Creating Change for Good
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Catch up Content
Creating change for good ITV Responsibility Corporate Responsibility Summary Report 2017 Contents About us As an integrated producer broadcaster, we create, own and distribute high quality entertainment on multiple platforms globally. Since our first broadcast in 1955, we’ve grown into an integrated About us 1 producer broadcaster with an increasingly global and diversified How we do business 2 operating footprint. We run the largest commercial family of channels in the UK, as well as deliver programmes on demand through numerous Our Corporate Responsibility Strategy 3 platforms directly and on the ITV Hub. 2017 highlights and achievements 4 Our global production business, ITV Studios, creates and sells Did you programmes and formats from offices in the UK, US, Australia, France, People Germany, the Netherlands, the Nordics and Italy. It’s the largest and most successful commercial production company in the UK, and a know… Our commitments 6 leading unscripted independent producer in the US and Europe. In 2017, 54% of ITV Studios revenue was from outside the UK. ITV Studios Global Our website Case studies 7 Entertainment is a leading international distribution business, offering a Find out more on what we do at catalogue of over 45,000 hours of world-class television and film. In 2017, our itvresponsibility.com, including: Planet We reach 80% of the UK’s TV-watching population each week. group external Our commitments 8 Internationally, we’ve continued to grow with operations in 11 countries Reports and more than 6,300 colleagues based across the globe. revenue was over Policies Case studies 9 Toolkits In 2017, we continued to build significant scale in key creative markets £3.1 billion Latest news around the world, creating and producing programmes and formats Partnerships that return and travel, namely drama, entertainment and factual Our commitments 10 entertainment. -
Broadcast Bulletin Issue Number 285 17/08/15
Ofcom Broadcast Bulletin Issue number 285 17 August 2015 1 Ofcom Broadcast Bulletin, Issue 285 17 August 2015 Contents Introduction 5 Notice of Sanction Yoga for You Lamhe TV, 17 June 2014, 09:30 7 Note to Broadcasters 9 Code on the Scheduling of Television Advertising Standards cases In Breach Britain’s Got Talent ITV, 31 May 2015, 19:30 10 News Geo News, 7 May 2015, 08:00 and 14:00 17 Different Anglez New Style Radio 98.7 FM, 7 May 2015, 10:00 19 News ARY News, 7 May 2015, 11:10 and 14:05 21 News Samaa, 7 May 2015, 14:30 23 News Dunya News, 7 May 2015, 17:30 25 Resolved Off Their Rockers: Blue Badge Special (trailer) ITV, 30 May to 1 June 2015, various times pre-watershed. 27 Funded Factual Programmes cases Funded Factual Programmes: managing risks to editorial independence and ensuring viewer confidence 30 Assessment of programmes produced by FactBased Communications and other funded content BBC World News, CNBC and CNN International 33 FBC-produced programming BBC World News, various dates between 14 February 2009 and 2 July 2011 34 2 Ofcom Broadcast Bulletin, Issue 285 17 August 2015 Sponsored programmes BBC World News, various dates between 23 October 2009 and 4 June 2011 49 World Business CNBC, various dates between 17 December 2010 and 22 July 2011. 77 Marketplace Middle East and Quest Means Business CNN International, various dates between 6 March 2009 and 13 July 2011 95 Sponsored programmes CNN International, various dates between 14 August 2009 and 4 August 2012 115 Advertising Scheduling cases In Breach Advertising minutage -
IRONBIRD AERIAL CINEMATOGRAPHY LTD AERIAL FILMING CV ACCREDITATIONS • CAA Permission for Commercial Operations (PFCO) Holders
