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2012 Twentieth-Century Western Scholarly, Artistic, and Journalistic Perspectives on the Middle East: Bernard Lewis, David Douglas Duncan, and Sandra MacKey Defne Bilir
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THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES
TWENTIETH-CENTURY WESTERN SCHOLARLY, ARTISTIC, AND JOURNALISTIC PERSPECTIVES ON THE MIDDLE EAST: BERNARD LEWIS, DAVID DOUGLAS DUNCAN, AND SANDRA MACKEY
By
DEFNE BILIR
A Dissertation submitted to the Program in Interdisciplinary Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy
Degree Awarded Summer, 2012
The members of the Committee approved dissertation of Defne Bilir defended on April, 24, 2012.
The members of the supervisory committee were:
Eugene Crook Professor Directing Dissertation
David Johnson Professor Co-Directing Dissertation
Delia Poey University Representative
Daniel Vitkus Committee Member
Will Hanley Committee Member
Reinier Leushuis Committee Member
The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements.
ii
Dedicated to my beloved family,
Fatma Saadet, Ali Ihsan Bilir
&
Tanla, Kuzey, Can Bilir
iii ACKNOWLEDGEMENTS I would like to express my sincere thanks to my major professor and committee chair Dr. Eugene Crook. I have learned from him how to establish, maintained, and improve different skills in academia. If I had not been under his wing, benefitting from his constant support, insightful guidance, and inspiration this dissertation would have not been possible. I will never be able to thank him for his encouragement, patience, and compassionate human spirit. I am extremely grateful to Dr. David Johnson, co-director of my dissertation, for his immense support and guidance. I have been fortunate to work with him throughout my doctoral education. My appreciation to Dr. Maricarmen Martinez is endless. She has been not only a mentor for me, but also an inspiration.
I would like to thank to my committee members, Dr. Daniel Vitkus, Dr. Will Hanley, Dr. Delia Poey, and Dr. Reinier Leushuis. Special thanks to Dr. Vitkus for his perceptive comments throughout my doctoral education, which have encouraged me to improve my research and writing skills. His deep intellect and dedication to excellence have been an inspiration. Dr. Hanley has provided invaluable insight with knowledge of literature; working with him has helped me to find direction in my academic pursuits. I am privileged to have Dr. Leushuis and Dr. Poey on my doctoral committee, who have supported and encouraged me in my goals. I am also thankful to Dr. Zeina Tamer Schlenoff for the guidance and wealth of knowledge, helping me through this process.
I would like to genuinely thank to Sandra Mackey. Her correspondence opened my way to write the third chapter of this dissertation, in which I examine her journalistic practices in the Middle East. I also wish to remember Mary Alice Harper, Photographic Archivist, and Linda Briscoe Myers, Assistant Curator of Photography at the Harry Ransom Center of the University of Texas, Austin, where I conducted my archival research to analyze David Douglas Duncan’s photojournalism, placed in the second chapter. Many thanks are due to Louise Crook for her great hospitality while I was conducting my research in Austin.
My special thanks go to Ryan Shea for his endless support by providing high quality editing. He has read every single word of this project with earnest regard, and his intellectual contributions to my thought processes have been enormously helpful. I also would like to thank my friends, Jerrie Del-Vecchio, Secil Poyraz, and Simon Dutton. Jerrie provided essential editing during the formative stages of my writing, yet above this, she has supported my dream, as Secil has. The time that they have shared with me, in guidance and in intellectual discussion, will always be remembered. Simon has provided valuable suggestions and editorial assistance. Also, many thanks to Charlene Crump, whose support and enthusiasm are greatly appreciated.
My dear family has taken me by the hand, in love, throughout my long journey. Being an inspiration in my life is my mother, Fatma Saadet, and my father, Ali Ihsan. In every step of my life you walk with me. When you are here you bring the soul of my longed for home country, Turkey, and memories of loved ones I have long missed. And when we are apart, you live in distance with your wisdom, support, and belief. My dearest brother Kuzey and sister Tanla, bringing Can to my life, thank you for always being there for me. Love.
