracks: A2, A5, B3) Saxophone [Tenor] – Art Pepper (tracks: B1), Bob Cooper (tracks: A3, B1, B4) Trombone – Frank Rosolino (tracks: A2, A5, B3) Trumpet – Conte Candoli (tracks: A2, A5, B3), Stu Williamson (tracks: A2, A5, B3) Notes Sample copies edition. On top of the front cover: featuring outstanding west coast jazz men directed by howard lucraft Barcode and Other Identifiers Matrix / Runout: MG 6052 Other versions Category Artist Title (Format) Label Category Country Year Howard Showcase For DL 8679 Decca DL 8679 US Unknown Lucraft Modern Jazz (LP) Showcase For MVJJ-30027, DL Howard Decca, MVJJ-30027, DL Modern Jazz (LP, Japan 1993 8679 Lucraft Decca 8679 Album, RE) Showcase For Fresh Howard DL 8679 Modern Jazz (LP, Sound DL 8679 Spain 1986 Lucraft Mono, RE) Records Showcase For Howard 254271-1 Modern Jazz (LP, Decca 254271-1 Spain 1986 Lucraft Comp, RE) Related Music albums to Showcase For Modern Jazz by Howard Lucraft Dizzy Gillespie - Dizzy Atmosphere Shelley Manne - Shelley Manne Howard Rumsey's Lighthouse All-Stars - In The Solo Spotlight! Pete Rugolo And His Orchestra Featuring West Coast Jazz All-Stars - Exploring New Sounds Jack Millman - Jazz Studio 4 Howard McGhee All Stars / Howard McGhee - Howard McGhee All Stars Bob Andrews Presents Art Pepper, Bud Shank, Richie Kamuca, Gabe Baltazar, Teddy Edwards, Sonny Criss - West Coast Sax Mode Elmer Bernstein - Staccato / The Man With The Golden Arm.

Copy Link

Recommended publications

Edition No. 2005
’S CONNIFF The International Ray Conniff Fan Club Magazine 2005 26 great tracks (previously only released on sin- gles) in fine qual- ity. 24 tracks in stereo. A must for every collector! In this final printed edition: Editorial (pages 2 and 3) New releases from Collectables: “Singles Collection, Volume ” (pages 4 – 6) “Somebody Done Somebody Wrong Son” / “Will Keep Us ”(pages 6 and 7) “Write the ”/ “in the ” (page 7) “You Are The Sunshine Of My Life”/ “Laughter in the Rain” (page 8) “TV ”/ “the ’”(page 9) A new compilation CD for Latin Countries: “”(page 9) Bootlegs (or not?) (pages 10 and 11) Recommended Conniff-related Websites on the Internet (page 11 and page 20) Obituaries: Artie Shaw (page 12) / Pete Jolly (page 13) Unreleased and Rare Recordings – a Survey: (pages 14 and 15) More Platinum and Gold Awards for Ray! (page 16) ’entry in “”on the Internet (page 17) Rare record covers (page 18) Synopsis in German / Zusammenfassung in deutscher Sprache (Seite 19) News in Brief (page 19) Committee (page 20) ’Conniff 2005: Editorial - 2 - few of these fans also wrote reviews of new Dear Friends, releases, which can be found on the websites It is with deep regret that I have to tell of Collectables and Amazon. (I took the lib- you that this is the final edition of ‘Conniff – erty to reproduce some of these in this edi- in its printed form, that is. As I informed you tion.) in the previous editions, my occupational Anyway, together with this edition you situation changed three years ago. I work for are getting what I call a “ ” the the Hamburg school authorities and am in second Ray Conniff Photo Collection.