IRONBIRD AERIAL CINEMATOGRAPHY LTD 16 Jordan St Studio D Liverpool, L10BP Tel: 0151 909 8464 Mail: [email protected] iron-bird.co.uk AERIAL FILMING CV ACCREDITATIONS • CAA Permission for Commercial Operations (PFCO) holders. First issued 2013, current OSC PFCO valid until 1st AUGUST 2020 - valid for UAS (unmanned aircraft systems) up to 20kg. • Holders of enhanced Operational Safety Case Permissions (heavy lifts within Towns and Cities) • Euro-USC BNUC-s & RPQ qualified Pilots. Feature & Independant Film • (2019) ’83’ Phantom Films • (2017) ‘Tolkien’ Fox Searchlight UK • (2017) ‘Stan and Ollie’ BBC Film // Bowler Hat • (2017) ‘Farming’ HH Films // Farming The Film LTD • (2016) ‘Eaten By Lions’ Mecca Films • (2013) ‘Mrs Browns Boys Da’ Movie’ - Penalty Kick Films // BBC Films // Thats Nice Broadcast & Drama • (2019) ‘Hanna II’ UMSI Productions Ltd • (2019) ‘Tin Star’ Season 3 Kudos • (2019) ‘Cobra’ New Pictures // All3 Media • (2019) ‘The English Game’ Netflix • (2019) ‘The Stranger’ Red Productions • (2019) ‘Years & Years’ Red Productions • (2019) ‘Bancroft II’ ITV • (2018) ‘Deep Water’ Kudos // ITV • (2018) ‘Long Shot - Catfish and the Bottle Men’ Island Records // VEVO • (2018) ‘Hospital’ LabelTV // BBC • (2018) ‘Silent Witness 22’ BBC • (2018) ‘The Feed’ Studio Lambert // Amazon Prime • (2018) ‘Creeped Out 2’ DHX Media // CBBC • (2018) ‘Care’ LA Productions // BBC One • (2018) ‘Wander Lust’ Red Productions // Netflix • (2018) ‘All or Nothing MCFC’ Amazon Prime • (2018) ‘Free Rein’ Lime Pictures // Netflix • (2017) ‘Bulletproof’ Vertigo -
Drama Drama Documentary
1 Springvale Terrace, W14 0AE Graeme Hayes 37-38 Newman Street, W1T 1QA SENIOR COLOURIST 44-48 Bloomsbury Street WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama The People Next Door 1 x 60’ Raw TV for Channel 4 Enge UKIP the First 100 Days 1 x 60’ Raw TV for Channel 4 COLOURIST Cyberbully 1 x 76’ Raw TV for Channel 4 BAFTA & RTS Nominations Playhouse Presents: Foxtrot 1 x 30’ Sprout Pictures for Sky Arts American Blackout 1 x 90’ Raw TV for NGC US Blackout 1 x 90’ Raw TV for Channel 4 Inspector Morse 6 x 120’ ITV Studios for ITV 3 Poirot’s Christmas 1 x 100’ ITV Studios for ITV 3 The Railway Children 1 x 100’ ITV Studios for ITV 3 Taking the Flak 6 x 60’ BBC Drama for BBC Two My Life as a Popat 14 x 30’ Feelgood Fiction for ITV 1 Suburban Shootout 4 x & 60’ Feelgood Fiction for Channel 5 Slap – Comedy Lab 8 x 30’ World’s End for Channel 4 The Worst Journey in the World 1 x 60’ Tiger Aspect for BBC Four In Deep – Series 3 4 x 60’ Valentine Productions for BBC1 Drama Documentary Nazi Megaweapons Series III 1 x 60’ Darlow Smithson for NGCi Metropolis 1 x 60’ Nutopia for Travel Channel Million Dollar Idea 2 x 60’ Nutopia Hostages 1 x 60’ Al Jazeera Cellblock Sisterhood 3 x 60’ Raw TV Planes That Changed the World 3 x 60’ Arrow Media Nazi Megaweapons Series II 1 x 60’ Darlow Smithson for NGCi Dangerous Persuasions Series II 6 x 60’ Raw TV Love The Way You Lie 6 x 60’ Raw TV Mafia Rules 1 x 60’ Nerd Nazi Megaweapons 5 x 60’ Darlow Smithson for NGCi Breakout Series 2 10 x 60’ Raw TV for NGC Paranormal Witness Series 2 12 x 60’ Raw TV -
The Management of Accusations of Racism in Celebrity Big Brother
The Management of Accusations of Racism in Celebrity Big Brother Damien W. Riggs School of Social Work Flinders University GPO Box 2100 Adelaide South Australia 5001 [email protected] Clemence Due School of Psychology The University of Adelaide South Australia 5001 [email protected] Keywords: accusations of racism, race privilege, celebrity big brother Abstract The 2007 UK series of Celebrity Big Brother drew considerable attention to Britain as a result of the alleged racist bullying of Bollywood film star Shilpa Shetty by four British celebrity housemates. At stake in these allegations was any perception that Britain as a country promotes inclusivity and discourages racism. In this paper we examine, through an analysis of the exit interviews conducted with the four housemates in question, how accusations of racism were made by the host of Big Brother, and how racism was almost made to disappear in the interviews. Specifically, we