DOCSLIB.ORG

Aintree Racecourse

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Aintree Racecourse Aintree Racecourse Best Campaign 2018 Randox Health Grand National - #theworldiswatching Proudly partnered by Objectives 2018 saw the launch of a new brand proposition for The Randox Health Grand National Festival (RHGNF). The Grand National is the world’s greatest steeplechase race. It is watched by 10m people in the UK and 600m people around the globe. It is the sport’s greatest asset, connecting racing to its widest audience and the British public in general. It is the one race that stops the nation. The people of Liverpool have a huge sense of pride and ownership in the event. The objectives of the new 2018 RHGNF campaign: ▪ Linking the global reach of the Grand National with the reputation and pride of the city to drive and attract a regional audience, supported by the Liverpool 2018 partnership ▪ Using customer insight and booking data to segment the audience into the “golden core” across the three days with a focus to Grand National Thursday (GNT) and Ladies Day (LD) ▪ To continue to capitalize on the repositioning of Ladies Day and an increase to 47,500 racegoers ▪ Launch and rebrand the first day of the Festival as “Grand National Thursday – A Day For Champions” and give it further identity through various theming and drive customer volume ▪ To maximize customer retention from the 2017 Randox Health Grand National Festival through Register Your Interest and WiFi sign-up data 20% ▪ Consistently drive general admission and hospitality sales earlier to generate urgency for all three days of the RHGN18 Festival ▪ Retain Golden Core Customers and Aquire new “Golden Core” customers through effective audience profiling 2 Delivery: The Right Message to The Right Audience at The Right Time ‘The World Is Watching – See You There’ was the Unique Proposition for the new RHGNF campaign creative strategy using traditional broadcast and above the line media to communicate the festival as a whole in one treatment to the widest target audience. The campaign was voiced by award winning Liverpool actor, Stephen Graham to bring to life an ‘aspirational’ and ‘soft’ Liverpudlian character. Consistency of using the same voiceover and music for each media outlet was applied. TV Advert – Emotive film to tell the story of how everybody prepares for the eyes of the world to be on them. The film touches each individual journey to the Grand National. Targeted to a higher proportion of female audience – Loose Women, Dancing on Ice, Evening Drama and ITV Hub. Watch here. Radio Listen here directed a regional audience across Capital Liverpool and Radio City stations during Jan– Mar. Up-weighted in the last 2wks of each month to spike conversion close to payday. Mix of 30sec & 60sec adverts to build a higher frequency at low cost. Out Of Home (OOH) – brought a smaller amount of premium sights on major roads (mid Jan-end of Mar) instead of scattered OOH approach. Up-weighted around payday of each month. Liverpool 2018 partnership allowed global promotion through their tourism channels & website to drive local ticket purchasers. Customer Profiles – using customer insight (focus groups, work shops and ticket bookers data), we established detailed lifestyle/persona for targeted customers of GNT and LD. The customer segments for each day are outlined in supporting info, known as the individual “golden core”. The customer journey, displayed in supporting info, allowed us to communicate with the “golden core” customers of each day at the right time. Digital Media Strategy - The digital media strategy (incl. Ecomms, Display, PPC, Video, Spotify, Paid social, Affiliates) across social media channels (Facebook, Twitter, Instagram and Snapchat geo targeting in Liverpool in Nov & Dec, Spotify) served users of the desired audience (GNT or LD) with the right creative message at the right time in the customer journey. GNT creative was served within a 50mile radius to male 30+ yr. olds & LD creative was to female 25-45 yr olds within a 50 mile radius. Variety of featured content, images and video (supporting info) pertinent to the target audience of that particular day, audience segmentation included (but wasn’t exclusive to) horse betters, remarketing, interested in Liverpool, bubble drinkers, third party fashion, girls day out. PR/Media – Style photoshoot with RHGNF Ambassadors (Sam Quek, Laura Wright & Katie Walsh) to launch “The World Is Watching” Style campaign, exclusive to Hello! Magazine. Ticketing updates through targeted videos on social media channels created scarcity in enclosures. Register Your Interest (RYI) – At the 2018RHGN Festival, the RYI initiative allowed us to reward our customers with a presale link a week before we3 went on sale in August 2018. The Retention – 29K Wifi sign up at 2017 Grand – also targeted with pre sale access. Results • Exceeded Register Your Interest targets with 9,000 sign ups. The pre sale window generated over £1million pounds before the general on sale date. WIFI sign ups maximised at 29,000. • TV reach – 1.4M across Granada NW Region • Radio reach - 960,000 Merseyside • Organic Campaign Video Twitter – 32,310 Impressions; Media views 7,182; 885 Engagements • Organic Campaign Video Facebook – Total Views 45,000K • Paid Social Media delivered 3.3million impressions and achieved 280% of sales revenue target • E-communications with a database of approx. 