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Red Bull Music Academy Application Info PARIS 2015 TERM 1 October 25 — November 6 TERM 2 November 15 — November 27 APPLY January 21 — March 4 Go to redbullmusicacademy.com to find everything you need to apply for the Red Bull Music Academy in Paris. WHAT IS THE ACADEMY? Since 1998, the Red Bull Music Academy has exercise in pulling people from every corner devoted itself to bringing talent and ideas together of the globe together under one roof — and then in inspiring places. Each and every year, this creating a dialogue that continues long after meeting of minds sees 60 selected participants the Academy ends. collaborate and share with one another, as well as listen to the stories and sounds of pioneering What participants learn at the Academy is that, musical figures — special guest speakers whose while our languages and experiences may footsteps we continue to walk in. vary, what everyone has in common is a desire to explore music’s weird and wonderful ability At each Academy, the past and the present to communicate. You don’t need to be able to play meet to identify and explore future possibilities a dozen instruments, build a synth from scratch, in sound — in the custom-built studios working or know every lyric Björk has ever written. on new music, on the RBMA Radio airwaves, You don’t need to have released music on a label, and on the dancefloors of our month-long run or headlined a stage. But if the idea of being of club and live events in the city’s finest venues. thrust from your comfort zone and into our In an age where our online lives have made studios with other, bubbling minds has got you communication and collaboration easy in theory sitting up straight, then the Academy might but often distant in practice, the Red Bull just be the place for you. Music Academy is a unique brick-and-mortar “MUSICAL STYLES CHANGE, BUT THE NOTES ARE THE SAME.” — BENJAMIN WRIGHT JR. “UNLIKE A VIOLIN, MY LAPTOP HEARS ME. IT TALKS TO ME. I THINK IT’S A HYPER- PERSONAL INSTRUMENT.” — HOLLY HERNDON “I’M TRYING TO FIND OUT WHERE SOUND ITSELF WANTS TO TRAVEL TO.” — KEIJI HAINO CHARLIE HALL DANNY BREAKS DJ RADAR FATIMA AL QADIRI GYEDU BLAY-AMBOLLEY JAZZIE B KING BRITT MARK ARM MO PATRICK CARPENTER RANDY MULLER SAXON CHEZ DAMIER DANNY KRIVIT DJ RASHAD FENNESZ H JEF K KIRK DEGIORGIO MARK DE CLIVE-LOWE MODESELEKTOR PATRICK FORGE RASHAD BECKER SOUNDSYSTEM CHLOÉ DARSHAN JESRANI DJ RED ALERT FION HIGGINS HANK SHOCKLEE JEFF MILLS KLAUS GOLDHAMMER MARK JONES MOODYMANN PATRICK PULSINGER READY D SCUBA CHRIS BAIO DAVE HASLAM DJ SPINN FLETCH HANS NIESWANDT JEREMY GREENSPAN KODE9 MARK PRITCHARD MORGAN GEIST PAUL BRADSHAW RECLOOSE SEBASTIAN NIESSEN CHRIS PALMER DAVE RALPH DJ TOOMP FLOATING POINTS HAROLD FALTERMEYER JEREMY HARDING KORG MARK RAE MORITZ VON OSWALD PAUL DE BARROS RICHIE HAWTIN SEIJI LECTURERS CHRIS