Issue #15, August/September 2003

Total Page:16

File Type:pdf, Size:1020Kb

Issue #15, August/September 2003 PO Box 42129, Los Angeles, CA 90042 #15 www.razorcake.com got an email from an old friend the other day, and he said to me, by reporters who were in a unique position to write about various “I hear you’ve gone all political. Don’t tell me those bastards important but ignored stories. When I finished reading the article, I IIhave gone and made you give a shit. DAMN THEM...” It made thought, damn, that makes me want to be an editor of an me think. underground magazine. Luckily, I already had that part covered. I’m not all that political of a person. Most of the time, I’d Then I thought, I wish I knew some reporters in a unique position to rather talk about anything – music, books, zines, drinking, cover ignored stories. As fate would have it, Todd and I did have skateboarding, surfing, riding my bike, psychological profiles of my two friends approach us with story ideas for this issue. One works friends, movies, anything – than politics. Todd’s the same way. at Planned Parenthood, and she wanted to write about how a Most of the Razorcake writers are the same way. That’s why we woman’s right to choose is being stolen by the Bush administration. produce a punk rock magazine instead of a political magazine. The other fellow writer was in a convenient, inside position to talk Things change. about how corporate CEOs and public servants tend to be the exact It’s starting to look like Pinky and the Brain have managed to same people, and public policy reflects this. Of course Todd and I slide into the White House (as in, “What do you want to do today, were interested in these articles. And suddenly, without even trying, Cheney?” “Same thing we do every day, George: try to take over Razorcake #15 started to look a little bit like an old In Fact. the world.”) So much of our money and so many of our freedoms Does this mean that we’ve gone all political? Not really. Life are being ripped away from us so quickly that it’s suddenly feeling and society around us is forcing us to get more involved, and, when like we have to act in some way, or be sorry that we didn’t. The we’re in a good position to cover something, we’ll cover it. But tough thing is to figure out what to do. don’t worry. The dick and fart jokes are still here. We still have all A few months ago, I read an article on George Seldes in the usual talk about music, books, zines, drinking stories, and so on. Barracuda #15. He was a reporter back in a time when reporters We’ve just added another sixteen pages so that we can fight back went out and found stories and wrote about them, rather than just against the Pinky and the Brain mentality. So please take a little rewording press releases (which is pretty much all that reporters do extra time to check out our articles as well as our music. And, to now). When he got frustrated with the stories that his editors chose paraphrase Razorcake reviewer Not Josh, be smarter than your TV. to run and the ones they chose to kill, he started his own weekly, In Fact. In Fact survived for years, and Seldes relied on submissions –Sean AD DEADLINE FOR ADVERTISING ISSUE #16 STIPULATIONS August 1st, 2003 • All ads are black and white. AD DEADLINE FOR ISSUE #17 • Make ads the right size and October 1st, 2003 orientation. • We don’t reserve ad space. EMAIL OR MAIL US • Send good laser prints for the FOR THE RATES ads. Use solely black ink on all art. Do not output your ad on a AD SIZES bubble jet printer even if it looks • Full page, 7.5” wide, 10” tall. black and white. Email us first if • Half page, 7.5” wide, 5” tall. you want to send an electronic file. • All photos must be halftoned • Quarter page, 3.75” wide, using a 85 LPI (85 line screen). 5” tall. • If we need to invoice you, we • Sixth page, 2.5” wide, 5” tall. won’t run you ad until we have the • Please make all checks out to cash on hand, so make those Razorcake. arrangements before the ad deadline. Sean <[email protected]> Designated Dale Todd <[email protected]> <[email protected]> Rich Mackin Rhythm Chicken CHP: Erection! <[email protected]> <[email protected]> (Even cops like Turbonegro.) Nardwuar Everyone else can be reached c/o <[email protected]> Razorcake. Thank you list: Double dog thanks to Julia Smut for her help in making the cover as pink as it could be; in utero thanks to Karla for Razorcake and razorcake.com are reared and smeared by: her patiently well researched article on reproductive rights; ink- Sean Carswell, Todd Taylor, Felizon Vidad, Megan Pants, huffing thanks to Petite Paquet for the John E. Miner interview; Fat ktspin, and Skinny Dan. wads of cash in the back pocket thanks to Jason Dick for his hard evidence against four men who could easily control everyone reading Cover design by John E. Miner, cover photo by Dan Monick this right now; Really? You’d give us an interview thanks to Lisa Pinto for setting up the talk with Congressman Waxman; pixel scanning thanks to Randy