DANA CLAXTON BIBLIOGRAPHY

Exhibition Catalogues with work by Dana Claxton

Yohe, Hill Ahlberg, and Teri Greeves (ed.). Hearts of Our People: Native Women Artists. Exhibition catalogue. Minneapolis Institute of Art, in association with the University of Washington Press: Seattle, WA, 2019.

Berlo, Janet Catherine, and Ruth B. Phillips. “Encircles Everything: A Transformative History of Native Women’s Arts.” Hearts of Our People: Native Women Artists. Ed. Jill Ahlberg Yohe and Teri Greeves. Minneapolis Institute of Art, in association with the University of Washington Press: Seattle, WA, 2019. pp 43-72.

Dana Claxton: Fringing the Cube (exhibition catalogue). Ed. Grant Arnold: , : Figure 1 Publishing Inc, 2018. 5 essays, ## illustrations. Pages.

Besaw, Mindy N. “Dana Claxton.” Art for a New Understanding: Native Voices, 1950s to Now. Edited by Mindy N. Besae, Candice Hopkins, Manuela Well-Off-Man. The University of Arkansas Press: Fayetteville, NC, 2018. pp.168-169.

Garneau, David. “Dana Claxton’s Patient Storm.” Dana Claxton: Fringing the Cube (exhibition catalogue). Ed. Grant Arnold. Vancouver, Canada: Figure 1 Publishing Inc, 2018. pp 71-79.

Soldier, Layli Long. “Tribute to Dana Claxton and the Art of Generosity.” Dana Claxton: Fringing the Cube (exhibition catalogue). Ed. Grant Arnold. Vancouver, Canada: Figure 1 Publishing Inc., 2018. pp. 81-85.

Ritter, Kathleen and Tania Willard. Beat Nation: Art, Hip Hop and Aboriginal Culture. publishing, 2012. p. 55.

Croft, Brenda L. “Sell-abrasion of our Nations.” Stop(the)Gap: International Indigenous Art in Motion exhibition brochure. Samstag Museum, 2011. p. 2.

Todd, Jeremy. “The Ongoing Powers of Dana Claxton.” Fierce: Women’s Hot-Blooded Film/video. [Hamilton ON]: McMaster University, Museum of Art, 2010. pp. 28-9.

Arnold, Grant. “Photoconceptual Art and Vancouver.” Audain Collection Catalogue. Vancouver, Canada: Vancouver Art Gallery, 2011. pp. 101-104.

Cachia, Amanda. “Map of Blood.” Diabolique. Regina: Dunlop Art Gallery, 2010. pp. 19-31.

Hladki, Janice. “ Arrives asking, demanding something of us.” Fierce Women’s Hot-Blooded Film/Video. Catalogue Essay. McMaster University Museum of Art, 2010. pp. 9-22.

Elliot, David. The Beauty of Distance: Songs of Survival in a Precarious Age. Woolloomooloo, N.S.W.: Biennale of Sydney, 2010. pp. 150, p. 269.

Zimmerman, Patricia. “Ardent Spaces, Formidable Environments.” Fierce: Women’s Hot-Blooded Film/video. Robert McLaughlin Gallery. [Hamilton ON]: McMaster University, Museum of Art, 2010. pp. 41-46. Laflamme, Michelle. “Dana Claxton: Reframing the Sacred and Indigenizing the White Cube.” Diversity and Dialogue: the Eiteliorg Fellowship for Native American Fine Art. Ed. James H. Nottage. Indianapolis: Eiteljorg Museum of American Indians and Western Art; Seattle: In association with University of Washington Press, 2008. pp. 49-59.

Deadman, Pat, Peggy Gale, and Heather Smith. Dana Claxton: and the Moose Jaw Sioux. Catalogue. Moose Jaw : Moose Jaw Museum & Art Gallery publishing, 2007. pp. 11-17.

