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Burchard of Mount Sion and the Holy Land
Peregrinations: Journal of Medieval Art and Architecture Volume 4 Issue 1 5-41 2013 Burchard of Mount Sion and the Holy Land Ingrid Baumgärtner Universität Kassel Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Baumgärtner, Ingrid. "Burchard of Mount Sion and the Holy Land." Peregrinations: Journal of Medieval Art and Architecture 4, 1 (2013): 5-41. https://digital.kenyon.edu/perejournal/vol4/iss1/2 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Baumgärtner ___________________________________________________________________________ Burchard of Mount Sion and the Holy Land By Ingrid Baumgärtner, Universität Kassel The Holy Land has always played an important role in the imagination of the Latin Christian Middle Ages. As a multi-functional contact zone between Europe and Asia, it served as a region of diverse interactions between the three Abrahamic religions, was a destination for pilgrims, and a place where many disputes over territory took place. The armed crusades of 1099 by the Latin Christians led to the formation of the crusader states, which fell again after the final loss of Jerusalem in 1244 and the fall of Acre in 1291 to the Mamluk sultan al-Ashraf Khalil. Seizures and loss of territory resulted in the production of hundreds of travel and crusade accounts, as well as some of the first 1 regional maps created in Europe for precisely this part of the world. -
Medieval Portolan Charts As Documents of Shared Cultural Spaces
SONJA BRENTJES Medieval Portolan Charts as Documents of Shared Cultural Spaces The appearance of knowledge in one culture that was created in another culture is often understood conceptually as »transfer« or »transmission« of knowledge between those two cultures. In the field of history of science in Islamic societies, research prac- tice has focused almost exclusively on the study of texts or instruments and their trans- lations. Very few other aspects of a successful integration of knowledge have been studied as parts of transfer or transmission, among them processes such as patronage and local cooperation1. Moreover, the concept of transfer or transmission itself has primarily been understood as generating complete texts or instruments that were more or less faithfully expressed in the new host language in the same way as in the origi- nal2. The manifold reasons (beyond philological issues) for transforming knowledge of a foreign culture into something different have not usually been considered, although such an approach would enrich the conceptualization of the cross-cultural mobility of knowledge. In this paper, I will examine the cross-cultural presence of knowledge in a different manner, studying works of a specific group of people who created, copied, and modified culturally mixed objects of knowledge. My focus will be on Italian and Catalan charts and atlases of the fourteenth and fifteenth centuries, partly because the earliest of them are the oldest extant specimens of the genre and partly because they seem to be the richest, most diverse charts of all those extant from the Mediterranean region3. In addition, I have relied on the twelfth- century »Liber de existencia riveriarum et forma maris nostris Mediterranei«, a Latin 1 Charles BURNETT, Literal Translation and Intelligent Adaptation amongst the Arabic–Latin Translators of the First Half of the Twelfth Century, in: Biancamaria SCARCIA AMORETTI (ed.), La diffusione delle scienze islamiche nel Medio Evo Europeo, Rome 1987, p. -
A Recently Discovered Portolan Chart the Oldest Map of Monaco? the Map Afternoon 2017 Excursion to the Hague - Visiting the VOC Archives
MAPS IN September 2017 Newsletter No HISTORY 59 A recently discovered portolan chart The oldest map of Monaco? The Map Afternoon 2017 Excursion to The Hague - Visiting the VOC archives ISSN 1379-3306 www.bimcc.org 2 SPONSORS EDITORIAL 3 Contents Intro Dear Map Friends, Exhibitions Paulus In this issue we are happy to present not one, but two Aventuriers des mers (Sea adventurers) ...............................................4 scoops about new map discoveries. Swaen First Joseph Schirò (from the Malta Map Society) Looks at Books reports on an album of 148 manuscript city plans dating from the end of the 17th century, which he has Internet Map Auctions Finding the North and other secrets of orientation of the found in the Bayerische Staatsbibliothek. Of course, travellers of the past ..................................................................................................... 7 in Munich, Marianne Reuter had already analysed this album thoroughly, but we thought it would be March - May - September - November Orbis Disciplinae - Tributes to Patrick Gautier Dalché ... 9 appropriate to call the attention of all map lovers to Maps, Globes, Views, Mapping Asia Minor. German orientalism in the field it, since it includes plans from all over Europe, from Atlases, Prints (1835-1895) ............................................................................................................................ 12 Flanders to the Mediterranean. Among these, a curious SCANNING - GEOREFERENCING plan of the rock of Monaco has caught the attention of Catalogue on: AND DIGITISING OF OLD MAPS Rod Lyon who is thus completing the inventory of plans www.swaen.com History and Cartography of Monaco which he published here a few years ago. [email protected] The discovery of the earliest known map of Monaco The other remarkable find is that of a portolan chart, (c.1589) ..........................................................................................................................................15 hitherto gone unnoticed in the Archives in Avignon. -
