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Biology Powerhouse Raises Railway Alarm
NEWS IN FOCUS to enrol all participants by 2018. Certain factors make researchers optimis- tic that the British study will succeed where the US one failed. One is the National Health Service, which provides care for almost all pregnant women and their children in the United Kingdom, and so offers a centralized means of recruiting, tracing and collecting medical information on study participants. In the United States, by contrast, medical care is provided by a patchwork of differ- ent providers. “I think that most researchers in the US recognize that our way of doing population-based research here is simply different from the way things can be done in the UK and in Europe, and it will almost always be more expensive here,” says Mark Klebanoff, a paediatric epidemiologist at Nationwide Children’s Hospital in Colum- bus, Ohio, who was involved in early dis- cussions about the US study. The Francis Crick Institute sits at the nexus of three central London railway hubs. At one stage, US researchers had planned to knock on doors of random houses looking URBAN SCIENCE for women to enrol before they were even pregnant. “It became obvious that that wasn’t going to be a winning formula,” says Philip Pizzo, a paediatrician at Stanford University Biology powerhouse in Palo Alto, California, who co-chaired the working group that concluded that the National Children’s Study was not feasible. raises railway alarm “The very notion that someone was going to show up on your doorstep as a representa- tive from a government-funded study and Central London’s Francis Crick Institute fears that proposed say ‘Are you thinking of getting pregnant?’ train line will disrupt delicate science experiments. -
Bloomsbury Scientists Ii Iii
i Bloomsbury Scientists ii iii Bloomsbury Scientists Science and Art in the Wake of Darwin Michael Boulter iv First published in 2017 by UCL Press University College London Gower Street London WC1E 6BT Available to download free: www.ucl.ac.uk/ ucl- press Text © Michael Boulter, 2017 Images courtesy of Michael Boulter, 2017 A CIP catalogue record for this book is available from the British Library. This book is published under a Creative Commons Attribution Non-commercial Non-derivative 4.0 International license (CC BY-NC-ND 4.0). This license allows you to share, copy, distribute and transmit the work for personal and non-commercial use providing author and publisher attribution is clearly stated. Attribution should include the following information: Michael Boulter, Bloomsbury Scientists. London, UCL Press, 2017. https://doi.org/10.14324/111.9781787350045 Further details about Creative Commons licenses are available at http://creativecommons.org/licenses/ ISBN: 978- 1- 78735- 006- 9 (hbk) ISBN: 978- 1- 78735- 005- 2 (pbk) ISBN: 978- 1- 78735- 004- 5 (PDF) ISBN: 978- 1- 78735- 007- 6 (epub) ISBN: 978- 1- 78735- 008- 3 (mobi) ISBN: 978- 1- 78735- 009- 0 (html) DOI: https:// doi.org/ 10.14324/ 111.9781787350045 v In memory of W. G. Chaloner FRS, 1928– 2016, lecturer in palaeobotany at UCL, 1956– 72 vi vii Acknowledgements My old writing style was strongly controlled by the measured precision of my scientific discipline, evolutionary biology. It was a habit that I tried to break while working on this project, with its speculations and opinions, let alone dubious data. But my old practices of scientific rigour intentionally stopped personalities and feeling showing through. -
20120906-Ob-Umbrella.Pdf
