DOCSLIB.ORG

06 MPLC US Producer List by Product

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
06 MPLC US Producer List by Product 4/2/2019 LIB LIB The MPLC producer list is broken down into seven genres for your programming needs. Subject to the Umbrella License ® Terms and Conditions, Licensee may publicly perform copyrighted motion pictures and other audiovisual programs intended for personal use only, from the list of producers and distributors below in the following category: Public Libraries MAJOR HOLLYWOOD STUDIOS & AFFILIATED LABELS Fox - Walden Fox 2000 Films Fox Look Fox Searchlight Pictures STX Entertainment Twentieth Century Fox Film Corp. CHILDRENS Central Park Media Cosgrove Hall Films D'Ocon Family Entertainment Library Harvey Entertainment McGraw-Hill Peter Pan Video Scholastic Entertainment FAITH-BASED Alley Cat Films American Portrait Films Big Idea Entertainment Billy Graham Evangelistic Ass. / World British and Foreign Bible Society Candlelight Media Wide Pictures CDR Communications Choices, Inc. Christian Television Association Cross Wind Productions Crossroad Motion Pictures Crown Entertainment D Christiano Films DBM Films Elevation EO International ERF Christian Radio & Television Eric Velu Productions Gateway Films Gospel Films Grace Products/Evangelical Films Grizzly Adams Productions Harvest Productions International Christian Communications (ICC) International Films Jeremiah Films Kalon Media, Inc. Kingsway Communications Lantern Film and Video Linn Productions Mahoney Media Group, Inc. Maralee Dawn Ministries McDougal Films 4/2/2019 LIB LIB The MPLC producer list is broken down into seven genres for your programming needs. Subject to the Umbrella License ® Terms and Conditions, Licensee may publicly perform copyrighted motion pictures and other audiovisual programs intended for personal use only, from the list of producers and distributors below in the following category: Public Libraries Mermalife Messenger Films Open Door International Owlegories Praise Home Video Quigley Village Reel To Real Russ Doughten Films Side By Side Films Spark Productions Ltd St Benedict Press Teenergy Productions Television Associates Three Seventeen Trust Tommy Nelson Total Living Video Curriculum TVA/Quigley's Village Vision Video Wisenquest FOREIGN & INTERNATIONAL Actaeon Films Adventure Line Productions (ALP) Ager Film Big Talk Productions Brainpool Brook Lapping Productions Carey Films Ltd Cinematheque Collection Coccinelle Film Colin Buchanan Contender Entertainment Crime & Investigation Channel Eccho Rights AB Evra Media Solutions (fka Opus Films De L'Orient Distribution) Handsome Productions Hartswood Films Hat Trick Productions ITV Global Entertainment K5 International Korda Film Library KSM GmbH London Weekend Television Lucky Day Productions Magnolia TV Spa (Italy) Mastiff Norway (MTV Norway) Mastiff Sweden (MTV Sweden) Media Asia International Distribution Mediaserf Germany Meridian Television Motorino Amaranto Srl MVM Entertainment Ltd Nonstop Group 4/2/2019 LIB LIB The MPLC producer list is broken down into seven genres for your programming needs. Subject to the Umbrella License ® Terms and Conditions, Licensee may publicly perform copyrighted motion pictures and other audiovisual programs intended for personal use only, from the list of producers and distributors below in the following category: Public Libraries P.G. Production Services Paolo Virzi Partridge Films Praesens Film Rank Films Revelation Films Romulus Library Rubber Duck Entertainment SCM Haenssler South Pacific Pictures Star Media Starvision Plus Subotica Ltd TCB Media Rights Zodiak Belgium Zodiak Finland Zodiak Media AB (Sweden) Zodiak Media Ireland Zodiak Netherlands (fka Palm Plus) INDEPENDENT 101 Films 12 Yard Productions 365 Flix International Abot Hameiri Acacia ACIP (fka Angel City Factory (ACP)) Acorn Group Acorn Media Action Concept Action Concept Film und Action Image Gmbh & Co Aenon Stuntproduktion Air Productions Alcon Entertainment Animalia Productions Annapurna Productions Apollo Media Arbitrage Archery Pictures Limited Arclight Films International ArenaFilm Arenico Productions Athena Atlantic 2000 August Entertainment Avalon Distribution Ltd Avalon Television B & B Company Bandai Namco Arts Inc Banijay Finland Banijay France Banijay Group Banijay Productions 4/2/2019 LIB LIB The MPLC producer list is broken down into seven genres for your programming needs. Subject to the Umbrella License ® Terms and Conditions, Licensee may