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THE DECORATION and FURNISHING of the CITY No
THE DECORATION AND FURNISHING OF THE CITY No. 5.--Fountains 'Vater is an essential attribute to every landscape or architectural composrtion, No park or garden is strictly complete which does not possess its cascade, fountain, basin, and canal, and no city which pretends to be artistically embellished is fully adorned without waterways, rond points, drinking fountains, and jets d'eau. The city which may fitly display fountains must abound in pleasure places and be something more than a commercial town. It must have prospered and developed beyond this elementary stage. The purpose of the Iountain is non-utilitarian; it transcends all mundane ideas.· It is a work of art set up for art's. sake alone. 'Vater is animate, and a fountain is a living thing; little wonder that poets and artists ever people them with gods, demi-goels, animals, and nymphs. Schemes for the beautiful treatment of water have ever been created during the great artistic epochs of the world. Ancient Rome was a city running with water, but the fountains of Rome have long ago been obliterated and lost, though numerous remaine of sculptured baths and basins, spouts and vases have been preserved. Probably the earliest of the fountains which are still running with water and which are of greatest importance to us as such to-day, are the Italian fountains of the 15th and 16th centuries, most of which are to be seen in the gardens of the villas around Florence and Rome. From the highest terrace of these gardeIls water pours forth from a chateau d'eau, a grotto, art archway, or from the cleft in a rock; it becomes a cascade and is artfully.., broken into a series of falls ; it pirouettes, tumbles, and empties itself into a deep pool, then, disappearing it reappears on the lowest terrace as a jet, or as a thousand jets throwing UF) glistening spray, and finally settles in a "bain des Dieux." SUCll is the treatment of water in the world's oldest gardens and parks; particularly fine examples are to be seen in the gardens of the Villa Torlonia and in the Villa d'Este. -
Timeline / Before 1800 to 1900 / AUSTRIA / POLITICAL CONTEXT
Timeline / Before 1800 to 1900 / AUSTRIA / POLITICAL CONTEXT Date Country Theme 1797 Austria Political Context Austria and France conclude the Treaty of Campo Formio on 17 October. Austria then cedes to Belgium and Lombardy. To compensate, it gains the eastern part of the Venetian Republic up to the Adige, including Venice, Istria and Dalmatia. 1814 - 1815 Austria Political Context The Great Peace Congress is held in Vienna from 18 September 1814 to 9 June 1815. Clemens Wenzel Duke of Metternich organises the Austrian predominance in Italy. Austria exchanges the Austrian Netherlands for the territory of the Venetian Republic and creates the Kingdom of Lombardy-Venetia. 1840 - 1841 Austria Political Context Austria cooperates in a settlement to the Turkish–Egyptian crisis of 1840, sending intervention forces to conquer the Ottoman fortresses of Saida (Sidon) and St Jean d’Acre, and concluding with the Dardanelles Treaty signed at the London Straits Convention of 1841. 1848 - 1849 Austria Political Context Revolution in Austria-Hungary and northern Italy. 1859 Austria Political Context Defeat of the Austrians by a French and Sardinian Army at the Battle of Solferino on 24 June sees terrible losses on both sides. 1859 Austria Political Context At the Peace of Zürich (10 November) Austria cedes Lombardy, but not Venetia, to Napoleon III; in turn, Napoleon hands the province over to the Kingdom of Sardinia. 1866 Austria Political Context Following defeat at the Battle of Königgrätz (3 October), at the Peace of Vienna, Austria is forced to cede the Venetian province to Italy. 1878 Austria Political Context In June the signatories at the Congress of Berlin grant Austria the right to occupy and fully administer Bosnia and Herzegovina for an undetermined period. -
