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PETER LAMBERT EDITOR FILM THREE TRAPPED MICE Director: Tom George Production Company: Searchlight Pictures A BOY CALLED CHRISTMAS Director: Gil Kenan Production Company: Netflix, StudioCanal & Blueprint Pictures THE PERSONAL HISTORY OF DAVID COPPERFIELD Director: Armando Iannucci Production Company: FilmNation Entertainment, Film4 & Fox Searchlight Nominated, British Independent Film, Best Supporting Actress and Actor, BIFA Awards (2019) Official Selection, Toronto Film Festival (2019) Official Selection, London Film Festival (2019) MAMMA MIA! HERE WE GO AGAIN Director: Ol Parker Production Company: Universal Pictures & Playtone Pictures THE DEATH OF STALIN Director: Armando Iannucci Production Company: Quad Productions Official Selection, Sundance Film Festival (2018) Official Selection, Toronto Film Festival (2017) Nominated, Best Editing, British Independent Film Awards (2017) WOMAN IN GOLD Director: Simon Curtis Production Company: The Weinstein Company & Origin Pictures Official Selection, Berlin Film Festival (2015) LUX ARTISTS | 1 A BRILLIANT YOUNG MIND (X+Y) Director: Morgan Matthews Production Company: Samuel Goldwyn Films & Origin Pictures Nominated, Best Actor, Best Supporting Actor & Actress, BIFA’s (2014) Official Selection, London Film Festival (2014) Official Selection, Toronto Film Festival (2014) THE LAST DAYS ON MARS Director: Ruairi Robinson Production Company: Universal Pictures & Qwerty Films Official Selection, Cannes Film Festival (2013) NOW IS GOOD Director: Ol Parker Production Company: Sony Pictures & Blueprint Pictures A BETTER LIFE Director: Chris Weitz Production Company: Summit Entertainment Nominated, Best Actor, Academy Awards (2012) Nominated, Best Actor, Independent Spirit Awards (2012) TWILIGHT: NEW MOON Director: Chris Weitz Production Company: Summit Entertainment LUX ARTISTS | 2.

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Runaway Production Problem? the Phenomenon of “Runaway” Film and Television Production from the U.S
U.S. RUNAWAY FILM AND TELEVISION PRODUCTION STUDY REPORT TABLE OF CONTENTS I. Executive Summary Page 2 II. The U.S. Runaway Film and Television Production Problem – A. Runaway Activity/Trends Page 6 – B. Total Economic Impact Page 11 – C. U.S. Regional Impact Page 15 – D. Direct Labor Impact Page 16 – E. Future Impact Page 17 III. The Causes – A. Production Location Decision Drivers Page 18 – B. Exchange Rates and Factor Costs Page 19 – C. Foreign Tax Incentives Page 20 – D. Total Cost Differences Page 23 – E. Foreign Infrastructure Page 23 – F. The Integrated Approach and Canada Page 24 IV. Study Methodology and Key Terms Page 27 V. About Monitor Company Page 29 1 I. EXECUTIVE SUMMARY “economic” runaways. Note that the study’s scope included theatrical films, films for television, Background television mini-series, and thirty and sixty minute television series. Other types of productions such as In January 1999, the Directors Guild of America commercials, and news and sports programming (DGA) and Screen Actors Guild (SAG) retained were not included. Monitor Company, a leading management consulting firm, to conduct an investigation into What Is The U.S. Runaway Production Problem? the phenomenon of “runaway” film and television production from the U.S. The Guilds (on an The study results show that economic runaway film anecdotal basis) had been noting an accelerating and television productions are a persistent, growing, runaway phenomenon, and the need to create an and very significant issue for the U.S. In 1998, of objective quantitative analysis led to the study being the 1,075 U.S.-developed film and television commissioned.
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