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Stiwanismo En Un Contexto Africano 1
Stiwanismo en un contexto africano1 Stiwanism, feminism in an African context Molara Ogundipe-Leslie University of Arkansas at Pine Bluff. Recibido el 19 de marzo de 2002. Aceptado el 19 de abril de 2002. BIBLID [ l l 34-6396(2002)9: 1; 59-92] RESUMEN Molara Ogundipe plantea en este texto cuáles son las distintas situaciones de las mujeres africanas en el contexto actual, de un África en proceso de modernización pero en que a la vez las diferentes tradiciones continúan vivas, y cuáles han de ser los proyectos emancipatorios que las mujeres deberían llevar a cabo. En este sentido, Ogundipe hace un repaso histórico y considera que las mujeres han estado siempre presentes, en primer plano y de manera activa, en los procesos de liberación del continente africano, pero sus demandas han sido siempre relegadas a un papel secundario; y, asimismo, es evidente que no hay cambio social posible en positivo cuando no se cuenta con las mujeres. Así pues, la propuesta de Molara Ogundipe consiste en una Transformación Social que Incluya a las mujeres en África, el concepto Stiwanismo (Social Transformation Including Women in Africa). Palabras clave: Feminismos. África. Mujeres africanas. Stiwanismo. Imperialismo cultural. ABSTRACT In this text Molara Ogundipe raises the issue of the different situation of African women currently, in the context of Africa as a continent in the process of modemization, with different live traditions. She also focuses on the emancipatory projects that women engage in. In her review of history, Ogundipe considers that women are always present in a very active way, in the process of liberation of the African continent. -
L'exil Dans L'œuvre De Marilú Mallet Par
Université de Montréal Écriture migrante et cinéma accentué au Québec : L’exil dans l’œuvre de Marilú Mallet par Johanne Massé Département d’histoire de l’art et d’études cinématographiques Faculté des arts et des sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de M.A. en Études cinématographiques Mai 2010 © Johanne Massé, 2010 ii Université de Montréal Faculté des arts et sciences Ce mémoire intitulé : Écriture migrante et cinéma accentué au Québec : L’exil dans l’œuvre de Marilú Mallet présenté par : Johanne Massé a été évalué par un jury composé des personnes suivantes : Monsieur Serge Cardinal président-rapporteur Monsieur Germain Lacasse directeur de recherche Monsieur Olivier Asselin membre du jury iii RÉSUMÉ Ce mémoire explore l’exil au cinéma et en littérature, en particulier à travers l’œuvre de Marilú Mallet, cinéaste et écrivaine québécoise d’origine chilienne. L’approche choisie emprunte à la fois au champ littéraire et au champ cinématographique, et fait intervenir à la fois théoriciens, écrivains et cinéastes. À travers plusieurs regards croisés entre cinéastes et écrivains, ce mémoire décrit comment les thèmes du dépaysement, de la mémoire, de l’identité, du territoire et de la langue reviennent sans cesse dans les œuvres des auteurs migrants. Il interroge également la place des auteurs migrants au sein de la littérature et du cinéma nationaux, leur apport à l’imaginaire collectif, et plus largement leur place dans le discours social ambiant. À travers son œuvre, Mallet raconte sa propre expérience d’exilée en même temps qu’elle témoigne de ce qui s’est passé après le coup d’État au Chili en 1973, laissant des traces pour contrer l’histoire officielle. -
Toubab: an American Doctor in West Africa
BOOK REVIEWS Toubab: An American Doctor in toubab, experienced in Africa. He was Africa Medicine and Education West Africa assigned to the emergency department (WAME), a nonprofit program to help of the major hospital in The Gambia. His support medical care and general edu - By David Levine, DO. 281 pp, $25.00. ISBN: text relates numerous insightful experi - cation for West African children. The 978-0-9821064-1-9. Self-published; 2010. ences of friendships, cultural collisions, book notes that all profits from the sale sickness, frustrations, heartbreak, anger, of Toubab will be donated to WAME. The Gambia is a poor, small country in happiness, and much more. A couple Buying this book will help these kids West Africa in which day-to-day life is a examples follow: survive a difficult life. challenge. Healthcare services available My recommendation is to buy there are only a fraction of the services [Stunning to me were] the depth and Toubab and read it, and then try to pic - available in even the smallest towns in breadth of the chasm of ignorance of ture yourself living in such poor condi - the United States. I imagine that condi - the average Gambian about illness. A tions. You will leave Dr Levine’s story tions in most of Central Africa are sim - friend will report to me, “My auntie with a greater appreciation for what we ilar to those in The Gambia. In 2006, is in the hospital.” have in the United States, despite all the “Oh,” I say, “what is wrong with David Levine, DO, a family physician distractions that we’re experiencing in her?” from Washington State, volunteered for medicine today. -
