Social Movements: an Anthropological Reader – Edited by June Nash

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Social Movements: an Anthropological Reader – Edited by June Nash Book reviews Correction guides us on a whistle-stop tour of material Please note that in the Book Reviews Section of culture studies and its relation to an the December 2007 issue of the JRAI (volume 13, anthropology of the senses. We learn that issue 4), the bibliographic details of the reviewed different cultures create their own sensory book, Signe Howell. The kinning of foreigners: orders; that sight, sound, touch, smell, and taste transnational adoption in a global perspective, may be combinatory. Interestingly, the authors published on page 1040 of the issue, contained raise the possibility of considering pain and an error. The price of the book should be £45 speech as senses. We move rapidly through (cloth) and £15 (paper). recent intellectual debates in material culture towards what is described as the advent of the ‘sensory turn’–arecognition in material culture of the multi-sensorial qualities of the artefactual Anthropology of ‘the senses’ world – before ending with a neat summary of key points to ponder. This of course sets the stage for the volume’s impetus: the Edwards,Elizabeth,Chris Gosden & multi-sensory dimensions of artefacts, colonial Ruth B. Phillips (eds). Sensible objects: encounters, and museums around which the colonialism, museums and material culture. xiv, contributions are organized. 306 pp., maps, illus., bibliogrs. Oxford, New The first set of contributions leads with two York: Berg Publishers, 2006.£50.00 (cloth), papers examining the multi-sensory aspects of £18.99 (paper) African modernity. Geurts and Adikah begin with an exploration of a local concept translated as Over the last decade or so, a growing number of ‘feeling in the body, flesh or skin’ to reflect on anthropological studies have focused on the artefacts and enduring traditions in southeastern senses in society. These studies give a critique of Ghana, while Buckley provides a novel Western preoccupations with sight and hearing, examination of the relation between studio once indicators of so-called ‘civilized’ societies, photography and citizenship in the Gambia and move towards engaging with the through an ethos of elegance: the feeling of multi-sensory channels of human sociality. being cherished and wanted by the nation-state. This volume adds another to the list, with Sutton’s contribution provides an extremely colonialism, museums, and material culture as interesting insight into the interrelationship its focus. It consists of papers predominantly between the senses, skill, and memory in from anthropologists, but with contributions everyday cooking. Two short ethnographies from art historians, art experts, and of cooking in Greece and the US provide archaeologists, most of which were presented at examples of contrasting social contexts for the symposium ‘Engaging all the senses’ held in learning-how-to-cook. This paper stands out, Portugal in 2003. much like the work of David Howes, in that its The volume begins with an introductory strength lies in the fact that in exploring both chapter (Edwards, Gosden, and Phillips) which the technical and sensory aspects of cooking, Journal of the Royal Anthropological Institute (N.S.) 14, 431-472 © Royal Anthropological Institute 2008 432 Book reviews it urges us to consider pluralistic ways of possibly imagine that what things really want is knowing. not necessarily to draw attention to themselves The sensory aspects of colonialism are but instead to shy away into the background. addressed in the second set of contributions. Graeme Were University College London Te Awekotuku leads with a study of Maori tattooing, considering pain as a sense. While this contribution provides useful historical and Geurts,Kathryn Linn. Culture and the ethnographic detail, more could possibly have senses: bodily ways of knowing in an African been provided about the process of gouging the community. xvi, 315 pp., map, illus., bibliogr. skin as a transformative and sensory process London, Berkeley: Univ. California Press, rather than in terms of social memory and 2002.