GENEVA INTERNATIONAL FILM FESTIVAL Tous Écrans Programme Revealed!

Total Page:16

File Type:pdf, Size:1020Kb

GENEVA INTERNATIONAL FILM FESTIVAL Tous Écrans Programme Revealed! Press release, under embargo until 11 am Geneva, 12 October 2015 FESTIVAL TOUS éCRANS GENEVA INTERNATIONAL FILM FESTIVAL GENEVA INTERNATIONAL FILM FESTIVAL TOUS ÉCRANS PROGRAMME REVEALed! www.tous-ecrans.com The 21st Festival Tous Ecrans returns from 6 to 14 November with an ambitious and entertaining programme including: Swiss premieres of major films by Peter Greenaway, Takeshi Kitano, Jerzy Skolimowski, the Larrieu brothers, Arturo Ripstein, Dibakar Banerjee, Johnnie To, Jay Roach, Hou Hsiao-Hsien and Sarah Gavron; a new section, Rien que pour vos yeux, dedicated to unknown gems unearthed by the Festival’s team; a tribute to Anton Corbijn; the year’s best new TV series and digital virtual reality projects designed to let festivalgoers share in demonstrations against police brutality in New York, or witness first-hand daily life in a Syrian refugee camp. This year’s programme will take you deep into the heart of the audiovisual cosmos with the addition of the Digital Garden – a dome for 360-degree screenings set up in the courtyard of the Pitoëff building – and our already-famous ‘Nuits Blanches’ events with the complicity of artists such as Serge Bozon, Asia Argento and Kid Chocolat, and DJ Cam. The Festival is also expecting a host of guests, including Claire Denis, Ingrid Caven, Anna Karina, Carl Barât, Stuart Staples, the Larrieu brothers, Michael Nouri and Anton Corbijn. Altogether, over 180 celebrities from television, cinema and the digital world have confirmed their attendance. The full programme is available online and the online ticket office opens today. CINEMA Opening Night Friday 6 November at Cinerama Empire The Assassin / Nie yin niang by Hou Hsiao-Hsien - Swiss Premiere (Best Director Award – Cannes 2015) Closing Night Saturday 14 November at Cinerama Empire Office / Hua Li Shang Ban Zou by Johnnie To - Swiss Premiere (3D screening) International Feature Film Competition With ten World, International or Swiss Premieres, this year’s programme features a particularly rich selection that defies the codes of fiction and documentary by flirting with docudrama and mockumentary: Kosovar Visar Morina’s Babai takes a blunt look back on the tyranny his native country has suffered; Ivan Ostrochovský’s melancholy road-tripKoza is based on the life of Czech boxer Peter Baláž; The Other Side by Roberto Minervini shows JOIN US FROM 6 TO 14 NOVEMBER America’s poorest while French filmmakerE milie Brisavoine discreetly makes intimate 2015 FOR THE 21ST revelations in Pauline s’arrache (Oh la la Pauline) – screened in the presence of the FESTIVAL TOUS ÉCRANS filmmaker. Other filmmakers have also confirmed their attendance for this competition. These include Lukas Valenta Rinner for the apocalyptic and iconoclasticParabellum ; #FTE_2015 Damien Odoul for La Peur (The Fear); Switzerland’s own Kim Seob Boninsegni for Occupy The Pool and Robert Machoian and Rodrigo Ortega-Beck for the beautifully touching God TOUS-ECRANS.COM Bless The Child. Nathan Nicholovitch will take us to Cambodia with De l’ombre il y a (Where There is Shade), while Alex Ross Perry will present his unsettlingQueen of Earth, starring the mesmerising Elisabeth Moss (Mad Men and Top of The Lake). Press release, under embargo until 11 am Geneva, 12 October 2015 FESTIVAL TOUS éCRANS Out-of-competition GENEVA INTERNATIONAL FILM FESTIVAL www.tous-ecrans.com Highlight Screenings Back for the second time, Highlight screenings has established itself as a major out-of-competition section and featuresa dozen Swiss Premieres including the highly-anticipated Ryuzo and His Seven Henchmen (Ryuzo to Shichinin no Kobun tachi) by Japanese filmmaker Takeshi Kitano who tells the trials and tribulations of