[Show full text]
Festival 30000 LP SERIES 1961-1989
AUSTRALIAN RECORD LABELS FESTIVAL 30,000 LP SERIES 1961-1989 COMPILED BY MICHAEL DE LOOPER AUGUST 2020 Festival 30,000 LP series FESTIVAL LP LABEL ABBREVIATIONS, 1961 TO 1973 AML, SAML, SML, SAM A&M SINL INFINITY SODL A&M - ODE SITFL INTERFUSION SASL A&M - SUSSEX SIVL INVICTUS SARL AMARET SIL ISLAND ML, SML AMPAR, ABC PARAMOUNT, KL KOMMOTION GRAND AWARD LL LEEDON SAT, SATAL ATA SLHL LEE HAZLEWOOD INTERNATIONAL AL, SAL ATLANTIC LYL, SLYL, SLY LIBERTY SAVL AVCO EMBASSY DL LINDA LEE SBNL BANNER SML, SMML METROMEDIA BCL, SBCL BARCLAY PL, SPL MONUMENT BBC BBC MRL MUSHROOM SBTL BLUE THUMB SPGL PAGE ONE BL BRUNSWICK PML, SPML PARAMOUNT CBYL, SCBYL CARNABY SPFL PENNY FARTHING SCHL CHART PJL, SPJL PROJECT 3 SCYL CHRYSALIS RGL REG GRUNDY MCL CLARION RL REX NDL, SNDL, SNC COMMAND JL, SJL SCEPTER SCUL COMMONWEALTH UNITED SKL STAX CML, CML, CMC CONCERT-DISC SBL STEADY CL, SCL CORAL NL, SNL SUN DDL, SDDL DAFFODIL QL, SQL SUNSHINE SDJL DJM EL, SEL SPIN ZL, SZL DOT TRL, STRL TOP RANK DML, SDML DU MONDE TAL, STAL TRANSATLANTIC SDRL DURIUM TL, STL 20TH CENTURY-FOX EL EMBER UAL, SUAL, SUL UNITED ARTISTS EC, SEC, EL, SEL EVEREST SVHL VIOLETS HOLIDAY SFYL FANTASY VL VOCALION DL, SDL FESTIVAL SVL VOGUE FC FESTIVAL APL VOX FL, SFL FESTIVAL WA WALLIS GNPL, SGNPL GNP CRESCENDO APC, WC, SWC WESTMINSTER HVL, SHVL HISPAVOX SWWL WHITE WHALE SHWL HOT WAX IRL, SIRL IMPERIAL IL IMPULSE 2 Festival 30,000 LP series FL 30,001 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 1 TRAPP FAMILY SINGERS FL 30,002 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 2 TRAPP FAMILY SINGERS SFL 930,003 BRAZAN BRASS HENRY JEROME ORCHESTRA SEC 930,004 THE LITTLE TRAIN OF THE CAIPIRA LONDON SYMPHONY ORCHESTRA SFL 930,005 CONCERTO FLAMENCO VINCENTE GOMEZ SFL 930,006 IRISH SING-ALONG BILL SHEPHERD SINGERS FL 30,007 FACE TO FACE, RECORD 1 INTERVIEWS BY PETE MARTIN FL 30,008 FACE TO FACE, RECORD 2 INTERVIEWS BY PETE MARTIN SCL 930,009 LIBERACE AT THE PALLADIUM LIBERACE RL 30,010 RENDEZVOUS WITH NOELINE BATLEY AUS NOELEEN BATLEY 6.61 30,011 30,012 RL 30,013 MORIAH COLLEGE JUNIOR CHOIR AUS ARR.
[Show full text]
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
[Show full text]
JREV3.6FULL.Pdf
KNO ED YOUNG FM98 MONDAY thru FRIDAY 11 am to 3 pm: CHARLES M. WEISENBERG SLEEPY I STEVENSON SUNDAY 8 to 9 pm: EVERYDAY 12 midnite to 2 am: STEIN MONDAY thru SATURDAY 7 to 11 pm: KNOBVT THE CENTER OF 'He THt fM DIAL FM 98 KNOB Los Angeles F as a composite contribution of Dom Cerulli, Jack Tynan and others. What LETTERS actually happened was that Jack Tracy, then editor of Down Beat, decided the magazine needed some humor and cre• ated Out of My Head by George Crater, which he wrote himself. After several issues, he welcomed contributions from the staff, and Don Gold and I began. to contribute regularly. After Jack left, I inherited Crater's column and wrote it, with occasional contributions from Don and Jack Tynan, until I found that the well was running dry. Don and I wrote it some more and then Crater sort of passed from the scene, much like last year's favorite soloist. One other thing: I think Bill Crow will be delighted to learn that the picture of Billie Holiday he so admired on the cover of the Decca Billie Holiday memo• rial album was taken by Tony Scott. Dom Cerulli New York City PRAISE FAMOUS MEN Orville K. "Bud" Jacobson died in West Palm Beach, Florida on April 12, 1960 of a heart attack. He had been there for his heart since 1956. It was Bud who gave Frank Teschemacher his first clarinet lessons, weaning him away from violin. He was directly responsible for the Okeh recording date of Louis' Hot 5.
