Robert Arthur Broinowski: Clerk of the Senate, Poet, Environmentalist, Broadcaster
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Hitler's Pope
1ews• Hitler's Pope Since last Christmas, GOOD SHEPHERD has assisted: - 103 homeless people to find permanent accommodation; - 70 young people to find foster care; - 7S7 families to receive financial counselling; - 21 9 people through a No Interest Loan (N ILS); Art Monthly - 12 adolescent mothers to find a place to live with support; .-lUSTR .-l/,/. 1 - 43 single mothers escaping domestic violence to find a safe home for their families; - 1466 adolescent s through counselling: - 662 young women and their families, I :\' T H E N 0 , . E '1 B E R I S S L E through counsell ing work and Reiki; - hundreds of families and Patrick I lutching;s rC\ie\\s the Jeffrey Smart retruspecti\e individuals through referrals, by speaking out against injustices and by advocating :\mire\\ Sa\ ers talks to I )a\ id I lockney <lhout portraiture on their behalf. Sunnne Spunn~:r trac~:s tht: )!t:nt:alo g;y of the Tclstra \:ational .\horig;inal and Torres Strait Islander :\rt .\"ani \bry Eag;k rt:\it:\\S the conti:rmct: \\'hat John lkrg;t:r Sa\\ Christopher I leathcott: on Australian artists and em ironm~:ntal awart:nt:ss Out now S-1. 1/'i, ji·ll/1/ g lllld 1/(/llhl/llf>S 111/d 1/ t' II ' S i /. ~t' II/S. Or plulllt' IJl fJl.J'J .i'JSfJ ji1 r your su/>stnf>/11111 AUSTRALIAN "Everyone said they wanted a full church. What I discovered was that whil e that was true, they di dn't BOOK REVIEW want any new people. -
L9oict 06 Lht Mounlains JOURNAL of the MOUNTAIN CATILEMEN's ASSOCIATION of VICTORIA INC
l9oict 06 lht mounlains JOURNAL OF THE MOUNTAIN CATILEMEN'S ASSOCIATION OF VICTORIA INC. 19oice 06 the mountains Journal of the Mountain Cattlemen's Association of Victoria Inc. No. 20 (1997) ISSN 0816-9764 Editorial Committee: Linda Barraclough, Debra Squires and Sue Silvers CONTENTS President's Message ......................................................................................... 3 Havens of the High Country: An Exhibition and Book by David Oldfield .......................................... 4 Snake Island and the Cattlemen of the Sea Cheryl Glowrey ............................... 7 With Cattlemen and Packhorses: Photographs by Harry Struss .................................................................. 11 Sounds of Wonnangatta John Andrews ............................................................................... 15 Life Membership of the MCAV presented to Jack Lovick ............................. 17 ' Our Cattle Liked the Scenery, the Higher They Got the Better They Liked It' Klaus Hueneke ................. 18 For my friend, Stuart Hair Jan Hobbs ................................................................ 22 Obituaries: Stuart McMillan Hair .............................................................................. 23 Frank C. Johnson ................................................................................... 24 Drovers of the High Plains Johnny Faithfull .................... ................................................ 25 Don Kneebone Mountain Heritage Award ..................................................... -
Hail and Farewell! an Evocation of Gippsland He Has Brought to Life Gippsland and Its People
CHESTER EAGLE HAIL and Hail and Farewell FAREWELL! Gippsland is an area unique in Australia; backed by mountains, bounded by the sea, cut off from the main Sydney-Melbourne axis An Evocation of Gippsland of Australian history, it lacks those starker elements of the Australian mainland which have captivated our artists and the eyes of visitors. Yet, in many ways, Gippsland still embodies the nineteenth-century Chester Eagle Australia celebrated by those who search our past and present for a national ethos. It seems to have a rare capacity to absorb change without altering its basic nature. AND FAREWELL HAIL In 1956, Chester Eagle was sent to Gippsland, to Bairnsdale—a town the existence of which he was only dimly aware—as a Victorian Education Department appointee to the local technical school. On arrival, following initial dislike, he felt challenged, stayed twelve years, and 'fell in love' with the place'. In Hail and Farewell! An Evocation of Gippsland he has brought to life Gippsland and its people. History, main-street gossip, bar talk and daily incident are combined with affectionate portrayals of local identities and reverential descriptions of the divine landscape. The place and its people live and breathe in its pages—the lean-to scoreboards, stump carvings, salmon trawlers and towering trees; the post-pioneering villages and their inhabitants—earthy, insular, and all acutely aware of each other. All are set down by an author who is deeply committed to his subject, yet has the necessary detachment to see it clearly and portray it with a sympathetic but wholly objective eye. -