an ex-gang of retired yakuzas; Sarah Gavron’s equally awaited Suffragette starring a mysterious Meryl Streep; Jay Roach’sTrumbo featuring Diane Lane, Helen Mirren and John Goodman; Calcutta Detective (Detective Byomkesh Bakshy!) by India’s ‘new wave’ filmmaker Dibakar Banerjee; a tribute by British maestro Peter Greenaway to his Slav alter ego in Eisenstein in Guanajuato; a beautiful black- and-white film set in Mexico with Arturo Ripstein’sLa Calle de la Amargura and the Larrieu brothers’ latest opus featuring Isabelle Carré and Karin Viard,Vingt et une nuits avec Pattie, in the presence of the filmmakers. Retrospective:C inéastes, de notre temps The Festival presents the third and final part of theC inéastes, de notre temps (‘Filmmakers, of our times’) Retrospective, which consists of a series of portraits of cult filmmakers coproduced by Janine Bazin and André S. Labarthe. Discover over 35 major filmmakers, including Jacques Rivette, Martin Scorsese, Claude Autant-Lara, Manoel de Oliveira and many others. The Festival will also paytribute to André S. Labarthe, in the presence of the filmmaker and producer. In addition, a Round table discussion mediated by HEAD - Geneva Cinema and Fine Arts teacher Cyril Neyrat on the topic of ‘What is a Filmmaker?’ will take place on Tuesday 10 November with the participation of Claire Denis, Françoise Etchegaray, Adolfo Arrietta and André S. Labarthe. Rien que pour vos yeux The Festival’s new sectionRien que pour vos yeux ( For your eyes only) offers five feature films including twoE uropean Premieres for De l’autre côté de la mer (Across The Sea) by Swiss filmmaker Pierre Maillard andThe Sandwich Nazi by Canadian Lewis Bennett; twoS wiss Premieres for Philippe Fernandez’s Cosmodrama in the presence of main actor Jackie Berroyer and Armel Hostiou’s Une histoire américaine (Stubborn), in the presence of the French filmmaker and actress Kate Moran. And finally, aWorld Premiere with Paule Muret’s For This is My Body, in the presence of the filmmaker and The Libertines and The Jackals’ frontman Carl Barât, who portrays a rock icon in Muret’s film. JOIN US FROM 6 TO 14 NOVEMBER Tribute to Anton Corbijn 2015 FOR THE 21ST Guest of honour of this 21st Festival,A nton Corbijn will receive the Film & Beyond FESTIVAL TOUS ÉCRANS Award during a ceremony – in association with our watchmaking partner 88 RUE DU #FTE_2015 RHÔNE. On this occasion, the Festival will present theFrench- Swiss Premiere of his latest feature film,Life , as well as some of the Dutch photographer and filmmaker’s most representativemusic videos, created for artists such as U2 and Depeche TOUS-ECRANS.COM Mode. Press release, under embargo until 11 am Geneva, 12 October 2015 FESTIVAL TOUS éCRANS TELEVISION GENEVA INTERNATIONAL FILM FESTIVAL www.tous-ecrans.com International TV Series Competition Iceland, Denmark, Israel, Germany, Italy, Norway, France and Switzerland are every bit as good as their Anglo-Saxon counterparts in terms of TV series, as evidenced by the general trend in this year’s competition. The Festival is especially proud to present the Premiere of RTS’ new series Anomalia by Pilar Anguita-Mackay, the first episode of which will be screenedin the presence of the main actor, Natacha Régnier, and the production team. Members of the jury will also have to consider the Swiss Premieres of The Refugees (Refugiados); Old Money (Altes Geld); Deutschland 83; Acquitted (Frikjent); False Flag (Kfulim); Occupied; Trapped (Ófærð) and Show Me a Hero, the latest series by cult filmmaker David Simon. Out-of-competition Serial Day & Night From Saturday 7 to Sunday 8 November For one day and one night, the Festival has organised a huge TV and web series marathon including Bipedes and Anomalia, in partnership with RTS and SSR SRG. The programme features TV and web series from international competitions as well as four other out-of-competition