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Bibliography Bibliography Abrams, M. H. (1953) The Mirror and the Lamp: Romantic Theory and the Critical Tradition. Oxford University Press. —— (1971) Natural Supernaturalism: Tradition and Revolution in Romantic Literature. New York: W. W. Norton. Ackroyd, Peter (2003) Foreword. The Portrait of Mr W. H. London: Hesperus. Adams, James Eli (1995) Dandies and Desert Saints: Styles of Victorian Masculinity. Ithaca, NY: Cornell University Press. Adorno, Theodor W. (1997) Aesthetic Theory, trans. Robert Hullot-Kentor. Minneapolis: University of Minnesota Press. Altick, Richard D. (1978) The Shows of London: A Panoramic History of Exhibitions, 1600–1862. Cambridge, MA: Harvard University Press. Anderson, Amanda (2001) The Powers of Distance: Cosmopolitanism and the Cultivation of Detachment. Princeton University Press. Anderson, Ronald and Anne Koval (1994) James McNeill Whistler: Beyond the Myth. London: John Murray. Andrews, Kit (2002) ‘Walter Pater and Walter Benjamin: The Diaphanous Collector and the Angel of History’, in Walter Pater: Transparencies of Desire, ed. Laurel Brake, Lesley Higgins, and Carolyn Williams. Greensboro, NC: ELT Press, 250–60. Anon. (1869) [Fifth General Exhibition of Water-colour Drawings, Dudley Gallery, 1869], Illustrated London News (6 February): 173. Anon. (1873a) ‘Pater’s Renaissance’, Saturday Review 36: 123. Anon. (1873b) ‘Pater’s Renaissance’, The Globe 14 (April): 8. Anon. (1873c) ‘Society of Painters in Watercolour’, Art Journal 31: 173–4. Anon. [‘Meglip’] (1877) ‘Royal Academy and Grosvenor Gallery’, Vanity Fair 17: 281. Armstrong, Isobel (1993) Victorian Poetry: Poetry, Poetics and Politics. London and New York: Routledge. Arnold, Matthew (1883) Literature and Dogma: An Essay Towards a Better Apprehension of the Bible. London: Smith, Elder. —— (1925) ‘Pagan and Mediaeval Religious Sentiment’, in Essays by Matthew Arnold, ed. Humphrey Milford. Oxford University Press, 143–62. —— (1949) Culture and Anarchy: An Essay in Political and Social Criticism. London: John Murray. Ash, Russell (1993) Sir Edward Burne-Jones. New York: Harry Abrams. Austin, Alfred (1872) ‘University Culture and its Results’, Temple Bar (1872): 124–34. Barthes, Roland (1977) ‘Diderot, Brecht, Eisenstein’, in Image-Music-Text,trans. Stephen Heath. New York: Hill and Wang, 69–78. Bartram, Michael (1985) The Pre-Raphaelite Camera: Aspects of Victorian Photography. London: Weidenfeld and Nicolson. Batchen, Geoffrey (1999) Burning with Desire: The Conception of Photography. Cam- bridge, MA: MIT Press. Bate, Jonathan (1989) Shakespeare and the English Romantic Imagination. Oxford: Clarendon Press. 232 Bibliography 233 Baudelaire, Charles (1868) ‘Salon de 1859’, in Curiosités esthétiques. Paris: Michel Lévy Frères. —— (1955) The Mirror of Art: Critical Studies, ed. and trans. Jonathan Mayne. London: Phaidon Press. —— (1964a) The Painter of Modern Life and Other Essays, ed. and trans. Jonathan Mayne. London: Phaidon Press. —— (1964b) Selected Writings on Art, ed. and trans. Jonathan Mayne. London: Phaidon Press. —— (1965) Art in Paris, 1845–1862: Salons and Other Exhibitions Reviewed by Charles Baudelaire, ed. and