Baerwaldt, Wayne. “Montréal International Centre of Contemporary Art, and Biennale de Montréal.” Remuer Ciel et Terre: La Biennale de Montréal 2007: Exposition Organisée Par Le Centre International D’art Contemporain de Montréal. 2007. pp. 64-5.

Gagnon, Monika Kin. “Moving Ground Underfoot.” Topographies catalogue essay. Vancouver, Canada: Vancouver Art Gallery, 1996. pp. 47-85.

Townsend-Gault, Charlotte. “Let X = Audience.” Reservation X. Museum of Civilization. Goose Lane, 1998. pp. 41-51.

Bell, Lynne. “Taking a Walk in the City.” Urban Fictions. Catalogue essay. Presentation House gallery, 1997. pp. 44-56.

Other Publications featuring artwork by Dana Claxton

Monographic book chapters and journals

Dowell, Kristin L. “Cultural Protocol in Aboriginal Media.” Sovereign Screens: Aboriginal Media on the Canadian West Coast. University of Nebraska Press, 2013. pp. 134-153.

Lewis, Randolph. “Chapter Seven: Final Thoughts.” Navajo Talking Picture: Cinema on Native Ground. University of Nebraska Press, 2012. pp. 161-174.

Smith, Charles C. “Cultural Diversity in the Media Arts.” Pluralism in the Arts in Canada: A Change is Gonna Come. Canadian Centre for Policy Alternatives, 2012. pp. 137-158.

Shaw, Nancy. “Time Codes: recent takes in feminist video.” Making Video “In”. Edited by Jennifer Abbott. Video In Studios: Vancouver Canada, 2000. pp. 109-118

Survey book chapters and journals

Morrill, Rebecca, et al. “Dana Claxton.” Great Women Artists. Ed. Phaidon editors. Phaidon publishing, 2019. p. 103

Hladki, Janice. “‘Remembering Otherwise’: Counter-Commemoration and Re-Territorialization in Indigenous Film and Video Art.” Revisit de Estudios Globales y Arte Contemporáneo. Vol 2 No 1, 2014. pp. 93-116.

LaPensée, Elizabeth and Jason Edward Lewis. “Timetraveller™: Nonverbal Communication in Second Life.” Nonverbal Communication in Virtual Worlds: Understanding and Designing Expressive Characters. Ed. Joshua Tanenbaum, Magy Seif El-Nasr, & Michael Nixon. ETC Press, 2014. pp. 94-107. Brophy, Sarah and Janice Hladki. Visual Autobiography in the Frame: Critical Embodiment and Cultural Pedagogy.” Embodied Politics in Visual Autobiography. Cultural Spaces. Press, 2014. pp. 3-30.

Kowalsky, Nathan. “Between Relativism and Romanticism: Traditional Ecological Knowledge as Social Critique.” Indigenous Perspectives in North America: A Collection of Studies. Edited by Sepsi, Enikö, Judith Nagy, Miklós Vassányi and János Kenyeres. Cambridge Scholars Publishing, 2014. pp. 2-31.

Taunton, Carla. “(Re)memory and Resistance: Video Works by Dana Claxton.” Native Americans on Film: Conversations, Teaching, and Theory. Ed. M. Elise Marubbio and Eric L Buffalohead. Lexington, KY: University of Kentucky, 2013. pp. 116-134.

Dowell, Kristin. “Pushing boundaries, Defying categories.” Native Art of the Northwest Coast: A History of Changing Ideas. Ed. Charlotte Townsend-Gault, Jennifer Kramer, and Ki-ke-in. UBC Press, 2013. pp. 828-863.

Sugrue, Meagan. “Humour in Contemporary Indigenous Photography: Re-focusing the Colonial Gaze.” The Arbutus Review. Volume 3 No 2, 2012. pp. 61-79.

Weder, Adele. “The art of medicine.” CMAJ. Vol 184 No 15, October 2012. pp. 1717-1718.

Durand, Guy Sioui. “Look-Facebook-Auto’ado Texto-Photo! Totem Hypermoderne.” Rebelles. Photographie Actuelle et Considérations Insoumises Sur L’adolescence. Ed. Ève Cadieux. J’ai VU Editions, 2012. pp. 24-31.