TV series: 1992 by Alessandro Fabbri, Ludovica Rampoldi and Stefano Sardo (Italy); Catastrophe by Rob Delaney and Sharon Horgan – Swiss Premiere (United Kingdom); The Party (De Fractie) by Alessandro Fabbri, Ludovica Rampoldi and Stefano Sardo – Swiss Premiere (Italy); Trepalium by Antarès Bassis and Sophie Hiet – Swiss Premiere (France). Furthermore, during this event, festivalgoers will also discover theE uropean Premiere of the latest series on Canal+, Versailles by David Wolstencroft and Simon Mirren, as well as thecomplete series of ARTE’s Au service de la France, created by the OSS 117 scriptwriter Jean- François Halin, who will be present. Finally, actorM ichael Nouri (Damages, NCIS, CSI, and close to a hundred films and series) will give the public an insight into what goes on behind the scenes of the greatest American series during aC onversation with Michael Nouri. DIGITAL International Web Series Competition This year, the Festival presentsfifteen international web series from: Japan (Yukata Cowboy by Atsuhi Ogata), South Korea (We Broke up by Eugene Shin), Lebanon (Zyara by Denise Jabbour and Muriel Aboulrouss), Syria and Turkey (Umm Abdo Al-Halabiya by Adnan Haddad), the United States (Gary Saves The Graveyard JOIN US FROM 6 TO 14 NOVEMBER by Todd Bieber), Canada (Whatever Linda by Hannah Cheesman and Julian De Zott, 2015 FOR THE 21ST and World Away by Elias Campbell and Maxim Gertler-Jaffe), France (La Nuit du FESTIVAL TOUS ÉCRANS vivant by Geneviève Anhoury; La Parade by Mehdi Ahoudig and Samuel Bollendorff; #FTE_2015 Hell Train by Mathieu Rochet and Nicolas Venancio, Swiss Premiere), Belgium (Euh by Benjamin Dessy, Brieuc de Goussencourt and Gregory Beghin), Spain (Números by Fátima de los Santos and Jesús Perujo) and Germany (Polyglot by Amelia TOUS-ECRANS.COM Umuhire). The selection also includes Swiss web series, such as theWorld Premiere of Charles Nouveau’s Bipèdes, and Hellvetia by Antoine Tinguely, Laurent Fauchère and
Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • Classic Frenchfilm Festival
    Three Colors: Blue NINTH ANNUAL ROBERT CLASSIC FRENCH FILM FESTIVAL Presented by March 10-26, 2017 Sponsored by the Jane M. & Bruce P. Robert Charitable Foundation A co-production of Cinema St. Louis and Webster University Film Series ST. LOUIS FRENCH AND FRANCOPHONE RESOURCES WANT TO SPEAK FRENCH? REFRESH YOUR FRENCH CULTURAL KNOWLEDGE? CONTACT US! This page sponsored by the Jane M. & Bruce P. Robert Charitable Foundation in support of the French groups of St. Louis. Centre Francophone at Webster University An organization dedicated to promoting Francophone culture and helping French educators. Contact info: Lionel Cuillé, Ph.D., Jane and Bruce Robert Chair in French and Francophone Studies, Webster University, 314-246-8619, [email protected], facebook.com/centrefrancophoneinstlouis, webster.edu/arts-and-sciences/affiliates-events/centre-francophone Alliance Française de St. Louis A member-supported nonprofit center engaging the St. Louis community in French language and culture. Contact info: 314-432-0734, [email protected], alliancestl.org American Association of Teachers of French The only professional association devoted exclusively to the needs of French teach- ers at all levels, with the mission of advancing the study of the French language and French-speaking literatures and cultures both in schools and in the general public. Contact info: Anna Amelung, president, Greater St. Louis Chapter, [email protected], www.frenchteachers.org Les Amis (“The Friends”) French Creole heritage preservationist group for the Mid-Mississippi River Valley. Promotes the Creole Corridor on both sides of the Mississippi River from Ca- hokia-Chester, Ill., and Ste. Genevieve-St. Louis, Mo. Parts of the Corridor are in the process of nomination for the designation of UNESCO World Heritage Site through Les Amis.