STEIN DAVE SMITH DOMU FLYING LOTUS HARRY RUSSELL JESSE SAUNDERS KRUST MARK RONSON MORTON SUBOTNICK PAUL HUMPHREY RICK ESSIG SERGI JORDÀ CHUCK D DAVID HOLMES DON BUCHLA FONZE MIZELL HARUOMI HOSONO JIMMY DOUGLASS KUTCHA EDWARDS MARKY MOVE D PAUL KELLY RITU SETH TROXLER CIARAN CAHILL DAVID MATTHEWS DON LETTS FOUR TET HEIKO SCHÄFER JOE BATAAN L MARLEY MARL M/S/O PAUL MURPHY ROACH SHAHEEN ARIEFDIEN CLAIRE MALONEY DAVID NERATTINI DOOM FRANCESCO TRISTANO HENRIK SCHWARZ JOE BOYD L’ORCHESTRA DI PIAZZA MARTIN MORALES MTUME PAUL RISER ROB BOWMAN SHANE & GREG CLAMS CASINO DAVID RODIGAN DORIAN MOORE FRANCISCO LÓPEZ HERB POWERS JR. JOE GODDARD VITTORIO MARTIN SCHÖPF MU PAUL WOOLFORD ROBBIE SHAKESPEARE SHUT UP & DANCE ?UESTLOVE ARTHUR VEROCAI BOB HUMID CLARE FISCHER DAVID STEELE DR BOB JONES FRANÇOIS K HIP TANAKA JOE ZAVAGLIA LANCE FERGUSON MARTYN MULATU ASTATKE PEACHES ROBERT FEUCHTL SINDEN A ARTO LINDSAY BOB MOOG CLAUDE YOUNG DAVID SWINDELLS DR PETER ZINOVIEFF FRANK TOPE HOLLY HERNDON JOEL MARTIN LARRY HEARD MARTYN WARE N PEANUT BUTTER WOLF ROBERT HOOD SIR MIX-A-LOT A GUY CALLED GERALD ARTURO LANZ BOB POWER CLAUDIO COCCOLUTO DAZ-I-KUE DRE SKULL FRANKIE KNUCKLES HOWIE WEINBERG JOHN ACQUAVIVA LARRY MIZELL MASTERS AT WORK NEIL ALINE PEARSON SOUND ROBERT NESBITT SKEPTA A-TRAK ARTWORK BOI-1DA CLAUDIO RISPOLI DEADBEAT DUDLEY PERKINS FRONT 242 HUGH MASEKELA JOHN DENT LARS BARTKUHN MATHEW JONSON NEIL MACEY PÉPÉ BRADOCK ROBERT OWENS SKREAM ABA SHANTI-I ASSAULT BOK BOK CLAUDIO SIMONETTI DEBBIE HARRY E G HYMNAL JOHN REYNOLDS LARS VEGAS MATIAS AGUAYO NICK COPLOWE PESHAY ROBERT RICH SLY DUNBAR ADAM FREELAND ATILANO GONZALEZ-PEREZ BOOTSY COLLINS CLÉ DEEP EARL GATESHEAD GABRIEL ROTH I JOHN STAPLETON LEE HIRSCH MATMOS NICK HARRIS PETE RILEY ROBERTO MAXWELL SNOWBOY ADDISON GROOVE B BRANKO CLIVE CHIN DEGO ED HANDLEY GARETH JONES I-F JOHN TALABOT LEE ‘SCRATCH’ PERRY MATTHEW HERBERT NICOLAY PETER DECUYPERE ROD MIZELL SOULJA ADRIAN SHERWOOD BABU BRENDAN M GILLEN CLUSTER DENGUE DENGUE DENGUE! EDUARDO MAROTE GARY BARTZ I.G. CULTURE JOHN TEJADA LEGOWELT MAURICE FULTON NIGEL GODRICH PETER GRANDL ROGER LINN SPENCER WEEKES AKIM WALTA BAMBOOS BRENT FISCHER CONRAD VON LOEHNEYSEN DENNIS BOVELL EFDEMIN GEORGE STAVROPOULOS IAN DEWHIRST JONATHAN RUDNICK LEON WARE MAURICIO BUSSAB NILE RODGERS PETER HOOK ROMAN FLÜGEL SPOONY ALEX BARCK BASS DEE BRIAN CROSS AKA B+ COSEY FANNI TUTTI DENNIS COFFEY EGYPTIAN LOVER GEORGIA ANNE MULDROW INVISIBL SKRATCH PIKLZ JONO PODMORE LEROY BURGESS MEGAN JASPER NORMAN JAY PHADERHEADZ RON TRENT STATIC REVENGER ALEX DRÖNER BASS ODYSSEY BRIAN ENO COSMO DENNIS WHITE ELECTRIC INDIGO GERALD JAZZMAN ISAO TOMITA JORDI LLOVERAS M MEL CHEREN NOTTZ PHIL ASHER ROOTS MANUVA STEELY & CLEVIE ALEX ROSNER BASSFACE SASCHA BUGGE WESSELTOFT CRAZE DERF REKLAW EL GUINCHO GERALD MITCHELL J JUAN ATKINS M.I.A. MELVIN VAN PEEBLES NUTS PHILIP GLASS ROSKA STEINSKI ALEX SMOKE BEN LONG