Iwata for handling the tech stuff with Nardwuar’s column; ear-scorching, shit-under-the-fingernails, digging for diamonds in the rough thanks to Aphid Peewit, Cuss Baxter, Donofthedead, Jeff Fox, Not Josh, Mike Beer, Puckett, and Toby for doing record reviews; you can’t pan books in one sentence, like records, thanks to Not Josh for his book review; reading people’s personal tragedy thanks to Aphi and Joe Biel for zine reviews; Todd would like to thank Erik and Gretchen, Paddy, Lane, Rainer, Andy, Billy, and the entire Triple Rock Social Club crew for making his trip out to Minneapolis feel like he was some sort of duct tape royalty; and, finally, isn’t it always the case thanks to the Slave Labor Stuffing Crew, of which I lost the note of who was here, your toil was in anonymity, and the inserts got stuffed in record time. www.razorcake.com *• PO Box 42129, Los Angeles, CA 90042 Table of Contents Issue #15, August/September 2003 Money .................................................... Lazy Mick ......................................... pg. 4 Art ........................................................... Shizzville!! ............................. pg. 7 The Rhythm Chicken .................. The Dinghole Reports ....................... pg. 8 Maddy .............................................. Shiftless When Idle. ..................... pg. 10 Sean Carswell ......................... A Monkey to Ride the Dog .................... pg. 12 Jimmy Alvarado .......................... I’m a Little Airplane ....................... pg. 16 Rich Mackin .................................. The Twisted Balloon .................. pg. 18 Rev. Nørb ............................................... Love, Nørb .................................. pg. 20 Nardwuar The Human Serviette ..... Who Are You? .................... pg. 26 Felizon Vidad ......................................... Shark Bait ............................. pg. 30 Designated Dale .................................. I’m Against It ........................pg. 32 Shawn Granton ................. Fucking Comical-Book Fun Partay! ............. pg. 37 ***** Knockout Pills ................... Interview by Sean Carswell .................. pg. 38 John E. Miner ..................... Interview by Petite Paquet .................... pg. 44 Mr. Private Sector Meets Mr. Public Sevice ........ Article by Jason Dick ....... pg. 48 Turbonegro .......................... Interview by Todd Taylor .................. pg. 54 Turbonegro Tiger-Beat Style Centerfold ... by Dan Monick................. pg. 56 Congressman Henry Waxman ......... Interview by Sean Carswell .......... pg. 62 Feederz ...................................... Interview by Megan Pants ................ pg. 68 Choice Wars ........................... Article by Karla Pérez-Villalta ................. pg. 74 ***** Record Reviews .................... Hot Bods Are Lookin' to Buy! ............................ pg. 82 Zine Reviews ........................... Baking Cricket Cookies ............... pg. 106 Book Reviews ................. Satanic Rituals and Bloodshed .................... pg. 110 Razorcake is bi-monthly. Issues are $3.00 ppd. in the US. Yearly subscriptions (six issues) are $15.00 bulk rate or $21.00 first class mail. Plus you get some free shit. These prices are only valid for people who live in the US and are not in prison. Issues and subs are more for everyone else (because we have to pay more in postage). Write us and we’ll give you a price. Prisoners may receive free single issues of Razorcake solely via Left Bank Books, 92 Pike St., Seattle, WA 98101, who have a book-for-prisoners program. Want to distribute Razorcake in the United States? The minimum order is five issues. You have to prepay. For $7.50, you’ll receive five copies of the same issue, sent to you when we do our mailout to all of our distros, big and small. Email <[email protected]> for all the details. LazyLazyLazy MickMickMick A metalhead, a mariachi and me! Were accordion players mariachi? I would find out. Daisy and I would save punk rock. We would save it with this accordion. Halfway up the stairs, Weeks instead?” and heavy metal, and metal had TIJUANA BLUES stopped to chop up some lines on I told him that would indeed gotten the upper hand. But we’d a pocket mirror. He split the be great, but I was pretty sure I’d change all that with an accordion, Continued from #14... brownish clump into two rails and seen it done in a movie, only with and not just any accordion, but this we snorted them in the stairwell. better drugs and better-looking accordion. I concocted a plan: Weeks was astounded by the Fortified, we resumed our ascent. actors. we’d pool our money and buy the story of my first trip to TJ. The As we made our way up the stairs, “This,” he said with an expan- accordion from Daisy, or better next day he made me tell it over we heard something we couldn’t sive gesture to indicate the bar, the yet, buy it and then pay Daisy to and over again, peppering me with put our finger on.