State of the Art David Rumsey’S Online Map Collection
State of the Art David Rumsey’s Online Map Collection By Julie Sweetkind (This article originally appeared in Mercator's World Magazine, September/October 2000) David Rumsey amid items Davidfrom Rumseyhis map, amid atlas, items and globe fromcollection, his map, which atlas, heand is globemaking collection, which he is making available online. available online. March 2000 was an exciting time for David Rumsey. After more than two years of hard work, his Web site, www.davidrumsey.com, was going “live.” More than 2,300 images had been selected, digitized, and posted from a map collection that had taken almost twenty years to build. The previous year had been spent in a flurry of scanning original materials, creating data records, and working with software designers to create something innovative and unique in the display of cartographic materials online. Rumsey’s dream was to make accessible a large private map collection that few had ever seen. Most important, he wanted to bring his collection to the public in a revolutionary way — via the Internet. Cutting-edge software would allow visitors to view maps side by side and then zoom in to see even the smallest level of detail. Complete cataloguing records would include not only a map’s standard information, but also its cartographic relevance. A robust search engine would enable users to quickly pull together a variety of images based on an area or a theme. Together, these tools would help to convey online the intimacy Rumsey felt when exploring his vast collection in the privacy of his library. “When you can see all the maps, globes, charts, atlases and their related materials in one space, as you can in my physical library, you can start to sense how maps grow one from another in time, as one map incorporates the new discoveries of an earlier map, and thus you can visually feel the flow of history over several centuries,” says Rumsey. -
Why the Artificial Shapes for the Smaller Islands on the Portolan Charts (1330-1600) Help to Clarify Their Navigational Use
WHY THE ARTIFICIAL SHAPES FOR THE SMALLER ISLANDS ON THE PORTOLAN CHARTS (1330-1600) HELP TO CLARIFY THEIR NAVIGATIONAL USE by Tony Campbell 76 ockendon Road London n1 3nW UK [email protected] Portolan charts have been studied for more than a century and a half, and intensively so in recent years. Yet several basic questions remain unanswered; indeed, some have never been asked. A detailed inves - tigation, focusing in particular on the place-names, and the shapes of the medium and small islands, has been carried out over the past few years. This has made possible a new understanding of the charts’ development and a fresh explanation of both their purpose and longevity. Portolan charts contain an unex - pected mixture of surprising geometric accuracy and apparently frivolous invention. Their toponymy was static enough to include in 1600 three-quarters of the names that can be seen 300 years earlier. Yet at the same time they were dynamic enough to introduce many hundreds of new, and subsequently repeated, names over that period, and to discard hundreds of others. It will be demonstrated that the portolan charts - leaving aside their land-based roles as decorative mercantile or prestige objects - were an essential tool for sailors. Their uneven ‘accuracy’ can be explained in terms of three distinct shipboard uses: first, when on a long sea passage out of sight of land, second, when working from headland to headland along a coast, and third, when picking a way through an archipelago - particularly those in the Aegean Sea. The strange, clearly unnatural shapes given to many of the small and medium-sized islands, especially in the Aegean, have been barely noticed by previous commentators. -
