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Oscar Wilde Described the Theatre As “The Greatest of All Art Forms, the Most
T H E A T R E O F C ONFLICT , T H E A T R E O F C HANGE MIRIAM GARDIN AND SUE SEMAAN Oscar Wilde described the theatre as “the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being” (ThingExist.com). Theatre people know that theatre changes opinions, even changes lives. Most performance pieces deal with issues that, the artists hope, will affect those watching. Indeed, many theatre historians believe that performance comes from our most basic human need to connect to other human beings – to share stories, to imagine experiencing other people’s experiences, to learn from each other, to laugh and to cry together. The live enactment of a story helps audiences connect to the story directly. News media can oftentimes distance its audience – people tune out, or just ignore the stories. In live performance, those ideas and images become real people with real stories and the distance suddenly shortens. With this in mind, as theatre professionals, and students of and believers in the theatre, we set out to look at how theatre tells the stories of the Palestinian-Israeli conflict, and how audiences receive those stories. A Lebanese American, and an American who became Israeli, we came together to look at the subject. We focused on the East Coast to find out what theatre is being produced around the topic, what the mission of such work is, and how the audience is responding. -
Trolley Ain't No Gravy Train
INSIDE: GET THE RIGHT RESULTS WITH OUR CLASSIFIEDS SECTION Yo u r World — Yo u r News BrooklynPaper.com • (718) 260–2500 • Brooklyn, NY • ©2016 Serving Brownstone Brooklyn, Williamsburg & Greenpoint AWP/14 pages • Vol. 39, No. 49 • December 2–8, 2016 • FREE BILLION $ MILE Planned BQE repairs to be most expensive in city history By Lauren Gill Brooklyn Paper It’s Brooklyn’s billion-dol- lar mile! The city’s much-needed repair of the decrepit 1.5-mile Brooklyn Heights stretch of the Brooklyn– Queens Expressway will be the most expensive project in Depart- ment of Transportation history at a whopping $1.7 billion, accord- ing to officials. That’s $17,887 an inch, or $214,646 a foot, or $704,225 a FIXING meter — any way you measure Photo by Jordan Rathkopf it, it’s a lot of money for a short the BQE Elf Emily Season poses for the perfect selfie with Cobble Hill’s Karen Moshman. stretch of road. The expressway’s triple cantile- ver bridge — a three-tiered stretch fic on the elevated roadway open that hangs below the fabled Prome- in both directions will remain open nade and carries some 140,000 ve- at any given time. hicles per day — is nearly 70 years File photo by Evan Gardner But parts of the Promenade may GO UP TO ELVEN The triple cantilever looks pretty crummy, and it is going to have to close during the repairs, old and already a decade past its expected lifespan, and engineers cost $1.7 billion to fix. agency reps said. -
Movie-Going in the Streaming Age: an Overview of Experiences and Crises in the History of Moving Image Exposition
Movie-going in the Streaming Age: An Overview of Experiences and Crises in the History of Moving Image Exposition New York University Moving Image Archiving and Preservation H72.3049—Culture of Museums, Archives and Libraries Written by: Anne-Marie Desjardins April 2018 Desjardins 1 Table of contents Introduction From Vaudeville Acts (1890s) to Nickel Madness (1900s) Defining the Experience – Attracting Patrons and Revenue (1911-1920s) Advertising as Prominent Features of Early Multiplexes The Theatres’ response to the Great Depression The Post-War Movie Experience – The Ozoner (1950s) Television as a Threat: Cinerama, Cinemascope and 3D Technology as a Threat The Streaming Age: Sociality and Spatiality Today’s Responses to Streaming Conclusion Appendix A: Employee Uniforms Appendix B: Special Stunt for An American Tragedy and White Zombie Appendix C: Nitehawk’s table chart (catering to the food service) 22 Works Cited Desjardins 2 Introduction For