publicly perform copyrighted motion pictures and other audiovisual programs intended for personal use only, from the list of producers and distributors below in the following category: Public Libraries Banijay Rights Ltd. Banijay Studios Bauer Martinez Studios BBL Distribution BBP Music Publishing c/o Black Bear Bedford Entertainment Pictures Berlin Animation Film Best Film and Video Beyond Entertainment Limited BKN International Blakeway Productions Blu BMG Audiovisual Productions Bob's Your Uncle Bold Films LP Brad Lachman Productions Brainstorm Media BriteSpark Films British Broadcasting Corporation (BBC) Bullseye Bunim Murray Bwark C3 Entertainment Chapter 2 Chicken Soup for the Soul Clearstory Ltd Clubdeal Entertainment Content Mint Pty Ltd Creation Films Crystal Image Cuarzo Cypress Entertainment Group - Damerei Spyglass Dangerous Daro Film Distribution David Stanley Enterprises Inc Davis Films Distribution Workshop Diverse Productions DLO Dreyfuss/James Productions Drive Media Rights Ltd Ecosse Films Elle Driver Emperor Motion Picture Limited Endgame Entertainment Entertainment Asset Holdings Euston Films Expectation Entertainment Fandango Srl Fangoria Video Fifth year Productions Film and Music Entertainment Film Bridge International Film Finances Inc Filmmates Entertainment Films Around the World 4/2/2019 LIB LIB The MPLC producer list is broken down into seven genres for your programming needs. Subject to the Umbrella License ® Terms and Conditions, Licensee may publicly perform copyrighted motion pictures and other audiovisual programs intended for personal use only, from the list of producers and distributors below in the following category: Public Libraries Films of Record Ltd First Pond Entertainment Five Star Productions Flame Television Flashpoint Flying Bark Productions Fontaram Fortune Star Media Ltd Fuji Creative Corporation Futurikon Galloping Films GEM Global Entertainment Magyar Geteve (GTV) Gobstopper Productions Ltd Gold Circle Films Golden Network Asia Granada Film and Television Gravier Productions Greenestreet Films Groundswell Productions II Gurney Productions H20 Hannibal Pictures Hanway Films Hardheaded Films Hart Sharp Entertainment Hello Halo Productions Ltd High Noon Entertainment Highland Film Group Holding Pictures House & Moorhouse Films Hybrid LLC Iconix IM Global Image Entertainment Image Madacy Entertainment Imagem FTV Ltd Inferno Distribution Inspired Studios Inspired Wellness Video International Film Forum ITEL ITV Studios America IWC Jackie & JJ Productions Jarowskij Jonathan M Shiff Productions Kadokawa Shoten Kidscave Entertainment Productions Ltd KM Production Kwai Leftfield Pictures Leopard Films Liberty Bell Lightning Entertainment Group Lohse Movie Lookout Point Ltd 4/2/2019 LIB LIB The MPLC producer list is broken down into seven genres for your programming needs. Subject to the Umbrella License ® Terms and Conditions, Licensee may publicly perform copyrighted motion pictures and other audiovisual programs intended for personal use only, from the list of producers and distributors below in the following category: Public Libraries Lucky Red Ludia Inc. Luzardero Magnolia Spain Manu Propria Entertainment Mastiff Denmark (MTV Denmark) Medal of Honor Productions Media Targeting Associates Mediabiz Consell Method Animation Middlechild Productions Ltd Millennium Media Inc Montecristo International Entertainment Mpower Pictures MRC II Distribution Company Nasser Group Neue Road Movies Newman Street NHK Enterprises Nippon Animation Co Nippon Television Network Nordisk Group (Denmark, Norway, NSP Odd Lot Entertainment Sweden) Odin's Eye Entertainment Off The Fence Ltd Omnilab Limited One Village Entertainment Onyx Films Osiris Entertainment Outsider Pictures Owl Power Ltd Palomar Television and Film Production SpA (ex. Italy) Parallax Pictures PFG Entertainment Pi Productions Pineapple Entertainment Possessed Television Prayer Flag Pictures Presentable QD3 Entertainment Recorded Picture Company Red Arrow Studios International Gmbh Red Granite International Red House TV Red Shoes Inc Reel World Management Relativity Media Respirator Retort Reverse Angle International Revolution Studios Distribution Richroe Right Stuf Inc Company Ring A Ding River Road Entertainment Riverdog Productions Ltd 4/2/2019 LIB LIB The MPLC producer list is broken down into seven genres for your programming needs. Subject to the Umbrella License ® Terms and Conditions, Licensee may publicly perform copyrighted motion pictures