Recommended publications
  • Slap Magazine Issue 90 (April 2019)
    Issue 90 Apr2019 FREE SLAP Supporting Local Arts & Performers WORCESTER’S NEW INDEPENDENT ITALIAN RESTAURANT Traditional Italian food, cooked the Italian way! We create all dishes in our kitchen, using only the finest quality fresh ingredients. f. t. i. SUGO at The Lamb & Flag SUGO at Friar St 30 The Tything 19-21 Friar Street, Worcester Worcester WR1 1JL WR1 2NA 01905 729415 01905 612211 [email protected] [email protected] Spring is here as we turn our thoughts to the season ahead, and what a summer it will surely be with all the music and arts events in the pipeline. We again look forward to a few of the local music festivals such as Mello, where Severn Sounds again have a stage focusing on the young talent around the area; Kidderminster, Hereford, Worcester Colleges and Christopher Whitehead, Pershore and Tewkesbury High Schools are all represented, which bodes well for the future of our local music scene. We Apr 2019 bring news of other festivals such as Upton Jazz and Under the Hill festival near Evesham. Poetry lovers are also catered for In this issue, as we SLAP MAGAZINE highlight a vibrant spoken word scene, with articles on the Unit 3a, Lowesmoor Wharf, upcoming Cheltenham Poetry Festival and the Evesham Festival of Words, as well as all the other regular local Worcester WR1 2RS events.. Telephone: 01905 26660 There’s plenty for art fans in these pages too. If you haven’t [email protected] been to see the Matisse exhibition at Worcester Museum EDITORIAL yet, then I suggest you pop along before it ends later in the Mark Hogan - Editor month.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Volume 25 Eyecandy Staff
    Volume 25 Eyecandy Staff EDITOR-IN-CHIEF PRINT WRITERS debra bilodeau lior ayalon debra bilodeau HEAD CONTENT EDITOR jasmine lee ehrhardt jasmine lee ehrhardt catie ellwood larissa sturm gonzalez diana joves CONTENT EDITORS marisol medina-cadena lior ayalon brian mislang debra bilodeau jasmine lee ehrhardt BLOG WRITERS emily landa nick campolito mollie goldberg BLOG EDITORS larissa sturm gonzalez amara channer michelle goodman larissa sturm gonzalez erika mejia diana joves brian mislang laura santoro MAGAZINE DESIGN stephanie villanueva lior ayalon debra bilodeau FINANCIAL MANAGER ren brownell brian deangelis larissa sturm gonzalez SOCIAL MEDIA diana joves larissa sturm gonzalez michelle goodman WEB DESIGN melissa weiner nick campolito CONTRIBUTORS COPY EDITORS seth temple andrews mollie goldberg celia fong larissa sturm gonzalez annie d. emily landa melanya hamasyan josh “grassy” knoll remy dixon FACULTY ADVISOR megan needels l.s. kim jenny panush EDITORS' NOTE Everyone tells you to write what you love, but nobody tells you how. They (whoare they?) teach you to write in arguments, to state your claim, to confine yourself to that eight-page essay — but they don’t tell you how to put yourself on the page. And nobody tells you how difficult, gut-wrenching, and exhausting it will be. That’s exactly what this whole process has been— difficult, gut-wrenching, exhausting beyond belief. No one could anticipate how much this extended process of emotional and theoretical digging would reveal about our identities, how important this catharsis would be, or how friggin’ hard! We want to put our heads down just writing this. But we wrote — and drew, and photoshopped, and edited — these pieces because it is hard, because we know that understanding the media is key not only to understanding society, but to changing it as well.