Nicolas Lancret: Dance Before a Fountain
NICOLAS LA1VCRET Dance Before a r~zfountain~ NICOLAS LA1VCRET Dance Before a r~Tfountain~ MARY TAVENER HOLMES WITH A CONSERVATION NOTE BY MARK LEONARD THE J. PAUL GETTY MUSEUM LOS ANGELES This book is dedicated to Donald Posner GETTY MUSEUM STUDIES ON ART Library of Congress Cataloging-in-Publication Data © 2006 J. Paul Getty Trust Holmes, Mary Tavener. Nicolas Lancret : Dance before a fountain / Mary Tavener Holmes ; Getty Publications with a conservation note by Mark Leonard. I2OO Getty Center Drive, Suite 5OO p. cm. — (Getty Museum studies on art) Los Angeles, California ^004^^-1682 Includes bibliographical references and index. www.getty.edu ISBN-I3: 978-0-89236-83^-7 (pbk.) ISBN-IO: 0-89236-832-2 (pbk.) I. Lancret, Nicolas, 1690—1743- Dance before a fountain. 2- Lancret, Christopher Hudson, Publisher Nicolas, 1690 —1743"Criticism and interpretation. 3- Genre painting, Mark Greenberg, Editor in Chief French — l8th century. I. Leonard, Mark, 1954 ~~ H- Lancret, Nicolas, 1690 — 1743. III. J. Paul Getty Museum. IV. Title. V. Series. Mollie Holtman, Series Editor ND553.L225A65 2006 Abby Sider, Manuscript Editor 759.4-dc22 Catherine Lorenz, Designer 2005012001 Suzanne Watson, Production Coordinator Lou Meluso, Anthony Peres, Jack Ross, Photographers All photographs are copyrighted by the issuing institutions or by their Typesetting by Diane Franco owners, unless otherwise indicated. Figures 14, 16, 18, 29, 3^, 43> 57» 60, Printed in China by Imago 63 © Reunion des Musees Nationaux/Art Resource, New York. Figures 21, 30, 31, 34, and 55 are use<i by kind permission of the Trustees of the Wallace Collection, London. Frontispiece: Michel Aubert (French, 1700 —1757)> Nicolas Lancret [detail], engraving, from Antoine Joseph Dezallier d'Argenville (French, 1680 — 1765), Abrege de la vie des plus fameux peintres (Paris, I745~52)> vol. -
The Roman Theocracy and the Republic, 1846-1849
^ney //n-ivm'iU^ ,-^ ^ c/6..y/io>^^ ^y^' wen^ 7/fm rr.jt/i/ </ l(f////</•/mi THE ROMAN THEOCRACY AND THE REPUBLIC .S«a_ The Roman Theocracy and The Republic 1846-1849 BY R. M. JOHNSTON Hontion MACMILLAN AND CO., Limited NEW YORK : THE MACMILLAN COMPANY I9CI jill rights reserved j1(?7^^ HE:NRY morse STePHCNS- — —— CONTENTS CHAPTER I Some Antecedents of the Roman Theocracy PAGE The Papacy and the Roman Empire— Continuity of traditions—Struggle be- tween North and South—Rise of Italian nationalism—Strength and weakness of the Popes—Character of the Italians — Conditions in the States of the Church—Secret Societies—The Memorandum of 183 1 Papal justice—Finance—Administration—The rule of the Theocracy Death of Gregory XVI I CHAPTER n The Election of Pius IX The Amnesty The Conclave summoned—Nationalist influences —The Primato and Ultimi Cast—The Bishop of Imola—His personality and opinions—The Papal election—Lambruschini and Micara—Proclamation of Pius IX—His first acts —The Amnesty—Popular enthusiasm— Metternich's foreboding . 29 CHAPTER HI Italian Sentiment and Parties Unrest of the Peninsula—Kingdom of Sardinia—The Austrian provinces and regime—The writers — Double current of nationalist sentiment— Mazzini and the Gio-vane Italia—Rise and fall of his popularity— Gioberti— His correspondence with Mazzini—The Primato—A remarkable prophecy Balbo—D' Azeglio—His interview with Charles Albert —Antagonism of democrats and Albertists . -41 511196 — ri THE ROMAN THEOCRACY CHAPTER IV Early Months of the Pontificate—The Congress of Genoa PAGE Popularity of Pius —Difficulty of his position—The Gregorian party opposes him— Gizzi State Secretary—First attempts at reform—Sanfedist agitation — Failure of crops Scientific Congresses Nationalist — — enthusiasm . -
Timeline / Before 1800 to After 1930 / AUSTRIA / POLITICAL CONTEXT