and other audiovisual programs intended for personal use only, from the list of producers and distributors below in the following category: Public Libraries RLJ Entertainment Roulette Entertainment Ruby Films Rugged Entertainment Rumpus Media Ltd Sage Entertainment Scott Free Films Screen Media Ventures Screentime Australia Screentime New Zealand September Films Shin Corporation Shin Ei Animation Shochiku Shogakukan Music and Digital Entertainment Shogakukan Shueisha Production Shotglass Media Sidney Kimmel Entertainment SK Entertainment Slingshot Pictures Sony Pictures Classics SSG Produktion und Vertriebs Starlight Films Storm Entertainment Sullivan Entertainment Talpa Global Tandem Communications
Load more

Recommended publications
  • GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
    Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
    [Show full text]
  • Screendollars August 10, 2020 About Films, the Film Industry No
    For Exhibitors Screendollars August 10, 2020 About Films, the Film Industry No. 129 Newsletter and Cinema Advertising Happy birthday to Stan Durwood, the Founder of AMC Theatres, born 100 years ago on August 5, 1920. Stan was a highly motivated and creative entrepreneur, who expanded the family theatre business he took over in 1960 to become one of the largest theatre chains in the world. He is credited with many innovations that transformed the movie business, most notably, the creation of the multiplex cinema and the invention of the arm-rest cup holder. Purpose-built, multiple- screen, cinema entertainment complexes became Parkway Twin Theatres, the first Multiplex, The dominant force in exhibition in the late 20th century, growing a $2B annual industry in opened in Kansas City on July 12, 1963 1975 to a $6B industry in 1997. He was a proud son of Kansas City, where AMC is based. Welcome Back - Looking Forward to a Brighter 2021 As theatres begin to re-open and the industry comes back to life, we take stock of the positive signs of what lies ahead. The movie business has been interrupted, but it is not broken. Despite the significant challenges this year, when new movies return to theatres, audiences will follow. When circumstances permit, people are going to say to themselves, “I have been stuck at home for months watching streaming, and I’m tired of that. Now I want go out with friends and family, see other people, and experience something fantastic." Screendollars has produced this three-minute video, which previews the Must-See Movies which will be coming to theatres in 2021.
    [Show full text]
  • Screendollars About Films, the Film Industry No
    For Exhibitors October 26, 2020 Screendollars About Films, the Film Industry No. 140 Newsletter and Cinema Advertising In 1926, Warner Bros. Pictures, then a small, struggling studio, began a partnership with the Vitaphone Corporation to use its sound-on-disc technology to produce films with synchronized playback of sound with visual images. WB made a series of one-reel sound short films to demonstrate (Click to Play) the technology, playing them before other features. Audiences responded so enthusiastically that Warner Bros. was convinced to bet big on talking motion pictures as the next big thing in movies. Their first feature-length film to use the Vitaphone system was The Jazz Singer, which premiered at Warners’ Theatre in New York on October 6, 1928. It starred Al Jolson, a famous singer and Broadway star of the day. The film included two short scenes in which Jolson’s spoken word was synchronized to the picture, delivering life-like dialog in real-time that thrilled movie goers, comparable to the most immersive, multi-sensory special effects in today’s cinema. By 1929, only TWO “Wait a minute, wait a YEARS after The Jazz Singer, Hollywood studios produced 335 all-dialogue features, as silent films receded minute. You ain’t into the history of the rapidly changing industry. heard nothin’ yet.” (Click to Play) Weekend Box Office Results (10/23-25) With Comments by Paul Dergarabedian, Comscore Per Theatre Rank Title Week Theatres Wknd $ Total $ Average $ 1 Honest Thief (Open Road) 3 2,502 2,350,000 939 7,476,274 2 The War with Grandpa (101 Studios) 3 2,345 1,882,672 803 9,719,719 3 Tenet (Warner Bros.) 8 1,801 1,300,000 722 52,500,000 4 The Empty Man (20th Century) 1 2,027 1,265,000 624 1,265,000 5 The Nightmare Before Christmas (Disney) 2 1,614 577,000 357 1,900,000 6 Hocus Pocus (Disney) 4 1,277 530,000 415 4,372,000 7 Monsters, Inc.