trans. Jonathan Mayne. London and New York: Phaidon Press. Bell, David (1996) ‘Kant’, in The Blackwell Companion to Philosophy,ed.Nicholas Bunnin and E. P. Tsui-James. Oxford: Blackwell, 589–606. Benjamin, Walter (1968) ‘The Work of Art in the Age of Mechanical Reproduction’, in Illuminations, trans. Harry Zohn. New York: Schocken, 217–51. —— (1980) ‘A Short History of Photography’, Literarische Welt [1931]. Rpt from Art Forum (February 1977), trans. Phil Patton. Classic Essays on Photography, ed. Alan Trachenberg. New Haven, CT: Leete’s Island Books, 199–216. —— (1999) Arcades Project, trans. Howard Eiland and Kevin McLaughlin. Cambridge, MA: Harvard University Press. —— (2006) The Writer of Modern Life: Essays on Charles Baudelaire. Cambridge. MA: Harvard University Press. Benson, Stephen (2003) ‘For Want of a Better Term?: Polyphony and the Value of Music in Bakhtin and Kundera’, Narrative 11, no. 3: 292–311. Berman, Jessica (2001) Modernist Fiction, Cosmopolitanism, and the Politics of Commu- nity. Cambridge University Press. Besant, Walter (1884) The Art of Fiction. London: Chatto and Windus. Besant, Walter, Eliza Lynn Linton, and Thomas Hardy (1890) ‘Candour in English Fiction’, New Review 2 (1890): 6–21. Bidney, Martin (1997) Patterns of Epiphany: From Wordsworth to Tolstoy, Pater, and Barrett Browning. Carbondale, IL: Southern Illinois University Press. Birchall, Heather (2003) ‘Contrasting Visions: Ruskin – The Daguerreotype and the Photograph’, Living Pictures: The Journal of the Popular and Projected Image Before 1914 2, no. 1: 2–20. Bizzotto, Elisa (2002) ‘The Imaginary Portrait: Pater’s Contribution to a Literary Genre’, in Walter Pater: Transparencies of Desire, ed. Laurel Brake, Lesley Higgins, and Carolyn Williams. Greensboro, NC: ELT Press, 213–23. —— (2004–05) Review of Storia della letterature inglese, by Franco Marucci, Pater Newsletter 49–50 (Fall–Spring): 30–5. Blesser, Barry and Linda-Ruth Salter (2007) Spaces Speak, Are You Listening? Experiencing Aural Architecture. Cambridge, MA: MIT Press. Borkowska, Ewa (2000) ‘Walter Pater’s Musical Aesthetics of Temporality’, in (Aesth)etics of Interpretation: Essays in Cultural Practice, ed. Wojciech Kalaga and Tadeusz Rachwał. Katowice, Poland: Wydawnictwo Uniwersytetu Sl´ askiego, ˛ 94–106. Bourdieu, Pierre (2005) ‘The Political Field, the Social Science Field, and the Journal- istic Field’, in Bourdieu and the Journalistic Field, ed. Rodney Benson and Erik Neveu. Cambridge and Malden, MA: Polity Press, 29–47. Bourget, Paul, Walter Besant, and Thomas Hardy (1891) ‘The Science of Fiction’, New Review 4 (April): 304–19. Bowness, Alan (1984) The Pre-Raphaelites. London: Tate Gallery/Penguin Books. 234 Bibliography Boyle, Marjorie O’Rourke (1998) Senses of Touch: Human Dignity and Deformity from Michelangelo to Calvin. Leiden: Brill. Brake, Laurel (1976) ‘A Commentary on “Arezzo”: An Unpublished Manuscript by Walter Pater’, Review of English Studies n.s. 27 (August): 266–76. —— (1981) ‘Judas and the Widow: Thomas Wright and A. C. Benson as Biographers of Walter Pater’, in Walter Pater: An Imaginative Sense of Fact, ed. Philip Dodd. London: Frank Cass, 39–54. —— (1994) Walter Pater. Plymouth: Northcote House. —— (2002) ‘The