years, technology has posed a threat to the practice of movie-going. However, the stakes have never been quite as high as they are today in the face of the streaming age. Fear of the extinction of movie theaters along with their offerings of experience are very much present; the solutions are still in development, and the future of cinemas is still unclear. Must the recipe of theaters and their programming be altered in order to attract more people? If the production of moving images is dependent on consumerism, and that the latter is strangled by the growing streaming platforms, where does that leave filmmaking, fan culture and, as an extension, the archiving of this artform? The following essay will provide a general overview of the evolution of movie-going history via its many responses to the ongoing advent of media consumer technologies, ending with the state it is in today and some insight on potential solutions. -
Kristen Connolly Helps Move 'Zoo' Far Ahead
Looking for a way to keep up with local news, school happenings, sports events and more? 2 x 2" ad 2 x 2" ad We’ve got you covered! June 23 - 29, 2017 waxahachietx.com U J A M J W C Q U W E V V A H 2 x 3" ad N A B W E A U R E U N I T E D Your Key E P R I D I C Z J Z A Z X C O To Buying Z J A T V E Z K A J O D W O K W K H Z P E S I S P I J A N X and Selling! 2 x 3.5" ad A C A U K U D T Y O W U P N Y W P M R L W O O R P N A K O J F O U Q J A S P J U C L U L A Co-star Kristen Connolly L B L A E D D O Z L C W P L T returns as the third L Y C K I O J A W A H T O Y I season of “Zoo” starts J A S R K T R B R T E P I Z O Thursday on CBS. O N B M I T C H P I G Y N O W A Y P W L A M J M O E S T P N H A N O Z I E A H N W L Y U J I Z U P U Y J K Z T L J A N E “Zoo” on CBS (Words in parentheses not in puzzle) Jackson (Oz) (James) Wolk Hybrids Place your classified Solution on page 13 Jamie (Campbell) (Kristen) Connolly (Human) Population ad in the Waxahachie Daily 2 x 3" ad Mitch (Morgan) (Billy) Burke Reunited Light, Midlothian1 xMirror 4" ad and Abraham (Kenyatta) (Nonso) Anozie Destruction Ellis County Trading Post! Word Search Dariela (Marzan) (Alyssa) Diaz (Tipping) Point Kristen Connolly helps Call (972) 937-3310 © Zap2it move ‘Zoo’ far ahead 2 x 3.5" ad 2 x 4" ad 4 x 4" ad 6 x 3" ad 16 Waxahachie Daily Light Cardinals. -
FOR IMMEDIATE RELEASE: LABA: a Laboratory for Jewish Culture 2019-2020 Season: HUMOR
Media Contact: Kelly Glenn + Courtney Smith | Throughline Creative [email protected] 978.423.2748 FOR IMMEDIATE RELEASE: LABA: A Laboratory for Jewish Culture 2019-2020 Season: HUMOR New York, NY - September 16, 2019 - LABA: A Laboratory for Jewish Culture, a ground-breaking artistic fellowship program of the 14th Street Y in the East Village that uses classic Jewish texts to inspire the creation of art, dialogue and study, is back for its 11th season. Each year, LABA: A Laboratory for Jewish Culture brings together ten fellows to study classic Jewish texts in a non-religious, open-minded setting centered on a chosen theme. HUMOR will be explored this year and will act as the focal point for the fellows’ multi-disciplinary artistic projects. Additionally, this year’s fellows will take part in study sessions where a portion of the time will be devoted to interviewing Jewish comedic professionals to discuss the role Judaism has played in their creative lives. These interviews will be led by former LABA fellow Amy Handelsman. The 2019-2020 fellows are Charlie Buckholtz, Charles Gershman, Jared Hoffman, Mark Katz, Anna Lublina, Rokhl Kafrissen, Liba Vaynberg , Ari Wolff, Willie Zabar, with staff fellow Anya Hoerburger, and visiting fellows Iris Bahr and Ophir Tal. The resident Scholar will be author and teacher Ruby Namdar, who is the recipient of Israel’s most prestigious literary award the Sapir Prize for The Ruined House. Shira Hecht-Koller, Esq of 929 English will join as a guest lecturer, as will Rabbi Scott Perlo of the 92nd Street Y. Laura Beatrix Newmark will be taking on the role of Director of LABA and LABA Fellow Charles Gershman will be editor of the LABA Journal. -