    [Show full text]
  • Motion Picture License List of MPL Participating Theatrical Distributors & Producers
    Motion Picture License List of MPL Participating Theatrical Distributors & Producers MAJOR HOLLYWOOD STUDIOS & AFFILIATED LABELS 20th Century Studios Paramount Pictures (f/k/a Twentieth Century Fox Film Corp.) Paramount Vantage Buena Vista Pictures Picturehouse Cannon Pictures Pixar Animation Studios Columbia Pictures Polygram Filmed Entertainment Dreamworks Animation SKG Republic Pictures Dreamworks Pictures RKO Pictures (Releases 2011 to present) Screen Gems PLEASE CHOOSE Dreamworks Pictures CATEGORY: (Releases prior to 2011) Searchlight Pictures (f/ka/a Fox Searchlight Pictures) Fine Line Features Sony Pictures Entertainment Focus Features Major Hollywood Studios STX Entertainment & Affiliated Labels Fox - Walden Touchstone Pictures Fox 2000 Films TV Tristar Pictures Fox Look Triumph Films Independent Hanna-Barbera United Artists Pictures Hollywood Pictures Faith-Based Universal Pictures Lionsgate Entertainment USA Films Lorimar Telepictures Children’s Walt Disney Pictures Metro-Goldwyn-Mayer (MGM) Studios Warner Bros. Pictures Spanish Language New Line Cinema Warner Bros. Television Nickelodeon Movies Foreign & International Warner Horizon Television Orion Pictures Warner Independent Pictures Paramount Classics TV 41 Entertaiment LLC Ditial Lifestyle Studios A&E Networks Productions DIY Netowrk Productions Abso Lutely Productions East West Documentaries Ltd Agatha Christie Productions Elle Driver Al Dakheel Inc Emporium Productions Alcon Television Endor Productions All-In-Production Gmbh Fabrik Entertainment Ambi Exclusive Acquisitions
    [Show full text]
  • Del Guión a La Pantalla
    DEL GUIÓN A LA PANTALLA LA IMPORTANCIA DEL DERECHO DE AUTOR EN LA DISTRIBUCIÓN DE PELÍCULAS Industrias creativas – Publicación Nº 6 La Importancia del Derecho de Autor en la Distribución de Películas Del Guión a la Pantalla 3 ÍNDICE LOS AUTORES 8 PREFACIO 10 INTRODUCCIÓN 12 CAPÍTULO 1 16 LA ESTRUCTURA MUNDIAL DE LA INDUSTRIA CINEMATOGRÁFICA 16 1.1 Oportunidades para el cine en mercados locales e internacionales 16 1.1.1 Los principales estadounidenses (Sony, Fox, Warner Bros., Disney, Paramount, MGM, Universal) 17 1.1.2 Los distribuidores independientes 19 1.1.3 Organizaciones comerciales de distribución de cine y televisión 22 1.2 Acceder al mercado mundial de cine 23 1.2.1 Agentes de ventas y mercados y festivales de cine y televisión 23 1.2.2 Teledistribución 26 1.2.3 Distribución de nuevos medios de comunicación 27 1.2.4 Autodistribución 31 1.3 Financiación de la distribución 33 1.3.1 Cuestiones financieras básicas 33 1.3.2 Estudio de caso sobre distribución/financiación:Sunny Days in Africa 36 a) Un modelo de venta anticipada 36 b) El modelo sin venta anticipada internacional 40 1.4 La distribución ilícita de películas 44 CAPÍTULO 2 47 DOCUMENTACIÓN SOBRE DERECHO DE AUTOR: CADENA DE TITULARIDAD DE LA PELÍCULA 47 2.1 Visión general del derecho de autor – Establecimiento de la titularidad 47 2.1.1 Derechos morales y patrimoniales 48 2.1.2 Período de vigencia del derecho de autor 49 2.1.3 Dominio público 49 2.1.4 Autoría y titularidad del derecho de autor 51 2.1.5 Aspectos formales del establecimiento de la titularidad del derecho de