Mathur, Ashok and Rita Wong. “Employing Equity in Post-Secondary Art Institutes.” Retooling the Humanities: The Culture of Research in Canadian Universities. Ed. Smart Kamboureli and Daniel Coleman. University of Alberta Press, 2011. pp. 113-131.

Racette, Sherry Farrell. “Returning Fire, Pointing the Canon: Aboriginal Photography as Resistance.” The Cultural work of photography in Canada. Edited by Andrea Kunard and Carol Payne. McGill-Queen’s University Press, 2011. pp. 70-90.

Kelsey, Penelope Myrtle. “Condolence Tropes and Haudenosaunee Visuality.” American Indian Studies: Visualities. Ed. Denise K. Cummings. Michigan State University Press, 2011. pp. 119-130.

Lindner, Markus H. “‘WE ALL HAVE TO PAY BILLS’: Zeitgenössische Sioux-Künstler und der Markt.” Paideuma. No 57, 2011. pp. 135-159.

Dowell, Kristin. “Performance and ‘Trickster Aesthetics’ in the Work of Mohawk Filmmaker Shelley Niro.” Native American Performance and Representation. Ed. S.E. Wilmer. University of Arizona Press, 2011. pp. 207-221.

Taunton, Carla. “Indigenous (Re)memory and Resistance: Video Works by Dana Claxton.” Post Script. Vol 29 issue 3, summer 2010. pp. 215-233.

Marubbio, Elise. “Introduction to Native American/indigenous film.” Post Script. Vol 29 Issue 3, 2010. pp. 3-12.

Berson, Amber. “Dana Claxton, The Mustang Suite and Hybrid Humour”. St. Andrews Journal of Art History and Museum Studies. Volume 14, 2010. pp. 77-83.

Hubbard, Tasha. “‘The Buffaloes Are Gone’ or ‘Return: Buffalo’? The Relationship of the Buffalo to Indigenous Creative Expression.” Canadian Journal of Native Studies. 29.1-2, 2009. pp. 65-85. Wemigwans, Jennifer. “Indigenous Worldview: Cultural Expression on the World Wide Web.” Canadian Woman Studies. Vol 26, issue 3/4, winter/spring 2008. pp. 31-38.

Hladki, Janice. “Decolonizing Colonial Violence: The Subversive Practices of Aboriginal Film and Video.” Canadian Woman Studies. 25.1-2, 2006. pp. 83-87.

Battiste, Marie, Lynne Bell, Isobel M. Findlay, Len Findlay and James (Sákéj) Youngblood Henderson. “Thinking Place: Animating the Indigenous Humanities in Education.” The Australian Journal of Indigenous Education. Vol 34, 2005. pp. 7-19.

Bell, Lynne. “The Post/Colonial Photographic Archive and the Work of Memory.” Image and Inscription: An Anthology of Contemporary Canadian Photography. Ed. Robert Bean. Toronto: YYZ Books, 2005. pp. 150-165.

Baltruschat, Doris. “Television and Canada’s Aboriginal Communities.” Canadian Journal of Communication. 29.1, 2004. pp. 47-59.

Dahle, Sigrid. “Negative Space: Abattoirs by Artists and the Representation of Trauma.” Obsession, Compulsion, Collection: On Objects, Display Culture, and Interpretation. Ed. Anthony Kiendl. Banff AB: Banff Centre Press, 2004. pp. 133-145.

La Flamme, Michelle. “Unsettling the West.” Women Filmmakers: Refocusing. Jacqueline Levithin. UBC Press, 2003. pp. 403-418.

Gagnon, Monika Kin. 13 Conversations about Art & Cultural Race Politics. Artextes Editions. Montreal, 2002. pp. 33-5.

Walsh, Andrea. “Complex Sightings Aboriginal Art and Intercultural Spectatorship”. On Aboriginal Representation in the Gallery. Canadian Museum of Civilization, 2002. pp. 247-270.