An Introductory Survey on the Development of Australian Art Song with a Catalog and Bibliography of Selected Works from the 19Th Through 21St Centuries
AN INTRODUCTORY SURVEY ON THE DEVELOPMENT OF AUSTRALIAN ART SONG WITH A CATALOG AND BIBLIOGRAPHY OF SELECTED WORKS FROM THE 19TH THROUGH 21ST CENTURIES BY JOHN C. HOWELL Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. __________________________________________ Mary Ann Hart, Research Director and Chairperson ________________________________________ Gary Arvin ________________________________________ Costanza Cuccaro ________________________________________ Brent Gault ii ACKNOWLEDGMENTS I am indebted to so many wonderful individuals for their encouragement and direction throughout the course of this project. The support and generosity I have received along the way is truly overwhelming. It is with my sincerest gratitude that I extend my thanks to my friends and colleagues in Australia and America. The Australian-American Fulbright Commission in Canberra, ACT, Australia, gave me the means for which I could undertake research, and my appreciation goes to the staff, specifically Lyndell Wilson, Program Manager 2005-2013, and Mark Darby, Executive Director 2000-2009. The staff at the Sydney Conservatorium, University of Sydney, welcomed me enthusiastically, and I am extremely grateful to Neil McEwan, Director of Choral Ensembles, and David Miller, Senior Lecturer and Chair of Piano Accompaniment Unit, for your selfless time, valuable insight, and encouragement. It was a privilege to make music together, and you showed me how to be a true Aussie. The staff at the Australian Music Centre, specifically Judith Foster and John Davis, graciously let me set up camp in their library, and I am extremely thankful for their kindness and assistance throughout the years. -
CHAPTER 4 - FELLOWING' WOMEN: MARY GILMORE and WOMEN WRITERS of the 1920S
Cultivating the Arts Page 163 CHAPTER 4 - FELLOWING' WOMEN: MARY GILMORE AND WOMEN WRITERS OF THE 1920s He who goes lonely comes not back again, None holding him in fellowship of men; Empty he lived, empty he dies, And dust in dust he lies. But these, these fellowing men, shall know Love's Memory though they go. They are not dead; not even broken; Only their dust has gone back home to the earth: For they—the essential they—shall have re-birth Whenever a word of them is spoken. Mary Gilmore 'Oh, "Fellowing Woman'" Fred Broomfield hailed Mary Gilmore in a letter to her in 1919." 'Australia needs such a "fellowing" woman as yourself, Florence Fourdrinier gushed a year or so later/ Both of these were responses to Mary Gilmore's poem, 'These Fellowing Men'. 'Fellowship' was a word long favoured by Gilmore. She wrote in 1912, about "The Invisible Fellowship" of human love', and also used the word personally to express a certain level of creative camaraderie such as the 'quiet fellowship' she shared with George Robertson when reading the proofs of her first Angus and Robertson Mary Gilmore. These Fellowing Men", Mary Gilmore. The Passionate Heart, (Sydney: Angus and Robertson. 1918), p. 1. Fred and Alice Broomfield to Gilmore, 6 Jan. 1919, in Gilmore, Dame Mary, Papers (MGP), vol. 25. ML A3276(CY1860), n.p. F.F. Fourdrinier to Gilmore, 14 June 1922, MGP, vol.28, A3279 (CY 1863), n.p. Cultivating the Arts Page 164 publication The Passionate Heart.4 Published in November 1918, the first poem in the volume was 'These Fellowing Men', a lament over the spilled blood of the young men of the world in war. -
JOHN SHAW NEILSON and TIW FLORAL Mefaphor
Noel Macalnsh JOHN SHAW NEILSON AND TIW FLORAL MEfAPHOR The femme fatale was a fascinating figure of art in Victorian times. Mario Praz, in his well-known book, The Romantic Agony, has described her manifestations in several European literatures, including English. In Australia too, "Ia belle dame sans merci," the beautiful woman, imperious, fascinating and cruel, appears in various forms in the poetry of Christopher Brennan, Kenneth Slessor, A.D. Hope and others. Norman Lindsay has painted her image. The femme fatale is a striking creation, threatening pain, castration, delusion and death, but also suggesting the possibility of ecstatic union. She is of both heaven and hell, is sought among the stars and in the underworld, is Lilith, Persephone, Circe, a Siren or heartless cocette; she promises immor- tality or obsession and ruin. Nevertheless, the femme fatale is not the only distinctive projec- tion of femininity to be found in Australian poetry. Inherently less striking, but complementary in its displacement from everyday reality is the figure of the fragile girl, the delicate child-woman, a tender and transient flower, a beautiful ideal doomed to wither before the crude demands of life. John Shaw Neilson is the supreme representative of this figure in Australian poetry. In Neilson, the femme fragile, as she will be called here, rather than the femme enfant, is typically presented as a girl, who "innocent/in the whistling Spring," will not survive into Summer. She is "the tenderest of pale girls." 1 She grows ill and must die. The theme was popular in Neilson's time. Edgar Allen Poe wrote that "The death, then, of a beautiful woman is, unquestionably, the most poetical topic in the world." 2 If, for "beautiful woman," we substitute "young girl" or occasionally "young boy," this statement becomes quite applicable to Neilson also. -