U m b r e l l a By the same author F ICTION The Quantity Theory of Insanity Cock and Bull My Idea of Fun Grey Area Great Apes The Sweet Smell of Psychosis Tough, Tough Toys for Tough, Tough Boys How the Dead Live Dorian Dr Mukti and Other Tales of Woe The Book of Dave The Butt Liver Walking to Hollywood N on- F ICTION Junk Mail Sore Sites Perfidious Man Feeding Frenzy Psychogeography (with Ralph Steadman) Psycho Too (with Ralph Steadman) U m b r e l l a W i l l S e l f First published in Great Britain 2012 Copyright © 2012 by Will Self The moral right of the author has been asserted No part of this book may be used or reproduced in any manner whatever without written permission from the Publishers except in the case of brief quotations embodied in critical articles or reviews ‘Apeman’ by Ray Davies © Copyright 1970 Davray Music Ltd. All rights administered by Sony/ATV Music Publishing. All rights reserved. Used by permission ‘Chirpy Chirpy Cheep Cheep’ (Cassia/Stott) © 1971 Warner Chappell Music Italiana Srl (SIAE). All rights administered by Warner Chappell Overseas Holdings Ltd. All rights reserved ‘Don’t Let It Die’ (Smith) – RAK Publishing Ltd. Licensed courtesy of RAK Publishing Ltd. ‘Sugar Me’ by Barry Green and Lynsey De Paul © Copyright Sony/ATV Music Publishing Ltd. All rights reserved. Used by permission ‘Take Me Back to Dear Old Blighty’ Words and Music by Fred Godfrey, A. J. Mills & Bennett Scott © 1916. Reproduced by permission of EMI Music Publishing Ltd, London W8 5SW Every reasonable effort has been made to trace copyright -
Backlash Over Blair's School Revolution
Section:GDN BE PaGe:1 Edition Date:050912 Edition:01 Zone:S Sent at 11/9/2005 19:33 cYanmaGentaYellowblack Chris Patten: How the Tories lost the plot This Section Page 32 Lady Macbeth, four-letter needle- work and learning from Cate Blanchett. Judi Dench in her prime Simon Schama: G2, page 22 Amy Jenkins: America will never The me generation be the same again is now in charge G2 Page 8 G2 Page 2 £0.60 Monday 12.09.05 Published in London and Manchester guardian.co.uk Bad’day mate Aussies lose their grip Column five Backlash over The shape of things Blair’s school to come revolution Alan Rusbridger elcome to the Berliner Guardian. No, City academy plans condemned we won’t go on calling it that by ex-education secretary Morris for long, and Wyes, it’s an inel- An acceleration of plans to reform state education authorities as “commissioners egant name. education, including the speeding up of of education and champions of stan- We tried many alternatives, related the creation of the independently funded dards”, rather than direct providers. either to size or to the European origins city academy schools, will be announced The academies replace failing schools, of the format. In the end, “the Berliner” today by Tony Blair. normally on new sites, in challenging stuck. But in a short time we hope we But the increasingly controversial inner-city areas. The number of acade- can revert to being simply the Guardian. nature of the policy was highlighted when mies will rise to between 40 and 50 by Many things about today’s paper are the former education secretary Estelle next September. -
The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates
THE BBC TRUST REPORT: ON-SCREEN AND ON-AIR TALENT INCLUDING AN INDEPENDENT ASSESSMENT AND REPORT BY OLIVER & OHLBAUM ASSOCIATES MAY 2008 2 BBC TRUST CONCLUSIONS The issue of talent costs The BBC Trust operates to protect the interests of licence fee payers who pay for and own the BBC. As part of this we seek to ensure quality and value for money for licence fee payers and to challenge BBC management to use everything at their disposal to deliver both. An area where this is particularly complex is the salaries paid to on-screen and on-air talent. During the course of 2006, press reports about presenters’ salaries aroused industry and public concern and led some people to question the BBC’s approach to the talent it employs. This debate was still live when the Trust was established as the BBC’s governing body in January 2007. It was and has remained a topic raised by the public with Trustees during our appearances on radio phone-ins and at public meetings in all parts of the UK. Against this background the Trust commissioned an independent review, conducted by Oliver and Ohlbaum Associates Ltd (O&O), to provide an in depth examination of the BBC’s use of on air and on screen talent. We posed O&O three specific questions: • How do the size and structure of the BBC's reward packages for talent compare with the rest of the market? • What has been the impact of the BBC's policy on the talent market, particularly in relation to cost inflation? • To what extent do the BBC's policy and processes in relation to investment in, and reward of, talent support value for money? We are publishing O&O’s report which seeks to answer these questions, the BBC management’s response to the points it raises and our own judgements informed by this evidence. -