Gagnon, Monika Kin. “Worldviews in Collision: Dana Claxton’s Video Installations.” Other Conundrums, Race & . Arsenal Press. artspeak. Kamloops Art Gallery, 2000. pp. 32-47.

Townsend-Gault, Charlotte. “Dana Claxton.” St. James guide to Native North American Artists. Ed. Roger Matuz. St James Press, 1997. pp. 122-3.

Reviews of Solo Exhibitions by Dana Claxton

Laurence, Robin. “Dana Claxton.” Border Crossings. May 2019.

Brackett, Donald. “Forest of Memory: The Provocative Art of Dana Claxton.” Vie des Arts. April 2019.

Beatch, Lucas. “Reclamation, Beauty, and the Palindrome in Dana Claxton: Fringing the Cube.” Undergraduate Journal of Art History and Visual Culture. Spring 2019.

“Last Chance to See this Intense Van Art Gallery Show.” Curiocity. January 28th, 2019. https://curiocity.com/vancouver/events/dana-claxton-vancouver-art-gallery-2019/

Pete, Coleman. “Dana Claxton’s Fringing the Cube challenges viewers’ understands of Indigenous art.” The Ubyssey, January 8th, 2019. “The Vancouver Art Gallery presents Dana Claxton: Fringing the Cube.” First Nations Drum. January 2nd, 2019. http://www.firstnationsdrum.com/2019/01/the-vancouver-art-gallery-presents-dana-claxton- fringing-the-cube/

Griffin, Kevin. “Dana Claxton uses beauty to tell difficult truths about colonialism.” Vancouver Sun. November 30th, 2018.

Lederman, Marsha. “Dana Claxton’s art boldly reclaims narratives around Indigenous culture.” The Globe and Mail. November 14th, 2018.

Cramp, Beverly. “Dana Claxton: Fringing the Cube. An exhibition at the Vancouver Art Gallery decries the oppressive legacy of colonialism and reclaims Indigenous culture.” Galleries West. November 5th, 2018. http://www.gallerieswest.ca/magazine/stories/dana-claxton-fringing-the-cube/

Donnelly, Lauren. “Dana Claxton Flips the Colonial Script.” Beatroute. November 2nd, 2018.

Labercane, Curranne. “Self-Identify.” Montecristo. October 31st, 2018.

McKenna, Cara. “Fringing the Cube is political with an Indigenous sensibility.” The Windspeaker. October 29th, 2018.

McCreary, Cynthia. “Dana Claxton: Fringing the Cube.” Big City Art. October 26th, 2018.

Alexandra, Kristi and Brittany Tiplady. “Dana Claxton: Fringing the Cube Takes a Cutting Gaze on Colonialism.” Loose Lips Mag. October 25th, 2018. http://looselipsmag.com/culture/dana-claxton- fringing-the-cube-takes-a-cutting-gaze-on-colonialism/

Shepert, Elana. “This Provocative Indigenous Art Exhibition Will Take Your Breath Away.” Vancouver is Awesome. October 25th, 2018.

Laurence, Robin. “Dana Claxton celebrates major Vancouver Art Gallery survey Fringing the Cube.” Straight. October 24th, 2018.

Lawrence, Toby. “Locating Sioux Aesthetics through The Sioux Project – Tatanka Oyate: Conversations with Dana Claxton by Toby Katrine Lawrence.” Blackflash, Issue 35.1. May 9th, 2018.

Burnham, Clint. “Dana Claxton: Made to be Ready.” Espace, No 113, Spring-Summer 2016.

Bell, G J. “Dana Claxton, Sitting Bull and ‘Survivance’” Canadian Art. Vol 31 issue 1, Spring 2014.

Bell, Lynne. “Dana Claxton: Disturbing History.“ Canadian Art. Winter 2010.

Bell, Lynne. “From a Whisper to a Scream: Dana Claxton teaches art and a revised version of North American history.” Canadian Art. Vol 27 Issue 4, Winter 2010.