elaborate how racism was constructed not simply as an individual aberration, but more precisely as a matter of perception. We then explore how the host of the interviws avoided making accusations of racism herself by implying that it was others who perceived the behaviours of the housemates as racist, and by using other words (such as ‘bullying’) rather than explicitly referring to racism. We conclude by outlining the implications of our findings for future discursive research on racism, and we emphasise the need to further explore how rhetorical strategies aimed at denying racism operate in the service of shoring up privileged identities. This is an Author's Accepted Manuscript of an article published in Discourse and Society, 21, 257-271. -
Adjudication of Ofcom Content Sanctions Committee
Ofcom Content Sanctions Committee Consideration of sanction against Channel Four Television Corporation in respect of its service Channel 4. 1 For Breaches of the Ofcom Broadcasting Code: • Rule 2.3 – Broadcasters must when applying generally accepted standards ensure that material which may cause offence is justified by the context; and • Rule 1.3 – Children must also be protected by appropriate scheduling from unsuitable material. On 15, 17, 18, 19 January 2007 Decision To direct Channel Four (and S4C) to broadcast a statement of Ofcom’s findings in a form determined by Ofcom immediately before the start of the broadcast of the first programme of the eighth series of Big Brother on Channel 4; immediately before the start of the broadcast of the first re- versioned programme of the eighth series of Big Brother on Channel 4; and immediately before the start of the broadcast of the programme in which the first eviction from the eighth series of Big Brother occurs on Channel 4. 1 This sanction also applies to Sianel Pedwar Cymru (“S4C”) which transmits Channel 4’s (Celebrity) Big Brother series on its service. 1 Contents Section Page 1 Summary 3 2 Background 6 3 Legal Framework 8 4 Issues raised with Channel Four and Channel Four’s Response 12 5 Ofcom’s Adjudication: Introduction 36 6 Not In Breach 42 7 Resolved 55 8 In Breach 57 9 Sanctions Decision 66 2 1 Summary 1.1 On the basis detailed in the Decision, under powers delegated from the Ofcom Board to Ofcom’s Content Sanctions Committee (“the Committee”), the Committee has decided to impose a statutory sanction on Channel Four (and S4C) in light of the serious nature of the failure by Channel Four to ensure compliance with Ofcom’s Broadcasting Code. -
Lorraine Kelly Happiful February.Pdf
Finding the me This year, Lorraine Kelly newcelebrates 35 years in broadcasting – from a researcher at the BBC, hosting GMTV, Daybreak and, of course, her much-loved daytime show Lorraine. But in 2016, none of Lorraine’s 1.6 million viewers could have imagined her emotional struggle away from the cameras. Here, Lorraine reveals how the menopause affected her mental wellbeing, and how her recovery inspired her to get the nation talking about menopause Writing | Gemma Calvert ackstage at Television most memorable journeys. Now, happiness, now felt unexpectedly Centre in north London, another is imminent. Next month, 'flat’, and her job, which began in Lorraine Kelly is the queen of daytime TV will enrol at 1984 presenting Scottish news on admiring two certificates astronaut training school in Florida, TV-am and led to anchor roles on on her dressing room wall, following one of many challenges this year – GMTV, Daybreak and Lorraine, anB expedition to Antarctica in her 35th anniversary in broadcasting. suddenly felt like 'effort’. Lorraine 2016. The trip wasn’t part of an The surprise trip was unveiled on her – mum to Rosie, 24 – also began environmental segment for her birthday last November, prompting experiencing anxiety. ITV daytime show Lorraine, but to space fanatic Lorraine to burst into With her 60th birthday approaching, celebrate 25 years of marriage to her tears of happiness live on TV. Lorraine sits down with Happiful to beloved husband, retired cameraman She was 10 years old when she explain how the hormonal transition Steve Smith. watched the first moon landing of menopause triggered the lowest “I like a challenge. -
