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Don't Miss the Boat!

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Don't Miss the Boat! DON’T MISS THE BOAT! DAS WÄLDCHENGARTEN | FABRICE LIG LEGOWELT | CABANNE | IF & ALDEN TYRELL | VINCENT FFF | MARCUS INTALEX | CAPSLOCK | JACKMATE ECTOMORPH | JAY HAZE | SAL PRINCIPATO | NUROTIKA APPARAT | SHAWN RUDIMAN | CDATAKILL BANGKOK IMPACT | PETER GRUMMICH | JORIS VOORN AND MANY MORE... EDITORIAL MS STUBNITZ ROTTERDAM 2005 The long awaited return of the ROS 701, better known as the MS Stubnitz is finally coming to reality. The former high sea trawler which currently serves as a cultural production platform is setting sail for the docks of Rotterdam . Back in the year 2001 the MS Stubnitz held service as a mobile stage during the festivity’s which were held as a part of the “Rotterdam: Cultural Capital of Europe 2001” events. The MS Stubnitz then proved to be a very special and atmospheric background for a number of dance events. Sound Architecture came to the idea of bringing back the 78 meter long trawler when they were searching for original locations. Since a period of time complaints started coming out of the Rotterdam party crowd about the lack of innovating and interesting locations which were being used by the different Rotterdam based event promoters and record labels. Sound Architecture has always been one of those organisations who try to create a stimulating environment, were the crowd, the music and the scenery blends together as if their were one. From June the 2 nd till June the 24 th MS Stubnitz and Sound Architecture are serving you a variety of electronic music orientated events. During this period MS Stubnitz will be the stage for a large number of artists, who are expected to re-set the boundaries of electronic music. The events will rise above the current club standards in Rotterdam for programming, as the line-up clearly shows. No longer will there be a separation between the various styles of electronic dance music. Visitors can expect anything ranging from techno to “warp-like” electronica, minimal click house to nu-jazz / broken beats and electro to drum ‘n bass. Even ambient sound scapes and performances by rock PREVIEW ROTTERDAM ELECTRONIC and punk bands will be present during MUSIC FESTIVAL these events. For this special occasion Sound Architecture and MS Stubnitz Sound Architecture and partners will invited several innovative organisations to unite the electronic music scene and collaborate during this project. The invited magnify the wide spectrum of 010‚s organisations are all proven factors that electronic world in all it‚s form and have stood firmly trough out the years. function. Rotterdam is about to give birth As small independent organisations they to a new three day festival hosting several always stayed true to their believes and locations within the city heart., featuring gradually grew out of the underground. workshops, lectures, electronic art and Nowadays organisations such as Crème communication, exhibitions, events and organisation, Clone and Viewlexx to name label nights. Warming up to the main event a few, are filling in key positions within Rotterdam Electronic Music Festival will the electronic music scene. Furthermore host several kick off or warm up events local organisations and labels like Worm, within the city featuring a wide selection of Grammar, Duracell bootleg dj cafe and electronic music and a diversity of national Subtronics will take part in the action. and international artists for the love of Sound Architecture and MS Stubnitz will electronic music. be very pleased to see you taking part of this special series of events. More info and website online September 2006. We all hope to see you there! WWW.ROTTERDAMELECTRONICMUSICFESTIVAL.COM 03 INDEX 03. EDITORIAL 05. INDEX | COLOFON 06. STUBNITZ 08. OPENINGSNIGHT 10. BOOTLEG DJ CAFE 12. SUBTRONICS 15. DUBKAPITAL 16. PANIC SAUCE MORTAL ROMP 18. SA VS CREME ORGANIZATION 20. WORM FESTIVAL 22. KRYPTIC WAVES 24. SHITKATAPULT 26. LESS=MORE 28. BANDS 30. CHARTS COLOFON MS STUBNITZ ROTTERDAM 2005 BOOKLET PUBLISHED BY SOUND ARCHITECTURE MEDIA CONTACT: [email protected] GENERAL INFO: [email protected] PROGRAM COORDINATOR: Joachim Marijnen PRODUCTION: Remko Beeskow & Joachim Marijnen PROMOTION: Maarten van Lammeren & Ape DESIGN BOOKLET: Jeroen Hofer for Melon Productions SOUND & LIGHT: Ian Thompson & Ton CHAIRMAN & WEBMASTER: Fredrik Boström ELECTRICIAN & LIGHTMAN: Robert Marquadth SOUND EDITOR: Marco Maria COORDINATOR HORECA: Axel Brodzinski COORDINATOR & SOUND TECHNICIAN: Urs Blaser GRAPHIC DESIGN STUBNITZ: Suzanne Pahlke SHIPS COOKS: Peter Rampazzo & Jörk Lehmkuhl PANTRYBOY: Mr Coost Lardy Cake SOUND TECHNICIAN: Jörk Tessenow BAR CREW : Anna Runge PHOTOGRAPHY: Carl Weidner aka Stasis 101 VISUALS: Reach Visuals, Stasis 101 and others SHIPBUILDER AND