Laurence, Robin. “Claxton’s new interdisciplinary work is a cultural mashup.” Georgia Straight. November 2010.

Griffin, Kevin. “Dana Claxton explores her ‘acceptable edge’; First nations artist repurposes imagery from her heritage in a modern context.” The Vancouver Sun. Oct 9th, 2010. Laurence, Robin. “Visual Art: Claxton seduces with humour, hits hard politically.” Georgia Straight. March 2006.

Garneau, David. “Dana Claxton: Sitting Bull and the Moose Jaw Sioux.” Vie des Arts #197. 2004.

Reviews of Groups Shows with artwork by Dana Claxton

Jones, Braeden. “Winnipeg Indigenous Women’s Art to be Displayed on Roadside Billboards Across Canada.” Metro, August 2, 2017.

Dick, Terence. “What Does One Do with Such a Clairvoyant Image? At Gallery 44 & Trinity Square Video.” akimbo, online magazine, May 17, 2017. http://www.akimbo.ca/akimblog/index.php?id=1248

Wine, Rachel. “Northern Exposure.” The Globe and Mail online, May 5th, 2017.

Whyte, Murray. “The True North: Strong, Conflicted, Free.” The Star, April 27, 2017.

“The Plains Indians: Artists of Earth and Sky.” USA Today Magazine. April 15th, 2015.

Green, Christopher. “The Plains Indians: Artists of Earth and Sky.” The Brooklyn Rail. April 2015.

Cotter, Holland. “America’s Earliest Artists.” The New York Times. Mar 13th, 2015.

Dowell, Kirstin L. “‘The Future Looks Rad from Where I Stand’: A Review of Claiming Space: Voices of Urban Aboriginal Youth at the UBC Museum of Anthropology.” Anthropologica. Vol 57 No 1, 2015.

Dunlevy, T’Cha. “A celebration of aboriginal culture; Montréal First People’s festival showcases film, music theatre and art.” The Gazette. Jun 18th, 2014.

Malone, Kelly. “Billboards showcasing Indigenous culture spark controversy in Saskatoon.” News Talk 980 CJME online. May 7th, 2014.

Hill, Andrea. “ Indigenous art featured on downtown billboards.” The Star Phoenix. May 6th, 2014.

Bainas, Lexi. “Festival films cover culture to environment.” Cowichan Valley Citizen. Apr 9th, 2014.

Tanzer, Ivan. “Ghost Dance: Activism. Resistance. Art., Ryerson Image Center, Toronto, 18 September to 15 December 2013.” Ciel Variable: Art, Photo, Médias, Culture. No 97, 2014.

Gessell, Paul. “The Beat goes on at Montreal gallery; Beat Nation.” The Citizen. Dec 28th, 2013.

Hoekstra, Matthew. “Your Kontinent film festival is on at Minoru Park.” Richmond Review. Jul 19th, 2013.

“Your Continent returns with more films, events.” The Review. Jun 21st, 2013.

Hewlett, Jason. “Wild Western; Kamloops Art Gallery takes stock of how the West was settled.” Kamloops Daily News. Jan 11th, 2013. Durand, Guy Sioui. “Edward Curtis, Un projet démesuré, Musée McCord, Montréal, du 24 mai au 18 novembre 2012.” Ciel Variable: Art, Photo, Médias, Culture. No 93, 2013.

“Map(ing): Multiple Artists Printing (Indigenous and Native Geographies).” American Indian Art Magazine. Vol 38 issue 4, 2013.

Fuglerud, Ølivind. “Art and Ambiguity: An Extended Review of Border Zones at the Museum of Anthropology, .” Museum Anthropology. Vol 35 Issue 2, Fall 2012.

Cochrane, Steven Leyden. “Remarkably unremarkable.” Winnipeg Free Press. Nov 8th, 2012.

Griffin, Kevin. “Aboriginal artists stay on the beat; Traditional forms find contemporary expression in hip-hop-inflected exhibition.” The Vancouver Sun. Feb 25th, 2012.