The Squamish Chief 7 News Feature -
1 JLINUAI<\‘ 16, 1996 THE SQUAMISII CHIEF ‘I NEWS a Amalaamation twoces UL AWi ‘he Squ mmerc By Gis Prystay as possible.” sinessr ___ He said if amalgamation goes forward, u ‘he Bus CIIIEFTAIN CENTRE 892-3002 Victoria’s proposal to amalgamate the whatever districts are decided upon, local c1 !es the province’s school boards may slow down local tracts will stand until they expire, and then I ated ir contract talks between teachers and the Howe be re-negotiated as one agreement with the n d who See the Light. Sound school board. school board. jtes thl The previous contract for B.C.’s “1 would like to see somethj siness EEm- Is- Look Twice. It’s Motorcycle Season. teachers expired in 1992, and the ”I think both we here bv the summer,” Court u! Sav financial pbrtion of a province- and the board are said oi the Howe Sound agr staurar wide collective agreement is cur- ment. he Citi: rently being hammered out a bit reluctant, The list of subjects for lo ‘son 01 between the government and the because we’re negotiation may include su ir time RACE& union. items as extracurricular acti nmunii COMPANY However, a number of local, faced with ties, staff meetings,v. teache iamish non-monetary issues must be garnation.N assistants, discrimination, pi makt bargained at the school district fessional development a iamish level, and the NDP’s amalgama- -Alex Miller DOUGLAS B, CHIASSON health safety. nmercc tion plan may put that process on The financial component of t .ived u Divorce Trial Lawyer hold. -
TV Producer Simon Withington
SIMON WITHINGTON [email protected] / www.simonwithington.co.uk BIOGRAPHY I am an award-winning freelance television producer, having produced many high-profile shows with big-name talent. Recently, I have produced multiple 3-hour archive shows for Channel 5 (When… Goes Horribly Wrong) where I’ve overseen up to 7 edits and managing a team of around 25 people. I originated Greatest Celebrity Wind Ups Ever! with Joe Pasquale which consistently rated 25% above slot average for Channel 5 and World Cup Epic Fails hosted by Angus Deayton for ITV in 2014. which rated with 3.7 million viewers and resulted in a subsequent commission, Christmas Epic Fails. Often working with top talent and priding myself on always coming in on budget, my television background has covered both shiny floor Entertainment & Factual Entertainment programming. I also self-shoot and edit. EMPLOYMENT HISTORY SHOWRUNNER / EXECUTIVE PRODUCER: CRACKIT PRODUCTIONS (Executive Producers: Elaine Hackett & Jason Wells) (November ’16 to Dec ‘18) When…Goes Horribly Wrong. (14 x 180 mins) Live TV, Celebrity, Chatshows, Gameshows, Kids TV, Talent Shows, Reality TV, Television 2, Comedy, Award Shows, News, Eurovision, Christmas, TV Animals (September ’17 to Jan ‘18) Greatest Celebrity Wind-ups Ever! Series (6 x 60 mins) (June ’17 to July ‘17) Greatest Celebrity Wind-ups Ever! (1 x 60 mins) (May ’18) 5 Goes to Eurovision: Greatest Hits (1 x 60 mins) * Overseeing top-rating fast-turnaround talking heads clip-shows for Channel 5. Multiple edits, up to 25 staff * Directing talking heads. Clearing archive within tight budgets. Clearing and re-versioning for International market * Greatest Celebrity Wind-Ups Ever went from commission to on-air in just 3 weeks. -
Broadcast and on Demand Bulletin Issue Number 308 04/07/16