    [Show full text]
  • Distribution Forward Distribution Forward: a Guide to Strategic Self-Initiated Digital and DVD Documentary Film Distribution
    Distribution Forward Distribution Forward: a guide to strategic self-initiated digital and DVD documentary film distribution. THIS PUBLICATION WAS MADE POSSIBLE THROUGH THE SUPPORT OF: 1 Contents Introduction 3 Elizabeth Radshaw, Hot Docs Forum and Market Director The Marketplace 4 Elizabeth Radshaw, Hot Docs Forum and Market Director The Rights 6 Greg Rubidge, Syndicado The Players 7 Greg Rubidge, Syndicado The Deals 8 Greg Rubidge, Syndicado The Strategy 9 • Greg Rubdige, Syndicado 9 • Jon Reiss, JonReiss.com 12 • Melanie Miller, Gravitas Ventures 19 • Robin Smith, KinoSmith 14 • Andrew Mer, Snag Films 18 The Example 21 Felice Gorica, Gorica Productions The Wisdom 23 Janet Brown, Cinetic The Resources 24 2 Introduction Distribution Forward: a guide to strategic self-initiated digital and DVD documentary film distribution. Distribution Forward illustrates the current climate of digital and DVD distribution of documentary films through examples, case studies and direct market intelligence from players in the field. This guide will provide tools, information and support to help filmmakers determine their own strategies for their films’ market trajectory. Additionally, Distribution Forward intends to dispel the myths Twitter length conversation bubbles @DistributionFwd tiny bits of and better inform filmmakers about the realities of the market distribution wisdom. place, helping them to achieve positive results and meet their financial, professional and artistic goals. The dialogue around digital documentary distribution has run the gamut of DIY, DIWO, hybrid, and self-distribution, which can confuse filmmakers and muddle their expectations. This guide intends to shed some light on the current climate. It is by no means exhaustive and there are a many avenues worthy of exploration.
    [Show full text]
  • 2018 Catalog
    2018 movie CATALOG © Warner Bros. Entertainment Inc. © 2017 Disney/Pixar SWANK.COM 1.800.876.5577 © Open Road Films © Universal Studios © Columbia Pictures Industries, Inc. © Lions Gate Entertainment, Inc. Movie Category Guide PG PG PG PG PG PG G PG PG PG The War with Grandpa PG PG PG-13 PG PG PG PG PG-13 TV-G PG PG PG PG PG PG-13 PG-13 PG-13 PG-13 PG-13 PG-13 Family-Friendly Programming Family-Friendly PG-13 PG-13 PG-13 PG © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar PG-13 PG-13 PG-13 PG-13 PG-13 PG-13 PG-13 PG-13 PG-13 PG-13 © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar PG-13 PG PG-13 PG-13 PG-13 PG-13 PG-13 TV-G PG-13 PG-13 © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar Teen/Adult Programming Teen/Adult PG-13 PG-13 PG-13 PG-13 PG PG-13 PG-13 PG-13 PG All trademarks are property of their repective owners. MP9188 Find our top 25 most requested throwback movies on page 31 NEW Releases NEW RELEASES © 2017 Disney/Pixar © Warner Bros.