Griffin, Kevin. “Seeing the forest and the trees; VAG holds first public showing of works from the private Michael Audain collection.” The Vancouver Sun. Oct 29th, 2011.

Whyte, Murray. “Subverting the cliches: A mixed show of aboriginal artists both challenges and is subsumed by the dominant culture.” Toronto Star. July 19th, 2011.

O’Riordan, Maurice. “ Symmetry, Substance & Style.” Review. Art Monthly Australia. May 2011.

Redwood, Tom. “ Indigenous media art: complex visions.” Real Time. May 2011.

Allen, Christopher. “Inventive, despite the preaching.” The Australian. Mar 4th, 2011.

Bodey, Michael. “Breaking out of cinema’s dark cube.” The Australian. Feb 9th, 2011.

Fitzpatrick, Blake. “Four Directions.” Ciel Variabel: Art, Photo, Médias, Culture. Issue 88, 2011.

Croft, Brenda L. “Sell-abrasion of our Nations.” Artlink Contemporary art of Australia & the Asia Pacific. Vol. 31, 2011.

White, Sara. “Tracey Moffatt: Narratives; Stop (the) Gap: International Indigenous Art in Motion.” Artlink. Vol 31 Issue 2, 2011.

Taunton, Carla. “PUSHING BOUNDARIES: ‘Non-Compliance’ Short experimental program at imagineNATIVE Film + Media Arts Festival.” Fuse Magazine. Vol 33 Issue 1, Winter 2010.

Mathur, Ashok. “Arts, Activism and the Academy: Resistance is Fertile.” Fuse Magazine. Vol 33 Issue 4, Fall 2010.

Whyte, Murray. “Medium delivers a new message Contact Fest probes Marshall McLuhan’s overlooked notions of photography.” Toronto Star. May 1st, 2010.

Beesley, Ruby. “Photography & the pervasive influence.” Aesthetica: The Art & Culture Magazine. Issue 34, April/May 2010.

Goddard, Peter. “Montreal’s ‘Diabolique’ show looks at art in time of war.” Toronto Star. Feb 6th, 2010.

Goddard, Peter. “Fierce Fiery female filmmakers.” Toronto Star. Jan 28th, 2010.

Mahoney, Jeff. “Art is a not always pretty picture.” The Hamilton Spectator. Jan 17th, 2010. Griffin, Kevin. “Blockbuster exhibitions”, The Vancouver Sun. Dec 31st, 2009.

Anderson, Jack. “Diabolique.” Canadian Art. Vol. 26 Issue 4, Winter 2009.

Laskaris, Sam. “Artist proud of multimedia exhibit at Olympics 2010.” Saskatchewan Sage. Oct 2009.

Mulatz, Ryan. “Celebrate National Aboriginal Day in Regina.” Leader Post. Jun 18th, 2009.

Durand, Guy Sioui. “Steeling the Gaze: Portraits by Aboriginal Artists, Canadian Museum of Contemporary Photography at the National Gallery of Canada, Ottawa, October 31, 1008 - March 22, 2009.” Ciel Variable: Art, Photo, Médias, Culture. No 82, 2009.

St-Jean Aubre, Anne Marie. “L'art contemporain Amérindien s’expose.” Inter (Haute-Ville, Québec). Issue 104, 2009.

Gessell, Paul. “Native creative and contemplative; Aboriginal artists cast their lens on ‘white’ culture.” National Post. Nov 17th, 2008.

Gessell, Paul. “The Aboriginal eye.” The Ottawa Citizen. Nov 13th, 2008.

Turnbull, Glenna. “Showcase of indigenous art.” Kelowna Capital News. June 11th, 2008.

Youds, Mike. “Walking in two worlds; Inaugural aboriginal film fest set for weekend.” Kamloops Daily News. Feb 14th, 2008.

Rushing, W. Jackson. “Manifest Sovereignty: ‘Diversity and Dialogue’ at the Eiteljorg Museum.” American Indian Art Magazine. Vol. 33 Issue 3, 2008.