Entangling Dance: Pater after Marius, 1885–1891’, in Walter Pater: Transparencies of Desire, ed. Brake, Lesley Higgins, and Carolyn Williams. Greens- boro, NC: ELT Press, 24–36. —— (2006) ‘Vernon Lee and the Pater Circle’, in Vernon Lee: Decadence, Ethics, Aes- thetics, ed. Catherine Maxwell and Patricia Pulham. Basingstoke and New York: Palgrave, 40–57. Brewster, Ben and Lea Jacobs (1997) Theatre to Cinema. Oxford University Press. Bridgwater, Patrick (1972) Nietzsche in Anglosaxony: A Study of Nietzsche’s Impact on English and American Literature. Leicester University Press. Brooks, Peter (1995) The Melodramatic Imagination: Balzac, Henry James, Melodrama and the Mode of Excess, 2nd edn. New Haven, CT: Yale University Press. Browning, Oscar (1892) Goethe: His Life and Writings. London: Swan Sonnenschein. Buchanan, Robert (1872) The Fleshly School of Poetry and Other Phenomena of the Day. London: Strahan. Buckler, William E. (1987) Walter Pater: The Critic as an Artist of Ideas.NewYork University Press. Bucknell, Brad (2001) Literary Modernism and Music Aesthetics: Pater, Pound, Joyce, and Stein. Cambridge University Press. Bullen, J. B. (1981) ‘Pater and Ruskin on Michelangelo: Two Contrasting Views’, in Walter Pater: An Imaginative Sense of Fact, ed. Philip Dodd. London: Frank Cass, 55–73. —— (1992) ‘A Clash of Discourses: The Reception of Venetian Painting in England 1750–1850’, Word and Image 8, no. 2 (April–June): 109–23. —— (1994) The Myth of the Renaissance in Nineteenth-Century Writing. Oxford: Claren- don Press. —— (1998) The Pre-Raphaelite Body: Fear and Desire in Painting, Poetry, and Criticism. Oxford: Clarendon Press. Bump, Jerome (1982) ‘Seeing and Hearing in Marius the Epicurean’, Nineteenth-Century Fiction 37, no. 2: 188–206. Buonarroti, Michelangelo (1875) Le lettere di Michelangelo Buonarroti,ed.G.Milanesi. Florence: Le Monnier. Burns, Sarah (1990) ‘Old Maverick to Old Master: Whistler in the Public Eye in Turn- of-the-Century America’, American Art Journal 22, no. 1 (Spring): 28–49. Candido, Anne Marie (1993) ‘Biography and the Objective Fallacy: Pater’s Experiment in “A Prince of Court Painters” ’, Biography 16, no. 2 (Spring): 147–60. Carlyle, Thomas (1841) On Heroes, Hero-Worship, & the Heroic in History: Six Lectures. London: James Fraser. —— (1929) Sartor Resartus: The Life and Opinions of Herr Teufelsdröckh, in Three Books [1838]. London: J. M. Dent. —— (1992) The Life of Friedrich Schiller: Comprehending an Examination of His Works,ed. Jeffrey Sammons. New York: Camden House. Carr, J. Comyns (1879) Essays on Art. London: Smith, Elder. Bibliography 235 Carrier, David (1994) ‘Baudelaire, Pater, and the Origins of Modernism’, Source: Notes in the History of Art 1: 39–43. —— (1995) ‘Baudelaire, Pater, and the Origins of Modernism’, Comparative Criticism 17: 109–21. Castle, Terry (1986) Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction. London: Methuen. Clarke, Michael (1991) Corot and the Art of Landscape. London: British Museum Press. Clements, Patricia (1985) Baudelaire and the English Tradition. Princeton Univer- sity Press. Coates, John (1995) ‘Aspects of the Intellectual
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