    [Show full text]
  • The Queers Beat Off Mp3, Flac, Wma
    The Queers Beat Off mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Beat Off Country: US Released: 2014 Style: Punk MP3 version RAR size: 1883 mb FLAC version RAR size: 1330 mb WMA version RAR size: 1281 mb Rating: 4.3 Votes: 828 Other Formats: AAC MP4 MIDI DMF AC3 TTA FLAC Tracklist Hide Credits A1 Steak Bomb 0:48 A2 Drop The Attitude Fucker 1:40 A3 You Make Me Wanna Puke 2:07 A4 Teenage Gluesniffer 2:35 A5 Ben Weasel 2:16 A6 Voodoo Doll 3:01 Mirage B1 2:56 Written By – T. Hart B2 Grounded 1:45 B3 Live This Life 1:37 B4 Half Shitfaced 1:30 B5 Too Many Twinkies 1:13 B6 All Screwed Up 3:25 My Old Man's A Fatso B7 Written-By – Angry Samoans Credits Bass, Vocals – B-Face Drums – Dan Panic Guitar, Vocals – Danny Vapid, Joe King Producer – Ben Weasel Recorded By – Mark Schwartz, Mass Giorgini Remix, Remastered By – Mass Giorgini Written-By – B-Face (tracks: B4, B6), Joe King (tracks: A1-A5, B1-B6) Notes This limited edition of 400 features hand-screened artwork and is pressed on black vinyl. Other versions Category Artist Title (Format) Label Category Country Year The Beat Off (LP, Lookout! Lookout #81 Lookout #81 US 1994 Queers Album) Records Lookout! Lk 0081CD, The Beat Off (CD, Records, Lk 0081CD, US 1994 #81 LOOKOUT Queers Album) Lookout! #81 LOOKOUT Records The Beat Off (Cass, Lookout! LOOKOUT #81 LOOKOUT #81 US 1994 Queers Album) Records The Beat Off (CD, Asian Man ASM 142 CD ASM 142 CD US 2007 Queers Album, RE) Records The Beat Off (LP, Lookout! Lookout #81 Lookout #81 US Unknown Queers Album) Records Related Music albums to Beat Off by The Queers The Putz - Hole In One Artemisia Absinthium / Weasel Walter - Split AA/ WW Cletus - Grease, Grits And Gravy Screeching Weasel - Weasel Mania Don Winsley - Rise Of The Weasel King Remix EP Various - Punk USA Goat Perversion - Mass-åKra Screeching Weasel - Snappy Answers For Stupid Questions Screeching Weasel - Kill The Musicians The Queers - Everything's O.K.
    [Show full text]
  • Read Razorcake Issue #27 As A
    t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
    [Show full text]
  • Tradition1 P.115-125
    TheThe TTRRAADDIITTIIOONN IN THIS SECTION Basketball Program History • Chronology of Important Dates • By The Numbers The Greatest Games • The Greatest Names • Award Winners • All-Americans Current NBA Players • Friars In The Pros • In-Season Tournaments Post-Season Tournaments • Notebook/Streaks • Alumni Hall 115 BASKETBALL PROGRAM HISTORY 1926-1943: Early Glory Year W L When Providence attempted to field a basketball team on 1926-27 8 8 an informal basis in 1921 and 1922, the Friars’ seasons were 1927-28 7 9 1928-29 17 3 cut short by a lack of coach, lack of facilities and lack of 1929-30 15 4 1930-31 14 5 interest. When the school reinstated basketball as a varsity 1931-32 19 5 sport in 1926-27, however, the team was ready to go. Archie 1932-33 13 3 1933-34 12 5 Golembeski, the school’s football coach, took the reins and 1934-35 17 5 1935-36 14 7 led the Friars to a .500 record that included a key upset of 1936-37 12 10 eastern power St. John’s. 1937-38 7 9 1938-39 4 7 After Golembeski left to devote more time to football, 1939-40 5 9 1940-41 11 6 Providence brought in Al “The General” McClellan and the pro- 1941-42 13 7 gram began to flourish. The Gen established PC almost imme- 1942-43 15 5 1943-44 No Team - WWII diately as perhaps the dominant team in New England and 1944-45 5 7 1945-46 5 12 garnered eastern and national attention for the fledgling pro- 1946-47 8 11 1947-48 10 10 gram.