    [Show full text]
  • Classic French Film Festival 2013
    FIFTH ANNUAL CLASSIC FRENCH FILM FESTIVAL PRESENTED BY Co-presented by Cinema St. Louis and Webster University Film Series Webster University’s Winifred Moore Auditorium, 470 E. Lockwood Avenue June 13-16, 20-23, and 27-30, 2013 www.cinemastlouis.org Less a glass, more a display cabinet. Always Enjoy Responsibly. ©2013 Anheuser-Busch InBev S.A., Stella Artois® Beer, Imported by Import Brands Alliance, St. Louis, MO Brand: Stella Artois Chalice 2.0 Closing Date: 5/15/13 Trim: 7.75" x 10.25" Item #:PSA201310421 QC: CS Bleed: none Job/Order #: 251048 Publication: 2013 Cinema St. Louis Live: 7.25" x 9.75" FIFTH ANNUAL CLASSIC FRENCH FILM FESTIVAL PRESENTED BY Co-presented by Cinema St. Louis and Webster University Film Series The Earrings of Madame de... When: June 13-16, 20-23, and 27-30 Where: Winifred Moore Auditorium, Webster University’s Webster Hall, 470 E. Lockwood Ave. How much: $12 general admission; $10 for students, Cinema St. Louis members, and Alliance Française members; free for Webster U. students with valid and current photo ID; advance tickets for all shows are available through Brown Paper Tickets at www.brownpapertickets.com (search for Classic French) More info: www.cinemastlouis.org, 314-289-4150 The Fifth Annual Classic French Film Festival celebrates St. Four programs feature newly struck 35mm prints: the restora- Louis’ Gallic heritage and France’s cinematic legacy. The fea- tions of “A Man and a Woman” and “Max and the Junkmen,” tured films span the decades from the 1920s through the Jacques Rivette’s “Le Pont du Nord” (available in the U.S.
    [Show full text]
  • Mars-Avril 2020
    mars-avril 2020 · CINÉMA MUET EN MUSIQUE · JACQUES DOILLON, MŒURS SOUS LA LOUPE · VILLAGE(S) · RUMBA SPACES VIVRE SA VIE CINEMATHEQUE.QC.CA RENSEIGNEMENTS DROITS D’ENTRÉE 1 HEURES D’OUVERTURE CINEMATHEQUE.QC.CA 11 $ / ADULTES BILLETTERIE : ou 514.842.9763 10 $ / AÎNÉ, ÉTUDIANT, ENFANT (5-16 ANS)2 LUNDI AU VENDREDI DÈS 10 h 20 $ / FAMILLE 3 PERSONNES SAMEDI ET DIMANCHE DÈS 14 h CINÉMATHÈQUE QUÉBÉCOISE 25 $ / FAMILLE 4 PERSONNES 3 : 335, BOUL. DE MAISONNEUVE EST MEMBRE : 130 $ / 1 AN EXPOSITIONS MONTRÉAL (QUÉBEC) CANADA ABONNEMENT ÉTUDIANT3 : 99 $ / 1 AN LUNDI AU VENDREDI DE 10 h À 21 h H2X 1K1 CENTRE D’ART ET D’ESSAI : SAMEDI ET DIMANCHE DE 14 h À 21 h MÉTRO BERRI-UQAM 12 $ / TARIF RÉGULIER MÉDIATHÈQUE GUY-L.-COTÉ : 10 $ / TARIF AINÉ ET ÉTUDIANT MARDI AU VENDREDI DE 9 h 30 À 17 h Imprimé au Québec sur papier québécois 9 $ / TARIF MEMBRE ET ABONNÉ recyclé à 100 % (post-consommation) EXPOSITIONS : ENTRÉE LIBRE ESPACE-CAFÉ-BAR : Distribué par Publicité sauvage 1. Taxes incluses. Le droit d’entrée peut différer dans le cas MERCREDI AU VENDREDI DE 16 h À 21 h de certains programmes spéciaux. 2. Sur présentation d’une carte d’étudiant ou d’identité. La programmation peut être sujette à changement DESIGN : AGENCE CODE 3. Accès illimité à la programmation régulière. sans préavis. Anna Karina immortelle « Tes yeux sont revenus d’un pays arbitraire Où nul n’a jamais su ce que c’est qu’un regard. » Poème de Paul Éluard cité dans Alphaville PIERROT LE FOU DU 13 AU 31 MARS Nous organisons un événement à la mémoire de cette icône majeure, non seulement de la Nouvelle Vague mais aussi du cinéma mondial, qu’a été Anna Karina, disparue le 14 décembre 2019.