£37.95 (cloth), £15.95 (paper) cultural identity. Indeed, the tactile skills acquired by Maori tattooists are left unremarked. Among the more subtle discussions of cultural Jonaitis tackles taste and smell in relation to differences can be found the idea that culturally pungent fish grease consumed by the conditioned experience might be grounded in Kwakwaka’wakw in British Columbia. In reading culturally divergent modes of perception. The this material, one really gets an impression of implications of this idea might seem merely the overpowering flavours that have offended reasonable to a phenomenologist but would the European palate. Barringer’s exploration of definitely pose an epistemological threat to an mass ritual concentrates on the senses of sight old-school empiricist. The issue has remained and hearing. He considers the performative peripheral not because of its potential aspects of Empire in India and in London significance but because culturally conditioned through musical performances and anthems. variations in perception are difficult to The final contributions encourage us to think investigate. Nevertheless, in concert with of museums as sensescapes. Classen and Howes classicists’ discussions of mnemonic devices in examine the history of touch in museums, the oral historical epics, anthropologists have formalization of seeing in exhibition spaces, and engaged in worthwhile reflections about the the consequent de-sensing of artefacts on senses, often revolving around sensitivity to display. While this paper provides some comparative differences in the transmission of wonderful insights into sensory relations, knowledge when based in literacy or orality. the development of handling galleries in Another area of reflection, more problematic ethnographic museums seems to have been methodologically though quite stimulating, has overlooked. Losche’s paper concentrates on an directed attention to kinesics and kinaesthetics, analysis of the Margaret Mead Hall of Pacific that is, to body language and to body awareness Peoples at the American Museum of Natural in communication and learning. History and how attempts to contextualize A highly worthwhile contribution to this area artefacts through sound, space, and light of inquiry is Kathryn Linn Geurts’s Culture and encountered difficulties. Feldman offers a the senses: bodily ways of knowing in an African thoughtful paper on the relation between community. She states her main thesis on her bodies, objects, and the senses through a opening page: ‘Ultimately, this book will argue discussion of many Bushman casts and the that sensing, [or] ... “bodily ways of gathering thousands of shoes of Nazi concentration camp information,” is profoundly involved with a victims exhibited in museums, while Ouzman society’s epistemology, the development of covers a range of issues in museum and its cultural identity, and its forms of archaeological practice, concluding with a being-in-the-world’ (p. 3). Her introductory discussion of the senses, story-telling, and chapter provides an overview of anthropological identity formation in Southern Africa. This is precedents on the themes of her research. The particularly relevant to recent discussions by field location for her project is the Anlo-Ewe- archaeologists on soundscapes. speaking area of southeastern Ghana. It is Overall, the volume ought to be considered difficult to convey the impressive detail with as a starting-point from which to explore further which Geurts portrays the Anlo Ewe ‘sensorium’, the anthropology of the senses. This is especially that is, its sensory ordering of perception and so as, while the contributors have obviously set experience. She relies on a wide range of out to highlight the role of the senses in society, elaborately integrated data, and it is clear that rather frustratingly several papers tend to lose she was profoundly involved in her fieldwork. focus on the senses in their analysis. Perhaps this After a second chapter that provides was deliberate; as ‘sensible’ objects, one could ethnographic background on the Anlo Ewe, Journal of the Royal Anthropological Institute (N.S.) 14, 431-472 © Royal Anthropological Institute 2008 Book reviews 433 Geurts organizes her discussion into four parts. attempted such a complex cultural analysis, but The first part, chapter 3, focuses on Anlo Ewe even more to her credit is the extent to which conceptions of the senses, the linguistic she has succeeded. Geurts’s detailed categories with which Anlo-Ewe-speakers define descriptions certainly resonated well with my their own ways of perception and experience. personal experience of the Anlo Ewe area. I hope This chapter, where other studies might end, is that other scholars will want to engage the where Geurts only begins. The second part of wealth of material she presents and the larger her presentation, chapters 4 and 5, focuses on questions she raises within their own areas of what she calls ‘moral embodiment and sensory familiarity or expertise. socialization’. In these chapters, Geurts describes John M. Chernoff Pittsburgh, PA child-rearing from the perspective of kinaesthethics – in her words, how ‘balance, movement, and a more generalized feeling in Howes,David (ed.). Empire of the senses: the the body ... are critical components of an sensual culture reader.x,421 pp., bibliogrs. indigenous theory of inner states’ – bolstered by Oxford, New York: Berg Publishers, 2005. extensive observations of customary practices £19.99 (paper) and symbolism showing
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