Friedrich Nietzsche's Impact on Modern German
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The Future of the German-Jewish Past: Memory and the Question of Antisemitism
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 12-15-2020 The Future of the German-Jewish Past: Memory and the Question of Antisemitism Gideon Reuveni University of Sussex Diana University Franklin University of Sussex Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the Jewish Studies Commons Recommended Citation Reuveni, Gideon, and Diana Franklin, The Future of the German-Jewish Past: Memory and the Question of Antisemitism. (2021). Purdue University Press. (Knowledge Unlatched Open Access Edition.) This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. THE FUTURE OF THE GERMAN-JEWISH PAST THE FUTURE OF THE GERMAN-JEWISH PAST Memory and the Question of Antisemitism Edited by IDEON EUVENI AND G R DIANA FRANKLIN PURDUE UNIVERSITY PRESS | WEST LAFAYETTE, INDIANA Copyright 2021 by Purdue University. Printed in the United States of America. Cataloging-in-Publication data is on file at the Library of Congress. Paperback ISBN: 978-1-55753-711-9 An electronic version of this book is freely available, thanks to the support of librar- ies working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books Open Access for the public good. The Open Access ISBN for this book is 978-1-61249-703-7. Cover artwork: Painting by Arnold Daghani from What a Nice World, vol. 1, 185. The work is held in the University of Sussex Special Collections at The Keep, Arnold Daghani Collection, SxMs113/2/90. -
Spring Summer 2020 Cover.Indd
Dear Friends of the Muscarelle, LETTER It’s hard to believe that a year has passed since I first joined the photography by William & Mary art faculty member Eliot Dudik. Our Muscarelle team. Our 2019 calendar of exhibitions and programs was exhibition on the collection of The Owens Foundation will honor one FROM THE rich and broad, and we hope you were able to join us. of the Muscarelle’s greatest patrons, Carroll Owens, Jr., who time and INTERIM During the fall 2019 semester, the Museum was deeply engaged with again stepped in with financial support that allowed the Museum the academic mission of the University. We opened our fall season to grow and prosper. The exhibition will feature the outstanding DIRECTOR with the outstanding exhibition entitled The Adjacent Possible, which works, by a variety of American painters, collected by Carroll and Patty was curated by Professor Elizabeth Mead of the Department of Art & Owens. Art History. The exhibition served as the laboratory space for the We will reopen our upstairs galleries this spring with an installation interdisciplinary course Neuro-aesthetics: The Artist and the Mind, from our permanent collection, including new acquisitions, with the which was co-taught by Professor Mead and Professor Jennifer Stevens intention of highlighting the growing diversity of our holdings. And in SPRING/SUMMER from the Department of Psychological Sciences. The course explored April, we will once again serve the academic mission of the University the way the human brain processes abstract art, and both students and as we feature two exhibitions curated by undergraduate classes. -
Demons That Resist Exorcism Second Generation Perspectives Barbara Dorrity P 15
m "^ n Volume UII No. 10 October 1998 £3 (to non-members) Don't miss... Gombrich's blotting paper Refleaions on the deformed nationalism of parts of Europe Richard Grunberger P3 Carl Sternheim Dr Anthony GrenviHe p5 Demons that resist exorcism Second generation perspectives Barbara Dorrity p 15 ationalism is a force with a gut appeal long awaits canonisation - for his opposition to Tito's Russian underestimated by Liberals and Marxists atheist communism. N alike. However, not every manifestation of And in Brussels, the political heart of Europe, a enigma it was necessarily malignant. Flemish nationalist deputy has laid a Bill before the aifa When the French invented la patrie they also Belgian parliament to compensate erstwhile collabo century ago, Ls.sued a universal Declaration of the Rights of Man. rators for punishments meted out to them after HChurchill Italian unification was inspired by Mazzini's lib Liberation. In extenuation of their wartime conduct described Russia as eralism. In our own lifetime Catalans and Basques he conjures up a prewar spectre of Flemings as a riddle wrapped fought against Franco. .second-class citizens chafing under the misrule of a up in an enigma. Nonetheless, in the la.st war the Axis powers were French-speaking elite. The observation still immeasurably helped by the slights - real or imagi There may be a grain of truth in this - but to holds good today. nary - that had been inflicted on national groups in argue that exposure to relative discrimination justi An example is Eastern Europe. In consequence, Slovaks and Croats antisemitism which fied collaborating with occupiers who wiped out caused every third actively helped to effect the breakup of Czecho Belgian independence and practised total discrimi Jew to leave in the slovakia and Yugoslavia respectively. -