Timeline / Before 1800 to After 1930 / AUSTRIA / POLITICAL CONTEXT Date Country Theme 1797 Austria Political Context Austria and France conclude the Treaty of Campo Formio on 17 October. Austria then cedes to Belgium and Lombardy. To compensate, it gains the eastern part of the Venetian Republic up to the Adige, including Venice, Istria and Dalmatia. 1814 - 1815 Austria Political Context The Great Peace Congress is held in Vienna from 18 September 1814 to 9 June 1815. Clemens Wenzel Duke of Metternich organises the Austrian predominance in Italy. Austria exchanges the Austrian Netherlands for the territory of the Venetian Republic and creates the Kingdom of Lombardy-Venetia. 1840 - 1841 Austria Political Context Austria cooperates in a settlement to the Turkish–Egyptian crisis of 1840, sending intervention forces to conquer the Ottoman fortresses of Saida (Sidon) and St Jean d’Acre, and concluding with the Dardanelles Treaty signed at the London Straits Convention of 1841. 1848 - 1849 Austria Political Context Revolution in Austria-Hungary and northern Italy. 1859 Austria Political Context Defeat of the Austrians by a French and Sardinian Army at the Battle of Solferino on 24 June sees terrible losses on both sides. 1859 Austria Political Context At the Peace of Zürich (10 November) Austria cedes Lombardy, but not Venetia, to Napoleon III; in turn, Napoleon hands the province over to the Kingdom of Sardinia. 1866 Austria Political Context Following defeat at the Battle of Königgrätz (3 October), at the Peace of Vienna, Austria is forced to cede the Venetian province to Italy. 1878 Austria Political Context In June the signatories at the Congress of Berlin grant Austria the right to occupy and fully administer Bosnia and Herzegovina for an undetermined period. -
Cicoselrusboi Granada Conf
Vincenzo Fontana (Università Ca’ Foscari Venezia) Cicognara, Selvatico, Ruskin e Boito: dall’Alhambra ai monasteri siriani. La tesi orientalista delle origini dell’architettura di Venezia è esposta da Leopoldo Cicognara in senso positivo ed elogiativo; Giannantonio Moschini (1773-1840) la accetta, e nel caso dell’abside del duomo di Murano scrive: “ contemporanea al tempio dee giudicarsi questa curiosa fabbrica di gusto saraceno, che nel suo genere è assai singolare e di gradevole effetto”1. Nelle Fabbriche più cospicue di Venezia…del 1815-1820 Leopoldo Cicognara (1767-Venezia), Antonio Diedo (1772-1847), Gian Antonio Selva (1753-1819) definiscono San Marco come la sintesi straordinaria fra oriente e occidente. <<[…] I marmi che dall’Oriente venivano trasportati, ed in ispecie da’ luoghi ov’erano immediate le relazioni de’ Veneziani, attestano come col commercio e col cambio d’ogni altra ricchezza succedesse anche un miscuglio ed una specie di comunanza nel gusto delle arti. Per capire questa sintesi bisogna conoscere Cordova, Siviglia e Granada, gli edifici saraceni della Sicilia e soprattutto Costantinopoli. […] Non trattasi quindi di decadenza o di corruzione nel gusto, ma vuolsi qui riconoscere uno stile a parte, determinato e unico in tutta l’Italia, che non ha origine da alcun’altra causa; e quantunque possa da noi opinarsi che lo stile, volgarmente chiamato Gotico, sia derivato esso pure dall’Araba architettura, giova in tal caso fare la seguente distinzione[…] Stile gotico: origine araba Æ Spagna Æ Normandia Æ Francia Æ Inghilterra Æ Germania Æ Milano[…]. In definitiva un Alessandrino era meno straniero a Venezia di un Lombardo.>> Così gli elementi stilistici del gotico veneziano del Palazzo Ducale <<[…] Ci rammentarono piuttosto i modi arabi e bisantini che i normanni e i germanici, giacché era molto meno straniero a Venezia un Saraceno od un Turco che un Francese, un Tedesco, e persino un Lombardo. -
Baroque Architecture