[Show full text]
The Playlist!
THE SOUNDS OF THE SEASON NOON, DECEMBER 24 - MIDNIGHT, DECEMBER 25, 2020 PRESENTED BY JAZZ 88.3 KSDS Number Name Artist Album Time Hour #01 NOON TO 1 PM DECEMBER 24 001 The Sounds of the Season - Open 0:45 002 ‘Twas the Night Before Christmas Chuck Niles 3:46 003 Jingle Bells Duke Ellington Jingle Bell Jazz (rec. 1962) 3:02 004 Frosty the Snowman Roy Hargrove & Christian McBride Jazz for Joy - A Verve Christmas Album (rec. 1996) 3:56 005 Sleigh Ride Ella Fitzgerald Ella Wishes You a Swinging Christmas! (rec. 1960) 2:59 006 Winter Wonderland The Ramsey Lewis Trio Sound of Christmas (rec. 1961) 2:08 007 O Tannenbaum Vince Guaraldi A Charlie Brown Christmas (rec. 1964) 5:09 008 Home for the Holidays Joe Pass Six-String Santa (rec. 1992) 4:00 009 The Sounds of the Season ID 0:45 010 Let It Snow! Let It Snow! Let It Snow! Brynn Stanley Classic Christmas (rec. 2019) 3:44 011 Line for Santa Octobop West Coast Christmas (rec. 2012 4:07 012 White Christmas Booker Ervin Structurally Sound (rec. 1966) 4:28 013 Deck the Halls Gerry Beaudoin & The Boston Jazz Ensemble A Sentimental Christmas (rec. 1994) 2:39 014 I’ll Be Home for Christmas Tony Bennett The Tony Bennett Christmas Album 2:14 015 The Christmas Song Scott Hamilton Christmas Love Song (rec. 1997) 5:44 016 Have Yourself a Merry Little Christmas Ron Affif Christmas Songs (rec. 1992) 5:01 017 The Christmas Waltz Beegie Adair Trio Jazz Piano Christmas (rec. 1989) 2:42 HOUR #02 1 PM TO 2 PM DECEMBER 24 018 The Sounds of the Season ID 0:45 019 A Holly Jolly Christmas Straight No Chaser Social Christmasing (rel.
[Show full text]
Herb Alpert Program Bio – Approved by Herb Alpert
Herb Biography Alpert Biography March 11, 2009 Herb Alpert Program Bio – Approved by Herb Alpert Musician. Artist. Producer. Composer. Music executive. To multitudes of music fans, Herb Alpert is the trumpet-playing icon whose name instantly brings to mind memorable songs that he recorded either as the leader of the legendary Tijuana Brass or as a solo artist yielding 5 #1 hits, 8 Grammy awards, 14 Platinum and 15 Gold albums – totaling 72 million albums sold worldwide. To a global circle of musicians Alpert's distinct, relaxed instrumental sound makes him a favorite. Trumpet players are especially aware of his unique musical expression . “You hear 3 notes and you know it’s Herb Alpert” said Miles Davis. “He gets right to the point of what he’s playing,” remarked Wynton Marsalis, “very melodic and nothing extraneous.” To the entire music business A&M Records was the most successful independent record label in the world founded by Herb and his partner Jerry Moss. In 1990 they sold the company as a tide of corporate takeovers swept the industry. A lover of jazz since childhood Alpert has added his unique style and sound to many of his solo jazz albums over the years. He has worked with such notable musicians as Hugh Masekela, Shorty Rogers and Pete Jolly and has played with the legendary Louis Armstrong. Alpert has also produced and played with Gato Barbieri and the great Stan Getz. All of these high profile achievements only begin to define the generous extent of Alpert’s creative spirit. The litany of Alpert’s accomplishments also include: Abstract expressionist artist of respect and critical renown: his canvases and sculptures are praised for defining a flowing, visual vocabulary of their own.