Pourtavaf, Leila. “Biennale de Montréal 2007. Can art exhibitions have upsets, just like a sports competition? Leila Pourtavaf reports from Montreal” C Magazine. Vol 95, Fall 2007.

Abramson, Stacey. “In the Blink of an Eye.” C Magazine. Vol. 94, Summer 2007.

Walker, Morley. “Poetry in motion pictures WAG exhibit strives to open Winnipeggers’ eyes to avant- garde filmmaking.” Winnipeg Free Press. January 15th, 2007.

Burnham, Clint. “First nations art unites much and reality.” The Vancouver Sun. Sept 16th, 2006.

Wild, Paula. “Star Spirit festival has potential.” The Courtenay Comox Valley Record. March 19th, 2006.

Gillespie, James L. “Language of Intercession.” Canadian Art. Vol 22 Issue 2, Summer 2005.

Laurence, Robin. “ Wandering Spirit.” Georgia Straight. March 24th, 2005.

Dowell, Kristin. “Exploring the Sacred in Aboriginal Performance Art”. Hemispheric Institute, E-misferica. Vol 2, issue 1, Spring 2005. Online magazine.

Methot, Suzanne. “Artists explore contemporary idioms and media.” Birchbark. Vol. 3 Issue 8, 2004.

Lee, Vico. “Aboriginal Works of Art from Canada.” Taipei Times. Sept 10th, 2003.

Holt, Jim. “Canadian First Nations films dominate at Sundance Fest.” The Province. Jan 10th, 2002. Stoffman, Judy. “Heirs to the Group of Seven.” The Toronto Star. December 10th, 2001.

Oh, Susan. “Soaring beyond the totem poles [Jack & Doris Shadbolt Foundation for the Visual Arts prize].” Maclean’s. May 7, 2001.

Laurence, Robin. “River Run”. Canadian Art Magazine. Fall 2000.

Laurence, Robin. “ Visual Art”. Georgia Straight. June 17th, 2000.

Anderson, Jack. “Exhibit Rewrites History.” Leader Post, Jun 1st, 2000.

Davis, Jolene. “Time changes all things, including how we see ourselves.” Windspeaker. Jan 1st, 2000.

O’Reilly, Finbarr. “A new wave of aboriginal filmmakers is determined to leave portrayals of natives as victims where they feel they belong — in the past.” National Post. June 18th, 1999.

Steel, Lisa. “Appropriate Behaviors.” Toronto International Video Art Biennial, 1999.

Townsend-Gault, Charlotte. ”topographies.” Canadian Art. March 1997.

Robertson, Sheila. “Show about perceptions of aboriginals and others.” Star - Phoenix. Jan 18th, 1997.

Mastai, Judith. “The elevation of BC art.” C Magazine. Issue 52, 1997.

Garneau David, “Western Canada in brief: fall 1996 and winter 1997.” C Magazine. issue 52, 1997.

Milroy, Sarah. “Primeval meets postmodern in BC art.” The Globe and Mail. Sept 1996.

Scott, Michael. “BC artists emerge in Topographies.” The Vancouver Sun. Sept 1996.

Lee, James Jason. “Urban Fictions (, exhibition).” Parachute: Contemporary Art Magazine. Vol 51, issue 3, July/Sept 1996.

Laurence, Robin. “Exploring the Plight of Women in Urban Settings” “Visual Art.” Saturday Review. Vancouver Sun. Jan 27th 1996.

Rosenberg, Ann. “Absence creates strong presence.” The Vancouver Sun. Oct 26th, 1991.

Other Publications on artwork by Dana Claxton

Bouvier, Denis. “Dana Claxton: Fringing the Cube.” The Source. November 30th, 2018. http://thelasource.com/en/2018/11/05/dana-claxton-fringing-the-cube/

Griffin, Kevin. “ART SEEN: Only British bone china allowed for Buffalo Bone China.” Vancouver Sun. November 26th, 2018. https://vancouversun.com/news/staff-blogs/art-seen-only-british-bone-china- allowed-for- buffalo-bone-china

Issac, Jaimie and Leah Decter. “(Official Denial) Trade value in progress: unsettling narratives.” West Coast Lines. Vol 46 issue 2, summer 2012.