iv TABLE OF CONTENTS
ABSTRACT...... x INTRODUCTION ...... 1 CHAPTER 1 ...... 9 1.1. Bernard Lewis’ Historical and Intellectual Discourses ...... 9 1.1.1. Biography: Bernard Lewis ...... 9 1.1.2. An Overview of Source Materials on Lewis’ Discourse Concerning the Middle East . 11 1.1.3. Selection of the Source Materials for This Study ...... 12 1.1.4. Summary of Lewis’ Books and Analysis of his Representations of the Middle East through his Historical and Intellectual Discourses...... 14 1.2. Summary of Lewis’ Books ...... 14 1.2.1. Relationships in Religion, Society, and Politics within the Islamic World ...... 15 1.2.2. The Rise and Decline of the Islamic Civilization ...... 21 1.2.3. The Rise of the West, from Influence to Affluence—Dominating the Middle East...... 27 1.2.4. Ideological Aspirations and Political Practices during the Twentieth Century in the Middle East ...... 35 1.2.5. Search for the Culprit and the Search for the Remedy in the Islamic World...... 43 1.3. Analysis of Lewis’ Representations of the Middle East through his Historical and Intellectual Discourses...... 50 1.3.1. Absence and Rejection of Secularism and Rationalistic Thinking—Challenges of Modernity in Arab Countries and the Wider Islamic World...... 51 1.3.1.1. Islam, Secularism, and the Modern Middle East ...... 51 1.3.1.2. Rejection of Rationalistic Thinking in Islam and Contemporary Arab World ...... 59 1.3.2. Transformation from Traditional Autocratic State to One Party Ideological Dictatorship—Modernization Taking Forms under the Parameters of Essence of Islam...... 66 1.3.2.1. One Party Ideological Dictatorship, by-product of Modernization...... 67 1.3.2.2. One Party Ideological Dictatorship presented with anti-Western Islamic Sentiments ...... 73 1.3.3. The Arab World—an Outlook Depicting the Legacy of European Colonialism...... 79 1.3.3.1. Creation of the Modern Political Map: “A Civilizational View of History” ...... 80 1.3.3.2. European Territorial Rule and Political Modernization in the Arab World...... 88 1.3.3.3. A Conception of Eastern Inferiority and Mission to Civilize ...... 92 1.3.4. Decline in Islamic Civilization, Its Failure in Modernizing, and Its Transformation into the Modern Middle East...... 93 1.3.4.1. The Status of Women in Presenting the Decline and Inability to Progress in Islam ...... 94 1.3.4.2. The Manner of Superciliousness in Imparting the Decline in Islam...... 99 1.3.4.3. Periodization of Ottoman History Typifying the Decline in Islam...... 102 1.3.4.4. External Factors in Islam’s Decline and in the Creation of a Modern Existence 105 1.3.4.5. The Problem of Amendment in a New Relationship and the Collapse of the Empire ...... 108 1.3.4.6. Transformation into the Modern Middle East...... 114 1.3.5. Clash between Islam and Modernity Becoming the “Clash of Civilizations,” and the War on Terror Bringing Democratic Transformation to the Middle East ...... 119
v 1.3.5.1. Search for Culprits in the Decolonized Arab World and Forecasting the Future 120 1.3.5.2. Muslim Rage and its Roots within the Context of the Islamic Revolution of Iran ...... 124 1.3.5.3. Arab World within the Sphere of the Islamic Revolution of Iran...... 132 1.3.5.4. The Jihad being enacted against the Infidel, Crusader, and the Imperialist West 136 1.3.5.5. Turkish Democracy and Iranian Theocracy—Two Models for an Arab Future.. 143 1.4. Chapter Conclusion...... 154 CHAPTER 2 ...... 160 2.1. David Douglas Duncan’s Artistic and Media Discourses...... 160 2.1.1. Biography: David Douglas Duncan ...... 160 2.1.2. An Overview of Source Materials on Duncan’s Coverage of the Middle East ...... 163 2.1.3. Selection of the Source Materials for This Study ...... 164 2.1.4. Synopsis of Duncan’s Pictorial Stories and Analysis of his Representations of the Middle East through His Artistic and Media Discourses...... 165 2.2. Synopsis of Duncan’s Pictorial Stories on Iran ...... 166 2.2.1. Iran’s Intra/Inter-National Politics in spring 1946...... 166 2.2.1.1. The Shah and the Imperial Palace ...... 167 2.2.1.2. The Iranian Government and the Iranian Crisis...... 167 2.2.1.3. The Tudeh Party...... 168 2.2.1.4. The Labor Workers ...... 170 2.2.1.5. The City, Tehran ...... 171 2.2.1.6. The Grand Land Holders...... 172 2.2.1.7. The Peasantry ...... 