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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Batman Takes Parade by Storm (Thesis by Jared Goodrich)
Jared Goodrich Batman Takes Parade By Storm (How Comic Book Culture Shaped a Small City’s Halloween parade) History Research Seminar Spring 2020 1 On Saturday, October 26th, 2019, the participants lined up to begin of the Rutland Halloween Parade. 10,000 people came to the small city of Rutland to view the famed Halloween parade for its 60th year. Over 72 floats had participated and 1700 people led by the Skelly Dancers. School floats with specific themes to the Star Wars non-profit organization the 501st Legion to droves and rows of different Batman themed floats marched throughout the city to celebrate this joyous occasion. There have been many narratives told about this historic Halloween parade. One specific example can be found on the Rutland Historical Society’s website, which is the documentary called Rutland Halloween Parade Hijinks and History by B. Burge. The standard narrative told is that on Halloween night in 1959, the Rutland area was host to its first Halloween parade, and it was a grand show in its first year. The story continues that a man by the name of Tom Fagan loved what he saw and went to his friend John Cioffredi, who was the superintendent of the Rutland Recreation Department, and offered to make the parade better the next year. When planning for the next year, Fagan suggested that Batman be a part of the parade. By Halloween of 1961, Batman was running the parade in Rutland, and this would be the start to exciting times for the Rutland Halloween parade.1 Five years into the parade, the parade was the most popular it had ever been, and by 1970 had been featured in Marvel comics Avengers Number 83, which would start a major event later in comic book history. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
PDF Download Green Arrow a Celebration of 75 Years
GREEN ARROW A CELEBRATION OF 75 YEARS: A CELEBRATION OF 75 YEARS PDF, EPUB, EBOOK Various | 500 pages | 12 Jul 2016 | DC Comics | 9781401263867 | English | United States Green Arrow a Celebration of 75 Years: A Celebration of 75 Years PDF Book We also get to see the beginning and continuing friendship of Green Lantern and Green Arrow. Use your keyboard! If you're interested in the Green Arrow's evolution, you might like this book as a primer to jump to other stories. Reviewed by:. Dan Jurgens Artist ,. Adam Peacock rated it it was amazing Feb 21, I have mixed feelings about this story. Batman knocks Ollie out to have a closer examination and see if he is the real deal. Hardcover , pages. Get A Copy. This issue was most recently modified by:. To see what your friends thought of this book, please sign up. Green Arrow: A Celebration of 75 Years. Select Option. So many reboots and rebirths over the years make a book like this necessary so you can have an idea of what is going on. We're given the dramatic endings but I have no idea who any of these characters are or what is going on. Mike Cullen rated it really liked it Feb 16, Go to Link Unlink Change. Story Arcs. Two thousand one saw filmmaker Kevin Smith pick up torch and move the original GA into a new century. We're committed to providing low prices every day, on everything. Jan 04, Simone rated it really liked it. Release Date:. This edit will also create new pages on Comic Vine for:. -
Dc Fan Family Team-Up Green Lantern Pancake Instructions
DCCOMICSFANFAMILY.COM TM and © DC Comics 2013 DC FAN FAMILY TEAM-UP GREEN LANTERN PANCAKE INSTRUCTIONS The Green Lanterns recharge their rings with the use of their Power Battery. Try these Lantern-themed pancakes for a superhero spin on breakfast that will recharge your daily adventures! Please remember that this entire project will require adult supervision at all times. Estimated time to complete this project: 20-30 minutes. HELPING YOU SHARE THE SUPER HEROES YOU LOVE WITH YOUR KIDS DCCOMICSFANFAMILY.COM TM and © DC Comics 2013 INGREDIENTS: KITCHEN TOOLS: 1.) Measuring cup 2.) Mixing bowl 3.) Whisk or fork 4.) Food Coloring 5.) Kitchen knife 6.) Non-stick skillet 7.) Spatula INGREDIENTS: 1.) Pancake mix 2.) Egg 3.) Breakfast sausage links and patties 4.) Food coloring for green color HELPING YOU SHARE THE SUPER HEROES YOU LOVE WITH YOUR KIDS DCCOMICSFANFAMILY.COM TM and © DC Comics 2013 Instructions: 1 Step 1 1. Preparing the Lantern symbol Cook the sausage link and patty according to the directions on the package. Cut the sausage link in half lengthwise. You want a flat surface for the symbol to stand out on your pancake. Cut out a circle in the middle of the sausage patty. HELPING YOU SHARE THE SUPER HEROES YOU LOVE WITH YOUR KIDS DCCOMICSFANFAMILY.COM TM and © DC Comics 2013 Instructions: 2 Step 2 2. Make the Green Lantern pancake batter Mix the pancake batter according to the directions on the package. Once mixed you can add your food coloring. To get bright green batter we mixed 3 parts blue to 1 part yellow. -
