Indigenous Issues Have Come a Long Way on Campus— but There’S Still Much More to Do Held Back by Limited Resources, Dal Does What It Can
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INSIDE Singleschart, 6-7;Album chart,17; New Singles, 18; NewAlbums, 13; Airplay guide, 14-15; lndpendent Labels, 8; Retailing 5. June 28, 1982 VOLUME FIVE Number 12 65p RCA sets price Industry puts brave rises on both face on plunging LPs & singles RCAis implementing itsfirst wide- ranging increase in prices since January Summer disc sales 1981. Then its new 77p dealer price for singles sparked trade controversy but ALL THE efforts of the record industryfor the £s that records appear to be old the rest of the industry followed in due to hold down prices and generate excite-hat. People who are renting a VCR are course. ment in recorded music are meeting amaking monthly payment equivalent to With the new prices coming into stubbornly flat market. purchasing one LP a week," he said. effect on July 1, RCA claims now to be Brave faces are being worn around the Among the major companies howev- merely coming into line with other major companies but itis becominger, there is steadfast resistance to gloom. companies. clear that the business is in the middle of Paul Russell, md of CBS, puts the New dealer price for singles will be an even worse early Summer depressionproblem down to weak releases and is 85p (ex VAT) with 12 -inch releases than that of 1981. happy to be having success with Joan costing £1.49, a rise of 16p. On tapes The volume of sales mentioned by theJett, The Clash, Neil Diamond andWHETHER IT likes it or not, Polydorand albums the 3000 series goes from RB chart department shows a decline ofAltered Images with the prospect of bigis now heavy metal outfit Samson's£2.76 to £2.95, the 6000 series from between 20 and 30 percent over the samereleases from Judas Priest and REOrecord company. -
New Temporalities and Productive Tensions in Dana Claxton's Made to Be Ready a Review Essay
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made to Be Ready A Review Essay Julia Polyck-O’Neill Since our work documents records, and interprets decolonization, and is an expression of our cultures, our social relationships to the state and church, and our communities, what is the exchange with the viewer? One of pedagogy, understanding, truth, hope? Perhaps all and more. – Dana Claxton, “Re:Wind”1 arge-scale lightbox photographs and projections,2 reminiscent of Vancouver’s photo-conceptualistic narratives, dominate the darkened Simon Fraser University’s Audain Gallery. The eye Lmoves from static images to moving projections. The content of the images is visibly interconnected: the figure depicted in each appears to be the same woman; the punchy clarity, vivid palette, and the glossy, high definition and resolution as well as the contemporary aesthetic of the photographic images are also measurably consistent throughout. But although the works share an author, the theme, or intention, underlying them is challenging to discern. Although there are, ostensibly, referents available for issues of identity and remediation, they transcend the once traditional frameworks of conventional art historical categorization. The artist, Dana Claxton, is an artist-critic born in Yorkton, Saskatchewan, is of Hunkpapa Lakota descent, and is an associate professor in the University of British Columbia’s Art History, Visual Art, and Theory 1 Dana Claxton, “Re:Wind,” in Transference, Technology, Tradition: Native New Media, ed. Candice Hopkins, Melanie Townsend, Dana Claxton, Stephen Loft (Banff: Walter Phillips Gallery Editions, 2005), 16. 2 Claxton’s works are actually shown on LED fireboxes, a contemporary take on Jeff Wall and Ian Baxter’s fluorescent lightboxes of the late twentieth century. -
On Nature and Its Representation in Canadian Short Film and Video)
ON NATURE AND ITS REPRESENTATION IN CANADIAN SHORT FILM AND VIDEO) By JOSEPHINE M. MASSARELLA Integrated Studies Final Project Essay (MAIS 700) submitted to DR. MICHAEL GISMONDI in partial fulfillment of the requirements for the degree of Master of Arts – Integrated Studies Athabasca, Alberta APRIL, 2015 ABSTRACT This essay examines representations of nature in a selection of short Canadian film and digital video. It discusses ontologically problematic (Hessing, “Fall” 288) aspects of nature, drawing largely on ecocinema and eco-aesthetics, as well as cinema studies, ecology, ecocriticism, ecoaesthetics, and (post)colonialism. Through these disciplines, it also explores the materiality of visual media and the impact of these media on the environment. Many of the difficulties such a project poses are exacerbated by the incipience of ecocinema, of which numerous