160,000 people, the click through rate for the Grand Guide were very strong - Thursday: 56 % open rate, 28% click through rate; Friday: 55% open rate, 24% click through rate; Saturday: 42% open rate, 26% click through rate. RHGN Pre sale delivered +17% yr on yr revenue selling out all Grandstands on GN Day prior to general sale. • YouTube & Spotify: specific to the Grand National Campaign video – YouTube: 369,395 impressions and 948 clicks. Spotify: 28,441 impressions and 267 clicks • Snapchat Geo filter was active for three consecutive weekends in December targeting Ladies Day golden core in their social groups – Santa Take Me To Ladies Day : 1-3 Dec 18,779 swipes, 488 uses, 19,855 views, 24,118 reach; 8-10 Dec 26,041swipes, 748 uses, 27,088 views, 31,796 reach; 15-17 Dec 14,728 swipes,195 uses, 8,757 views,15,908 reach • Hello! Magazine circ. 403,666 per week • Attendance figures for 2018 RHGNF: GNT 34,453 +2%; LD 50,000 +13%; GND 70,000 sellout (again) • Ladies Day exceeded all objectives selling out for the first time since 2012 • The Media, Campaign & PR Budget for 2018 was reduced by 10% and delivered an overall ROI of 18.6 +14% yr on yr. • Digital Marketing alone delivered a overall ROAS of 25.48 4 Supporting Information • RHGNF Campaign Artwork - Main Campaign – View here ; Example of streetliner – View here - Ladies Day - View here - Grand National Thursday - View here - Free WiFi / Tick for 2019 Pre-Sale Access – View here • Ladies Day pen portrait – View here • Customer Journey vs. Communication – identifying key moments of what the customer would “Think, Feel and Do” during their own Grand National journey - Part One, Part Two, Part Three • Videos • Grand National Thursday – A Day For Champions - Watch here • Ladies Day – A Day That Belongs To Us – Watch here • Grand National Thursday Champions Lounge – Watch here • Grand National Memories – The World Is Watching – Watch here • Hello! Ambassador Photoshoot – Location 1 Parisian inspired location ‘The World Is Watching’; Location 2 on the ‘world’s stage’ with a Liverpool/British inspired style; Location 3 Spanish infused style in the ‘main arena’. Coverage in Hello! Magazine and Online ; Daily Mail Online ; Wirral Globe • Industry Coverage – Sports Industry Group • Radio Campaign – Listen here • Snapchat filter artwork – View here 5.
Load more

Recommended publications
  • Download Catch up Content
    Creating change for good ITV Responsibility Corporate Responsibility Summary Report 2017 Contents About us As an integrated producer broadcaster, we create, own and distribute high quality entertainment on multiple platforms globally. Since our first broadcast in 1955, we’ve grown into an integrated About us 1 producer broadcaster with an increasingly global and diversified How we do business 2 operating footprint. We run the largest commercial family of channels in the UK, as well as deliver programmes on demand through numerous Our Corporate Responsibility Strategy 3 platforms directly and on the ITV Hub. 2017 highlights and achievements 4 Our global production business, ITV Studios, creates and sells Did you programmes and formats from offices in the UK, US, Australia, France, People Germany, the Netherlands, the Nordics and Italy. It’s the largest and most successful commercial production company in the UK, and a know… Our commitments 6 leading unscripted independent producer in the US and Europe. In 2017, 54% of ITV Studios revenue was from outside the UK. ITV Studios Global Our website Case studies 7 Entertainment is a leading international distribution business, offering a Find out more on what we do at catalogue of over 45,000 hours of world-class television and film. In 2017, our itvresponsibility.com, including: Planet We reach 80% of the UK’s TV-watching population each week. group external Our commitments 8 Internationally, we’ve continued to grow with operations in 11 countries Reports and more than 6,300 colleagues based across the globe. revenue was over Policies Case studies 9 Toolkits In 2017, we continued to build significant scale in key creative markets £3.1 billion Latest news around the world, creating and producing programmes and formats Partnerships that return and travel, namely drama, entertainment and factual Our commitments 10 entertainment.