COMMUNITY BOARD No. 1
COMMUNITY BOARD No. 1 435 GRAHAM AVENUE - BROOKLYN, NY 11211- 8813 PHONE: (718) 389-0009 FAX: (718) 389-0098 Email: [email protected] Website: www.nyc.gov/brooklyncb1 HON. ERIC L. ADAMS BROOKLYN BOROUGH PRESIDENT DEALICE FULLER HON. STEPHEN T. LEVIN SIMON WEISER FIRST VICE-CHAIRMAN CHAIRPERSON COUNCILMEMBER, 33rd CD DEL TEAGUE SECOND VICE-CHAIRPERSON GERALD A. ESPOSITO HON. ANTONIO REYNOSO DISTRICT MANAGER COUNCILMEMBER, 34th CD GINA BARROS THIRD VICE-CHAIRPERSON MARIA VIERA FINANCIAL SECRETARY COMBINED PUBLIC HEARING SONIA IGLESIAS RECORDING SECRETARY AND BOARD MEETING PHILIP A. CAPONEGRO JUNE 8, 2021 MEMBER-AT-LARGE VIA WEBEX ROLL CALL Chairperson Ms. Dealice Fuller requested a roll call to establish a quorum. There were 28 members who answered the call at 6:07 PM to open the public hearing (sheet attached). Chairperson Ms. Fuller provided an overview on process for the meeting. She asked all to be brief. She noted that questions could be entered in the chat. PRESENTATIONS PRESENTATION: 824 Metropolitan Avenue N 200314 ZMK & N 200315 ZRK -Private application for a Zoning Map Amendment to facilitate the development of a eight-story mixed use residential building of 36 dwelling units, of which 11 would be permanently affordable under MIH Option 2, and 7,000 square feet of commercial use at 824 Metropolitan Avenue (Block 2916, Lots p/o 8, 14, 16 & p/o 17) in Greenpoint Williamsburg, Community District 1. Presented by Lauren George, Senior Vice President, Constantinople & Vallone Consulting LLC. (Item to be Voted on 7/13/21.). A presentation was provided (attached). Ms. Lauren George, representative for the application, spoke. -
Production Notes
PRODUCTION NOTES Directed by Daniel Stamm Produced by Eli Roth Starring Patrick Fabian Ashley Bell Louis Herthum Caleb Jones Release date: November 25, 2010 Running time: 90 minutes Rated: MA 15+ Strong horror themes and violence For more information contact Jillian Heggie at Hopscotch Films on: 02) 8303 3800 or email: [email protected] SYNOPSIS In the terrifying new documentary-style film, THE LAST EXORCISM, Reverend Cotton Marcus is a man whose lack of faith is challenged head-on during his documentary film of his last act of ministry, the exorcism of an innocent young girl whose anguished father is convinced that she's demonically possessed. Reverend Cotton Marcus is a fourth generation evangelical minister, and after 25 years, a man who thought he'd seen it all in his chosen vocation. Cotton is a well-known practitioner of exorcism, with many faithful believers in his work. Only he's not one of them. People believe what they need to believe, and Cotton has helped many lost souls work out their "demons," but it's time to put away the smoke and mirrors, pull the curtain back, and for people to know the truth. Now in the twilight of his career, and with a few more bucks to earn for one last job, Cotton allows a film crew to finally reveal the tricks of his trade. Feverish requests for Cotton's help come regularly. And soon after filming begins, Cotton receives a letter laced with urgency and desperation. His last case takes him into the rural Louisiana, to the Ivanwood home of Louis Sweetzer. -
2Ndjewishfilmfest Brochure
th Annual4 HOUSTON JEWISH film festival March 12 – March 23, 2008 Fabulous Fourth Year of Films Sue Goott Mignon Wolf elcome to a banner year for the Houston Jewish Film Festival. Co-Chair Co-Chair WeW are thrilled to announce our largest film festival to date with an interesting Doreen Joffe and Sharon Kagan, Honorary Chairs mix of documentaries, features, Israeli, French, English and American films that bring a multiplicity of Jewish lives and stories to our Festival. This year’s film festival includes Houston premieres, high-level discussions, interesting panels, film analyses, lively talk-backs and big-name stars such as Judd Hirsch, Helena Bonham-Carter, and David Strathairn. Israeli film-making has surged onto the scene. Never has there been such an increase in the number of breakout Israeli