and often contradictory interpretations exist. While such heterogeneity raises challenges for scholars wishing to isolate meaning, it provides a degree of versatility in the analysis of film and video. In this paper, several interpretations are brought to bear on a selection of short Canadian films, variously examined from within different critical paradigms. Keywords: interdisciplinary, ecophilosophy, systems of human domination, visual media On Nature and Its Representation 1 On Nature and its Representation in Canadian Short Independent Film and Digital Cinema The communicative power of moving images has long excited my creativity and fueled my professional life as a Canadian independent filmmaker. With this power I have conveyed personal perspectives that would otherwise remain silent and cultivated new ones that bring light to otherwise dusky regions of my mind. These perspectives often point towards nature, and look upon it with feelings of humility, reverence, and respect. -
RED WOMAN WHITE CUBE: FIRST NATIONS ART and Raclallzed SPACE
RED WOMAN WHITE CUBE: FIRST NATIONS ART AND RAClALlZED SPACE by Dana Lee Claxton PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LIBERAL STUDIES In the Liberal Studies Program of the Faculty of Arts and Social Sciences O Dana Lee Claxton 2007 SIMON FRASER UNIVERSITY Spring 2007 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author Approval Name: Dana Claxton Degree: Master of Liberal Studies Title of Project: Red Woman White Cube: First Nations Art and Racialized Space Examining Committee: Chair: Dr. Michael Fellman Senior Supervisor Professor of Liberal Studies Director. Graduate Liberal Studies Dr. Denise Oleksijczuk Supervisor Professor of Art School for Contemporary Arts Dr. Michelle LaFlamme External Examiner University of British Columbia English Department Date DefendedIApproved: +"+ SIMON FRASER UNIVERSITY~ %?!%&@ ibra ry DECLARATION OF PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: ~http:llir.lib.sfu.calhandlell8921112~)and, without changing the content, to translate the thesislproject or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Stop(The)G Ap: International Indigenous Art in Motion
Stop(the)Gap: International Indigenous art in motion Stop(the)Gap: International Indigenous art in motion Education Resource Acknowledgements Education Resource written by John neylon, art writer, curator and art museum/education consultant. The writer acknowledges the particular contribution of Brenda L Croft, Erica Green and Emma Epstein, and that of the Samstag Museum of Art staff, the participating artists and advisory curators. Published by the Anne & Gordon Samstag Museum of Art University of South Australia GPo Box 47, Adelaide SA 500 T 08 8300870 E [email protected] W unisa.edu.au/samstagmuseum Copyright © the author, artists, and University of South Australia All rights reserved. The publisher grants permission for this Education Resource to be reproduced and/or stored for twelve months in a retrieval system, transmitted by means electronic, mechanical, photocopying and/or recording only for education purposes and strictly in relation to the exhibition Stop(the)Gap: International Indigenous art in motion, at the Samstag Museum of Art. ISBn 978-0-980775-5-6 Samstag Museum of Art Director: Erica Green Curator: Exhibitions and Collections: Emma Epstein/Stephen Rainbird Coordinator: Scholarships and Communication: Rachael Elliott Samstag Administrator: Jane Wicks Helpmann Academy Intern: Lara Merrington Graphic Design: Sandra Elms Design Cover image: Warwick THORNTON, Stranded (detail), 0 film still, commissioned by Adelaide Film Festival Investment Fund 011, © the artist Stop(the)Gap: International Indigenous art in motion -
SLAP MAGAZINE Eveshamfestivalofwords.Org
Issue 78 Mar2018 FREE SLAP Supporting Local Arts & Performers WORCESTER’S NEW INDEPENDENT ITALIAN RESTAURANT Traditional Italian food, cooked the Italian way! We create all dishes in our kitchen, using only the finest quality fresh ingredients. 01905 729 415 [email protected] SUGO at The Lamb & Flag 30 The Tything Worcester WR1 1JL f. t. i. First of all let’s get this out of the way... I've learned it’s probably best not to puncture one's lung and break several ribs in the run up to a deadline during the shortest month of the year. That said, I have thoroughly enjoyed putting this issue together thanks to the sheer diversity of its content. In the arts alone we have costume art, performance art, Asian art, contemporary art, sculpture, and even art in pubs! Check out too, our featured artist Tracey Passey, who’s wonderful mixed media masterpieces are inspired by the coast. Mar2018 As well as art, there’s news of acting courses, a dance feature, spoken word and poetry is also covered. Last minute news just in for any budding writers of a Short Story Competition for Evesham Festival of Words - open to adults and juniors. Closing date is midnight on Friday 23rd March. For more info visit: SLAP MAGAZINE eveshamfestivalofwords.org. Unit 3a, Lowesmoor Wharf, Diversity isn’t just restricted to the arts as we jump from Worcester WR1 2RS Ensemble Échos at St Martin's, Worcester to the Damned at the Telephone: 01905 26660 O2 and everything in between! As always we bring you the [email protected] news, reviews, previews and features from the local music scene. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