    [Show full text]
  • April 4-6 Contents
    MEDIA GUIDE #TheWorldIsWatching APRIL 4-6 CONTENTS CHAIRMAN’S WELCOME 3 2018 WINNING OWNER 50 ORDER OF RUNNING 4 SUCCESSFUL OWNERS 53 RANDOX HEALTH GRAND NATIONAL FESTIVAL 5 OVERSEAS INTEREST 62 SPONSOR’S WELCOME 8 GRAND NATIONAL TIMELINE 64 WELFARE & SAFETY 10 RACE CONDITIONS 73 UNIQUE RACE & GLOBAL PHENOMENON 13 TRAINERS & JOCKEYS 75 RANDOX HEALTH GRAND NATIONAL ANNIVERSARIES 15 PAST RESULTS 77 ROLL OF HONOUR 16 COURSE MAP 96 WARTIME WINNERS 20 RACE REPORTS 2018-2015 21 2018 WINNING JOCKEY 29 AINTREE JOCKEY RECORDS 32 RACECOURSE RETIRED JOCKEYS 35 THIS IS AN INTERACTIVE PDF MEDIA GUIDE, CLICK ON THE LINKS TO GO TO THE RELEVANT WEB AND SOCIAL MEDIA PAGES, AND ON THE GREATEST GRAND NATIONAL TRAINERS 37 CHAPTER HEADINGS TO TAKE YOU INTO THE GUIDE. IRISH-TRAINED WINNERS 40 THEJOCKEYCLUB.CO.UK/AINTREE TRAINER FACTS 42 t @AINTREERACES f @AINTREE 2018 WINNING TRAINER 43 I @AINTREERACECOURSE TRAINER RECORDS 45 CREATED BY RACENEWS.CO.UK AND TWOBIRD.CO.UK 3 CONTENTS As April approaches, the team at Aintree quicken the build-up towards the three-day Randox Health Grand National Festival. Our first port of call ahead of the 2019 Randox welfare. We are proud to be at the forefront of Health Grand National was a media visit in the racing industry in all these areas. December, the week of the Becher Chase over 2019 will also be the third year of our the Grand National fences, to the yard of the broadcasting agreement with ITV. We have been fantastically successful Gordon Elliott to see delighted with their output and viewing figures, last year’s winner Tiger Roll being put through not only in the UK and Ireland, but throughout his paces.
    [Show full text]
  • Download Caprice's Press Book
    Caprice Bourret CAPRICE BOURRET Founder, Designer and CEO of By Caprice Products, Mother, Motivational Business Speaker and Philanthropist n www.capricebourret.com www.GoBycaprice.com Career Highlights Caprice Bourret International Model &Entrepreneur One of the most photographed women in the world ‘300 Magazine Covers across the globe’ Starred in over 150 TV shows and Movies Three years running voted ‘Maxim Magazines Women of the Year’ ‘GQ’s International Woman of the Year’ Best selling calendars 5 years running Playing lead roles in London’s West End ‘The Vagina Monologues’ And ‘Rent’ Produced and Lead Role in hit musical ‘Debbie does Dallas The Musical’ Launched her autography Caprice…My Boys, My Body, My Business Career Highlights Founder and CEO of By Caprice Products Philanthropist Women's Trust – Patron Brain Tumour Research- Patron Tikva - Patron Jewish Care - Patron Princes Trust - Ambassador Childlline – Ambassador Drop4Drop – Ambassador Action on Addition – Committee member Mommy to Jax and Jett Bibliography Caprice Bourret is an award-winning model, businesswoman and philanthropist. Having shot to fame in the 1990s, Caprice’s break-through front cover was Vogue Magazine. She is often referred to as ‘one of the most photographed women in the world’ and has appeared on more than 350 magazine covers across the globe and over 150 TV shows and films. From her humble beginnings in Southern California, Caprice settled in England in her early 20’s and is now a true adopted Brit. Caprice has been voted GQ Magazine’s Woman of the Year and Maxim’s International Woman of the Year for three years running.