BUN B CRISTIAN VOGEL DERRICK CARTER ELMAR KRICK GERD GUMMERSBACH J DA FLEX JULIA HOLTER MAD MATS MICHAEL KUMMERMEHR O PHILIPPE ZDAR ROSS ALLEN STEPHEN MALLINDER ALEXANDER BRETZ BENGA BURAKA SOM SISTEMA CUT CHEMIST DERRICK MAY EL-P GERRIET SCHULZ J MAJIK JULIAN RINGEL MAD MIKE BANKS MICHAEL MAYER OH NO PHONTE RUDE BOY PAUL STEPHEN O’MALLEY ALEXANDER ROBOTNICK BENI G BURLE AVANT D DIGITAL EMMANUEL JAGARI CHANDA GILB’R J-ROCC JUST BLAZE MAD PROFESSOR MICHAEL REINBOTH OISIN LUNNY PLASTICIAN RUSSELL ELEVADO STEVE ARRINGTON ALICE RUSSELL BENJAMIN WRIGHT JR. BUSY P D-BRIDGE DIRK LINNEWEBER EOIN BRIANS GILBERTO GIL JAH SHAKA K MADLIB MICHAEL ROTHER OM’MAS KEITH PRIMO RYOJI IKEDA STEVE BECKETT ALVA NOTO BENNY SINGS C DABRYE DITTMAR FROHMANN ERLEND ØYE GILLES PETERSON JAMES BARTON KABUKI MAKOTO MICHAEL THORPE ONEOHTRIX POINT NEVER PRINCE PAUL RYUICHI SAKAMOTO STEVE BUNION AMP FIDDLER BEN UFO C-ROCK DAITO MANABE DIXON ERYKAH BADU GIORGIO MORODER JAMES GADSON KARDINAL OFFISHALL MALA MICHAELA MELIAN ORLANDO VOORN PRINS THOMAS RZA STEVE REICH ANALOGUE FREESTYLE BERNARD PURDIE CARIBOU DÂM-FUNK DJ DOPE EUMIR DEODATO GLEN BRADY JAMES HOLDEN KEIJI HAINO MALCOLM CATTO MIDFIELD GENERAL OSUNLADE PRZTZ S STEVE SPACEK ANDREW JERVIS BERNIE WORRELL CARL CRAIG DAMIAN HARRIS DJ ESP EWAN PEARSON GO JAMES MURPHY KEITH TUCKER MALCOLM CECIL MIKE G. OTOMO YOSHIHIDE Q SAL PRINCIPATO STORM ANDREW WEATHERALL BETTINA COSTANZO CARL MCINTOSH DAN DALTON DJ FOOD EXILE GODFATHER JAMES PANTS KEMISTRY MANNIE FRESH MIKE PARADINAS OWUSU & HANNIBAL QUA SANTA CECILIA ORCHESTRA STUART HAWKES APPLEBLIM BEZ ROBERTS CARLY STARR DANDY JACK DJ HARVEY F GOLDIE JAMMIN’ UNIT KEN SCOTT MARC HYPE MIRA CALIX P Q-TIP SANTIAGO SALAZAR SUSANNE KIRCHMAYR ARABIAN PRINCE BIZ MARKIE CAROLA STOIBER DAN STEVENS DJ MAGIC MIKE FABIO GOTAN PROJECT JASON BENTLEY KERRI CHANDLER MARCO PASSARANI MISS DJAX PATIFE R SARAH STENNETT STROBOCOP ARCHITECTURE IN HELSINKI BLACK MILK CATHY SMITH DANIEL WANG DJ MEHDI FABIO DE LUCA GRANDWIZARD THEODORE JAY AHERN KILLA KELA MARCUS INTALEX MIXMASTER MORRIS PATRICE RADIO SLAVE SASCHA LAZIMBAT SUPA DJ DMITRY ARTHUR BAKER BLU CHARLIE DARK DANIELE BALDELLI DJ PREMIER FALTY DL GREG WILSON JAY ELECTRONICA KIM GORDON MARIO CALDATO JR. MJ COLE PATRICK ADAMS RAKIM SASCHA VOIGT SUPERPITCHER SINCE 1998 SVEN MIRACOLO TONY COLMAN WHEEDLE’S GROOVE SWAY TONY DAWSEY WINSTON HAZEL T TONY GABLE WOLFGANG VOIGT TAZ ARNOLD TONY HUMPHRIES WOODY MCBRIDE WATCH HUNDREDS OF TERRE THAEMLITZ TONY NWACHUKWU X TERRY FARLEY TONY VISCONTI X-ECUTIONERS THE ORIGINAL JAZZY JAY TOSHIO MATSUURA XRS “ART“ART IS IS LIKE LIKE WATER. WATER. IT IT TAKES TAKES THE THE SHAPE SHAPE OF OF LECTURE VIDEOS ON THEO PARRISH TOY SELECTAH Y TIGA TREVOR HORN YOUNG GURU TIM ‘LOVE’ LEE TREVOR JACKSON Z TIM WESTWOOD TUTTO MATTO ZEGON TINA FUNK TY ZÉ GONZALES WHATEVERWHATEVER YOU YOU POUR POUR IT IT INTO.” INTO.” TODD EDWARDS U ZED