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ChCATA/1; THE 1375 ATLAS, KNOWN AS CATALAN WHAT HAS BEEN MISSED IN OTHER RESEARCH? ABSTRACT Commencing with an in depth study of the actual draughtsmanship to explore the hidden features, the text then investigates the donor charts which allowed it to be drawn, much of which has been known for over 100 years, and finally shows that it is the latest manifestation of the “mappa mundi” genre which are usually drawn as circular charts. The text is 10, A4 pages and contains 21, A4 (A3) diagrams ChCATA/1; THE 1375 ATLAS, KNOWN AS CATALAN WHAT HAS BEEN MISSED IN OTHER RESEARCH? INTRODUCTION Diagram ChCATA/1/D1 This beautiful atlas has been investigated and written about for over 100 years and with multiple descriptions of its pictorial content available, this text will only cursorily touch on that subject as it is primarily a technical paper concerned with the inner workings of the actual draughtsmanship and what it can tell us about not only the competence of the author but the information available c1370/1375. Perhaps those who do not know the historical background and the pictorial contents meaning I suggest they use the following text from BnF Paris; http://archivesetmanuscrits.bnf.fr/ark:/12148/cc78545v The pertinent information to explain the existence of the Atlas is as follows; basically the Crown of Aragon, King Pedro IV (1336-1387) requested the production of this Atlas so that it could be presented to his cousin, the Crown of France, King Charles V (1364-1380), and it was despatched between 1376 and 1378 to France, certainly arriving before 1380. -
The Nautical Atlases of Calī Al-Sharafī of Sfax
The Nautical Atlases of cAlī al-Sharafī Mónica Herrera-Casais Key-words: cAlī al-Sharafī, Sharafī family, Maghrebi and Andalusian chartmakers (A¬mad al-Æanjī, Ibrāhīm al-Mursī and A¬mad al-Andalusī), Majorcan sources, nautical atlas, Ðabla (tabula), sea chart of the world, jughrāfiyā, al-Idrīsī’s Geography, coastal place names, wind network, dry point, pomegranate, moriscos. Abstract The two extant atlases of the 16th-century Tunisian chartmaker and scholar cAlī al-Sharafī are indispensable documents for understanding the history and development of Maghrebi nautical cartography. They provide precious information on al-Sharafī’s chartmaking techniques, production and sources, which include the output of his own family and the atlas of a certain A¬mad al-Andalusī who had settled in Istanbul. The making, contents and characteristics of the atlases are examined in connection with the Maghrebi and Majorcan traditions of nautical cartography which positively influenced al-Sharafī’s compilation of coastal place names. This is explained by the circulation of such cartography across the Mediterranean of his time. Further questions are also raised on the working conditions in which Maghrebi and Andalusian chartmakers flourished and the impact of their legacy. Contents I. INTRODUCTION: 1: The chartmaker al-Sharafī. 2: The Sharafī family of chartmakers. 3: Al-Sharafī’s sea charts of the world. 4: Other Maghrebi Suhayl 8 (2008) pp. 223-263 224 M. Herrera-Casais and Andalusian chartmakers and their output. 5: The chartmaker A¬mad al-Andalusī. II. THE ATLASES: 6: Presentation. 7: Codicological description. 8: Ter- minology: al-Ðabla. 9: Contents and composition. III. THE SECTIONAL CHARTS: 10. -
Peregrinations: Journal of Medieval Art and Architecture
Peregrinations: Journal of Medieval Art and Architecture Volume 4 Issue 1 2013 Peregrinations: Journal of Medieval Art and Architecture (Volume 4, Issue 1) Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation . "Peregrinations: Journal of Medieval Art and Architecture (Volume 4, Issue 1)." Peregrinations: Journal of Medieval Art and Architecture 4, 1 (2013). https://digital.kenyon.edu/perejournal/vol4/iss1/24 This Full Issue is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. et al. Welcome Welcome to the Spring 2013 issue of Peregrinations: Journal of Medieval Art & Architecture. It is with great pleasure Current Issue that we present a special issue devoted Photobank to medieval mapping, guestedited by Asa Mittman and Dan Terkla. Medieval Submission maps have long intrigued scholars. Guidelines Although they sometimes illustrated geographical realities, far more often Organizations they reflected political and religious world views and attempts to understand Exhibitions history and its place within the mysterious plans of God. The six essays Discoveries in this issue explore notions of religous, social, and art history with special Related Links emphasis on the Holy Land and of world maps (mappa mundi) and how each reflected everchanging ideals. Written by some of the most important scholars, including Ingrid Baumgärtner, Gerda Brunnlechner, Marcia Kupfer, Asa Mittman, Bettina Schoeller, and Diarmiud Scully, this issue promises to bring new critical attention to medieval cartography. -
19Th Century by Jon Dotson, Old World Auctions