    [Show full text]
  • Mplc Studio Liste 2020
    MPLC STUDIO LISTE 2020 STUDIOS – PRODUZENTEN – FERNSEHSTATIONEN MPLC STUDIO LISTE 2020 STUDIOS – PRODUCTEURS – STATIONS DE TÉLÉVISION MPLC LISTA STUDIO 2020 CASE CINEMATOGRAFICHE – PRODUTTORI – STAZIONI TELEVISIVE MOTION PICTURE LICENSING COMPANY: DER WELTWEIT GRÖSSTE LIZENZGEBER IN DER FILM- & TV-BRANCHE. MPLC Switzerland GmbH Münchhaldenstrasse 10, Postfach CH-8034 Zürich MPLC ist der weltweit grösste Lizenzgeber für öffentliche Vorführrechte im non-theatrical Bereich und in über 30 Länder tätig. Ihre Vorteile + Einfache und unkomplizierte Lizenzierung + Event, Title by Title und Umbrella Lizenzen möglich + Deckung sämtlicher Majors (Walt Disney, Universal, Warner Bros., Sony, FOX, Paramount und Miramax) + Benutzung aller legal erworbenen Medienträger erlaubt + Von Dokumentar- und Independent-, über Animationsfilmen bis hin zu Blockbustern ist alles gedeckt + Für sämtliche Vorführungen ausserhalb des Kinos Index MAJOR STUDIOS EDUCATION AND SPECIAL INTEREST TV STATIONS SWISS DISTRIBUTORS MPLC TBT RIGHTS FOR NON THEATRICAL USE (OPEN AIR SHOW WITH FEE – FOR DVD/BLURAY ONLY) WARNER BROS. FOX DISNEY UNIVERSAL PARAMOUNT PRAESENS FILM FILM & VIDEO PRODUCTION GEHRIG FILM GLOOR FILM HÄSELBARTH FILM SCHWEIZ KOTOR FILM LANG FILM PS FILM SCHWEIZER FERNSEHEN (SRF) MIRAMAX SCM HÄNSSLER FIRST HAND FILMS STUDIO 100 MEDIA VEGA FILM COCCINELLE FILM PLACEMENT ELITE FILM AG (ASCOT ELITE) CONSTANTIN FILM CINEWORX Label Apollo Media Apollo Media Distribution Gmbh # Apollo Media Nova Gmbh 101 Films Apollo ProMedia 12 Yard Productions Apollo ProMovie 360Production
    [Show full text]
  • DISNEYLAND Grand Opening on 7/17/1955 the Happiest Place on Earth Wasn't Anything of the Sort for 13 Months of Pandemic Closure
    Monday, July 19, 2021 | No. 177 Film Flashback…DISNEYLAND Grand Opening on 7/17/1955 The Happiest Place on Earth wasn't anything of the sort for 13 months of pandemic closure. But, happily, Disneyland began coming back to life in late April and by June 15 wasn't facing any capacity restrictions. Now it's celebrating the 66th anniversary of its Grand Opening July 17, 1955. To help finance Disneyland's construction in Anaheim, Calif., which began July 16, 1954, Walt Disney struck a deal with the then fledgling ABC-TV Network to produce the legendary DISNEYLAND series. For helping Walt raise the $17M he needed -- about $135M today -- ABC also got the right to broadcast the opening day events. Originally, July 17 was just an International Press Preview and July 18 was to be the official launch. But July 17's been remembered over the years as the Big Day thanks to ABC's live coverage -- despite things not having gone well with the show hosted by Walt's Hollywood pals Art Linkletter, Bob Cummings & Ronald Reagan. Live TV was in its infancy then and the miles of camera cables it used had people tripping all over the park. In Frontierland, a camera caught Cummings kissing a dancer. Walt was reading a plaque in Tomorrowland on camera when a technician started talking to him, causing Walt to stop and start again from the beginning. Over in Fantasyland, Linkletter sent the coverage back to Cummings on a pirate ship, but Bob wasn't ready, so he sent it right back to Art, who no longer had his microphone.