'"" ^ 'J^. rfCur'. Fig. I. — Venice. S. Maria della Salute. (See pp. 88-90.) BAROQUE ARCHITECTURE BY MARTIN SHAW BRIGGS A.K.I. B. A. " iAulhor of " In the Heel of Italy WITH 109 ILLUSTRATIONS NEW YORK ; ' McBRIDE, NAST & COMPANY ^ y 1914 ,iMvMV NA (^Ay n^/i/j reserved) In all ages there have been some excellent workmen, and some excellent work done.—Walter Pater. PREFACE is commonly supposed that the purpose of a preface is to IT explain the scope of a book to those who do not read so far as the first page. There is a touch of cynicism in such an opinion which makes one loth to accept it, but I prefer to meet my troubles half way by stating at the outset what I have emphasized in my last chapter—that this book is not in any way an attempt to create a wholesale revival of Baroque Architecture in England. It is simply a history of a complex and neglected period, and has been prepared in the uncertain intervals of an architectural practice. The difficulty of the work has been increased by the fact that the subject has never been dealt with as a whole in any language previously. Gurlitt in his Geschichte des Barockstiles, published in 1887, covered a considerable part of the ground, but his work is very scarce and expensive. To students his volumes may be recommended for their numerous plans, but for details and general views they are less valuable. In recent years several fine mono- graphs have appeared dealing with Baroque buildings in specific districts, and very recently in a new international series the principal buildings of the period in Germany and Italy have been illustrated. -
La Ca' D'oro E Il Problema Della Conservazione Nella Venezia Del Secondo Ottocento
Scuola Dottorale di Ateneo Graduate School Dottorato di ricerca interateneo Ca' Foscari-IUAV-Verona in Storia delle Arti Ciclo XXVIII Anno di discussione 2016 Il «palagio traforato». La Ca' d'Oro e il problema della conservazione nella Venezia del secondo Ottocento Settore scientifico disciplinare di afferenza: ICAR/18 Tesi di Dottorato di Elisabetta Concina, matricola 804998 Coordinatore del Dottorato Tutor del Dottorando Prof. Giuseppe Barbieri Prof. Guido Zucconi Co-tutor del Dottorando Prof. Michela Agazzi 1 2 Alla Ca' d'Oro Sei bella come un sogno che d'iridi trapunto tenga il pensiero assunto nel più profondo ciel; leggiera come un cigno che in mezzo al mar si giacque senza turbar dell'acque il trasparente vel. Misterïosa sei come una statua Argiva, cui vuol ciascuna diva il proprio nome dar. Quando la luna bacia gli aerei tuoi triglifi, sembra che il suol tu schifi pronta in cielo a sfumar. Ippolito Nievo, Bozzetti veneziani 3 Indice Introduzione p. 5 La facciata della Ca' d'Oro nella letteratura tra la seconda metà dell'Ottocento e l'inizio del Novecento p. 24 L'intervento di Giambattista Meduna nel quadro dei provvedimenti di tutela p. 56 Giorgio Franchetti p. 91 Documenti p. 142 La Commissione per il riordinamento della Ca' d'Oro e Ferdinando Forlati p. 155 Illustrazioni p. 176 Fonti a stampa p. 232 Bibliografia p. 239 Elenco delle illustrazioni p. 258 Referenze fotografiche p. 263 4 INTRODUZIONE La Ca' d'Oro si presenta come un caso interessante attraverso il quale guardare alle vicende della conservazione del patrimonio architettonico veneziano, nel loro rapporto con la storia dell'architettura e con la coeva progettazione del nuovo. -
Bibliografia Dell'arte Veneta
Arte Veneta 74/2017. Bibliografa dell’arte veneta (2016) a cura di Paolo Delorenzi e Meri Sclosa Arte Veneta 74 Bibliografa dell’arte veneta (2016) Appendice della rivista omonima, la Bibliografa dell’arte veneta, a cura di Paolo Delorenzi (monografe) e Meri Sclosa (periodici), costituisce un repertorio di pubblicazioni, edite nell’arco di un anno (2016), dedicate ad argomenti di interesse storico-artistico veneto al quale gli studiosi possono fare riferimento come strumento di aggiornamento e orientamento. Un modo per facilitare l’accesso a un ausilio fondamentale per gli studi. OPERE DI CARATTERE GENERALE L. Aldovini - D. Landau - S. Urbini, Le matrici lignee della collezione Malaspina e l’Atlante delle xilografe italiane del Rinascimento, “Studi di Memofonte”, 2016, 17, pp. 3-24, illustrato (www.memofonte.it). C. Balletti, Gli strumenti informatici al servizio della ricerca storica: il caso della cartografa veneziana del XV secolo, in Venezia e la nuova oikoumene. Cartografa del Quattrocento, atti del convegno (Venezia, 8-9 ottobre 2013), a