173 2.2.2. The Semi-Annual Qashqai Migration in Persia, Spring 1946...... 174 2.3. Analysis of Duncan’s Pictorial Stories on Iran...... 176 2.3.1. An Outlook on the Dynastic Traits and on Imperialistic Configurations within Iranian History...... 176 2.3.2. The Iranian Crisis in an Internal and International Scope, spring of 1946 ...... 178 2.3.3. Iran’s Political Traits within the Context of its ‘Repressive Regime’ in spring, 1946 181 2.3.4. The Socio-Cultural, -Economic, and -Political Climate in Iran during the spring of 1946 in Alignment with Modernization, Westernization, and Class Divisions...... 185 2.3.5. Semi-Annual Qashqai Migration in Persia of the spring of 1946...... 188 2.4. Intentions in Coverage of Iran Appearing in the Media Outlets...... 191 2.4.1. Conclusion ...... 195 2.5. Synopsis of Duncan’s Pictorial Stories on the Palestinian Territories ...... 197 2.5.1. Socio-Political and Ideological Surroundings within the Palestinian Territories in 1946 ...... 197 2.5.1.1. The Acts of Terrorism for Jewish Causes vs. British Military Operations ...... 198 2.5.1.2. Illegal Jewish Immigration to Palestine ...... 202 2.5.1.3. Palestine, a Land of Trouble ...... 204 2.5.2. The Gaza Strip in June 1956 ...... 206 2.5.2.1. The Gaza-Jerusalem-Cairo Road and Railway ...... 207 2.5.2.2. Kilometer 95, a Secondary Road...... 208 2.5.2.3. Gaza under the Control and Protection of the Egyptian Military...... 209 2.5.2.4. The Long since Established Inhabitants of the Gaza Strip...... 211 2.5.2.5. The Gaza Beach and Jabalia Refugee Camps ...... 213
vi 2.5.2.6. The Society Based on Gaza Town and the Gaza Strip...... 214 2.5.2.7. The American Baptist Hospital...... 216 2.6. Analysis of Duncan’s Pictorial Stories on the Palestinian Territories...... 217 2.6.1. The State of Militarism in Palestine, 1946, within the Context of Anglo-Zionist Disputes...... 218 2.6.2. Anglo-Zionist Disputes Taking Form as Militarism in Palestine, 1946, within the Context of Jewish Illegal Immigration...... 225 2.6.3. Power Changing Hands from British Colonial Forces to Zionists in Palestine, 1946, within the Context of Jewish Illegal Immigration ...... 227 2.6.4. The Socio-Cultural, -Economic, and -Political Climate in Palestine, Created amongst the British, Zionists, and Palestinian Arabs, in 1946 ...... 231 2.6.5. The Holy Land, 1946, an outlook on Palestine...... 233 2.6.6. A Decade After, the Gaza Strip...... 234 2.6.7. The Holy Land, 1956, an Outlook on the Gaza Strip...... 236 2.6.8. The Gaza Strip along the Mediterranean Sea, a Home for Natives and Refugees since 1948...... 238 2.6.9. Classification of the Strip’s ‘Natives’ and ‘Refugees’ between 1948 and 1956...... 242 2.6.10. Arab Nationalism and Palestinian Arab Nationalism Taking Form under the Parameters of Egyptian Influence, the Gaza Strip, in the Mid-1950s...... 246 2.6.11. Regional and Global Extrapolations of the Egyptian-Israeli Conflict Taking Shape in Reference to the Strip, 1948-1956 ...... 250 2.7. Intentions in Coverage of Palestinian Territories Appearing in the Media Outlets...... 258 2.7.1. Conclusion ...... 265 2.8. Synopsis of Duncan’s Pictorial Stories on Saudi Arabia...... 267 2.8.1. ARAMCO Operating in Saudi Arabia, 1947-1948...... 267 2.8.1.1. Saudi Government-ARAMCO Relations in Saudi Arabia...... 268 2.8.1.2. ARAMCO’s Oil Operations at Dhahran ...... 269 2.8.2. Royal Visit of King Abdullah of Jordan to Ibn Saud in Riyadh, in 1948...... 271 2.8.3. The World and Heritage of King Saud, 1953 ...... 272 2.8.3.1. King Saud and the Ruling Family in Saudi Arabia...... 273 2.8.3.2. Arab Envoys and Western Dignitaries at Khuzam Palace ...... 275 2.8.3.3. Non-Members of the Royal Family, Serving within or for the House of Saud ... 276 2.8.3.4. Khuzam Palace, from Saudi Administration to Saudi Court Life...... 277 2.8.3.5. The City, Jeddah...... 279 2.8.3.6. Developing Arabia through the Arabian-American Oil Company Income ...... 281 2.9. Analysis of Duncan’s Pictorial Stories on Saudi Arabia ...... 282 2.9.1. Saudi Arabia, 1947 and 1948, within the Context of the Saudi-US Oil Partnership ... 283 2.9.2. Saudi-U.S. Oil Partnership in 1947 and Saudi-Jordanian Political Relations in 1948, Presenting the Context for the Emergence of the Modern Kingdom of Saudi Arabia ...... 289 2.9.3. The Saudi State, its System of Government and Court Culture, from Foundation until 1953...... 294 2.9.4. Regional Extrapolations in Reference to Developing Saudi Arabia, 1953...... 306 2.10. Intentions in Coverage of Saudi Arabia Appearing in the Media Outlets ...... 309 2.10.1. Conclusion ...... 315 2.11. Synopsis of Duncan’s Pictorial Stories on Turkey ...... 317 2.11.1. Turkey’s Intra/Inter-National Politics between 1947 and 1954...... 317