Garneau, David. “Little Distance Between Us.” Fuse Magazine. Vol 33, issue 4, Fall 2010. Griffin, Kevin. “Vancouver curator to take part in Sydney Biennale.” The Vancouver Sun. May 3rd, 2010.

Ruiz, Cristina. “ The European Enlightenment is over.” Art Newspaper. Vol. 19 Issue 214, 2010.

Sandals, Leah. “Dismantling the shards of past identities.” National Post. July 7th, 2008.

Stimson, Adrian A. “Two Spirited for You: The absence of "Two Spirit" people in Western culture and media.” West Coast Line. Vol. 40 Issue 1, 2006.

Andrews, Marke. “Filmmakers’ plan to build native media gains support.” The Vancouver Sun. June 24th, 2005.

Bell, Patricia. “Izzy’s gift to the understanding of first nations people: this engagement with the concerns of indigenous people can take journalists far beyond the borders of Saskatchewan.” Media. Canadian Association of Journalists. Vol. 10, issue 2, Fall 2002.

Lin, Brian. “Ablakela invokes calm and innovation.” Windspeaker. Vol 19 issue 10, Feb 1st, 2002.

Bissley, Jackie. “Dana Claxton.” Indian Cinema Entertainment, Winter 2001.

Alteen, Glenn. “Liturgy for a New Secular World”. CDROM grunt gallery, November 2000.

Fung, Richard. “If Walls Have Ears.” Reports Brochure. V Tape. Toronto, Canada, 1998.

Fatona, Andrea. “From Sea to Sea: British Columbia.” Take One: Film & Television in Canada. Issue 5, 1994.

Public Commentary on Artwork by Dana Claxton

“Lecture: Philip J. Deloria – “Becoming Mary Sully”. The Gifts of Fringe: Speaker Series. Lecture. nd Vancouver Art Gallery, Vancouver Canada, January 22 , 2019.

“Panel Conversation: Monika Kin Gagnon, Jaleh Mansoor, and Grant Arnold.” The Gifts of Fringe: Speaker Series. Panel response to Dana Claxton’s survey show Fringing the Cube at the Vancouver Art th Gallery. Vancouver Art Gallery, Vancouver Canada, October 28 , 2018.

“Panel Conversation with Monika Kin Gagnon, Richard William Hill, Tania Willard, and moderated by Catherine M. Soussloff.” Panel response to Dana Claxton’s solo exhibition Made to Be Ready at the th SFU Audain Gallery. SFU Audain Gallery, Vancouver Canada, February 27 , 2016.

Interviews given by Dana Claxton

2018 CBC Radio – North by Northwest, November 22, 2018.

2018/2019 CTV 6 oclock news, APTN 6 oclock news, Fairchild 6 o’clock news

2014 CTV 6 o’clock news — Indian Candy Billboards Metro Saskatoon — Indian Candy Billboards Indian Skins Radio, Winnipeg MB — Indian Candy Billboards 2008 CBC Radio – Edward Curtis and the Image of Indians

2006 Storytellers in Motion — half hour documentary about my art practice CBC Radio — Arts Report, Le Havre Biennale

2005 StarTV — Aboriginal Production

2003 CBC Radio —“What is Canadian Identity?”

2002 CBC Radio — Arts Report, “What is Aboriginal Art?” CBC Radio — Arts Report, Live from Sundance Film Festival CBC Radio —Waterspeak at Oboro, Montréal QC Global TV — Waterspeak at Oboro, Montréal QC

2001 First Story — VTV Aboriginal Media Fall

1991-2001 CFRO — Aboriginal Contemporary Art and Media

1999 Vision Television — “What is Wakan? Sacred” CBC 6 o’clock news — Aboriginal Media Fall