Introducing BERLIN by Rory Maclean Why Are We Drawn to Certain Cities? Perhaps Because of a Story Read in Childhood
city-lit BERLIN Oxygen Books Published by Oxygen Books 2009 This selection and commentary copyright © Heather Reyes 2009 Copyright Acknowledgements at the end of this volume constitute an extension of this copyright page. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. A CIP catalogue record for this book is available from the British Library. ISBN 978–0–9559700–4–7 Typeset in Sabon by Bookcraft Limited, Stroud, Gloucestershire Printed and bound in India by Imago Praise for city-lit series ‘Brilliant … the best way to get under the skin of a city. The perfect read for travellers and book lovers of all ages’ Kate Mosse, best-selling author of Labyrinth ‘An inviting new series of travel guides which collects some of the best writing on European cities to give a real flavour of the place … Such ’an idéeformidable, it seems amazing it hasn’t been done before Editor’s Pick, The Bookseller ‘This impressive little series’ Sunday Telegraph ‘An attractive-looking list of destination-based literature anthologies … a great range of writers’ The Independent ‘ … something for everyone – an ideal gift’ Travel Bookseller ‘A very clever idea: take the best and most beloved books about a city, sift through -
Bloomsbury Adult Catalog Fall 2020
BLOOMSBURY Fall 2020 September – December BLOOMSBURY PUBLISHING SEPTEMBER 2020 The Apology Eve Ensler From the bestselling author of The Vagina Monologues—a powerful, life-changing examination of abuse and atonement. Like millions of women, Eve Ensler has been waiting much of her lifetime for an apology. Sexually and physically abused by her father, Eve has struggled her whole life from this betrayal, longing for an honest reckoning from a man who is long dead. After years of work as an anti-violence activist, she decided she would wait no longer; an apology could be imagined, by her, for her, to her. The Apology, written by Eve from her father’s point of view in the words she longed to hear, attempts to transform the abuse she suffered with unflinching truthfulness, compassion, and an expansive vision for the future. Through The Apology, Eve has set out to provide a new way for herself and a BIOGRAPHY & AUTOBIOGRAPHY possible road for others so that survivors of abuse may finally envision how to / LITERARY be free. She grapples with questions she has sought answers to since she first Bloomsbury Publishing | 9/15/2020 9781635575118 | $16.00 / $22.00 Can. realized the impact of her father’s abuse on her life: How do we offer a doorway Trade Paperback | 128 pages rather than a locked cell? How do we move from humiliation to revelation, from 8.3 in H | 5.5 in W curtailing behavior to changing it, from condemning perpetrators to calling Other Available Formats: them to reckoning? What will it take for abusers to genuinely apologize? Hardcover ISBN: 9781635574388 Remarkable and original, The Apology is an acutely transformational look at how, from the wounds of sexual abuse, we can begin to reemerge and heal. -
SF Commentary 106