vii 2.11.1.1. Russian Pressure on the Turkish Straits ...... 318 2.11.1.2. Turkish Army Receiving Marshall Aid from the U.S...... 319 2.11.1.3. Turkey, as a Member of NATO ...... 322 2.11.1.4. Failures of Turkey Pertaining to the Utilization of US Economic Aid...... 325 2.11.1.5. Russian Venture into Turkish Trade, Challenging the U.S. Hold on Turkey .... 327 2.12. Analysis of Duncan’s Pictorial Stories on Turkey...... 329 2.12.1. Prospects of the Turkish Straits, 1947 ...... 329 2.12.2. Present Tensions—Old Enmities: Russian Demands on the Turkish Straits and on the Eastern Anatolian Territories, 1947 and 1948 ...... 332 2.12.3. The Context of Marshall Aid and Russian Expansionist Policy towards Turkey, 1948 ...... 338 2.12.4. A Snapshot of Turkey; a Member of NATO, 1952 ...... 342 2.12.5. Parameters of the Turkish Economy, and Turkey in an International Trade System Driven by Economic Arrangements of the West and of the Communist Bloc, 1954 ...... 344 2.13. Intentions in Coverage of Turkey Appearing in the Media Outlets...... 348 2.13.1. Conclusion ...... 351 2.14. Chapter Conclusion...... 352 CHAPTER 3 ...... 359 3.1. Sandra Mackey’s Media and Intellectual Discourses ...... 359 3.1.1. Biography: Sandra Mackey...... 359 3.1.2. An Overview of Source Materials on Mackey’s Coverage of the Middle East...... 361 3.1.3. Selection of the Source Materials for This Study ...... 365 3.1.4. Summary of Mackey’s News Articles and Analysis of her Representations of the Middle East through her Journalistic and Intellectual Discourses...... 366 3.2. Summary of Mackey’s News Articles ...... 366 3.2.1. The Islamic Republic of Iran...... 367 3.2.1.1. Iran Benefits From the Gulf Panic ...... 367 3.2.1.2. Fear of Enemies isn’t Paranoia...... 370 3.2.1.3. A Culture, More Than a State, Reaches out—Iran ...... 372 3.2.2. The Kingdom of Saudi Arabia ...... 374 3.2.2.1. The Saudi Monarchy’s Paranoia Rules out Development of a National Army Capable of Defending the Country...... 374 3.2.2.2. The House of Saud ...... 376 3.2.2.3. Welcome or Not, We’re In for Keeps ...... 378 3.2.2.4. Winds of Change in the Desert ...... 380 3.2.3. The Republic of Iraq ...... 383 3.2.3.1. Get Rid of Saddam—and Then What?...... 384 3.2.3.2. Think Globally, Act Tribally...... 385 3.2.3.3. Two articles appearing in the Guardian ...... 388 3.2.3.4. Better Alive Than Dead...... 391 3.2.3.5. Iraq’s Dangerous Identity Crisis ...... 393 3.2.3.6. Echoes of Iran...... 395 3.2.3.7. A City That Lives for Revenge ...... 397 3.2.3.8. The Coming Clash over Kirkuk ...... 398 3.3. Analysis of Mackey’s Representations of the Persian Gulf Region through her Journalistic and Intellectual Discourses ...... 401
viii 3.3.1. Prospect of the Persian Gulf...... 401 3.3.1.1. Iran, a Bastion of anti-American Sentiments ...... 402 3.3.1.2. Iranian Fear of Enemies ...... 407 3.3.1.3. Iran’s Cultural Pattern in Ancient Persia, Shia Islam, and Western Liberalism .. 413 3.3.1.4. Saudi Arabia becoming a Regional Player following the Persian Gulf War of 1990- 1...... 418 3.3.1.5. An Outlook of Iraq—A State not a Nation ...... 425 3.3.1.6. The U.S. Invasion of Iraq, 2003 ...... 431 3.3.1.7. An Outlook of Complexities in an Occupational Conundrum—Iraq ...... 435 3.4. Chapter Conclusion...... 441 CONCLUSION...... 445 WORKS CITED ...... 460 BIOGRAPHICAL SKETCH ...... 473
ix ABSTRACT