The Mapmakers Who Made the 19th Century by Jon Dotson, Old World Auctions We continue our series of notable mapmakers with a glimpse into the 19th century. While the process of mapmaking was essentially unchanged in the first three centuries of our series, the 19th century represented a period of great change both in terms of paper and printing technique. Early in the century, machine wove paper (as opposed to hand laid) became the standard with the invention of a machine that produced paper on a continuous roll. In the 1840s, as demand for paper outpaced supply, cheaper wood pulp would replace cotton rag. At the same time, expensive copper plates that were the staple at the turn of the century were replaced over time by cheaper methods of production including steel plates, lithography and cerography (wax engraving). The combined effect of these innovations meant lower barriers to entry and a marked increase in the number of participants in cartography (a term coined in the 19th century). Given the large pool of influential and prolific mapmakers in the 19th century, we decided to highlight a representative sample that we frequently encounter at Old World Auctions. United States Government Over the course of the 19th century, the United States government was the most prolific map publisher in the world. Based upon the Old World Auctions archive of map records, greater than 1 in 8 maps from the 19th century were issued by a U.S. agency. The vast majority of these maps were provided as exhibits or appendices that accompanied reports to the U.S. -
Crafting and Consuming an American Sonoran Desert: Global Visions, Regional Nature and National Meaning
Crafting and Consuming an American Sonoran Desert: Global Visions, Regional Nature and National Meaning Item Type text; Electronic Dissertation Authors Burtner, Marcus Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 02/10/2021 04:13:17 Link to Item http://hdl.handle.net/10150/268613 CRAFTING AND CONSUMING AN AMERICAN SONORAN DESERT: GLOBAL VISIONS, REGIONAL NATURE AND NATIONAL MEANING by Marcus Alexander Burtner ____________________________________ copyright © Marcus Alexander Burtner 2012 A Dissertation Submitted to the Faculty of the DEPARTMENT OF HISTORY In Partial Fulfillment of the Requirements for the degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2012 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Marcus A. Burtner entitled “Crafting and Consuming an American Sonoran Desert: Global Visions, Regional Nature, and National Meaning.” and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy ____________________________________________________________Date: 1/7/13 Katherine Morrissey ____________________________________________________________Date: 1/7/13 Douglas Weiner ____________________________________________________________Date: 1/7/13 Jeremy Vetter ____________________________________________________________Date: 1/7/13 Jack C. Mutchler Final approval and acceptance of this dissertation is contingent upon the candidate's submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
A NEWSLETTER of the TEXAS MAP SOCIETY Spring 2020
A NEWSLETTER OF THE TEXAS MAP SOCIETY Spring 2020 Texas Map Society Fall 2019 Meeting September 19-22, 2019 • Alpine Map of Houston Heights, Harris County, Texas owned by the Omaha & South Texas Land Co., Houston, Texas, Boston: Forbes Co., 1891, Map #94458, Map Collection, Archives and Records Program, Texas General Land Office, Austin, TX. FROM THE PRESIDENT I have been reflecting on the about 2020 dues. You may, if you wish, renew your time we gathered last September membership anytime on the TMS website. in Alpine for our Fall 2019 • No annual business meeting was held in Alpine. The fall meeting. How the world has meeting is the traditional venue to elect officers. The changed in six short months. We Nominating Committee chaired by Ann Hodges proposed are all facing circumstances that the following slate of Board members for the class of are most uncertain. There are 2020-2022: Mylynka Cardona (replacing James Harkins), “maps” from earlier pandemics David Finfrock and James Parker. The Board affirmed the to consult, but as we face slate authorizing candidates to serve in this capacity until the COVID-19 virus, we are we convene the 2020 annual meeting at UTA in fall of this navigating uncharted waters. year. We have not yet been successful in finding someone But as we know through our love of all things cartographic, to fill the position of treasurer held by Lynne Starnes for new data will continue to inform knowledge gained from many years. The Summerlee Foundation has graciously experience in the past, and new maps will be made to guide allowed us to use her services since Kit Goodwin retired us through choppy waters. -
Observation and Image-Making in Gothic Art JEAN A
P1: FCH/SPH P2: FCH/SPH QC: FCH/SPH T1:FCH CB734-FM CB734-Givens-v1 July 6, 2004 17:18 observation and image-making in gothic art ƾ JEAN A. GIVENS University of Connecticut iii P1: FCH/SPH P2: FCH/SPH QC: FCH/SPH T1:FCH CB734-FM CB734-Givens-v1 July 6, 2004 17:18 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, uk 40 West 20th Street, New York, ny 10011-4211, usa 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Jean A. Givens 2005 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2005 Printed in the United Kingdom at the University Press, Cambridge Typefaces Aldus Roman 10.5/15 pt. with Notre Dame System LATEX 2ε [tb] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data Givens, Jean A. (Jean Ann), 1947– Observation and image-making in Gothic art / Jean A. Givens. p. cm. Includes bibliographical references and index. isbn 0-521-83031-1 (hb) 1. Art, Gothic – Themes, motives. 2. Visual communication in art. 3. Visual perception. I. Title. n6310.g55 2004 709.022 – dc22 2004043582 isbn 0 521 83031 1 hardback