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) TABLE OF CONTENTS Aquaman, 8 Wonder Woman, 6 Batman, 5 Zatanna, 17 Cyborg, 9 Deadman, 16 Deathstroke, 23 Enchantress, 19 Firestorm (Jason Rusch), 13 Firestorm (Ronnie Raymond), 12 The Flash, 20 Fury, 24 Green Arrow, 10 Green Lantern, 7 Hawkman, 14 John Constantine, 22 Madame Xanadu, 21 Mera, 11 Mindwarp, 18 Shade the Changing Man, 15 Superman, 4 ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) 001 DC COMICS SUPERMAN Justice League, Kryptonian, Metropolis, Reporter FROM THE PLANET KRYPTON (Impervious) EMPOWERED BY EARTH’S YELLOW SUN FASTER THAN A SPEEDING BULLET (Charge) (Invulnerability) TO FIGHT FOR TRUTH, JUSTICE AND THE ABLE TO LEAP TALL BUILDINGS (Hypersonic Speed) AMERICAN WAY (Close Combat Expert) MORE POWERFUL THAN A LOCOMOTIVE (Super Strength) Gale-Force Breath Superman can use Force Blast. When he does, he may target an adjacent character and up to two characters that are adjacent to that character. -
X-Men Epic Collection: Children of the Atom Free
FREE X-MEN EPIC COLLECTION: CHILDREN OF THE ATOM PDF Stan Lee,Jack Kirby | 520 pages | 31 Dec 2016 | Marvel Comics | 9780785189046 | English | New York, United States X-Men Epic Collection: Children Of The Atom - Comics by comiXology Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. X-Men Epic Collection Vol. Jack Kirby. Now, in this massive Epic Collection, you can feast your eyes as Stan, Jack and co. You'll experience the beginning of Professor X's teen team and their mission for peace and brotherhood between man Billed as "The Strangest Super-Heroes of All! You'll experience the beginning of Professor X's teen team and their mission for peace and brotherhood between man and mutant; their first battle with arch-foe Magneto; the dynamic debuts of Juggernaut, the Sentinels, Quicksilver, the Scarlet X-Men Epic Collection: Children of the Atom and X-Men Epic Collection: Children of the Atom Brotherhood of Evil Mutants. Get A Copy. Paperbackpages. More Details Other Editions 2. Friend Reviews. To see what your friends thought of this book, please sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Jun 27, Sean Gibson rated it really liked it. And, I love me X-Men Epic Collection: Children of the Atom Stan Lee—the guy is one of my real-life heroes, and Spider-Man is my all- time favorite superhero. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Planets: Earth, Mars, & Beyond
From Atom to Universe Planets: Earth, Mars, & Beyond Research Planetary Science Dr. Christopher Adcock Assistant Research Professor Department of Geoscience Email: [email protected] Expertise: Planetary Surface Processes | Extraterrestrial Habitability Planetary Surface Processes / Low Temperature Geochemistry: Mars Left: Synthesized chlorapatite (top) and whitlockite used in experiments. Same scale for both images. The ability to synthesize these Mars- relevant minerals in quantity is a specialty of Dr. Adcock and the Hausrath LaB. Physical sample allow for experiments that cannot Be done By calculation. Above: Empirical Dissolution rates Left: Shock induced of terrestrial (fluorapatite / metamorphism of whitlockite (a) whitlockite) and more Mars- to merrillite/whitlockite mix (B). relevant phosphate minerals Shock removes the water from (chlorapatite and merrillite). 25 °C , whitlockite to make merrillite. variaBle pH. Higher rates mean Since all of our current samples potentially higher phosphate of Mars come from shocked availaBility in past Martian meteorites, this has implications environments – with positive for the past hydrologic cycle of implications for past life. Adcock et Mars. Adcock et al., (2017) al., (2013) Nature Geoscience 6 Nature communications 8 (1), 1- (10), 824-827. 8. Extraterrestrial Habitability | In Situ Resources and Environments on Mars Left: Results of low temperature hydrogen generation experiments using Martian soil simulants. These experiments show it is possible to use Martian materials and a low energy system to generate Above: A typical set of hydrogen generation experiments. H2 for fuel, energy, or water for future human missions to Simulants and soution are slowly Mars. Adcock et al., (2020), shaken at 25 °C to produce 51st LPSC. hydrogen. -
2019 Maverick Graphic Novel Annotated Reading List