films that have succeeded so well internationally, including the Oscar-nominated Beaufort, Sundance International Jury Award-winning Sweet Mud, the Cannes Film Festival Camera D’Or – winning Jellyfish, and Miami’s Grand Jury prize-winning Someone To Run With. Thanks to the overwhelming generosity of our supporters and the creative collaboration of the staff and volunteers of the Jewish Community Center and the Museum of Fine Arts, Houston. And now, we need the support of you, our viewers. Buy a ticket! Buy a pass! Bring a friend! Bring a group! We look forward to seeing you at the movies….. Sue Goott Mignon Wolf Co-Chair Co-Chair TICKET INFORMATION Individual Tickets $6 JCC & MFAH Members & MFAH Film Buffs $8 Public $1 discount for students -
A Live Documentary by Sam Green and Kronos Quartet
Wexner Center for the Arts School Programs Resources A Thousand Thoughts: a Live Documentary by Sam Green and Kronos Quartet “I've always wanted the string quartet to be vital, and energetic, and alive, and cool, and not afraid to kick ass and be absolutely beautiful and ugly if it has to be. But it has to be expressive of life. To tell the story with grace and humor and depth. And to tell the whole story, if possible." –David Harrington, Kronos Quartet ABOUT THE PERFORMANCE: After 45 years since their inception the ever-forward thinking Kronos Quartet embrace a moment of reflection with this special Wexner Center commissioned collaboration with filmmaker Sam Green, for which they have won an Artist Residency Award at the Wexner. A live cinema documentary about Kronos’ past, present, and future, A Thousand Thoughts--conceptualized and directed by Green--will take on an expansive exploration of form as it tells the story of Kronos’ history through live narration, archival footage, interviews with Kronos collaborators such as Philip Glass, Terry Riley, Tanya Tagaq, and Wu Man among others, and live music performed by Kronos. Sam Green’s insightful narration will highlight telling moments from Kronos’ early days in San Francisco as upstarts in the world of classical music seeking new ways to perform chamber music with a hip edge while championing music from Jimi Hendrix and Astor Piazzolla to their place today as widely acclaimed artists and trailblazers of the vibrant indie chamber scene. The meta quality of this work—a live documentary about Kronos as Kronos performs the soundtrack—allows audiences to reflect on the nature of liveness, presence, and the collective experience of art, while also deepening their understanding of Kronos’ music, story, and legacy. -
Marnie Weber
MARNIE WEBER BIOGRAPHY Born 1959 in Bridgeport, CT Lives and works in Los Angeles, CA EDUCATION 1977-1979 B.A., University of Southern California, Los Angeles, CA 1981 B.A., University of California, Los Angeles, CA FORTHCOMING EXHIBITIONS 2019 Eldorado, lille3000, Lille, France SELECTED SOLO EXHIBITIONS 2019 Twisted Refrain: The Work of Marnie Weber, Boone Family Art Gallery, Pasadena City College, Pasadena, CA 2018 Storyboards from Day of Forevermore, Concordia University, Montreal, QC 2016 Chapel of The Moon, Gavlak Gallery, Hollywood, CA Once Upon a Time in Forevermore, MAMCO, Geneva, Switzerland (exh. cat) 2015 The Ghost Train, Mattress Factory, Pittsburgh, PA (curated by Owen Smith) 2013 The Day After Forevermore, Cardi Black Box, Milan The Nature of Time, Praz-Delavallade, Paris, France 2012 The Whispering Chamber, Lille3000 Festival, Lille, France The Night of Forevermore, Marc Jancou Contemporary, New York, NY 2011 Marnie Weber: The Autumn Bear, Palais de Tokyo, Paris, France 2010 Marnie Weber: Forever Free, The Cinema Show: A Film Retrospective and Installations, Sculpture and Collage, curated by Yves Aupetitallot, Le Magasin Centre National d'Art Contemporain de Grenoble, France (exh. cat) Eternity Forever, curated by Emi Fontana, presented by West of Rome Public Art (WOR), The Mountain View Cemetery and Mausoleum Project, Altadena, CA 2009 The Truth Speakers, The Sea of Silence, Simon Lee Gallery, London, UK The Campfire Song, Sint-Lukas Galerie, Brussels, Belgium The Bondage of Decay, Marc Jancou Contemporary, New York, NY 2008 The Melancholy Circus, Praz-Delavallade, Paris, France Saving the Farm, Bernier/Eliades Gallery, Athens, Greece 2007 A Western Song, Utställningar Hösten 07, Vita Kuben, Umea, Sweden Sing Me A Western Song, Patrick Painter Gallery, Santa Monica, CA (exh. -