WELDER: Thomas Böhr VIDEODUCUMENTATION: Mennolt van Waasbeek PRINTING : Wegener Grafische groep ORGANISATION: Sound Architecture for and in coop with MS Stubnitz PARTNERS AND SUPPORTERS: Melon Productions, Full On, Ape, Worm, Martin at Tocado Records, Under_line and Rescue recordings, Creme Organisation, Clone, Roeland at Daily Fresh, Love2party crew, Partyscene, Ruben at Beatfreax, Rogier at Glamcult, Viktor at DJ broadcast, VPRO 3 voor 12, Erika at Interdimensional Transmissions, Flyercult, 010 electronics, Bootleg dj Cafe, Grammar, Lesstrols, Industrial funk, Telegraph Recordings, Sino, Michel at Philpot records, Kim at Barkers, Shitkatapult, Cybernetic Broadcasting System, News Distribution, Creme Organisation, Wegener Graphic group, Alpraush, Insight 51, Streetstyle crew, Glamcult, Technorient, DFA, Full On, Eelco van den Berg and Rik at Subronics, Daniel at Shitsite, Funk Me, Simon at Vision of Sound, Beep, Velvet, Gemeente Rotterdam, Brandweer Rotterdam, Rotterdam Festivals and JMR for advise, Architectuur Bienale Rotterdam and Linda Nadine van Dijk at SKVR for their mental support. 05 A MOBILE BASE FOR INTERNATIONAL COMMUNICATION In 1994 Stubnitz left for its first travel under its new destination: a floating cultural centre and production facility. The ports of Malmö (Sweden), St. Petersburg (Russia) and Hamburg (Germany) were entered. In 1998 the renewed Stubnitz left the harbour for the first time on request of the Cultural Capital of Europe, Stockholm. In 1999 2005 Lübeck and Hamburg were the ports to be called at, in 2000 cultural capital of Europe Rotterdam was the inviting town, in 2002 Stubnitz took part in cultural capital of Europe Brugge (Belgium) and in the same year doing a festival in Amsterdam in cooperation with kinetisch-noord, for 2003 the ports of Szczecin (Poland) and Hamburg were the goals, in 2004 Riga and Kleipeda. 2005 is the most ambitious year so far, after Copenhagen and Rotterdam it’s time for Newcastle, Amsterdam, Dunkirk and Antwerp. „Stubnitz shows clearly that there are possibilities for operating large traditional crafts aside from the traditional idea of a museum ship. Maybe there is a chance for a permanent realization of the idea of a floating cultural centre on board a traditional deep-seas trawling vessel in the operation as a part of our European maritime heritage” (Dr.Ingo Heidbrink, Deutsches Schiffahrtsmuseum. In: European Maritime Heritage Newsletter, FACTS AND FIGURES whole coast of the Baltic Sea and the with local initiatives, organisations and Vol. 6, No. 3, January 2000). North Sea as a centre for experimental art individual artists; this co-operation results Length: 79,81 M | Total height: 27,3 M and music. Main initiator was Urs Blaser, into an arts-program. Main engine: 984 kW | Speed: 11,9 KN a Swiss national. The factory machinery Homeport is the city harbour of Rostock, LOCATION AND ORGANISATION and the conveyors were removed, but the where about 200 cultural events a year are STUBNITZ ROTTERDAM 2005 HISTORY main structure of the ship was conserved organized. Concert- and Performance- and adjusted to modern safety standards. areas feature diverse activities and styles: MS STUBNITZ The 80 meters long Motorschiff Stubnitz The complete engine room, the bridge, the dub, drum’n bass, hiphop, techno, core, Wilhelminakade was built from 1964 ‘till 1965 by VEB navigation material, the radio transmitter, noise, avant-garde, industrial, classical, Rotterdam Volkswerft Stralsund on assignment of the the deck equipment, the galley, the jazz, ska, country, folk, punk, metal, The Netherlands East German state owned fishing company. hospital, the combose, the mess and rock’n roll, theatre, cabaret, lectures, Email: [email protected] The homeport was Saßnitz on Rügen the cabins were kept in their original dance, installations, exhibitions, spoken Email: [email protected] Island. The name refers to the Stubnitz condition. In the holds the cooling pipes words, cinema, lo-fi, hi-brow, what ever! Website: www.stubnitz.com forest in the surrounding area of Saßnitz. are still visible. Concerts and performances happen in an The East German fishing fleet stopped atmosphere under the waterline inside of SOUND ARCHITECTURE existing together with the disintegration FACILITIES 2308,4 tonnes of steel, providing a unique Ringvaartweg 232 of the GDR. Within the economical atmosphere and acoustic environment. 3065 AH Rotterdam system of the new Federal Republic of MS Stubnitz is a production facility Besides there is audio and video digital The Netherlands Germany, there was no space for the co- and cultural platform inside a fully- recording equipment, a lab with several Email: [email protected] operative East German fishing industry, functioning, reconstructed east-german work stations for post production or Email:
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