In the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2007 The Complex Ambivalence of ‘Privileged Moments’ in the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity Keith Aaron Moser University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the French Linguistics Commons Recommended Citation Moser, Keith Aaron, "The Complex Ambivalence of ‘Privileged Moments’ in the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity. " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/248 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Keith Aaron Moser entitled "The Complex Ambivalence of ‘Privileged Moments’ in the Works of J.M.G. Le Clézio: Their Force, Their Limitations, and Their Relationship to Alterity." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages. Karen Levy, Major Professor We have read this dissertation and recommend its acceptance: John Romeiser, Stefanie Ohnesorg, Lisi Schoenbach Accepted for the Council: Carolyn R. -
7-Perez Crozas.Pmd 129 14/04/2010, 15:06 130 Afrique Et Développement, Vol
Afrique et développement, Vol. XXXIV, No. 2, 2009, pp. 129–158 © Conseil pour le développement de la recherche en sciences sociales en Afrique, 2009 (ISSN 0850-3907) Des lançados aux expatriés :1 « l’Ethnie2 Blanche »3 entre les fleuves Sénégal et Casamance Armonia Pérez Crosas* Résumé La région comprise entre les fleuves Sénégal et Casamance a un long parcours historique de contact et de présence de l’homme Blanc occidental. Même si les personnages et les situations qu’ont conformé « l’Ethnie Blanche » pendant le temps ont été très variés, il existe des caractéristiques qui se répètent, des continuités associées avec l’ambiguïté du statut social, des relations entre les sexes ou les spécialisations économiques, à la frontière entre le local et le global. L’article explore cette durabilité d’une frontière culturelle, en proposant des pistes de recherche à partir de la figure des lançados. L’analyse montre des indices, des parallélismes réitérés entre les effets des varia- tions dans les conditions frontalières sur le collectif « Blanc », en oscillant entre le maintien de son identité et l’intégration dans les communautés autochtones. L’auteur estime qu’une perspective de longue durée aiderait à comprendre l’articulation actuelle des contingents de coopérants et d’agents économiques qui arrivent à la région, compréhension qui pourrait être extrapolée à d’autres zones du continent. Abstract The region located between the Senegal and the Casamance rivers has a long history of the presence of Western white men. Although the characters and situations modeled by the ‘White Ethnic Group’ over time have been very varied, there are characteristics that are repeated, continuities associated with the ambiguity of social status, gender relations or economic specializations, on the boundary between both * Agrupament per a la Recerca i la Docència d’Àfrica (ARDA), Université de Barcelone. -
1 Beyond the Economic Impetus For
BEYOND THE ECONOMIC IMPETUS FOR MIGRATION: PRE-MIGRATION COGNITIONS, SUBJECTIVITIES, AND OCCIDENTALISMS IN THE AFRICAN POSTCOLONY By FELICIA CHIGOZIE ANONYUO-NWAENYI A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2009 1 © 2009 Felicia Chigozie Anonyuo-Nwaenyi 2 I dedicate this dissertation to Africa that was and will be, and to all who work for her good; to my son, Augustine Chidubem Nwaenyi, my guiding light, Peaceful River without foe, the calm voice in the middle of the storm; to my mother, Susanna Ozuzuaku Anonyuo, teacher of harmony and dignity, everywoman; to the memory of my father and ancestor, Samuel Igboabuchukwu Anonyuo, eternal sage; to my Heavenly Father, His Son, Jesus Christ, and His Holy Spirit whose Love and Grace have shielded and yoked me forever. 3 ACKNOWLEDGMENTS I doubt that I can adequately acknowledge everyone that contributed to the realization of my objectives for this research project, and must therefore state upfront that the names and parties mentioned here are not representative of those who deserve credit for their unconditional and selfless support for this project. I crave the indulgence of my unacknowledged benefactors. My eternal gratitude to Dr. Faye V. Harrison who consistently cheered me on and said yes from start to finish, through trying and tranquil moments, through thick and thin. To have an advisor who never rides the high horse and never demands an appointment, who knows how to hold back her encyclopedic knowledge to make mine important, who has stayed up past midnight working with me over the phone to get a document draft just right, who is ready to share her wisdom and lend a helping hand anytime and anywhere, is to be uniquely blessed. -