GRMN 451.01: 20Th Century German Literature to 1945
University of Montana ScholarWorks at University of Montana Syllabi Course Syllabi Spring 2-1-2019 GRMN 451.01: 20th Century German Literature to 1945 Hiltrudis Arens University of Montana - Missoula, [email protected] Follow this and additional works at: https://scholarworks.umt.edu/syllabi Let us know how access to this document benefits ou.y Recommended Citation Arens, Hiltrudis, "GRMN 451.01: 20th Century German Literature to 1945" (2019). Syllabi. 10326. https://scholarworks.umt.edu/syllabi/10326 This Syllabus is brought to you for free and open access by the Course Syllabi at ScholarWorks at University of Montana. It has been accepted for inclusion in Syllabi by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Twentieth Century German Literature to 1945 GRMN 451 MWF 2:00-2:50pm Spring 2019 Contact Professor: Dr. Hiltrud Arens Office: LA 441 Office hours: Mon/Wed: 11:00-11:50 Uhr; 15:00-15:50:00 Uhr; or/and by appointment Telefon: 243-5634 (office) Email: [email protected] Language of instruction is German Learning Goals: 1) To give an introduction and a survey of turn of the century German-language literary works (also in translation available) up to 1945. 2) To examine a variety of genres, including novel, novella, short story, essay, letter, poetry, drama, and film; and to connect those to other medial forms like painting, graphic arts, music, and photography, as well as to other societal/scientific developments, such as psycho-analysis. 3) To obtain formal knowledge through studying the texts (primary and secondary texts) in terms of language usage, style, and structure. -
The Routledge Dictionary of Literary Terms
The Routledge Dictionary of Literary Terms The Routledge Dictionary of Literary Terms is a twenty-first century update of Roger Fowler’s seminal Dictionary of Modern Critical Terms. Bringing together original entries written by such celebrated theorists as Terry Eagleton and Malcolm Bradbury with new definitions of current terms and controversies, this is the essential reference book for students of literature at all levels. This book includes: ● New definitions of contemporary critical issues such as ‘Cybercriticism’ and ‘Globalization’. ● An exhaustive range of entries, covering numerous aspects to such topics as genre, form, cultural theory and literary technique. ● Complete coverage of traditional and radical approaches to the study and production of literature. ● Thorough accounts of critical terminology and analyses of key academic debates. ● Full cross-referencing throughout and suggestions for further reading. Peter Childs is Professor of Modern English Literature at the University of Gloucestershire. His recent publications include Modernism (Routledge, 2000) and Contemporary Novelists: British Fiction Since 1970 (Palgrave, 2004). Roger Fowler (1939–99), the distinguished and long-serving Professor of English and Linguistics at the University of East Anglia, was the editor of the original Dictionary of Modern Critical Terms (Routledge, 1973, 1987). Also available from Routledge Poetry: The Basics Who’s Who in Contemporary Jeffrey Wainwright Women’s Writing 0–415–28764–2 Edited by Jane Eldridge Miller Shakespeare: The Basics 0–415–15981–4 -
Making Van Gogh a German Love Story 23 October 2019 to 16 February 2020
PRESS RELEASE MAKING VAN GOGH A GERMAN LOVE STORY 23 OCTOBER 2019 TO 16 FEBRUARY 2020 Städel Museum, Garden Halls Press preview: Monday, 21 October 2019, 11 am #MakingVanGogh Frankfurt am Main, 12 September 2019. From 23 October 2019 to 16 February Städelsches Kunstinstitut 2020, the Städel Museum is devoting an extensive exhibition to the painter Vincent und Städtische Galerie van Gogh (1853–1890). It focuses on the creation of the “legend of Van Gogh” Dürerstraße 2 around 1900 as well as his significance to modern art in Germany. Featuring 50 of his 60596 Frankfurt am Main Telefon +49(0)69-605098-170 key works, it is the most comprehensive presentation in Germany to include works by Fax +49(0)69-605098-111 [email protected] the painter for nearly 20 years. www.staedelmuseum.de PRESS DOWNLOADS AT MAKING VAN GOGH addresses the special role that gallery owners, museums, newsroom.staedelmuseum.en private collectors and art critics played in Germany in the early twentieth century for PRESS AND PUBLIC RELATIONS the posthumous reception of Van Gogh as the “father of modern art”. Just less than Pamela Rohde Telefon +49(0)69-605098-170 15 years after his death, in this country Van Gogh was perceived as one of the most Fax +49(0)69-605098-188 important precursor of modern painting. Van Gogh’s life and work attracted broad and [email protected] lasting public interest. His art was collected in Germany unusually early. By 1914 Franziska von Plocki Telefon +49(0)69-605098-268 there was an enormous number of works by Van Gogh, around 150 in total, in private Fax +49(0)69-605098-188 [email protected] and public German collections. -