2019 Maverick Graphic Novel Annotated Reading List Grades 6-8 Breach, J., & Holgate, D. (2018). Clem Hetherington and the Ironwood race. New York: Graphix, an imprint of Scholastic. ISBN: 9780545814461 Publisher’s Summary: “A dangerous rally race... and archaeology?! Clementine Hetherington and her robot brother, Digory, have run away from the orphanage they've been living in since their parents died. Clem and Dig want to follow in their famous archaeologist mother's footsteps, but no one will take them seriously. Their chance arrives when a man from their past saves Digory's life, and to repay the debt they enter a multi-day rally race... to recover stolen artifacts! Clem and Dig hope to win so they can give them to a museum, but their opponents want to sell them on the black market. The Ironwood Race has no rules, and Clem and Dig might be in over their heads!” Great story about orphaned girl and her robot brother. The siblings must repay a debt by competing in a race for archeological artifacts.” Commentary: Clem Hetherington and the Ironwood race is a fun adventure that will appeal to both middle grade and high school students. 2018 Maverick Graphic Novel Annotated Reading List 1 Brosgol, V. B. (2018). Be Prepared. Place of publication not identified: First Second. ISBN: 9781626724457 Publisher’s Summary: "In Be Prepared, all Vera wants to do is fit in—but that’s not easy for a Russian girl in the suburbs. Her friends live in fancy houses and their parents can afford to send them to the best summer camps. -
“I Am the Villain of This Story!”: the Development of the Sympathetic Supervillain
“I Am The Villain of This Story!”: The Development of The Sympathetic Supervillain by Leah Rae Smith, B.A. A Thesis In English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Dr. Wyatt Phillips Chair of the Committee Dr. Fareed Ben-Youssef Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leah Rae Smith Texas Tech University, Leah Rae Smith, May 2021 ACKNOWLEDGMENTS I would like to share my gratitude to Dr. Wyatt Phillips and Dr. Fareed Ben- Youssef for their tutelage and insight on this project. Without their dedication and patience, this paper would not have come to fruition. ii Texas Tech University, Leah Rae Smith, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………….ii ABSTRACT………………………………………………………………………...iv I: INTRODUCTION……………………………………………………………….1 II. “IT’S PERSONAL” (THE GOLDEN AGE)………………………………….19 III. “FUELED BY HATE” (THE SILVER AGE)………………………………31 IV. "I KNOW WHAT'S BEST" (THE BRONZE AND DARK AGES) . 42 V. "FORGIVENESS IS DIVINE" (THE MODERN AGE) …………………………………………………………………………..62 CONCLUSION ……………………………………………………………………76 BIBLIOGRAPHY …………………………………………………………………82 iii Texas Tech University, Leah Rae Smith, May 2021 ABSTRACT The superhero genre of comics began in the late 1930s, with the superhero growing to become a pop cultural icon and a multibillion-dollar industry encompassing comics, films, television, and merchandise among other media formats. Superman, Spider-Man, Wonder Woman, and their colleagues have become household names with a fanbase spanning multiple generations. However, while the genre is called “superhero”, these are not the only costume clad characters from this genre that have become a phenomenon. -
Kirby: the Wonderthe Wonderyears Years Lee & Kirby: the Wonder Years (A.K.A
Kirby: The WonderThe WonderYears Years Lee & Kirby: The Wonder Years (a.k.a. Jack Kirby Collector #58) Written by Mark Alexander (1955-2011) Edited, designed, and proofread by John Morrow, publisher Softcover ISBN: 978-1-60549-038-0 First Printing • December 2011 • Printed in the USA The Jack Kirby Collector, Vol. 18, No. 58, Winter 2011 (hey, it’s Dec. 3 as I type this!). Published quarterly by and ©2011 TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. 919-449-0344. John Morrow, Editor/Publisher. Four-issue subscriptions: $50 US, $65 Canada, $72 elsewhere. Editorial package ©2011 TwoMorrows Publishing, a division of TwoMorrows Inc. All characters are trademarks of their respective companies. All artwork is ©2011 Jack Kirby Estate unless otherwise noted. Editorial matter ©2011 the respective authors. ISSN 1932-6912 Visit us on the web at: www.twomorrows.com • e-mail: [email protected] All rights reserved. No portion of this publication may be reproduced in any manner without permission from the publisher. (above and title page) Kirby pencils from What If? #11 (Oct. 1978). (opposite) Original Kirby collage for Fantastic Four #51, page 14. Acknowledgements First and foremost, thanks to my Aunt June for buying my first Marvel comic, and for everything else. Next, big thanks to my son Nicholas for endless research. From the age of three, the kid had the good taste to request the Marvel Masterworks for bedtime stories over Mother Goose. He still holds the record as the youngest contributor to The Jack Kirby Collector (see issue #21). Shout-out to my partners in rock ’n’ roll, the incomparable Hitmen—the best band and best pals I’ve ever had.