[Show full text]
Storie Di Blues. La Rappresentazione Della Musica Blues Nel Cinema Americano
Storie di Blues. La rappresentazione della musica blues nel cinema americano Facoltà di Lettere e Filosofia Dipartimento di Storia Antropologia Religioni Arte Spettacolo Corso di laurea in Spettacolo, Moda e Arti Digitali Stefano Palma Matricola 1697098 Relatore Correlatore Damiano Garofalo Emanuele Senici A.A. 2020-2021 INDICE Storie di Blues. La rappresentazione della musica blues nel cinema americano 3 INTRODUZIONE CAPITOLO I Breve storia del blues 11 Il blues nelle piantagioni. La voce nera degli schiavi. 13 I ministrel show. Prime forme di spettacolo 14 Una nuova apparente condizione sociale. Il viaggio ed i medicine show. 15 I luoghi del blues ed i suoi principali interpreti CAPITOLO II La musica blues nel cinema di finizione americano 41 The Blues Brothers 51 The Blues Brothers: Il Mito Continua 55 Mississippi Adventures 60 Black Snake Moan 63 Cadillac Records CAPITOLO III The Blues. Una serie di sette documentari prodotta da Martin Scorsese 72 Dal Mali Al Mississippi 76 L’Anima Di Un Uomo 82 The Road To Memphis 85 Warming By The Devil’s Fire 88 Godfathers and Sons 94 Red, White And Blues 100 Piano Blues 104 Conclusioni 107 Bibliografia 110 Filmografia 111 Sitografia 112 Discografia INTRODUZIONE In questo lavoro di tesi, ho voluto prendere in analisi il modo in cui il cinema americano ha trasferito sullo schermo le tematiche della musica blues. E’ stato scelto di prendere in considerazione solamente alcuni film e alcuni documentari di produzione statunitense, questo per avere una maggiore coerenza semantica con il genere musicale nato appunto negli Stati Uniti come forma musicale popolare e poi sviluppatosi fino ad arrivare in Europa.
[Show full text]
Legends of West Brochure
JAZZ AID P U.S. POSTAGE presents WEST NONPROFIT ORG. PERMIT NO. 1260 LONG BEACH, CA. COAST 3 LEGENDS OF THE WEST 17 Concerts 8 Panel Discussions A Four Day 5 Film Showings Jazz Festival September 29 ~ October 2, 2005 8-0038 Four Points Sheraton-LAX NG BEACH, CA 9080 CA BEACH, NG .O. BOX 8038.O. BOX LO THE ANGELES LOS JAZZ INSTITUTE P WAY OUT WEST 1957 BY WILLIAM CLAXTON lajazzinstitute.org Bud Shank | Johnny Mandel | Chico Hamilton Quintet | Paul Horn BONUS EVENT Frank Morgan | Buddy Collette | Med Flory | Howard Rumsey In our continuing effort to pay tribute to the Lennie Niehaus | Jack Costanzo | Dave Pell Octet | Herb Geller brilliant artists who have Allyn Ferguson’s Chamber Jazz Sextet | Anthony Ortega | Bill Trujillo been significant figures of the Los Angeles Jazz Scene, FEATURING Claude Williamson | Chuck Flores | John Pisano | Fred Katz we are pleased to announce Jazz West Coast 3- ABOUT THE Legends of the West. Festival Los Angeles Legends of the West is a musical celebration of Facts Jazz Institute both the musicians and The Los Angeles Jazz Institute houses the behind the scenes people Dates and maintains one of the largest whose innovative explorations SEPTEMBER 29-OCTOBER 2, 2005 jazz archives in the world.All styles created a unique jazz scene and eras are represented with a here on the west coast. Place special emphasis on the preservation The Four Points Sheraton at LAX and documentation of jazz in southern In addition to 17 concerts, 9750 Airport Blvd., California. Many artists personal there will also be film showings, Los Angeles, CA 90045 collections are being preserved at panel discussions, photo exhibits The special convention rate is the Institute including the archives and special presentations where $82 and $92 per night.
[Show full text]
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T.