Media Release Bell Media's Crave to Bring Select Tiff
January 14, 2020 MEDIA RELEASE BELL MEDIA’S CRAVE TO BRING SELECT TIFF FILMS TO WIDER AUDIENCE IN NEW PARTNERSHIP New initiative provides distribution opportunity for select TIFF films The TIFF Selects collection is now live with eight films TORONTO — TIFF and Bell Media announced today that 11 feature films that celebrated their World Premieres at the 2019 Toronto International Film Festival will be distributed for streaming across the country on Crave. The groundbreaking new partnership, called “TIFF Selects,” is a first for TIFF as a Canadian distribution opportunity for its world-class Festival programming. The vast majority of films in the collection will have their premieres on Crave. “TIFF’s partnership with Bell Media and Crave, Canada’s own world-class streaming service, is good for business and furthers TIFF’s mission to showcase exceptional cinema to audiences across the country,” said Joana Vicente, TIFF’s Executive Director and Co-Head. “TIFF is thrilled to make this opportunity available to both the filmmakers and viewers. Together, we hope to grow the TIFF Selects collection over the coming years.” “It was important for us to expand the presence of TIFF – an iconic Canadian cultural institution – on Crave,” said Randy Lennox, President, Bell Media. “One of Crave’s cultural mandates is acquiring, curating, and distributing the best content in the world, and we’re thrilled to continue that momentum through this new partnership with TIFF.” The Canadian and international films that have been offered the opportunity to premiere on Crave as part of TIFF Selects represent a richness of voices, perspectives, and insights from some of the world’s finest established filmmakers, as well as emerging directorial talent. -
Inorganic Chemistry for Dummies® Published by John Wiley & Sons, Inc
Inorganic Chemistry Inorganic Chemistry by Michael L. Matson and Alvin W. Orbaek Inorganic Chemistry For Dummies® Published by John Wiley & Sons, Inc. 111 River St. Hoboken, NJ 07030-5774 www.wiley.com Copyright © 2013 by John Wiley & Sons, Inc., Hoboken, New Jersey Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permis- sion of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley. com/go/permissions. Trademarks: Wiley, the Wiley logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, Making Everything Easier, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates in the United States and other countries, and may not be used without written permission. All other trade- marks are the property of their respective owners. John Wiley & Sons, Inc., is not associated with any product or vendor mentioned in this book. -
Concordia University Presents
ConcordiaConcordia UniversityUniversity presentspresents THE 30th ANNUAL SOCIETY FOR ANIMATION STUDIES CONFERENCE | MONTREAL 2018 We would like to begin by acknowledging that Concordia University is located on unceded Indigenous lands. The Kanien’kehá:ka Nation is recognized as the custodians of the lands and waters on which we gather today. Tiohtiá:ke/ Montreal is historically known as a gathering place for many First Nations. Today, it is home to a diverse population of Indigenous and other peoples. We respect the continued connections with the past, present and future in our ongoing relationships with Indigenous and other peoples within the Montreal community. Please clickwww.concordia.ca/about/indigenous.html here to visit Indigenous Directions Concordia. TABLE OF CONTENTS Welcomes 4 Schedule 8-9 Parallel Sessions 10-16 Keynote Speakers 18-20 Screenings 22-31 Exhibitions 33-36 Speakers A-B 39-53 Speakers C-D 54-69 Speakers E-G 70-79 Speakers H-J 80-90 Speakers K-M 91-102 Speakers N-P 103-109 Speakers R-S 110-120 Speakers T-Y 121-132 2018 Team & Sponsors 136-137 Conference Map 138 3 Welcome to Concordia! On behalf of Concordia’s Faculty of Fine Arts, welcome to the 2018 Society for Animation Studies Conference. It’s an honour to host the SAS on its thirtieth anniversary. Concordia University opened a Department of Cinema in 1976 and today, the Mel Hoppenheim School of Cinema is the oldest film school in Canada and the largest university-based centre for the study of film animation, film production and film studies in the country. -
African Policemen in French Equatorial Africa, 1910S - 1930S