    [Show full text]
  • The Loft Cinema Film Guide
    loftcinema.org THE LOFT CINEMA Showtimes: FILM GUIDE 520-795-7777 JANUARY 2020 WWW.LOFTCINEMA.ORG See what films are playing next, buy tickets, look up showtimes & much more! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tamales from Tucson Tamale Company, Burritos from Tumerico, and Ethiopian Wraps JANUARY 2020 from Cafe Desta, along with organic popcorn, craft chocolate bars, vegan cookies and more! LOFT MEMBERSHIPS 5 *Pizza served after 5pm daily. NEW FILMS 6-15 35MM SCREENINGS 6 REEL READS SELECTION 12 BEER OF THE MONTH: 70MM SCREENINGS 26, 28 40 HOPPY ANNIVERSARY ALE OSCAR SHORTS 20 SIERRA NEVADA BREWING CO. RED CARPET EVENING 21 ONLY $3.50 WHILE SUPPLIES LAST! SPECIAL ENGAGEMENTS 22-30 LOFT JR. 24 CLOSED CAPTIONS & AUDIO DESCRIPTIONS! ESSENTIAL CINEMA 25 The Loft Cinema offers Closed Captions and Audio LOFT STAFF SELECTS 29 Descriptions for films whenever they are available. Check our COMMUNITY RENTALS 31-33 website to see which films offer this technology. MONDO MONDAYS 38 CULT CLASSICS 39 FILM GUIDES ARE AVAILABLE AT: FREE MEMBERS SCREENING • 1702 Craft Beer & • Epic Cafe • R-Galaxy Pizza 63 UP • Ermanos • Raging Sage (SEE PAGE 8) • aLoft Hotel • Fantasy Comics • Rocco’s Little FRIDAY, JANUARY 10, AT 7:00PM • Antigone Books • First American Title Chicago • Aqua Vita • Frominos • SW University of • Black Crown Visual Arts REGULAR ADMISSION PRICES • Heroes & Villains Coffee • Shot in the Dark $9.75 - Adult | $7.25 - Matinee* • Hotel Congress $8.00 - Student, Teacher, Military • Black Rose Tattoo Cafe • Humanities $6.75 - Senior (65+) or Child (12 & under) • Southern AZ AIDS $6.00 - Loft Members • Bookman’s Seminars Foundation *MATINEE: ANY SCREENING BEFORE 4:00PM • Bookstop • Jewish Community • The Historic Y Tickets are available to purchase online at: • Borderlands Center • Time Market loftcinema.org/showtimes Brewery • KXCI or by calling: 520-795-0844 • Tucson Hop Shop • Brooklyn Pizza • La Indita • UA Media Arts Phone & Web orders are subject to a • Cafe Luce • Maynard’s Market $1 surcharge.
    [Show full text]
  • Objectification As a Device in the Films of Godard and Breillat: Alphaville (1965) And
    Objectification as a Device in the Films of Godard and Breillat: Alphaville (1965) and Romance (1999) A Senior Honors Thesis Presented in partial fulfillment of the requirements for graduation with distinction in the Department of French and Italian in the undergraduate colleges of The Ohio State University By Zachary Gooch The Ohio State University November 2005 Project Advisor: Professor Judith Mayne, Department of French and Italian Gooch 2 “In order to live in a society in Paris today, on no matter what level, one is forced to prostitute oneself in one way or another—or to put it another way, to live under conditions resembling those of prostitution […] in a modern society, prostitution is the norm.” – Jean-Luc Godard (Le Nouvel Observateur 1966) “It seems to me that in Paris today, we are all living more or less in a state of prostitution. The increase in prostitution, literally speaking, is partial proof of this statement because it calls into question the body, but one can prostitute oneself just as equally with the mind, the spirit. I think it is a collective phenomenon, and perhaps one which is not altogether new. But what is new is that people find it normal.” – Godard (qtd. in Roud 34) Film criticism’s grasp is often limited by the enumeration of the characteristics of a director’s work, which wrongfully implies that each characteristic is a fairly autonomous and separate concern. One of the oft cited preoccupations in Godard’s cinema is prostitution as a social metaphor. However, his use of prostitution as a trope for the state of existence in modern society is closely related to another of these supposedly separate concerns: language.