University of Queensland Library
/heuhu} CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION In tlie UNIVERSITY OF QUEENSLAND LIBRARY edited by Margaret Brenan, Marianne Ehrhardt and Carol Heiherington t • i w lA ‘i 1 11 ( i ii j / | ,'/? n t / i i / V ' i 1- m i V V 1V t V C/ U V St Lucia, University of Queensland Library 1976 CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION in the UNIVERSITY OF QUEENSLAND LIBRARY edited by Margaret Brenan, Marianne Ehrhardt and Carol Hetherington St Lucia, University of Queensland Library 1976 Copyright 1976 University of Queensland Library National Library of Australia card number and ISBN 0 9500969 8 9 CONTENTS Page Frontispiece: Father Leo Hayes ii Foreword vii Preface ix Catalogue of the Hayes Manuscript Collection 1 Subject index 211 Name index: Correspondents 222 Name index - Appendix 248 Colophon 250 V Foreword University Libraries are principally agencies which collect and administer collections of printed, and in some cases, audio-visual information. Most of their staff are engaged in direct service to the present university community or in acquiring and making the basic finding records for books, periodicals, tapes and other information sources. Compiling a catalogue of manuscripts is a different type of operation which university libraries can all too seldom afford. It is a painstaking, detailed, time-consuming operation for which a busy library and busy librarians find difficulty in finding time and protecting that time from the insistent demand of the customer standing impatiently at the service counter. Yet a collection of manuscripts languishes unusable and unknown if its contents have not been listed and published. -
The Poetry of John Shaw Neilson
'CITY OF SIGHS': THE POETRY OF JOHN SHAW NEILSON LAUR.IE CLANCY read through the body ofNeilson's poetry-and to read the autobiography and correspondence on top of that - and then to tum to criticism of it is, in my own case at any rate, enormously irritating. The problem begins as early as H. M. lloGreen in his pioneering History of Australian Literature. In the ten pages that he devotes to Neilson's work in the first volume of that book (two less than Hugh McCrae receives), he says, among other things, 'Neilson is in fact a mystic, perhaps the most notable of all Australia's mystic poets: that he is not a mystic merely, that he did not call himself a mystic, and that he may very likely have known nothing about mysticism is nothing to the point' (483). Neilson, as it were, has mysticism thrust upon him. He goes on, 'The range ofNeilson 's verse is narrow. He wrote three kinds ofpoem', we are told (486), the purely lyrical, the ballad-like, and the satirical. Green strongly implies that it was necessary for A. G. Stephens to help knock the poems into shape and he goes on to say, 'and, since on the one hand he lacks the balladists' matter, and on the other hand his contemplation is mainly emotional, for as a rule he does not so much think as perceive and feel, his verses are apt quickly to run thin ...he cannot develop a theme or a thought or an emotion' (488). Green was writing many years ago, of course, but it is interesting that in the revised edition of his book his widow, the late Dorothy Green, sees it unnecessary to add very much to this judgment: ' Witnesses o[Sp ring, consisting ofpreviously unpublished poems of Neilson's, does not add much to one's assessment of his achievement, though it contains several interesting poems' (491). -
Australian Working Songs and Poems - a Rebel Heritage
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2014 Australian working songs and poems - a rebel heritage Mark Gregory University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Gregory, Mark, Australian working songs and poems - a rebel heritage, Doctor of Philosophy thesis, School of Humanities and Social Inquiry - History and Politics, University of Wollongong, 2014. -
Biographical Information