Kurt Weill Foundation
Introduction and Notes by David Drew Whether you care to mention Weill in the same breath prominently among the modern poets in a family library it is to have any kind of raison d'etre. The thoroughly as Hindemith or as Hollander, as Copland or as Cole where the works of Goethe and Heine, of Johann un-topical representation of our times which would result Porter; whether you see him as an outstanding German Gottfried von Herder and Moses Mendelssohn, had pride from such a change of direction must be supported by composer who somehow lost his voice when he settled of place, and where, no doubt, one could have found a strong conviction, whether it uses an earlier epoch in America, or as an outstanding Broadway composer some of the writings of Eduard Bernstein , if not of (the to mirror aspects of present-day life or whether it finds who somehow contrived to write a hit-show called " The young?) Marx, and perhaps even a crumpled copy of a unique, definitive and timeless form for present-day Threepenny Opera" during his otherwise obscure and the Erfurt Programme of 1891 . phenomena. The absence of inner and outer complica probably misspent Berlin youth ; whether you disagree Unlike Brecht, Weill never needed to repudiate his early tions (in the material and in the means of expression) with both these views and either find evidence of a strik- backg round in order to define his artistic functions and is in keeping with the more naive disposition of the ingly original mind at all stages in his career (but at some objectives. -
Documentary Theatre, the Avant-Garde, and the Politics of Form
“THE DESTINY OF WORDS”: DOCUMENTARY THEATRE, THE AVANT-GARDE, AND THE POLITICS OF FORM TIMOTHY YOUKER Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Timothy Earl Youker All rights reserved ABSTRACT “The Destiny of Words”: Documentary Theatre, the Avant-Garde, and the Politics of Form Timothy Youker This dissertation reads examples of early and contemporary documentary theatre in order to show that, while documentary theatre is often presumed to be an essentially realist practice, its history, methods, and conceptual underpinnings are closely tied to the historical and contemporary avant-garde theatre. The dissertation begins by examining the works of the Viennese satirist and performer Karl Kraus and the German stage director Erwin Piscator in the 1920s. The second half moves on to contemporary artists Handspring Puppet Company, Ping Chong, and Charles L. Mee. Ultimately, in illustrating the documentary theatre’s close relationship with avant-gardism, this dissertation supports a broadened perspective on what documentary theatre can be and do and reframes discussion of the practice’s political efficacy by focusing on how documentaries enact ideological critiques through form and seek to reeducate the senses of audiences through pedagogies of reception. TABLE OF CONTENTS LIST OF ILLUSTRATIONS iii INTRODUCTION: Documents, Documentaries, and the Avant-Garde 1 Prologue: Some History 2 Some Definitions: Document—Documentary—Avant-Garde -
Or, How Bertolt Brecht Recreated Frank Wedekind Jonathan Robert Glass Jr Trinity University
Trinity University Digital Commons @ Trinity Speech & Drama Honors Theses Speech and Drama Department 4-22-2009 Reincarnation; Or, How Bertolt Brecht Recreated Frank Wedekind Jonathan Robert Glass Jr Trinity University Follow this and additional works at: http://digitalcommons.trinity.edu/speechdrama_honors Part of the Speech and Rhetorical Studies Commons Recommended Citation Glass, Jonathan Robert Jr, "Reincarnation; Or, How Bertolt Brecht Recreated Frank Wedekind" (2009). Speech & Drama Honors Theses. 4. http://digitalcommons.trinity.edu/speechdrama_honors/4 This Thesis open access is brought to you for free and open access by the Speech and Drama Department at Digital Commons @ Trinity. It has been accepted for inclusion in Speech & Drama Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Reincarnation; Or, How Bertolt Brecht Recreated Frank Wedekind Jonathan Robert Glass, Jr. A departmental senior thesis submitted to the Department of Speech and Drama at Trinity University in partial fulfillment of the requirements for graduation with departmental honors. April 22, 2009 _________________________ _________________________ Kyle Gillette, Thesis Advisor L. Brooks Hill, Department Chair ______________________________________ Sheryl Tynes, Associate Vice President for Academic Affairs Student Copyright Declaration: the author has selected the following copyright provision (select only one): [X] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. [ ] This thesis is protected under the provisions of U.S. -