BIAS REDBULLMUSICACADEMY.COM/ TODD OSBORN UNTOLD ZINC TODD ROBERTS USCHI CLASSEN TODD RUNDGREN UTHER MAHMUD LECTURES TODD SIMON UWE SCHMIDT TOKIMONSTA V TOM MIDDLETON VAN DYKE PARKS TOM MOULTON VINCE DEGIORGIO TOM OBERHEIM VOLCOV TOM TOM CLUB W TOM ZÉ WAAJEED TONY ALLEN WALLY BADAROU MTUMEMTUME TONY ANDREWS WESTBAM A DAY AT THE ACADEMY THE RED BULL MUSIC ACADEMY IS 11 AM – FIX UP, LOOK SHARP 2:00 PM – LUNCH 7 PM – DINNER A UNIQUE ECOSYSTEM: A TWO-WEEK Wakey, wakey. A good night’s sleep can Participants and RBMA staff meet up Refuel for the long night ahead. MAGICAL MYSTERY TOUR WHERE wait. There are sounds to soak in and beats to in a custom cafeteria to chop it up over locally- YOU’RE ALLOWED TO DO NOTHING BUT flip (out over). sourced cuisine. Yum. 10 PM – PARTY ON EAT, SLEEP, BREATHE, AND MAKE MU- Nearly every night, there is a Red Bull SIC. EVERY DAY IS DIFFERENT, BUT THIS 11:30 AM – BREAKFAST 3:00 PM – SECOND LECTURE Music Academy concert, club night or special event SHOULD GIVE YOU A GENERAL IDEA Relive last night’s golden memories, take OF THE DAY happening somewhere in the city, and you’re WHAT TO EXPECT.
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    Mondomix est imprimé sur papier recyclé. 03 SOMMAIRE Magazine Mondomix — n°52 Juillet / Août 2012 LE SOMMAIRE DES MUSIQUES ET CULTURES DANS LE MONDE 04 - ÉDITO // OUVRIR LES SOURCES 06/13 - ACTUALITÉ L’actualité des musiques et cultures dans le monde 06 - MONDE 18 07 - KADDHOUR HADADI // Point de vue EN COUVERTURE 08 - MUSIQUES Daby Touré 10 - EL FASSA // Bonne Nouvelle 11 - GLOIRE AUX GITANS // Événement 12 - VOIR 14/21 - MUSIQUES 14 - OIL Électro carburant 16 15 - GAËL FAYE Le Burundi à hauteur d’homme Aziza Brahim 16 - AZIZA BRAHIM Le blues des oubliés 17 - THE VERY BEST Clubbing sans frontières 18 - DABY TOURÉ / en couverture Les mots de l’âme 22/36 - THÉMA : LA paSSION FESTIVAL 17 24 - ÉTAT DES LIEUX The Very Best 26 - 36 - SÉLECTION 37 - VOYAGE 37 - NEW YORK Diasporas 40/57 - SÉLECTIONS 22 La passion festival 40 - CINÉMA Sono Sion - Sexe, sang, suicide et société 43 - DVDS 44 - LIVRES Invitations au voyage 46 - DIS-MOI CE QUE TU ÉCOUTES ? Imhotep 37 47/56 - CHRONIQUES DISQUES New York Diasporas 47 - AFRIQUE 49 - AMÉRIQUES 51 - ASIE/MOYEN ORIENT 53 - EUROPE 54 - 6e CONTINENT 57 - COLLECTION // REAL WORLD, world music story 40 Cinema - Sono Sion 46 Imhotep 04 éDITO Mondomix.com OUVRIR LES SOURCES par Marc Benaïche OUVRIR LES SOURCES Le triomphe planétaire de l’internet et son utilisation quotidienne au même titre que la télévision, l’électricité ou l’eau courante, sont désormais une évidence, du moins pour les pays riches. Cette technologie génère tous les jours dans le monde des milliers d’emplois. Elle contribue à plusieurs points de PIB dans les économies des pays industrialisés et a été responsable de plus de 25% de la croissance des dix dernières années en France.