    [Show full text]
  • Broadcast and on Demand Bulletin Issue Number 310 01/08/16
    Ofcom Broadcast and On Demand Bulletin Issue number 310 1 August 2016 1 Ofcom Broadcast and On Demand Bulletin 310 1 August 2016 Contents Introduction 3 Note to Broadcasters Decision of Ofcom’s Election Committee – Vote Leave Complaint 5 Broadcast Standards cases In Breach Heartless Hotline competition Key 103, 27 and 29 April 2016, 08:10 7 Resolved Loose Women ITV, 17 May 2016, 13:16 19 Wembley Gold BT Sport Europe, 20 May 2016, 18:30 22 Broadcast Fairness and Privacy cases Not Upheld Complaint by Mr Mark Hutchinson A New Life in the Sun, Channel 4, 1 March 2016 25 Complaint by Miss R Nightmare Tenants, Slum Landlords, Channel 5, 15 July 2015 34 Tables of cases Complaints assessed, not investigated 52 Complaints outside of remit 66 Investigations List 71 2 Ofcom Broadcast and On Demand Bulletin 310 1 August 2016 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. Ofcom must include these standards in a code, codes or rules. These are listed below. The Broadcast and On Demand Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes and rules below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. We also report on the outcome of ODPS sanctions referrals made by the ASA on the basis of their rules and guidance for advertising content on ODPS.
    [Show full text]
  • ITV Diversity Acceleration Plan
    DIVERSITY ACCELERATION PLAN REPORT 2021 WELCOME CAROLYN MCCALL, CEO ITV Welcome to our report. A year ago, we committed to increasing investment, including appointing a new Diversity & Inclusion team, in order to accelerate the speed of change and increase representation on-screen, in our production teams and within our own workforce. Attracting the best talent from a wide range of backgrounds, creating an inclusive culture where all colleagues can flourish, and making programmes that appeal to wide and diverse audiences are all hugely important priorities to our business. I feel incredibly proud to work for ITV and this has been an extraordinary year. I would like to acknowledge the passion and commitment ITV colleagues have displayed to drive this agenda forward and particularly the hard work of and the important role that our colleague Network Groups have played. Lockdown made things harder to deliver on many fronts including some elements of this plan and there are further steps to reach all our targets. There is no doubting our commitment – we are also committed to measuring our progress and reporting publicly each year because we know that we will rightly be judged by actions rather than words. 2 INTRODUCTION ADE RAWCLIFFE, GROUP DIRECTOR DIVERSITY AND INCLUSION, ITV As a senior leader at ITV I know how essential it is for us to use our position in society to shape Britain’s culture whilst reflecting who we are; it’s a position of privilege and responsibility. ITV has a duty to remain relevant, successful and profitable. As custodians of an organisation which millions of British people have a close relationship and affinity with, we understand the importance of ensuring that ITV consistently lives up to their expectations.