[Show full text]
Sounds of the Season 6 Am December 24 - 8 Pm December 25, 2016 Jazz 88.3 Ksds
SOUNDS OF THE SEASON 6 AM DECEMBER 24 - 8 PM DECEMBER 25, 2016 JAZZ 88.3 KSDS Number Name Artist Album Time Hour #1 6 AM to 7 AM December 24 001 SOS 2105 KSDS Open 0:45 002 ‘Twas the Night Before Christmas Chuck Niles 3:46 003 Sleigh Ride Richie Cole Mistletoe Magic: Holiday Jazz Impressions 5:50 004 Jingle Bells Duke Ellington Jingle Bell Jazz 3:02 005 The Twelve Days of Christmas Stan Kenton Orchestra A Merry Christmas 4:08 006 Have Yourself a Merry Little Christmas Ella Fitzgerald Ellas Wishes You a Swinging Christmas 2:58 007 S.C. Is Coming to Town Martin Mann & Mannkind Christmastime 4:41 008 Silver Bells Oliver Jones Yuletide Swing 5:07 009 SOS 2105 KSDS BOH ID #1 0:36 010 The Christmas Song Carmen McRae Jingle Bell Jazz 3:58 011 Do You Hear What I Hear? Jimmy Ponder Guitar Christmas 4:54 012 Christmas Is Coming Vince Guaraldi A Charlie Brown Christmas 3:28 013 A Christmas Medley Mel Tormé Christmas Songs 4:17 014 Winter Wonderland Oscar Peterson An Oscar Peterson Christmas 4:11 015 God Rest Ye Merry, Gentlemen Kenny Burrell Have Yourself a Soulful Little Christmas 3:48 016 I’ve Got My Love to Keep Me Warm Julie London Ultra-Lounge Christmas Cocktails, Pt. 3 4:14 017 The Sound of Christmas The Ramsey Lewis Trio Sound of Christmas 2:21 Hour #2 7 AM to 8 AM December 24 018 SOS 2105 KSDS TOH ID #2 0:34 019 Baby, It’s Cold Outside Leon Redbone & Zoey Deschanel Elf Soundtrack 3:32 020 Santa Claus Came in the Spring Sackville All-Stars The Sackville All-Star Christmas Record 5:16 021 Jingle Bells Swing Jim Cullum Jazz Band Hot Jazz for a Cool Yule 2:22 022 Christmas Carnival David Hickman, Thomas Bacon, Sam Palafian A Cool Brassy Night at the North Pole 3:28 023 Manhattan in December Ann Hampton Calloway Wonderland - Under the Mistletoe 3:43 024 Christmas Waltz Scott Hamilton Chritsmas Love Song 5:17 025 Santa Claus Is Coming to Town Joshua Redman and Brad Mehldau Warner Bros.
[Show full text]
1 BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
[Show full text]
MOOCHIN02-Booklet.Pdf
CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread PRINTERS PAIRS CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. Image: John Cassavetes with Shafi Hadi recording the score for Shadows © Marvin Lichtner/The Cinema Museum 60 1 CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread PRINTERS PAIRS CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. FOREWORD Words fl ying a thousand miles an hour, heads spinning, eyes fl ashing, tyres twisting tarmac as straight street slides by and the great unknown night rises up to snatch you into its cold, dark embrace. Gasoline, Thunderbird and Bennies. Next stop San Francisco, San Antonio or San Atorium. Out of the shadows they came. Rude, righteous and in your face, daddy-o. What are you rebelling against? Whaddya got? April In Paris. Give me Sartori In Paris any day. And make sure Stan Getz is there to blow sweet and high. As a kite. Out of the twilight murk of post-war fi lm noir emerged a new strand of shadowy cinematic JAZZ ON FILM concepts. This time though the fi lms were more sexually provocative, fraught with existential angst In memory of and fi zzing with outsider rebellion towards the Eisenhower mainstream of 1950’s America. The beginnings of a generation in motion, with bebop to crank the starting handle. Like the Beat Clive Edward Lazell Generation, bebop was young, hip, cool and underground. Not only did it fi re up writers such as 1938-2012 Jack Kerouac and Jack Gelber, but key directors too such as John Cassavetes and Don Siegel and an inspirational father and best friend the music chased the narrative like cat and mouse.
[Show full text]