The Vancouver Art Gallery Presents Dana Claxton: Fringing the Cube—First Career Survey for Award-Winning Indigenous Artist
FOR IMMEDIATE RELEASE The Vancouver Art Gallery presents Dana Claxton: Fringing the Cube—First Career Survey for Award-winning Indigenous Artist Exhibition Traces Nearly Three Decades of Claxton’s Works Reclaiming Indigenous Power, Beauty, Identity and Spirituality Media are invited to a preview of Dana Claxton: Fringing the Cube attended by the artist on Thursday, October 25, 2018, 9:00 AM at the Vancouver Art Gallery. RSVP directly to Hanah Van Borek ([email protected]) September 27, 2018, Vancouver, BC – As one of its major fall season exhibitions, the Vancouver Art Gallery presents Dana Claxton: Fringing the Cube, the first-ever survey of the work of the provocative Vancouver- based Hunkpapa Lakota (Sioux) artist Dana Claxton, on view October 27, 2018 to February 3, 2019. Photography, film, video and performance documentation trace nearly thirty years of Claxton’s career and her investigations into Indigenous identity, beauty, gender and the body. “As a prolific multidisciplinary artist, Dana Claxton has been an important voice for reclaiming narratives around Indigenous culture through striking critique of stereotypes and ideologies,” says Kathleen S. Bartels, Director of the Vancouver Art Gallery. “From the Indigenous portraits captured to stunning effect in her ‘fireboxes’, to the dramatic video installations that retell the stories of her Hunkpapa Lakota (Sioux) people, Dana’s emotive works compel audiences to re-examine their understanding of Indigenous art.” Merging Lakota traditions with so-called Western influences, while utilizing a powerful “mix, meld and mash” approach, Claxton addresses the oppressive legacies of colonialism by critiquing representations of Indigenous people that circulate in art, literature and popular culture. -
Understanding Aboriginal Arts in Canada Today ______
Understanding Aboriginal Arts in Canada Today ___________________________________________________________________________________________________ A Knowledge and Literature Review Prepared for the Research and Evaluaon Sec@on Canada Council for the Arts _____________________________________________________________________________________________________________ FRANCE TRÉPANIER & CHRIS CREIGHTON-KELLY December 2011 _____________________________________________________________________________________________________________ For more information, please contact: Research and Evaluation Section Strategic Initiatives 350 Albert Street. P.O. Box 1047 Ottawa ON Canada K1P 5V8 (613) 566‐4414 / (800) 263‐5588 ext. 4261 [email protected] Fax (613) 566‐4430 www.canadacouncil.ca Or download a copy at: http://www.canadacouncil.ca/publications_e Cette publication est aussi offerte en français Cover image: Hanna Claus, Skystrip(detail), 2006. Photographer: David Barbour Understanding Aboriginal Arts in Canada Today: A Knowledge and Literature Review ISBN 978‐0‐88837‐201‐7 TABLE OF CONTENTS ACKNOWLEDGEMENTS! 3 RESEARCH METHODOLOGY! 4 Why a Literature Review?! 4 Steps Taken! 8 Two Comments on Terminology! 9 Parlez-vous français?! 10 The Limits of this Document! 11 INTRODUCTION! 13 Describing Aboriginal Arts! 15 Aboriginal Art Practices are Unique in Canada! 16 Aboriginal Arts Process! 17 Aboriginal Art Making As a Survival Strategy! 18 Experiencing Aboriginal Arts! 19 ABORIGINAL WORLDVIEW! 20 What is Aboriginal Worldview?! 20 The Land! 22 Connectedness! -
Sociology and Social Anthropology