This dissertation examines twentieth-century Western scholarly, artistic, and journalistic perspectives on the Middle East. The Middle East has been a constant topic of research in academia throughout the centuries, in which Orientalism is one of the leading enterprises, studying and presenting the region though theoretical frameworks and influential ideologies. As Edward W. Said noted in Orientalism (1978), the common trend in this discipline is to show the purported binary, the dichotomizing of the Islamic East and the Christian West, which is discernible through visual art forms and various literatures projecting the Eastern world as often exotic and dangerous. With its Eurocentric perspective, Orientalism’s influence is evident in several other fields, perhaps most notably in media practices seen through assorted biased reporting. The callous evaluations and assessments of the Middle East are perpetuated in the productions of many scholars, correspondents, and photographers since early post-WWII, when the area studies began taking on a new direction, renewed while changing hands from Britain to the U.S., where ideology and decision making have met. This dissertation focuses on three expert communicators, and investigates how the modern Middle East is presented in their works—the academic treatments of Bernard Lewis, the photojournalism of David Douglas Duncan, and the journalism of Sandra Mackey. Their contributions have been critical and, in a very real sense, have created the Western view of the Middle East, making them worthy subjects of close scrutiny. Examination of their conceptualizations of the region and their perspectives on Islam delineates how the Middle East has been perceived, to what extent their positions in presenting the situation on the ground have contributed to the world shaping decisions of the policy makers, which have often rested more on myth and nostalgia than the facts, and how they have served to influence the shaping of knowledge about the East in the West, particularly in the U.S.
x INTRODUCTION
The primary motivation for researching the contemporary Middle East lies in its natural, economical, and cultural riches, which have made it an essential territory throughout the centuries, but particularly in the twentieth century’s petroleum centered economy. The historical importance of the Middle East reaches back to the beginning of civilization. The invention of writing by the Sumerians has been dated to 3500 BCE in Mesopotamia. The Middle East, the cradle of the most influential religions of the world, was also home to some of the earliest urban settlements of humanity including those of the Phoenicians, the Babylonians, the Egyptians, et al. While it was being ruled by different empires including the Egyptians, Romans, Greeks, Persians, Turks, Arabs, Jews, and Europeans, the region was the epicenter of numerous internal and external conflicts, in which not only its own settlements but also European, or what are termed today Western societies, were involved throughout its history. The Crusades for example, which dated between the eleventh and the thirteenth centuries, reflected the European interest in and turbulent relationship with the Middle East. Today, more than ever, the region remains significant due to its place at the center of the world’s geopolitical, economical, and natural resource relations. This position within the global scheme is at the heart of what has brought conflict to this region, culminating even in the unscrupulous misnomer the clash of civilizations, making the Middle East worthy of examination. This dissertation focuses on the twentieth-century Western scholarly, artistic, and journalistic perspective on the Middle East. The dissertation takes as its object of study the “Middle East” as defined by, apart from Turkey, major oil-producing countries of the Persian Gulf, Saudi Arabia, Iran, and Iraq. The research attempts to assess and respond to misconceptions about the ideological, political, religious, and socio-economic and cultural reasons for the East’s attractions from the Western perspective throughout the twentieth century, emerging from a tumultuous past and culminating in the present. In this study, the term the West refers to several capitalist countries including the United Kingdom, France, Italy, Spain, Portugal, and the United States—the countries that have incubated and borne the Western ideology in terms of their economic, political, martial, and cultural globe-spanning expansions. By critically examining and comparing two different forms of discourse—scholarly historical analysis and media practices (which includes photojournalism and journalism) the