Curtis Celebrates! 2019
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Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K. -
Biography and Film of His Life
Phil Upchurch 1 A prolific guitarist whose distinctively funky, blues-steeped jazz style has graced well over a thousand recordings across the popular music spectrum, the legendary Phil Upchurch has also recorded 27 albums of his own leadership, as well as movie soundtracks. Jazz enthusiasts love and respect Phil Upchurch for his singular approach to composition. In developing his sound, Phil demonstrates no allegiance to any of his contemporaries and is indisputably one of the best in his field. He goes from classical to jazz to contemporary funk as easy as walking from one room to another. He is also an amazing electric bassist. In honor of Upchurch’s instrumental mastery, D’Angelico Guitars is soon to release a Second Edition of his signature Phil Upchurch Guitar. Adding to his media profile is Phil’s newfound second career as a fresh face for television advertising. Phil's most recent on-camera commercials have been Secured Horizon, "AARP," Tropicana and Verizon Wireless. He also has had, Cameo filmappearances in, “His Eyes Are Watching God” and White Men Can’t Jump” to name a few. Phil Upchurch has been a prominent figure in the blues, soul, R&B and jazz circles for more than 50 years. In addition to his work with the legendary Jimmy Smith, Upchurch has performed and recorded, in the United States and internationally, with some of the music industry’s biggest names. His talents have teamed him with musical legends such as Quincy Jones, Bob Dylan, Julio Iglesias, Ray Charles, Ramsey Lewis, Carmen McRae, George Benson, Donny Hathaway, Chaka Khan, Michael Jackson, Carmen McRae, Marlena Shaw, Eddie Harris, Brother Jack McDuff, Joe Williams, Stan Getz, Cannonball Adderley, Herbie Hancock, Grover Washington, Jr. -
Pieces of Balladry As
pieces of balladry as “ N either One of Us (Wants to Be the First to Say Goodbye),” “If I Were Your Wom an,,^ “ Midnight Train to Georgia” and “Every Beat of My Heart” while also making such funky dance numbers as the original “ I Heard It Through the Grapevine,” “The Nitty Gritty,” /"Friendship Train,” “I’ve Got to Use My Imagi nation” and “Love Overboard.” Knight’s nearly constant compan ions in her 40- year career have . been the Pips: her brother Merald “Bubba” Knight, and her eousins W illia m Guest and Edward Pat- íM fiÉB p ten. Their support, both in the studio and onstage, has lent Knight’s music much of its warmth and family feeling - rare qualities in any kind of popular music and even rarer in such strong rock and soul terms. Knight made her public singing debut at Mount Mariah Baptist Church, in Atlanta - she was 4 years old. At 7, she won first prize on Ted Mack’s Original Amateur Hour TV show. She got together with her brother Merald, sister Brenda, and cousins James “ Pip” Woods, William Guest and his sister Elenor to tour with Jackie Wilson and Sam Cooke in the late ’50s. Following a failed 1957 Brunswick Records debut, Elenor and Brenda left to get married and were re placed by yet another cousin, Edward Pat ten, and Langston George. This was the lineup that scored the group’s first hit sin gle, 1961’s “Every Beat of My Heart,” a 9-year-old song by Hall of Famer Johnny Otis. -
Galilee Episcopal Camp & Conference Center
MINISTRY STUDY for Galilee Episcopal Camp & Conference Center Glenbrook, Nevada March 2006 MINISTRY STUDY for Galilee Episcopal Camp & Conference Center ♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦ This Ministry Study for Galilee Episcopal Camp & Conference Center was completed at the request of the Episcopal Diocese of Nevada. It reflects the observations, conclusions and recommendations made by the consultant based on dialogue with leaders in the Diocese, the Galilee Board of Trustees, staff and other stakeholders and consultants related to the ministry. The preliminary study was presented to the Standing Committee, was corrected and is available for interested persons as a foundation for next steps. This study was completed by: KALEIDOSCOPE, inc. 4241 Gabel Drive, Suite 1b Fayetteville, Arkansas 72703 800-993-7499 (phone) / 479-443-0479 (fax) www.kaleidoscope-inc.com Providing planning services to enable camps, conference centers, retreat centers, environmental education centers and other leisure-learning facilities to THRIVE. All rights reserved. Except as it is used in direct relation to the project, no part of this publication may be reproduced or used in any way without express written permission by KALEIDOSCOPE, inc. and the Episcopal Diocese of Nevada. Copyright © 2006, KALEIDOSCOPE, inc. From the 2005 summer camp brochure…….. The mission of Galilee Camp and Conference Center is to create a welcoming environment and professionally managed camp and conference center that honors each person and provides a spiritual place for renewal, celebration and learning. TABLE OF CONTENTS I. INTRODUCTION A. Scope of Consultation I – 1 B. History of the Galilee Ministry I – 2 C. This Report I – 4 II. RESEARCH AND ASSESSMENT A. Review of Previous Reports II – 1 B. -
Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol. -
Download Newsletter
CLOVERLEAVES June 2015 2279-B Del Oro Avenue, Oroville, CA 95965 (530) 538-7201 Fax (530)538-7140 The 4-H Record Book Corner Table of Contents By Sandra Toews, Shasta 4-H, Record Book Committee Chairperson The 4-H Record Book Corner ............ 1 Upcoming Events ............................... 2 Member Information .......................... 2 What is a Presentation? All Star ............................................... 3 A presentation is a method used to communicate an idea by showing and/or telling. It Scholarship ........................................ 3 is a way to present information to others, to teach and share what you know or have Leader Information ............................ 4 Camp Information .............................. 5 learned in a structured way. Leadership Conferences ..................... 5 Any time you learn something new and then show or tell another person about it, you Club News ......................................... 6 Email: Calendar ............................................. 6 are giving a presentation. Even when you are simply sharing something you already [email protected] know, you can be giving a presentation. Presentations can vary in length and they can be given in a variety of settings. _________________________________ Nick Bertagna, 4-H YD Program Representative NB Giving presentations is an important part of the 4-H experience. No matter what project area you are in, you can give a presentation. Every 4-H member is The Butte 4-H County Council is your encouraged to give at least one presentation every year. You can also select organization made up of 4-H leaders and older 4-H'ers. The council sets many county presentations as a communications project. 4-H policies. It also helps organize, present and evaluate the many events of Butte County 4-H. -
The Sounds of Liberation: Resistance, Cultural Retention, and Progressive Traditions for Social Justice in African American Music
THE SOUNDS OF LIBERATION: RESISTANCE, CULTURAL RETENTION, AND PROGRESSIVE TRADITIONS FOR SOCIAL JUSTICE IN AFRICAN AMERICAN MUSIC A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Luqman Muhammad Abdullah May 2009 © 2009 Luqman Muhammad Abdullah ABSTRACT The cultural production of music in the Black community has traditionally operated as much more than a source of entertainment. In fact, my thesis illustrates how progressive traditions for social justice in Black music have acted as a source of agency and a tool for resistance against oppression. This study also explains how the music of African Americans has served as a primary mechanism for disseminating their cultural legacy. I have selected four Black artists who exhibit the aforementioned principles in their musical production. Bernice Johnson Reagon, John Coltrane, Curtis Mayfield and Gil Scott-Heron comprise the talented cadre of musicians that exemplify the progressive Black musical tradition for social justice in their respective genres of gospel, jazz, soul and spoken word. The methods utilized for my study include a socio-historical account of the origins of Black music, an overview of the artists’ careers, and a lyrical analysis of selected songs created by each of the artists. This study will contribute to the body of literature surrounding the progressive roles, functions and utilities of African American music. BIOGRAPHICAL SKETCH My mother garners the nickname “gypsy” from her siblings due to the fact that she is always moving and relocating to new and different places. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Lassen Volcanic National Park Weed Management Plan and Environmental Assessment for Maps and Photos