SOCIOLOGY AND SOCIAL ANTHROPOLOGYNEWSFALL 2020 CHAIR’S MESSAGE FACULTY OF ARTS AND SOCIAL SCIENCES Department of Sociology IN THISand Social ISSUE Anthropology 1 Chair’s Message 2 Faculty Updates 8 Changing Climates - CASCA and AAA hold joint conference in Vancouver 8 Graduate Student Updates 10 SOSA Speakers’ Series 2019-2020 10 SOSA Speakers’ Series 2018-2019 11 Reflections on a Career in SOSA 13 SOSA Honours Symposiums 14 Alumni Updates 16 MA Students’ Proposal Presentations 17 2018-19 Simon and Riva Spatz Visiting Chair in Jewish Studies 18 2019-20 Fulbright Canada Research Chairing amidst a pandemic. Chair in Society & Culture 19 Kudos to our Students! 19 External Graduate Student I HOPE THAT THIS NEWSLETTER finds you and yours safe and Funding Awards well. These are trying times, and as such ripe for sociological and 20 Doctoral Defences anthropological analysis. C. Wright Mills anyone? (As many SOSA alum will recall, C. Wright Mills called on us to employ our ‘sociological’ 20 SOSA Babies! imaginations by turning our trained gazes on the problems that STAY CONNECTED confront the world we live in.) Sitting down to write this greeting Department of Sociology and which opens a newsletter about what the SOSA community has Social Anthropology Faculty of Arts and Social Sciences been up to for the last two year seems odd. I find myself engrossed Marion McCain Building, Room 1128 in the peculiar present and near future of social change and online 6135 University Avenue EVERYTHING. Yet there are a lot of changes in SOSA --some exciting, PO Box 15000, Halifax NS B3H 4R2 some bittersweet-- that we want you to know about. -
Dana Claxton Bibliography
DANA CLAXTON BIBLIOGRAPHY Exhibition Catalogues with work by Dana Claxton Yohe, Hill Ahlberg, and Teri Greeves (ed.). Hearts of Our People: Native Women Artists. Exhibition catalogue. Minneapolis Institute of Art, in association with the University of Washington Press: Seattle, WA, 2019. Berlo, Janet Catherine, and Ruth B. Phillips. “Encircles Everything: A Transformative History of Native Women’s Arts.” Hearts of Our People: Native Women Artists. Ed. Jill Ahlberg Yohe and Teri Greeves. Minneapolis Institute of Art, in association with the University of Washington Press: Seattle, WA, 2019. pp 43-72. Dana Claxton: Fringing the Cube (exhibition catalogue). Ed. Grant Arnold: Vancouver, Canada: Figure 1 Publishing Inc, 2018. 5 essays, ## illustrations. Pages. Besaw, Mindy N. “Dana Claxton.” Art for a New Understanding: Native Voices, 1950s to Now. Edited by Mindy N. Besae, Candice Hopkins, Manuela Well-Off-Man. The University of Arkansas Press: Fayetteville, NC, 2018. pp.168-169. Garneau, David. “Dana Claxton’s Patient Storm.” Dana Claxton: Fringing the Cube (exhibition catalogue). Ed. Grant Arnold. Vancouver, Canada: Figure 1 Publishing Inc, 2018. pp 71-79. Soldier, Layli Long. “Tribute to Dana Claxton and the Art of Generosity.” Dana Claxton: Fringing the Cube (exhibition catalogue). Ed. Grant Arnold. Vancouver, Canada: Figure 1 Publishing Inc., 2018. pp. 81-85. Ritter, Kathleen and Tania Willard. Beat Nation: Art, Hip Hop and Aboriginal Culture. Vancouver Art Gallery publishing, 2012. p. 55. Croft, Brenda L. “Sell-abrasion of our Nations.” Stop(the)Gap: International Indigenous Art in Motion exhibition brochure. Samstag Museum, 2011. p. 2. Todd, Jeremy. “The Ongoing Powers of Dana Claxton.” Fierce: Women’s Hot-Blooded Film/video. -
Coast Salish Art Bibliography
Coast Salish Art Bibliography Abbott, Donald 1981 The World is as Sharp as a Knife: An Anthology in Honour of Wilson Duff. Victoria: B.C. Provincial Museum; 1981: 175-200. Amoss, Pamela. 1978 Coast Salish Spirit Dancing. Seattle: University of Washington Press. Arima, Eugene Y. 1983 The West Coast People: The Nootka of Vancouver Island and Cape Flattery. Victoria: British Columbia Provincial Museum Special Publication #67. Baillargeon, Pat 1977 “Arts Interview: Marvin Oliver,” Puget Soundings (April): 30-31. Barnett, H. G. 1955 The Coast Salish of British Columbia. University of Oregon Press. 1957 Indian Shakers: A Messianic Cult of the Pacific Northwest. Carbondale: Southern Illinois University Press. Bierwert, Criska *1982 Sahoyaleekw: Weaver’s Art. Seattle: Burke Museum. 1999 Brushed by Cedar, Living by the River: Coast Salish Figures of Power. University of Arizona Press. Black, Martha 1997 Bella Bella: A Season of Heiltsuk Art. Toronto and Seattle: Royal Ontario Museum, Douglas and McIntyre, and University of Washington Press. 1999 Huupukwanum Tupaat: Out of the Mist: Treasures of the Nuu-chah-nulth Chiefs. Victoria: Royal British Columbia Museum. Blanchard, Rebecca and Nancy Davenport (eds) 2005 Contemporary Coast Salish Art. Seattle: Stonington Gallery and University of Washington Press. Brotherton, Barbara (ed). 2008 S'abadeb, The Gifts - Pacific Coast Salish Art and Artists. Seattle: Seattle Art Museum and University of Washington Press. Brown, Steven C. 2001 “Norman Feder and the Central Coast Salish Art Style,” in Feest (ed) Studies in American Indian Art: A Memorial Tribute to Norman Feder, Altenstadt: European Review of Native American Studies: 33-41. 1994 "In the Shadow of the Wrangell Master: Photo Documentation of the Work of Two Nineteenth Century Tlingit Artists," American Indian Art Magazine.