  • Reviews ATOM TM HD

    Reviews ATOM TM HD

    ATOM TM • HD • CD REVIEW • peek-a-boo music magazine 08.03.13 11:55 peek-a-boo music magazine • reviews ATOM TM HD [CD] Electro Pop • Experimental • IDM (Intelligent Dance Music) [100/100] raster-noton 07/03/2013, Pieter COUSSEMENT Share Once in a blue moon you get an album in your mailbox that you've been waiting for your whole life. ATOM™'s new HD album, which is scheduled for released on 18th of march on Raster-Noton, is exactly that! This may well sound a bit over the top, so let me explain why I make this bold statement with such confidence. A long time ago there was a guy with a band named Lassigue Bendthaus, which released some of the best albums ever, exploring every corner of electronic music with such ease it sounded almost surreal. In 1994, he released Render on KK records, which included JKTV/Otaku, a song that defined a crossover style with elements of D'n'B (hardly existing at that time), IDM (nobody knew this then) and pop. It also included Polaire, a minimal masterpiece, glitching over a sublime arrangement. The whole feel of the album was reminiscent of Kraftwerk, but was molded into a form that was eagerly awaiting the new millennium. Four years later, Uwe Schmidt, that's the genius' name, released Pop Artificielle, under the cryptic LB moniker. This album raised the bar for everybody wanting to cover a song for the future, boasting 10 covers in versions that easily surpass the originals. This is mainly due by an enlightened reinterpretation of each of the songs while retaining a very high quality standard; The Rolling Stones' Angie becomes an even melancholic song, Bowie's Ashes to Ashes is rendered into something that actually comes from outer space and John Lennon should have become a really Jealous Guy when he could have heared LB's version.
  • An Interview with Mike Paradinas

    An Interview with Mike Paradinas

    In Praise of Good Speakers: An Interview with Mike Paradinas Bittles‘ Magazine | Interview I first stumbled upon the twisted world of Mike Paradinas in 1994 through his remix EP of indie heroes The Auteurs. Across forty odd minutes of sonic experimentation he chewed up the original tracks and added huge layers of distortion until what remained was something of a truly mind-expanding listen. Yet just when it would seem that the tracks were too fucked up for comfort and your ears would start to complain, the music would suddenly break into a heartbreaking melody, or a moment of magnificent beauty that lifted the entire project to epic heights. By JOHN BITTLES Thus a musical love affair was born as I eagerly tracked down the albums Tango N’ Vectif and Bluff Limbo and took my first tentative steps into a world of exquisite noise. The music on these early releases was by turns angry, fearful, and wonderfully melodic. It took the blueprint of artists like Aphex Twin and B12 and filled it full of gleeful experimentation and musical contrasts. One minute you are bombarded with almost unlistenable noise, the next you are swimming in melancholic grooves. Both albums were playful slippery beasts that would sneak up behind the listener and caress with one hand while pinching roughly with the other. More releases followed. Stand outs included the Fear single on Virgin Records and albums such as Makesaracket under his Jake Slazenger alias. In 2007 he released Duntisbourne Abbots Soulmate Devastation Technique (album titles are not his strong point) which was just as difficult and obtuse as its title.