SF Commentary 106 May 2021 80 pages A Tribute to Yvonne Rousseau (1945–2021) Bruce Gillespie with help from Vida Weiss, Elaine Cochrane, and Dave Langford plus Yvonne’s own bibliography and the story of how she met everybody Perry Middlemiss The Hugo Awards of 1961 Andrew Darlington Early John Brunner Jennifer Bryce’s Ten best novels of 2020 Tony Thomas and Jennifer Bryce The Booker Awards of 2020 Plus letters and comments from 40 friends Elaine Cochrane: ‘Yvonne Rousseau, 1987’. SSFF CCOOMMMMEENNTTAARRYY 110066 May 2021 80 pages SF COMMENTARY No. 106, May 2021, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Email: [email protected]. Phone: 61-3-9435 7786. .PDF FILE FROM EFANZINES.COM. For both print (portrait) and landscape (widescreen) editions, go to https://efanzines.com/SFC/index.html FRONT COVER: Elaine Cochrane: Photo of Yvonne Rousseau, at one of those picnics that Roger Weddall arranged in the Botanical Gardens, held in 1987 or thereabouts. BACK COVER: Jeanette Gillespie: ‘Back Window Bright Day’. PHOTOGRAPHS: Jenny Blackford (p. 3); Sally Yeoland (p. 4); John Foyster (p. 8); Helena Binns (pp. 8, 10); Jane Tisell (p. 9); Andrew Porter (p. 25); P. Clement via Wikipedia (p. 46); Leck Keller-Krawczyk (p. 51); Joy Window (p. 76); Daniel Farmer, ABC News (p. 79). ILLUSTRATION: Denny Marshall (p. 67). 3 I MUST BE TALKING TO MY FRIENDS, PART 1 34 TONY THOMAS TO MY FRIENDS, PART 1 THE BOOKER PRIZE 2020 READING EXPERIENCE 3, 7 41 JENNIFER BRYCE A TRIBUTE TO YVONNNE THE 2020 BOOKER PRIZE -
Siân Adiseshiah University of Lincoln, UK [email protected] The
Siân Adiseshiah University of Lincoln, UK [email protected] The unbridgeable bridge to utopia: Howard Brenton’s Greenland Written and performed just after Thatcher’s third election victory in Britain in 1987, Howard Brenton’s Greenland is an isolated example durinG this period of a Left playwright’s attempts to represent utopia on staGe. Unlike the savaGely satirical approaches of other Left plays around the same time, such as Brenton and David Hare’s Pravda and Caryl Churchill’s Serious Money (both sardonic travesties of the riGht-winG press and the City of London in Thatcher’s Britain) Greenland attempts to reconstruct a utopian future. The second act of Greenland partially resembles a utopian space usually encountered in a conventional utopian narrative, and in doinG so, has led some commentators to dismiss the play as tedious and lackinG in dramatic interest. Its lack of conflict and the contentment of its inhabitants have led to it being described as static and dull. This interpretation has brouGht with it a readinG that concurs with the character, Severan-Severan, whose view is that misery and sufferinG are essential to the human condition and that liberation is a living death. However, this approach neglects a more complex engagement with utopia that can be traced in the play. Spectators of the play - along with the non-utopian character, Joan - respond to Greenland in a way that can be illuminated by Frederic Jameson’s idea of the ‘terror of obliteration’. This paper will explore ways in which Greenland exposes psycho-political barriers to utopia, barriers that frame the spectator’s view of the play, and it will also reveal ways in which bridGes to utopia are constantly at stake. -
Apokalypse--Send.Pdf (1.360Mb)
Apokalypse En analyse av Hariton Pushwagners maleri Jobkill i lys av popkunstens estetikk Linda Ottosen Bekkevold Masteroppgave i kunsthistorie Institutt for idé - og kunsthistorie og klassiske språk UNIVERSITETET I OSLO Høst 2014 II Apokalypse En analyse av Pushwagners maleri Jobkill (1990) i lys av popkunstens estetikk. III © Linda O. Bekkevold 2014 Apokalypse Linda O. Bekkevold http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Sammendrag Pushwagner blir ofte omtalt som popkunstner og Norges svar på Andy Warhol (1923-1987) og Roy Lichtenstein (1923-1997). Sammenligningen begrunnes med hans benyttelse av tegneserieestetikk. Med stiliserte former og fargeflater. Dette er en gjenkjennende karakteristikk av den amerikanske popkunsten klisjéfylte tegneserieuttrykk. Denne oppfatningen nevnes ofte i en bisetning uten at det foreligger noen kunsthistorisk analyse som har undersøkt dette. Pushwagner samarbeidet med den norske forfatteren Axel Jensen (1932- 2002) på 1960-tallet, og sammen skapte de et tegneserieunivers som skulle bli grunnlaget for Pushwagners kunstnerskap. På 1970-tallet og 1980-tallet arbeidet de med flere utkast og upubliserte bokprosjekter som ble utviklet til billedromanen Soft City, silketrykkserien En dag i familien Manns liv og malerifrisen Apokalypse. I denne avhandlingen søker jeg svar på hvordan Pushwagner benytter seg av tegenserieestetikken i sitt kunstuttrykk. Hva slags tradisjon benyttes i hans verk? Og kan man med rette karakterisere Pushwagner som popkunstner? Problemstillingene er verksorientert, og jeg tar utgangspunkt i maleriet Jobkill (1990), men det vil bli trukket paralleller til andre verk av kunstneren. I oppgavens tolkningsdel vil jeg trekke inn komparativt materiale fra popkunsten. V VI VII Forord I 2010-2012 hadde jeg gleden av å jobbe i et av Norges nyoppstartede gallerier, Galleri Pushwagner. -