    [Show full text]
  • The Tattersalls Cheltenham December Sale Will Take Place This
    The Tattersalls Cheltenham December Sale will take place this year alongside racing on the Friday of the Cheltenham International Meeting and incorporates the NH Breeze Up. The sale will take place an hour after racing in the Tattersalls Sales arena. Catering is available on site in the Tattersalls marquee and hospitality is available to clients in the Tattersalls Sales arena. The Breeze Up will be restricted approximately 30 horses with the breeze itself taking place before racing on the morning of the December Sale. The breeze up will be recorded and available online to view and clients will be able to attend and view the breeze live prior to racing. The highest price paid for a breeze up horse in 2017 was £115,000 when Neil Mulholland signed for a Germany filly from the family of Supreme Prince & Supreme Serenade consigned by Meadowview Stables. Tiger Roll winner of the 2018 Grand National for Gordon Elliott and Gigginstown House Stud is a graduate of the December Sale having been sold for £80,000 by Nigel Hawke at the 2013 renewal to the owners Gigginstown. The 2017 Grand National winner One For Arthur is a graduate of the 2013 December Sale selling to Tom Malone for £60,000 produced and sold by Liam Kenny's Ballydarragh Stables. Dual Grade 1 winning mare Fayonagh was a graduate of the 2016 Cheltenham December Sale selling to Maura Gittins for £64,000. Poetic Rhythm winner of the Grade 1 2018 Challow Hurdle was sold at the 2015 renewal of the December Sale to Chris Coley by Knockanglass Stables for £35,000.
    [Show full text]
  • Smarterinsighttm
    TM smarterinsight Grand National Tips 17th March, 2016 Confidential. Copyright © 2016. All rights reserved . 1 | P a g e 2016 Grand National Tips Spring got off to a great start with an early Easter and brighter evenings and it also means it’s time for QED’s Grand National tips! For those of you in a hurry, my tips are at the end of this article. Disclaimer - I have not enjoyed great Grand National success over the years, but that won't stop me from sharing my tips and tactics with you. But, before we get into the euphoria of all that, you would be disappointed if I did not throw in a few ‘risk warnings’: Risk warnings Tipping horses is not an activity regulated by the Financial Conduct Authority. Betting on a horse is a gamble not an investment. A bit like high tech stocks on P/E ratios of 200 plus in 2000. I have no qualifications or expertise in horse racing and my past performance is no indication of future performance (which is a good thing?). What goes up might come down and not get up again. Especially over Becher’s Brook. Only bet for fun and with an amount you would be happy to lose. If you want decent long term returns send your money to QED not Ladbrokes. Your relationship might be at risk if you don’t place your partner’s (or boss’!) winning bet. A word on Efficient Markets … In an efficient market the price contains all the known information. If new information arrives it can change the price.
    [Show full text]
  • Hannah Wing – Hair & Makeup Artist/Wardrobe Stylist E: [email protected] T: 07931 906 409 W
    Hannah Wing – Hair & Makeup Artist/Wardrobe Stylist E: [email protected] T: 07931 906 409 W: www.bellusfemina.co.uk Television Alder (ITV) – Hair & Makeup Artist (Main Team) – Director Paul Andrew Williams *IN PRODUCTION Midwich Cuckoo (Sky One) – Hair & Makeup Artist (Main Team) – Director Alice Troughton/Jennifer Perrott *IN PRODUCTION Bridgerton – (Netflix) Series 2 - Crowd Makeup Artist – Director Tricia Brock *IN PRODUCTION Call The Midwife - (BBC1) Series 11 – Crowd Hair & Makeup Artist – Director Annie Tricklebank *IN PRODUCTION Lockwood & Co – (Netflix) Series 1 - Hair & Makeup Artist - Director Joe Cornish *IN PRODUCTION How to Stay Sane In A Mad World – (C4) Hair & Makeup Artist to Rosie Jones – Director Dawn Erick Fargo – (AMC/C4) - Hair & Makeup Artist to Ben Whishaw/ Rabbi Milligan (1 episode - 2020) ARD News – Hair & Makeup Artist to Annette Dittert (Foreign Correspondent) C5 News – Hair & Makeup Artist Sky News (Sky) – Freelance Hair & Makeup Artist ITN News – Freelance Hair & Makeup Artist Rip Off Britain (BBC1) – Hair & Makeup to Julia Sommerville – Director: Ryan Woolmington The Jeremy Vine Show (C5) – Makeup Artist – Directors: Bee Badik & Daniel Wright Naked Beach (C4) – Hair & Makeup Artist for Series 2019 – Director: Samuel Simon Cable News Network (CNN) – Freelance Hair & Makeup Artist – HOD: Joanne Morgan The One Show (BBC1) – Freelance Hair & Makeup Artist – HOD: Liz Beckett Sunday Brunch (C4) – Hair & Makeup Lead – Director: Daver Skinner Made in Chelsea (C4) – Freelance Hair & Makeup Artist –