Ofcom Broadcast and On Demand Bulletin Issue number 308 4 July 2016 1 Ofcom Broadcast and On Demand Bulletin, Issue 308 4 July 2016 Contents Introduction 3 Broadcast Standards cases In Breach Going Underground RT, 5 and 23 March 2016, 14:00 5 Tables of cases Investigations Not in Breach 31 Complaints assessed, not investigated 32 Complaints outside of remit 38 Investigations List 40 2 Ofcom Broadcast and On Demand Bulletin, Issue 308 4 July 2016 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. Ofcom must include these standards in a code, codes or rules. These are listed below. The Broadcast and On Demand Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes and rules below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. We also report on the outcome of ODPS sanctions referrals made by the ASA on the basis of their rules and guidance for advertising content on ODPS. These Codes, rules and guidance documents include: a) Ofcom’s Broadcasting Code (“the Code”) for content broadcast on television and radio services. b) the Code on the Scheduling of Television Advertising (“COSTA”) which contains rules on how much advertising and teleshopping may be scheduled in television programmes, how many breaks are allowed and when they may be taken. -
GOLD Package Channel & VOD List
GOLD Package Channel & VOD List: incl Entertainment & Video Club (VOD), Music Club, Sports, Adult Note: This list is accurate up to 1st Aug 2018, but each week we add more new Movies & TV Series to our Video Club, and often add additional channels, so if there’s a channel missing you really wanted, please ask as it may already have been added. Note2: This list does NOT include our PLEX Club, which you get FREE with GOLD and PLATINUM Packages. PLEX Club adds another 500+ Movies & Box Sets, and you can ‘request’ something to be added to PLEX Club, and if we can source it, your wish will be granted. ♫: Music Choice ♫: Music Choice ♫: Music Choice ALTERNATIVE ♫: Music Choice ALTERNATIVE ♫: Music Choice DANCE EDM ♫: Music Choice DANCE EDM ♫: Music Choice Dance HD ♫: Music Choice Dance HD ♫: Music Choice HIP HOP R&B ♫: Music Choice HIP HOP R&B ♫: Music Choice Hip-Hop And R&B HD ♫: Music Choice Hip-Hop And R&B HD ♫: Music Choice Hit HD ♫: Music Choice Hit HD ♫: Music Choice HIT LIST ♫: Music Choice HIT LIST ♫: Music Choice LATINO POP ♫: Music Choice LATINO POP ♫: Music Choice MC PLAY ♫: Music Choice MC PLAY ♫: Music Choice MEXICANA ♫: Music Choice MEXICANA ♫: Music Choice Pop & Country HD ♫: Music Choice Pop & Country HD ♫: Music Choice Pop Hits HD ♫: Music Choice Pop Hits HD ♫: Music Choice Pop Latino HD ♫: Music Choice Pop Latino HD ♫: Music Choice R&B SOUL ♫: Music Choice R&B SOUL ♫: Music Choice RAP ♫: Music Choice RAP ♫: Music Choice Rap 2K HD ♫: Music Choice Rap 2K HD ♫: Music Choice Rock HD ♫: Music Choice -
E BULLETIN 2014 VOLUME 2, ISSUE3 P a G E 3 Age UK New Pilot Scheme
E Bulletin S UPPORTING B LACKPOOL , W YRE & F YLDE 2014 F O R O V E R 7 5 YEARS VOLUME 2, ISSUE3 2 7 . 0 1 . 2 0 1 4 S P E C I A L P O I N T S O F INTEREST: CVS Updates Two funding stream elcome to the new edition of the CVS e-bulletin. We hope you find the articles information useful. INSIDE THIS W ISSUE: Save the Date! The CVS are holding an Information Event on February 20th 2014 at St. John’s Church Wyre Together 2 Community Showcase in Blackpool and we would like to invite you to come along. There will be ten Blackpool Event based organisations waiting to share with you what they do in the community. This is also an Fuserna Foundation 2 excellent opportunity for networking and talking about your own organisation. If you wish to Grants Programme attend please contact us and we will give you more details. Age UK New Pilot 3 Advice Session Park View 4U 3 Simon Lawton will be holding another advice session on Wednesday 29th January here at the Workshops CVS offices. He will be advising you on matters such as funding, governance, or setting up. Blackpool Central 4 PACT Meetings Please give him a ring on 01253 624505 to book a slot. The Zone - Wyre, 4 Social Media and Why It’s Important Winter Programme Thousands of charities in the UK are aware of social media, but aren’t sure what it can do for Coming up at Wyre’s 5 Theatres them.