The Clan Gillean
Ga-t, $. Mac % r /.'CTJ Digitized by the Internet Archive in 2012 with funding from National Library of Scotland http://archive.org/details/clangilleanwithpOOsinc THE CLAN GILLEAN. From a Photograph by Maull & Fox, a Piccadilly, London. Colonel Sir PITZROY DONALD MACLEAN, Bart, CB. Chief of the Clan. v- THE CLAN GILLEAN BY THE REV. A. MACLEAN SINCLAIR (Ehartottftcton HASZARD AND MOORE 1899 PREFACE. I have to thank Colonel Sir Fitzroy Donald Maclean, Baronet, C. B., Chief of the Clan Gillean, for copies of a large number of useful documents ; Mr. H. A. C. Maclean, London, for copies of valuable papers in the Coll Charter Chest ; and Mr. C. R. Morison, Aintuim, Mr. C. A. McVean, Kilfinichen, Mr. John Johnson, Coll, Mr. James Maclean, Greenock, and others, for collecting- and sending me genea- logical facts. I have also to thank a number of ladies and gentlemen for information about the families to which they themselves belong. I am under special obligations to Professor Magnus Maclean, Glasgow, and Mr. Peter Mac- lean, Secretary of the Maclean Association, for sending me such extracts as I needed from works to which I had no access in this country. It is only fair to state that of all the help I received the most valuable was from them. I am greatly indebted to Mr. John Maclean, Convener of the Finance Committee of the Maclean Association, for labouring faithfully to obtain information for me, and especially for his efforts to get the subscriptions needed to have the book pub- lished. I feel very much obliged to Mr. -
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(Lincoln.] Horncastle
(LINCOLN.] HORNCASTLE. 142 POST OFFIC£ and 10 in Wraggoe wapentake, extending over 113,558 acres, letby, Gautby, Goulceby, Greetham~ Hagworthinghaltl, and having a population in 1851 of 25,089. The 11oke of Ha.ltham, Hameringham, Hatton, Hemin~by, Horncastle, Horncastle in the parts of Lindsey consists of the following Horsington, Kirkby-on-Bain, Kirkstead, Langton-by 13 parishes~ West Ashby, Coningsbv, Haltham-upon Horncastle, Langton-l'ly-Wragby, Lusby, Mareham-le Bain, Horncastle, Mareham.. le-Fen, Mareham-on-the-Hill, Fen, Mareham-on-the-Hillz... Martin, Miningsby, Minting, Moorby, Roughton, Thimbleby, High Toynton, Low Toyn Moorby, Panton, Ranby, .uevesby, Ronghton, Salmonby, ton, Wilksby, Wood Enderby1 and the two extra-parochial Scnmblesby, Serafield Scrivelsby, Somersby, Sotby, Stainton places, Langriekville and Thorten-le-Fen; in all, 25,780 Market, Stixwould, Sturton Great, Tatterehall, Tattershall acres. It is 16 miles in length, and varies from 3 to 4 Thorpe, Tetford, Tbimbleby, 'rhornton, Tointon High, Ues iB t.readtb, Tointon Low, Ttimby, Tupholme1 Waddingworth, Wilksby, The tuwn has been much improved of late years, some Winceby, Wispington, Wood Enderby, and Woodhall. batll.cisome shop fronts have been put in, and other corre The board of guardians meet at the board-room every :sponding additions made; it is paved, lighted with gas, and alternate Tuesday. The union house is a red brick build Dbundantly supplied with water. The market, on Saturday, ing, situated in Foundry-street, and will accommodate 26() is well supplied with poultry, provisions, &c.; and there are inmates. The Horncastle Agriculturlll Society hold their flve annual fairs: the first, on the fifth Thursday in Lent, for meetings annually at the Bull and Red Lion hotels alter cattle, sbetop, &c.; the second, on the 21st and 22nd of June, nately.