    [Show full text]
  • GODARD FILM AS THEORY Volker Pantenburg Farocki/Godard
    FILM CULTURE IN TRANSITION FAROCKI/ GODARD FILM AS THEORY volker pantenburg Farocki/Godard Farocki/Godard Film as Theory Volker Pantenburg Amsterdam University Press The translation of this book is made possible by a grant from Volkswagen Foundation. Originally published as: Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard, transcript Verlag, 2006 [isbn 3-899420440-9] Translated by Michael Turnbull This publication was supported by the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie of the Bauhaus-Universität Weimar with funds from the German Federal Ministry of Education and Research. IKKM BOOKS Volume 25 An overview of the whole series can be found at www.ikkm-weimar.de/schriften Cover illustration (front): Jean-Luc Godard, Histoire(s) du cinéma, Chapter 4B (1988-1998) Cover illustration (back): Interface © Harun Farocki 1995 Cover design: Kok Korpershoek, Amsterdam Layout: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 891 4 e-isbn 978 90 4852 755 7 doi 10.5117/9789089648914 nur 670 © V. Pantenburg / Amsterdam University Press B.V., Amsterdam 2015 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book.
    [Show full text]
  • Pierrot Le Fou I 1965 Directed by Jean-Luc Godard
    TCM BREAKFAST CLUB SCREENING Pierrot le Fou I 1965 Directed by Jean-Luc Godard Hailed by many as Jean-Luc Godard’s greatest achievement, Ferdinand Griffon complains he is surrounded by "abrutis" Pierrot le fou (Crazy Pete or Pete Goes Wild) was inspired by (brutes) and can’t resist the temptation to tell them what books Lionel White’s crime novel Obsession. Godard's tenth feature to read. At a party in Paris that tests his boredom threshold to movie, released between Alphaville (1965) and Masculin, the limit, he decides to leave his wife and children for his féminin (1966), centres on Ferdinand Griffon, nicknamed babysitter, ex-girlfiend Marianne Renoir. But when he follows Pierrot (Jean-Paul Belmondo), unhappily married and recently her into her apartment and finds a corpse, he learns she is being fired from his job in a TV broadcasting company. When he pursued by Algerian gangsters, from whom they only just meets Marianne Renoir (Anna Karina), they team up for an manage to escape. Ferdinand – dubbed Pierrot by Marianne - extraordinary Bonnie and Clyde-style odyssey across France. joins her on a crime spree from Paris to the Mediterranean in Pierrot is "the man who is driving towards a precipice at a the dead man's car. As they lead a hand-to-mouth existence hundred an hour" and she is "the woman who loves the man dodging their pursuers the young couple’s lives are punctuated who's driving". But Pierrot le Fou is no mere crime flick - by car chases, romance, robbery and extreme violence.
    [Show full text]
  • Loc66-Line-Up-2013.Pdf
    Line-up Locarno, 17 July 2013 Via Ciseri 23, ch–6601 Locarno t +41(0)91 21 21 | f +41(0)91 21 49 [email protected] | www.pardo.ch The press kit and stills can be downloaded from our website www.pardo.ch/press (Press Area) Excerpts of some of the offi cial selection’s fi lms are available in broadcast and web quality. In order to download them, please contact the Press Offi ce ([email protected] / +41 91 756 21 21). Join the conversation: #Locarno66 www.Facebook.com/FilmFestivalLocarno www.Twitter.com/FilmFestLocarno Contents 1 Introduction by Carlo Chatrian, Artistic Director 2 Introduction by Mario Timbal, COO 3 Offi cial Juries 4 The 2013 Selection Piazza Grande Concorso internazionale Concorso Cineasti del presente Pardi di domani Fuori concorso Premi speciali Histoire(s) du cinéma Retrospettiva George Cukor Open Doors 5 Industry Days 6 Locarno Summer Academy 7 Swiss Cinema in Locarno 8 Attachments Locarno 66 – Carlo Chatrian – Frontier cinema As I set out to write this short introduction, I naturally looked back over the route covered so far. Before the fi lms themselves, the guests, the programs thought out and implemented over the past months, there fi rst came to mind the people whose substantial contributions have ensured that the Festival fi nds itself where it is today. First and foremost Mark Peranson, Head of Programming, and Nadia Dresti, our International Head, and then Lorenzo Esposito, Sergio Fant and Aurélie Godet (“my” selection committee), Alessandro Marcionni (Pardi di domani), Carmen Werner and Olmo Giovannini (Programming Offi ce), Martina Malacrida and Ananda Scepka (Open Doors).