Between Colonizer and Colonized: African Policemen in French Equatorial Africa, 1910s - 1930s Hannah Levine Honors Thesis Submitted to the Department of History, Georgetown University Advisor: Professor Meredith McKittrick Honors Program Chairs: Professors Tommaso Astarita and Alison Games May 12, 2021 2 Table of Contents Acknowledgements 3 Introduction 4 Chapter One: Economics by Gunpoint 19 Chapter Two: Police, State, and Rebellion 44 Chapter Three: The Intermediary’s Quandary 67 Conclusion 87 Glossary 94 Appendix A: Photos of a Milicien and Two Tirailleurs 96 Appendix B: A.E.F.’s Civilian Administrative Structure 97 Bibliography 98 3 Acknowledgements Since pretty much everyone in my life—family, friends, housemates—had practically no choice but to be involved somehow in the writing of this thesis, I fortunately have a lot of people to feel grateful for at the completion of this work. Thank you all for putting up with me these last few months! All the same, there are a couple special people whom I need to recognize. First, I’d like to thank you, Professor Games, for your endless compassion and support as we navigated these challenging and isolating semesters online. You made this year worth it! A big thank you as well to my advisor, Professor McKittrick, for the wealth of knowledge that you shared with me. And of course, thank you to the other “Africanists” and all of my classmates in the thesis seminar. You all made this experience meaningful, collaborative, and fun, even on Zoom. I’d also like to thank two friends from home, Ana-Maria and Daphne, for being willing to go very much out of your way to get me the sources that I needed, even if the pandemic foiled some of our plans. -
Terrorism, a History: Stage One
TERRORISM, A HISTORY: STAGE ONE * SHARON HARZENSKI Table of Contents I. INTRODUCTION ............................... 138 II. BACKGROUND ................................. 143 A. Definitional Difficulties: Political Action or Criminal Conduct ..................... 143 III. REVOLUTIONS ................................ 147 A. A Terrorist Tree: Evolution in Action ............ 147 IV. CONCLUSION ................................. 190 A. Fruits of the Poisonous Tree .................... 190 “Our cultures, our histories, grasp us with a thousand invisible fingers. [E]ach country is inhabited not only by its citizens but also by ghosts from the past and by phantasms from imaginary futures or saints 1 from lands outside time.” * In order to write I am obliged to dedicate. Because this piece so often concerns revolutionaries and because revolutionaries are, for many of us, romantic “outlaw” figures, and because w e suffer for our illusions, I dedicate the work to culture heroes. And, because my husband is one of the culture heroes of our generation, especially to him and to our communal redemption, I dedicate this work. Whisky Jack shook his head. ‘I’m a culture hero,’ he said. ‘We do the same shit gods do, we just screw up more and nobody worships us. They tell stories about us, but they tell the ones that make us look bad along with the ones where we came out fairly okay.’ NEIL GAIMAN, AMERICAN GODS 400 (2001). In addition, I would like to express my appreciation to the James E. Beasley School of Law for their continuing financial support and encouragement. 1. ROBERT CONQUEST, REFLECTIONS ON A RAVAGED CENTURY 29 (2000). My youth cut across the 1960-1970 era of Civil Rights, hippies, anti-war protests, with all the accompanying violence associated with these movements. -
Guide De Visite De L'exposition
Guide de visite de l’exposition 1 En guise d’introduction En lien avec le thème du Concours National de la Résistance et de la Déportation 2012-2013, « Communiquer pour résister. 1940- 1945 », l’exposition proposée par le Musée de la Résistance de Bondues invite à explorer le rôle joué par les moyens de communication dans la lutte contre l’Allemagne nazie et le régime de Vichy. Si l’on définit simplement la communication comme l’acte d’établir des relations avec quelqu’un, on constate que ce rôle est double : la communication des résistants est orientée d’une part vers une forme de propagande et de contre-propagande (communication « externe ») et d’autre part vers l’organisation du « monde résistant » (communication « interne »). En effet, les différentes techniques de communication sont utilisées par les résistants à la fois pour convaincre ceux qui ne résistent pas, soit l’immense majorité de la population française, et nuire aux ennemis. Elles permettent également aux résistants d’échanger entre eux et d’organiser la circulation des informations et du matériel. Quelle qu’en soit la forme, la communication constitue une part non négligeable du travail des résistants. Certains d’entre eux s’y consacrent même exclusivement, au péril de leur vie. Le présent guide de visite reprend chacun des treize panneaux de l’exposition. Chaque panneau fait l’objet d’une synthèse, qui s’efforce de mettre en lumière les acteurs de la Résistance dans une perspective le plus souvent régionale. Toutes les synthèses sont suivies de quelques documents qui les illustrent ou les approfondissent.