BIOGRAPHICAL INFORMATION ADAMS, Glenda (1940- ) b Sydney, moved to New York to write and study 1964; 2 vols short fiction, 2 novels including Hottest Night of the Century (1979) and Dancing on Coral (1986); Miles Franklin Award 1988. ADAMSON, Robert (1943- ) spent several periods of youth in gaols; 8 vols poetry; leading figure in 'New Australian Poetry' movement, editor New Poetry in early 1970s. ANDERSON, Ethel (1883-1958) b England, educated Sydney, lived in India; 2 vols poetry, 2 essay collections, 3 vols short fiction, including At Parramatta (1956). ANDERSON, Jessica (1925- ) 5 novels, including Tirra Lirra by the River (1978), 2 vols short fiction, including Stories from the Warm Zone and Sydney Stories (1987); Miles Franklin Award 1978, 1980, NSW Premier's Award 1980. AsTLEY, Thea (1925- ) teacher, novelist, writer of short fiction, editor; 10 novels, including A Kindness Cup (1974), 2 vols short fiction, including It's Raining in Mango (1987); 3 times winner Miles Franklin Award, Steele Rudd Award 1988. ATKINSON, Caroline (1834-72) first Australian-born woman novelist; 2 novels, including Gertrude the Emigrant (1857). BAIL, Murray (1941- ) 1 vol. short fiction, 2 novels, Homesickness (1980) and Holden's Performance (1987); National Book Council Award, Age Book of the Year Award 1980, Victorian Premier's Award 1988. BANDLER, Faith (1918- ) b Murwillumbah, father a Vanuatuan; 2 semi autobiographical novels, Wacvie (1977) and Welou My Brother (1984); strongly identified with struggle for Aboriginal rights. BAYNTON, Barbara (1857-1929) b Scone, NSW; 1 vol. short fiction, Bush Studies (1902), 1 novel; after 1904 alternated residence between Australia and England. -
Collected Poems
Collected Poems Neilson, John Shaw (1872-1942) A digital text sponsored by Australian Literature Electronic Gateway University of Sydney Library Sydney 2000 http://setis.library.usyd.edu.au/ozlit © University of Sydney Library. The texts and Images are not to be used for commercial purposes without permission Source Text: Prepared against the print edition published by Lothian Book Publishing Company Melbourne and Sydney, 1934 All quotation marks are retained as data. First Published: 1934 Languages: Australian Etexts poetry 1910-1939 verse Collected Poems Melbourne and Sydney Lothian Book Publishing Company 1934 Index to Titles Page DEDICATION vii INTRODUCTION xiii ALL THE WORLD'S A LOLLY-SHOP 69 ALONG A RIVER 18 APRIL WEATHER 123 AS FAR AS MY HEART CAN GO 42 AT A LOWAN'S NEST 21 AT THE END OF SPRING 80 THE BALLAD OF REMEMBRANCE 169 THE BARD AND THE LIZARD 163 THE BIRDS GO BY 111 THE BLUE WREN IN THE HOP-BUSH 122 BREAK OF DAY 29 THE CHILD BEING THERE 137 CHILD OF TEARS 54 THE CHILD WE LOST 64 COLOUR YOURSELF FOR A MAN 126 DEAR LITTLE COTTAGE 48 DOLLY'S OFFERING 91 THE DREAM IS DEEP 82 THE ELEVENTH MOON 96 THE EVENING IS THE MORNING 98 THE EYES OF LITTLE CHARLOTTE 32 THE FLIGHT OF THE WEARY 133 FOR A CHILD 81 FOR A LITTLE GIRL'S BIRTHDAY 88 FROM A COFFIN 68 THE GENTLE WATER BIRD 176 THE GIRL WITH THE BLACK HAIR 39 THE GOOD SEASON 156 GREEN LOVER 114 GREEN SINGER 2 GREETING 7 HALF A LIFE BACK 143 HEART OF SPRING 1 THE HEN IN THE BUSHES 127 HER EYES 43 HE SOLD HIMSELF TO THE DAISIES 139 HIS LOVE WAS BURNED AWAY 86 THE HOUR IS LOST 44 THE -
Part 1 Mapping the Area 1
Social justice in education in ‘new times’ Thesis submitted by Jane Marie PITT Dip Teach (Wattle Park TC), Advanced Dip Teach (Torrens CAE), BEd (Adelaide CAE),Grad Dip Reading and Language Ed (South Australian CAE), Grad Dip Ed Language and Literacy (South Australian CAE), MEd (Deakin Uni) Submitted for the Degree of Doctor of Philosophy Faculty of Education Deakin University 1998 ii DEAKIN UNIVERSITY CANDIDATE’S CERTIFICATE I certify that the thesis entitled Social justice in education in ‘new times’ submitted for the degree of Doctor of Philosophy is the result of my own research, except where otherwise acknowledged, and that this thesis in whole or in part has not been submitted for an award including a higher degree to any other university or institution. Name: Jane Pitt Signature ……………………………………… Date ……………….. iii Acknowledgments Completing a doctorate is a long and daunting journey. One that I would not have been able to complete without the support and encouragement of many. Some were friends when I started on the journey, all I would now view as friends. First my thanks goes to my supervisor Doctor Lindsay Fitzclarence who has been with me throughout the journey. Lindsay, thank you for the advice, encouragement and critique you have provided for me along the way. The influence of theorists such as Giddens, Sharp, MacIntyre and Singer on both this thesis and on my life are due to his advice. I complete this thesis with the desire to continue the journey of learning and I owe this in no small part to Lindsay. Thanks must also go to the staff, parents and students of the school that was the focus of this critical case analysis.