    [Show full text]
  • Broadcast Competitions, ITV, ITV2 and ITV4, Various Dates and Times
    v Issue 416 7 December 2020 Broadcast competitions Type of case Broadcast Standards Outcome In Breach Service ITV, ITV2 and ITV4 Date & time Various dates and times Category Competitions Handing of communications with viewers in accordance with Licence Conditions. Summary The broadcaster identified six broadcast competitions, which ran between 2016 and 2019, where a proportion of eligible postal entrants were excluded. Breaches of Rule 2.13 and Rule 2.14 of the Broadcasting Code and Licence conditions relating to the handling of communications. Introduction ITV runs regular broadcast competitions in programmes across several of its channels. These competitions normally invite viewers to participate by submitting their entry by telephone call, text message, ITV’s website or post. While a premium rate charge is normally applied to telephone, text message and online entries, those entering by post incur a delivery charge only (i.e. the cost of a stamp). Television broadcast competitions that feature at least one premium rate method of entry are subject to third-party verification of the proper handling of entries. ITV Broadcasting Limited (“ITV” or “the Licensee”) notified Ofcom that, through this verification process, it had identified an issue that affected some postal entries to a viewer competition promoted during Good Morning Britain and Lorraine between 8 March and 18 April 2019. Issue 416 of Ofcom’s Broadcast and On Demand Bulletin 7 December 2020 1 ITV said the issue resulted in a proportion of eligible postal entries being excluded
    [Show full text]
  • The 2013 John Smith's
    THE 2013 JOHN SMITH’S GRAND NATIONAL THURSDAY APRIL 4 - SATURDAY APRIL 6 MEDIA GUIDE 2 EVENT 2013 2 Course Map 3 Welcome 4 Title Sponsor CONTENTS 5 Aintree Legends 6 Grand Opening Day & Ladies’ Day 7 Partners & News 8 Racing Programme & Channel 4 GETTING IN TOUCH 9 Media 10 Welfare & Safety 12 Race Conditions Racecourse Officials John Baker / Regional Director North West WINNERS 01942 402609 [email protected] 14 Roll Of Honour 2012-1839 17 Reports & Results Andrew Tulloch / Regional Head of Racing NW and Clerk of the Course 0151 523 2600 / 07831 315 104 [email protected] BACKGROUND Karan White / Hospitality and Sales Manager 0151 522 2911 23 Weights & Prize Money [email protected] 24 Betting & Gambles 25 Greys, Mares & Age 26 Runners & Finishers 27 Jockeys Media Team 28 Female Riders 30 Amateur Riders Nigel Payne / Press Officer 31 The 2012 Winning Jockey 07768 025265 32 Record Of Selected Riders [email protected] 35 Retired Jockeys’ Records 36 Greatest Trainers Genna Lenden / Marketing & New Media Executive 37 Trainers 0151 522 2969 39 Irish-Trainers Winners [email protected] 40 Overseas Interest @AintreeGenna 41 The 2012 Winning Trainer 43 Record Of Selected Trainers James Rennard / Marketing & Communications Executive 47 The 2012 Winning Owner 0151 522 2906 48 Record Of Owners [email protected] John Smith’s HISTORY 49 Grand National Timeline Nigel Pollard / Head of External Communications 56 Past Results 07785 531 756 66 Getting To Aintree [email protected] The 2013 John Smith’s Grand National media guide was compiled by Racenews - Aintree Racecourse 020 7704 0326 / www.racenews.co.uk Ormskirk Road, Aintree, Liverpool, L9 5AS The guide was edited by Mark Popham with T: 0151 523 2600 F: 0151 522 2920 help from Ben Cox, John Corbett, Jordan [email protected] McBride and Edward Prosser.