Expressionist Art and Drama Before, During, and After the Weimar Republic
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Summer 8-21-2015 Expressionist Art and Drama Before, During, and After the Weimar Republic Shane Michael Kennedy Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the European History Commons, German Literature Commons, and the Painting Commons Let us know how access to this document benefits ou.y Recommended Citation Kennedy, Shane Michael, "Expressionist Art and Drama Before, During, and After the Weimar Republic" (2015). Dissertations and Theses. Paper 2508. https://doi.org/10.15760/etd.2505 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Expressionist Art and Drama Before, During, and After the Weimar Republic by Shane Michael Kennedy A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in German Thesis Committee: Steven Fuller, Chair Kathie Godfrey Timm Menke Portland State University 2015 Abstract Expressionism was the major literary and art form in Germany beginning in the early 20 th century. It flourished before and during the First World War and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist. -
NEW TITLES for 2014
NEW TITLES ∙ GERMAN LITERATURE NEW TITLES ∙ GERMAN LITERATURE THEODOR FONTANE PETER WORTSMAN, editor No Way Back Tales of the German Imagination from the PAID GERMAN NEWLY TRANSLATED WITH AN AFTERWORD Presort Std U.S. Postage BY HUGH RORRISON AND HELEN CHAMBERS Permit No. 169 Brothers Grimm to Ingeborg Bachmann Staten Island, NY TRANSLATED WITH AN INTRODUCTION BY THE EDITOR This psychologically acute study of a failing marriage and sexual politics exemplifies the irony, elegance, and masterly dialogue for which Fontane is acclaimed through its tragi- This rich and varied anthology gathers together the most strange and fantastical German comic exploration of romance, misperception, decisions, and consequences. stories from the past 200 years. “Helen Chambers and Hugh Rorrison have improved on the previous English version by “[This] collection of German tales, beautifully translated by Peter Wortsman, introduces LITERATURE some of the most fascinating and powerful examples of this genre to English speakers.... Douglas Parmée, especially in the handling of conversation. While Parmée’s translation sometimes felt stilted, they compose natural, idiomatic conversations.”—Times Literary Wortsman dazzles.”—Albrecht Classen, University of Arizona Supplement NEW TITLES f o r 2 0 14 “An excellent selection of master tales and some hidden jewels not usually in an under- PENGUIN CLASSICS PAPERBACK • 256 PP. • 978-0-14-139215-8 • $16.00 graduate reading list. I plan to incorporate it immediately.”—Raymond Burt, University of North Carolina-Wilmington -
Royal Palace and Its Critics
David Drew Royal Palace and its Critics Notes on the reception, despoliation, and reconstruction of Kurt Weill's and Yvan Goll's opera-ballet, 1927-2001 The critic cannot hold up the course of things, this world being ruled by the inevitable; but let him point again and again to man, to life in art, to music that is divine because it is in its essence human. Adolf Weissmann ( 1930/ The prevalence of the package over the product has become one of the key markers of contemporaneity, an emblem of our faded faith in essence and built-in values. Ralph Rug off on Andreas Gursky ( 1999J2 Until January 2000 and the BBC's 'Weill Weekend' at the Barbican Cen tre, London, the nature, the outlines and even the approximate location of Kurt Weill's and Yvan Gall's one-act opera-ballet Royal Palace were familiar to no more than a handful of specialists in Europe and America.3 Publicists required at short notice to produce suitable soundbites from a Weill literature that has become voluminous since Kim Kowalke pub lished his pioneering study in 1979 could be forgiven for overlooking as most of them did-an aspect of the BBC's enterprise that was of purely archeological significance: the fact that some 75 years after its completion, Royal Palace was about to be exhibited, for the very first time, in its intended juxtaposition with Weill's frrst opera, Der Protagonist. 1 Weissmann, tr. BJorn, 1930, 148. Apart from a brief envoi, these are Weissmann's closing words. 2 Ralph Rugoff, World Perfect, London, 1999,7-12.