    [Show full text]
  • Thrice Joe Bonamassa · Shooter Jennings · Clutch · Monster Truck Intro
    JOE BONAMASSA HENRIK FREISCHLADER PANTERA GREEN DAY mit King Bee Shakedown BAND Rat Race Carousel This Love American Idiot ORIGINALSONG ORIGINALSONG GUITAR-CLASSIC SONGS CD Heft Nr. 221 Ausgabe 10/2018 das magazin für gitarristen und bassisten F 41248 B TRAUMHAFTER SOUND SLASH über Ton, Songs & Les Pauls 50 JAHRE UND NOCH IMMER FRISCH Die wichtigsten Gitarrenalben 1968 RIFFS & LICKS Zakk Wylde & Mick Ronson VOX MVX150 Flaggschiff mit Verlosung neuem Antrieb LTD EC-1000 Fluence HÖFNER NATURAL SERIES Nackte Klassiker nicht nur für Ökos! 8,10 L: l 12,00 8,10 SFR B: l CH: l 7,90 A: 9,50 I: l 6,90 9,50 E: D: IM INTERVIEW + INTERVIEWS THRICE JOE BONAMASSA · SHOOTER JENNINGS · CLUTCH · MONSTER TRUCK INTRO HANDMADE GUITARS Wenn die Seele strippt a hat der gute Charly ja mal Clarke (guitar 3/18) – ich bin noch richtig einen vorgelegt! Der im Nachhinein von mir selbst ge- überaus geschätzte Kollege rührt! mit den stets passenden Ganz offenbar lege ich praktisch Schlussworten fasst das Le- Monat für Monat meine Seele in des ben eines echten Bluesers Lesers Hand und habe es bisher auf Seite 146 dermaßen nicht einmal bemerkt. Und in dieser treffend zusammen, dass Ausgabe geht der Seelenstrip gar Dmir beim Lesen nicht nur vor noch weiter – nun ist die Unterwä- echtem Mitgefühl die Tränen nur sche dran. Soll heißen: In die Liste so über die Bäckchen gelaufen sind, son- der wichtigsten Gitarrenalben, die vor 50 Jah- dern dass er mich damit doch tatsächlich in ren in die Läden kamen (ab Seite 58), ist einzig Zugzwang bringt – nach dem Muster: Der und alleine mein ganz persönliches Herzblut Mann gewährt den Lesern einen tiefen Ein- geflossen.
    [Show full text]
  • Music 5364 Songs, 12.6 Days, 21.90 GB
    Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail
    [Show full text]
  • Two Must-See 1990S Artists, Vanilla Ice and Mark Mcgrath, Are Bringing
    Contact: Caitlyn Baker [email protected] (805) 944-7780 (c) (805) 350-7913 (o) VANILLA ICE AND MARK MCGRATH TO PERFORM AT CHUMASH CASINO RESORT SANTA YNEZ, CA – May 30, 2019 – Two must-see 1990s artists, Vanilla Ice and Mark McGrath, are bringing their “I Love the 90’s” tour to the Chumash Casino Resort’s Samala Showroom at 8 p.m. on Friday, June 28, 2019. Tickets for the show are $49, $59, $69, $74 and $79. Be prepared to go back in time and enjoy a retro night of music, dancing and nostalgic hits like “Ice, Ice Baby,” “Play That Funky Music,” “Fly” and “Every Morning.” Born Robert Matthew Van Winkle, Vanilla Ice first caught mainstream attention in 1990 when a local DJ decided to play “Ice Ice Baby,” a B-side track from his debut album “Hooked.” Due to the track’s quickly growing success, Ice re-released his debut, and not so successful, album, “Hooked,” under the title “To The Extreme.” This album went on to tell more than 15 million copies and once held the record for the highest selling rap record of all time. Later in 1991, Vanilla Ice decided to get involved with the movie business. He made an appearance in “Teenage Mutant Ninja Turtles II: The Secret of the Ooze” and then later scored his first feature film, “Cool as Ice.” Later that year, he released a live concert album, “Extremely Live,” which sold 500,000 copies and reached Gold status. Today, he can be seen on his home renovation reality television series, “The Vanilla Ice Project.” The show wrapped up its eighth season this past fall.