    [Show full text]
  • 13TH ANNUAL ROBERT CLASSIC FRENCH FILM FESTIVAL Presented By
    Three Colors: Blue 13TH ANNUAL ROBERT CLASSIC FRENCH FILM FESTIVAL Presented by Aug. 13-15 at Washington University Aug. 20-22 and 27-29 at Webster University Sponsored by the Jane M. & Bruce P. Robert Charitable Foundation Produced by 1 WE THANK ALL OUR FRENCH-AMERICAN GROUPS WHO SUPPORT CINEMA ST. LOUIS WANT TO SPEAK FRENCH? REFRESH YOUR FRENCH CULTURAL KNOWLEDGE? CONTACT US! al Alliafice '-J Vranc;aise GREATE� ST. LOUIS CHAPTER This page sponsored by the Jane M. & Bruce P. Robert Charitable Foundation. 660-882-5946, Centre Francophone at Webster University An organization dedicated to promoting Francophone culture and helping French educators. TheJaneM.Contact info: Salim Ayoub, Ph.D., Jane and Bruce Robert Chair in French and Francophone Studies, Webster University, Bruce P. Robert314-246-861 9, [email protected], facebook.com/ cen trefrancophoneinstlou(Nov. is, 4-14,webs 2021).ter. edu! a rts-and-sciences/affiliates­ even ts/c entre-francophone 2 Alliance Fran\'.aisede St. Louis A member-supported nonprofit center engaging the St. Louis community in French language and culture. Contact info: 314-432-0734, [email protected], alliancestl.org American Association of Teachers of French The only professional association devoted exclusively to the needs of French teachers at all levels, with the mission of advancing the study of the French language and French-speaking literatures and cultures both in schools and in the general public. Contact info: Audra Merfeld-Langston, president, Greater St. Louis Chapter, [email protected], wwwjrenchteachers.org Les Amis ("The Friends") French Creole heritage preservationist group for the Mid-Mississippi River Valley.
    [Show full text]
  • A, Eyes Wide Shut
    U- 0 45 a .1, a'i 0 .! i• ' , '''$.4. * cs)a, . as _IE ) 41 NO FR NTIER B y Maur ie Alio f f By chance, I'm writing about Lea Pool and the Quebec moviemaker's flashback to the 1960s, Emporte-moi (Set Me Free), during a week haunted by sharply converging echoes of that era. When John F.Kennedy Jr. crashed into the sea just before the 30th anniversaries of the Apollo 11 landing and Woodstock blasting off, images of John-John flowed into a media stream of consciousness that was already obsessing on Stanley Kubrick (whose early movies revealed the shadows behind Camelot). The focus on Kubrick was occasioned by the release of his last picture, the sex-and-death extravaganza, Eyes Wide Shut. Apart from its content, EWS draws attention to the unlikelihood that 21st-century commercial moviemaking will accommodate radically 1960s- and 1970s-type individualism like Kubrick's, or the kind of trance picture his eerily premonitory farewell to the world has turned out to be. Lea Pool In the dawning era, controlled by brand-name franchises, cutie-pie mini-stars and hot Web sites, Quebec cinema is undergoing its own distinct transformation, one ripe with contradictions. Last winter, producer Roger Frappier yanked his releases out of the Genie pool and admonished "English" Canadians for ignoring Quebec films; however, like numerous other French-Canadian moviemakers, he decided to shoot potentially exportable English-language features. The new Quebec film award might be named the Jutra, for the revered late director, but the current movie scene is really defined by crowd-pleasers like Louis Saia (Les Boys I and II) and Christian Duguay (TV's Joan of Arc), rather than burgeoning artistes.
    [Show full text]
  • Crime Wave for Clara CRIME WAVE
    Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International,
    [Show full text]