    [Show full text]
  • 2012 Grand National Racing Carnival
    2012 GRAND NATIONAL RACING CARNIVAL Featuring the 123rd Grand National Hurdles WEDENSDAY 8 AUGUST 2012 OFFICIAL CARD $4.00 CANTERBURY JOCKEY CLUB GENERAL INFORMATION TYPES OF BETTING AVAILABLE TODAY WIN, PLACE, QUINELLAS, TRIFECTAS, ALL-UP, ALL RACES TAB CONCESSION DOUBLES - RACES 2 & 3, 4 & 5, 6 & 7, 8 & 9 TAB TREBLES - RACES 1, 2 & 3 - 4, 5 & 6 - 7, 8 & 9 FIRST4 - ALL RACES QUADDIE - RACES 6, 7, 8 & 9 WEDNESDAY 8 AUGUST 2012 SELL/PAY TERMINALS ARE LOCATED Grand National Carnival - Second Day IN THE FOLLOWING AREAS OFFICIAL PROGRAMME GRAND NATIONAL STAND CHAIRMAN: JJ McCall Promenade Tote - East only HONORARY TREASURER: WDJ Cotton 2nd Floor (Mellay Room) BOARD: 3rd Floor East & West - HANZ Private Function PJ Cordner, AC Deans, Mrs S B Dunnett, T J Elstob, RJ Finlay, Parade Ring Lounge HA Fitzsimmons, KH Hughes, GH Fulton, BD Kinley, CLUB GRANDSTAND M B MacDonald, T R Toplis, DG Watson and Ms W M Wakefield. Annex off Club Stand Beaumaris Room HONORARY LIFE MEMBERS: MC Acklin, JE Austin, PJ Cordner, RA Coupland, Betting Ring (Outside) Committee Room BD Kinley, RE Murtha, GF Ritchie, CLL Smith Nightmarch Room Third Floor (Private Suites only) HONORARY STEWARD: Phar Lap Room DC Gould. HONORARY SURGEONS: CATERING Dr RE Robertson, Dr P Wilkinson and Dr K Williamson. CLUB GRANDSTAND JUDICIAL STEWARDS: J Phelan (Chairman) and R McKenzie. Balmerino Room - Smorgasbord, Hot Vegetables, Cold Meats STIPENDIARY STEWARDS: Appointed by Racing Integrity Unit. and Salads, Sweet Table VETERINARY SURGEONS: Dr CG Murfitt and Dr T Hill. Nightmarch Room - Hot Roast Beef Sandwiches, HANDICAPPER: NZ Thoroughbred Racing. Full Bar Facilities JUDGE: R Fielder.
    [Show full text]
  • Martin Frizell Editor, This Morning Media Masters – June 17, 2020 Listen to the Podcast Online, Visit
    Martin Frizell Editor, This Morning Media Masters – June 17, 2020 Listen to the podcast online, visit www.mediamasters.fm Welcome to Media Masters, a series of one-to-one interviews with people at the top of the media game. Today, I'm joined down the line by Martin Frizell, editor of This Morning. A journalism graduate of Napier University, he spent seven years as a reporter with Thomson Reuters based in London, but covering current affairs across the globe. In 2000, he became editor of GMTV, overseeing a three hour daily live magazine show with five million viewers before becoming UK correspondent for Australia's Channel Seven Sunrise. He then became an executive director at PR firm GolinHarris, before returning to television as editor of ITV's all female panel show, Loose Women. He recently had to take leave from his position as editor of This Morning to self-isolate whilst looking after his wife, presenter Fiona Phillips, who fell ill with the coronavirus. Martin, thank you for joining me. Oh, hello, Paul. Well that's it. Can we just stop now? Because that about sums it up, really, doesn't it? I thought you were going to sort of say there was some kind of factual error there. I hate it when that happens and we always edit it out, so our listeners don't hear that I usually botch the intros. I mean- Funnily enough, I mean, you mentioned pretty much most of my television career, but the early days of newspapers and radio work, and I'm sure we'll come onto it, were quite sort of instrumental in my life as well in Glasgow.
    [Show full text]