Daniel Stamm
Ein Film von Daniel Stamm Mit Patrick Fabian, Ashley Bell, Iris Bahr, Louis Herthum, Caleb Jones Dauer: 87 minutes Kinostart: 30. Septembre 2010 Download Fotos: www.frenetic.ch/presse Pressearbeit DISTRIBUTION Isabelle Stüssi FRENETIC FILMS AG prochaine ag Bachstrasse 9 • 8038 Zürich Tel. 044 488 44 25 Tél. 044 488 44 00 • Fax 044 488 44 11 [email protected] [email protected] • www.frenetic.ch Synopsis Der weit gereiste Prediger Cotton Marcus wird von Schuldgefühlen geplagt. Seine Teufelsaustreibungen sind reine Illusion, doch seine bibeltreuen Anhänger glauben an ihn und zahlen gut für seine Arbeit. Bei einem letzten Exorzismus will er den Schwindel durch ein Fernsehteam aufdecken lassen. Die Mission führt sie in den Süden der USA, wo die Farmerstochter Nell vom Teufel besessen zu sein scheint. Die Show beginnt, doch nicht wie Marcus geplant hatte. Eine dunkle Macht offenbart sich Marcus und dem Team und ihm muss schnell etwas einfallen, um Nell, sein Team und sich selbst vor diesem Dämon zu retten. Pressenotiz Seit der Weltpremiere auf dem Los Angeles Filmfest gilt DER LETZTE EXORZISMUS bei Fans und Kritik als kultverdächtig. Mit viel Genre-Gespür dosiert der deutsche Regisseur Daniel Stamm (A Necessary Death) dabei klassische Horror-Elemente und Pseudodokumentarisches à la Paranormal Activity oder [Rec]. Außerdem kann er auf starke Schauspieler und ein packendes Drehbuch bauen. Produzenten sind Eli Roth (Cabin Fever, Hostel) und das Team des Horror-Remakes Dawn of the Dead. Die Hauptrollen spielen Ashley Bell („United States of Tara“) und Patrick Fabian („Veronica Mars“). 2 Cast Cotton Marcus ......................................................................................... PATRICK FABIAN Nell Sweetzer.................................................................................................ASHLEY BELL Iris .......................................................................................................................IRIS BAHR Louis Sweetzer ....................................................................................... -
Jaffas in the Suburbs – the Cinemas of Sydney's Eastern Fringe
Jaffas in the suburbs – the cinemas of Sydney’s eastern fringe John Walter Ross “The showing of cinematograph pictures has now developed into a permanent business of extensive proportions, and temporary structures which were erected in the suburban areas during the speculative period of the business and which are of a more or less make-shift character have served their purpose. The time has arrived when these temporary structures in the interests of the public should be replaced with permanent up-to-date buildings…for the safety, health and comfort of the public”. Under Secretary, Chief Secretary’s Department, 15 September 1920. Cover photograph: Premier Theatre, Surry Hills, 1942 (State Library of NSW). Contents Foreword ................................................................................................................................................. 7 Between vaudeville and television - cinema in Sydney .......................................................................... 9 Darlinghurst .......................................................................................................................................... 17 Australian Picture Palace/Tatler/Park/Paris, 203-207 Liverpool Street ........................................... 17 Burlington Picture Theatre, 276 Liverpool Street ............................................................................. 22 Empire/Australian/Emu/Trudamite/Gaiety, 17a Oxford Street ....................................................... 24 Filmmakers’ Cinema, St Peter’s