National Park Service U.S. Department of the Interior Lassen Volcanic Lassen Volcanic National Park Lassen Volcanic National Park Weed Management Plan and Environmental Assessment March 2008 National Park Service U.S. Department of the Interior Lassen Volcanic Lassen Volcanic National Park Lassen Volcanic National Park Weed Management Plan and Environmental Assessment March 2008 TABLE OF CONTENTS 1.0 INTRODUCTION..................................................................................................................................................... 5 1.1 PURPOSE AND NEED FOR TAKING ACTION ..............................................................................................................5 1.2 DEFINITIONS ....................................................................................................................................................7 1.3 BACKGROUND .......................................................................................................................................................7 1.4 COMPLIANCE.........................................................................................................................................................9 1.5 LEGAL AUTHORITIES FOR THIS PLAN......................................................................................................................9 1.6 PRIMARY ISSUES ..................................................................................................................................................10 2.0 RELATIONSHIP -
Please Tell the Camps You Contact That You Heard About Them from the FAIS Camp Fair
Please tell the camps you contact that you heard about them from the FAIS camp fair 1 Please tell the camps you contact that you heard about them from the FAIS camp fair 2 Please tell the camps you contact that you heard about them from the FAIS camp fair ACROSPORTS 3–12 y.o. Patti Wells • [email protected] • www.acrosports.org • See advertisement p. 2 639 Frederick Street • San Francisco • CA 94117 • T: (415) 665-2276 Performing Arts, Sports, Circus Acrosports camp focuses on teaching kids age 6-12 fitness, confidence and community through the circus arts. Activities include circus and gymnastics activities as well as cooperative games and creation of group and individual art projects. Kinder camp provides half day options for 3.5-5 years olds and Acrocamp Jr. offers full day options for 4 and 5 year olds . ACTIVITYHERO.COM All ages Peggy Chang • [email protected] • www.activityhero.com Online • San Francisco • CA 94123 • T: (415) 504-2267 Academic, Art, Languages, Music, Nature, Performing Arts, Play based, Religious, Sports, Science/Technology Discover and book all your kid’s camps and classes in one place - ActivityHero. You’ll find parent reviews, schedules and prices to make planning easier. A shareable planning calendar and discounts makes ActivityHero the ultimate camp resource. ADVENTURE CAMPS 4–12 y.o. Rory Judge • [email protected] • www.adventurecamps.net P.O. Box 2216 • Mill Valley • CA 94942 • T: (415) 388-2216 Nature, Play based, Mobile Since 1971, Adventure Camps has provided over ten thousand Bay Area families a unique summer day camp experience. -
Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record
1 Rick L. Pope Phonograph Record Collection 10 soundtrack/WB/record/archives 12 Songs of Christmas, Crosby, Sinatra, Waring/ Reprise/record/archives 15 Hits of Jimmie Rodgers/Dot / record/archives 15 Hits of Pat Boone/ Dot/ record/archives 24 Karat Gold From the Sound Stage , A Double Dozen of All Time Hits from the Movies/ MGM/ record/archives 42nd Street soundtrack/ RCA/ record/archives 50 Years of Film (1923-1973)/WB/ record set (3 records and 1 book)/archives 50 Years of Music (1923-1973)/WB/ record set (3 records and 1 book)/archives 60 years of Music America Likes Best vols 1-3/RCA Victor / record set (5 pieces collectively)/archives 60 Years of Music America Likes Best Vol.3 red seal/ RCA Victor/ record/archives 1776 soundtrack / Columbia/ record/archives 2001 A Space Oddyssey sound track/ MGM/ record/archives 2001 A Space Oddyssey sound track vol. 2 / MCA/ record/archives A Bing Crosby Christmas for Today’s Army/NA/ record set (2 pieces)/archives A Bing Crosby Collection vol. 1/ Columbia/record/archives A Bing Crosby Collection vol. 2/ Columbia/record/archives A Bing Crosby Collection vol. 3/ Columbia/record/archives A Bridge Too Far soundtrack/ United Artists/record/archives A Collector’s Porgy and Bess/ RCA/ record/archives A Collector’s Showboat/ RCA/ record/archives A Christmas Sing with Bing, Around the World/Decca/record/archives A Christmas Sing with Bing, Around the World/MCA/record/archives A Chorus Line soundtrack/ Columbia/ record/ archives 2 A Golden Encore/ Columbia/ record/archives A Legendary Performer Series ( -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.