cura di I. Baumgärtner - P. Falchetta, Roma, Viella Libreria Editrice, 2016, pp. 157-171, illustrato. A. Banchieri - A. Pra, Dal castello medioevale alla cultura della villa veneta, in Corti rinascimentali extraurbane. Un modello di cultura tra Italia e Polonia, atti del convegno (Altivole-Castelfranco Veneto-Maser-Vedelago-Mira-Padova-Luvigliano, 16-18 settembre 2013), a cura di M. Lenart - M. Wrana, Padova-Opole, Archiwum Państwowe, 2016, pp. 57-65, illustrato. A.B. Banta - L. Schneider, In the Shadow of La Serenissima, in The Enduring Legacy of Venetian Renaissance Art, a cura di A.B. Banta, London- New York, Routledge, 2016, pp. -
5-Day Paris City Guide a Preplanned Step-By-Step Time Line and City Guide for Paris
5 days 5-day Paris City Guide A preplanned step-by-step time line and city guide for Paris. Follow it and get the best of the city. 5-day Paris City Guide 2 © PromptGuides.com 5-day Paris City Guide Overview of Day 1 LEAVE HOTEL Tested and recommended hotels in Paris > Take Metro line 6 or 9 to Trocadero station 09:00-09:20 Trocadéro Gardens Romantic gardens Page 5 Take a walk through bridge Pont d’léna - 10’ 09:30-11:30 Eiffel Tower The most spectacular Page 5 view of Paris 11:30-12:00 Parc du Champ de Mars Great view on the Eiffel Page 6 tower Take a walk on Avenue de Tourville to Musée Rodin - 20’ 12:20-13:40 Musée Rodin The famous The Page 6 Thinker is on display Lunch time Take a walk to the Army Museum and Tomb of Napoleon 14:45-16:15 Army Museum and Tomb of Napoleon One of the largest Page 6 collections of military objects 16:15-16:45 Hotel des Invalides Impressive building Page 7 complex Take a walk through bridge Alexandre III - 15’ 17:00-17:20 Grand and Petit Palais Grand Palais has a Page 7 splendid glass roof 17:20-18:20 Champs-Elysées One of the most famous Page 7 streets in the world Take a walk to Arc de Triomphe - 10’ 18:30-19:15 Arc de Triomphe Breathtaking views of Page 8 Paris END OF DAY 1 © PromptGuides.com 3 5-day Paris City Guide Overview of Day 1 4 © PromptGuides.com 5-day Paris City Guide Attraction Details 09:00-09:20 Trocadéro Gardens (11, place du Trocadéro) THINGS YOU NEED TO KNOW THINGS TO DO THERE Trocadéro Gardens is a 10-ha (25-acre) Walk along the romantic garden public garden opposite Eiffel tower on -
And Much More
L IVE V ICENZA AND ITS V ILLAS L IVE V ICENZA AND ITS V ILLAS ENGLISH PROVINCIA DI VICENZA Vicenza TheVillas and much more L IVE V ICENZA AND ITS V ILLAS L IVE V ICENZA AND ITS V ILLAS Vicenza... The Villas and much more This small structured guide to routes aims to be an instrument of easy consultation for those wishing to discover the Vicentine villas, combining their visit with the other offers of the rich territory: from museums to wine roads, from castles to typical productions. Here below you will not merely fi nd a list of villas since those which most represent the defi nition of tourist interest have been carefully selected. Every route is subdivided into two sections: “the villas” and “much more”, in order to indicate that besides the villas there are other attractions for the visitor. The villas in the fi rst section are generally usable, from the point of view of opening and accessibility to the visitor. 1 itinerary_1 Pedemontana Vicentina and High Vicentino itinerary_1 Pedemontana Vicentina and High Vicentino Romano d'Ezzelino Pove del Grappa Mussolente 12 BASSANO The Villas DEL GRAPPA Santorso Lonedo MAROSTICA Zugliano 11 7 2 - VillaRosà Ghellini, Villaverla Description 6 10 Nove SCHIO BREGANZE CartiglianoBegun in 1664 designed by Pizzocaro, the works were in- 1 CALDOGNO - VILLA CALDOGNO Sarcedo 14 terrupted in 1679, date engraved in two places of the main 2 VILLAVERLA - VILLA GHELLINI THIENE 13 3 VILLAVERLA - VILLA VERLATO PUTIN 8 9 façade, and never restarted because of the death of the archi- 4 MOLINA DI MALO - VILLA PORTO THIENE 4 15 Longa tect. -
Coins in the Fountain: a Midlife Escape to Rome by Judith Works
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