    [Show full text]
  • Arbiter, August 17 Students of Boise State University
    Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 8-17-2005 Arbiter, August 17 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Autumn Haynes takes over as coordinator of Women's Center BY SARA BAHNSON of residence life. "I absolutely loved residence life, Win trow will put' Assistant News Editor WintrQw ran the my work at the . herwork experience to use in her Women's Center for Women's Center," new job. Student Activities Program five years and was Wintrow said. .Tve .'. She was a resident assistant at Coordinator Autumn Haynes has ,- the first full-time _been a feminist my Miami University in Ohio and suo replaced Melissa Wintrow as co- coordinator. Haynes whole life." pervised three residence halls' at ordinator of the Women's Center. said that she will be But Win trow said Michigan State University, where The change took place about two interim coordina- she saw the change of ,she also began her work as a crime weeks ago, according to officials.' tor until a perm a- WOMEtr5 CENTER positions as an excel- victim advocate. ItS the Women's Center. ' nent replacement for Haynes Ient opportunity for Whilesheisnolongeremployed Wintrow has joined Student 'Wintrow is found via a national career development.
    [Show full text]
  • STEVE YOUNG LL July 2021
    STEVE YOUNG - LYRICS Steven Timothy Young, 12th July 1942 - 17th March 2016 Compiled by Robin Dunn assisted by Chrissie van Varik. Please note that this list should be regarded as a ‘work in progress’. We don’t claim definitive knowledge about Steve Young’s recorded and composing output and welcome corrections and/or new information. Many folks will have greater knowledge than we about the details on many of these tracks - musicians, dates of recordings, background etc. As anyone with any experience of these things knows, something new and unexpected is always turning up! If anyone epitomises the title of our website it has to be Steve Young. He covered the full gamut of folk, country, blues, and rock ‘n’ roll. Not so well known with the general music-buying public he was nevertheless a huge influence on contemporary and upcoming folk and country musicians many of whom went on to become famous in their own right. Perceived as somewhat of an independent country and folk outsider he was a pioneer of the country rock, Americana, and Alt. Country sounds and often seen as the original so called ‘outlaw’ a label later adopted and inculcated by Waylon Jennings, Johnny Cash and Willie Nelson among others. However, Steve Young’s repertoire was much wider and varied. Steve Young was born on 12th July 1942 in Newnan, Georgia. He grew up in Gadsden, Alabama, and in Texas, as the family regularly moved around in search of work. By the time he completed high school he was playing and writing songs that incorporated influences of folk, blues, country and gospel that he absorbed whilst travelling throughout the South.
    [Show full text]
  • A Phonological Analysis of Songs by Norwegian Singers Sung in English
    American, British or Norwegian English?: A Phonological Analysis of Songs by Norwegian Singers Sung in English René Asgautsen Master’s Thesis in English Phonetics Department of Foreign Languages University of Bergen May 2017 Acknowledgements First I would like to thank my supervisor, Kevin McCafferty for his guidance, motivation and constructive criticism. Sorry for always getting the stylesheet wrong! And thanks to Christian Utigard for feedback. I would also like to thank all the other English Master students, friends and family and my neighbors who had to endure me listening to all the songs I used in the thesis. And thanks to Morten Harket, Hans-Erik Dyvik Husby, Sverre Kjelsberg (Rest in peace), Marit Larsen, Alex Rinde, Ida Maria Sivertsen and Jahn Teigen for recording the songs. ii TABLE OF CONTENTS Acknowledgements ii TABLE OF CONTENTS iii List of Tables vii List of Figures viii 1.0 Introduction……………………………………………..……………………………… 1 1.1 Aim and Scope…………………………………………..………………………………. 1 1.2 About the Singers……………………………………….………………………………. 2 1.3 Sverre Kjelsberg………………………………………....……………………………….3 1.4 Jahn Teigen ………………………………………………………………………………3 1.5 Morten Harket …………………………………………..……………………………….4 1.6 Hans-Erik Dyvik Husby …………………………………………………………………4 1.7 Alex Rinde ……………………………………………….……………………………….6 1.8 Marit Larsen …………………………………………….……………………………….7 1.9 Ida Maria Sivertsen ……………………………………...………………………………7 1.10 Data and Methods ……………………………………..……………………………….8 1.11 The Subject of English in Norwegian Schools ……………………………………….10 2.0 Background ……………………………………………..………………………………12
    [Show full text]