    [Show full text]
  • Movers & Shakers Email Alert
    Movers & Shakers Email Alert 1 Visit Variety Business Intelligence at NATPE in Miami January 16-18 or Realscreen East in Washington D.C. January 28-31. Click here to set a meeting! We’re proud to congratulate the following movers & shakers: Corporate: Fukiko Ogisu Now: Executive Vice President and Chief People Officer, Viacom (New York) Was: Senior Vice President, HR Business Operations & Information Solutions, Viacom (New York) Digital: Julie DeTraglia Now: Vice President and Head, Research, Hulu (New York) Was: Head, Ad Sales Research, Hulu (New York) Jenny Wall Now: Chief Marketing Officer, Gimlet Media (Brooklyn) Was: Senior Vice President and Head, Marketing, Hulu Film: Toby Emmerich Now: Chairman, Warner Bros. Pictures Group Was: President and Chief Content Officer, Warner Bros. Pictures Group Stacy Glassgold Now: Vice President, International Sales, XYZ Films Was: Vice President, Sales & Distribution, Myriad Pictures Walter Hamada Now: President, DC-Based Film Production, Warner Bros. Pictures Was: Executive Vice President, Production, New Line Cinema Sue Kroll Now: Transitioning to producing role (as of April 1st, 2018) Was: President, Worldwide Marketing & Distribution, Warner Bros. Pictures Group Michelle Krumm Now: Head, Australian Operations & Worldwide Acquisitions, Arclight Films (Sydney) Was: Head, Production, Development & Studios, South Australian Film Corp (Glenside) Alana Mayo Now: Head, Production & Development, Outlier Society Productions Was: Vice President and Head, Originals, Vimeo Ashley Momtaheni Now: Vice President, Communications, Annapurna Pictures Was: Director, Marketing & Publicity, Annapurna Pictures 2 Pip Ngo Now: Director, Acquisitions & Sales, XYZ Films Was: Senior Manager, Content Acquisition & Business Development, Vimeo Michael Pavlic Now: President, Creative Advertising, Annapurna Pictures Was: President, Worldwide Creative Advertising, Sony Pictures Entertainment Blair Rich Now: President, Worldwide Marketing, Warner Bros.
    [Show full text]
  • DATE Name Company Address Dear , SWANK MOTION PICTURES, INC
    10795 Watson Road Barbara Nelson Saint Louis, MO 63127-1012 Vice President 800-876-5577 314-984-6130 Email: [email protected] DATE Name Company Address Dear , SWANK MOTION PICTURES, INC. is the sole source for non-theatrical distribution and public performance licensing to Colleges and Universities, Elementary, High schools, Park and Recreation Departments, Cruise Ships, Hospitals and various other non-theater settings in either 35mm film, Pre-home DVD, DVD’s, Blu-Ray DVD and digital formats for the following studios: Warner Brothers The Weinstein Company Warner Independent Pictures A24 Films New Line Cinema Bleecker Street Media Columbia Pictures (Sony) STX Entertainment TriStar Pictures HBO Pictures Walt Disney Pictures CBS Films Marvel Entertainment Cohen Media Group Touchstone Hallmark Hall of Fame Universal Pictures IFC Films Focus Features Magnolia Pictures Paramount Pictures Monterey Media Lionsgate RLJ Entertainment Summit Entertainment Samuel Goldwyn Metro-Goldwyn Mayer United Artists Miramax The Orchard Studios listed are those supplying titles at the time of this printing, and since studios may vary from year to year, it is possible that one major studio may be added or one deleted. Any film that your organization licenses from Swank Motion Pictures for non-theatrical public performance and which is distributed by the motion picture studios listed above is fully in compliance with the Copyright Act as stated in Title 17 of the United States Code. Sincerely, Barbara J. Nelson VP, Sales and Studio Relations Worldwide Non-Theatrical Distributors of Motion Pictures www.swank.com .
    [Show full text]
  • Presentation Title
    April 17, 2020 Creating a Global Entertainment Content, Digital Media & OTT Powerhouse Disclaimer This communication contains “forward-looking statements” within the meaning of Section 27A of the Securities Act of 1933, as amended, or the Securities Act, and Section 21E of the Exchange Act, and such statements are subject to the safe harbors created thereby. Generally, these forward-looking statements can be identified by the use of forward-looking terminology such as “approximately,” “anticipate,” “believe,” “estimate,” “continue,” “could,” “expect,” “future,” “intend,” “may,” “plan,” “potential,” “predict,” “project,” “seek,” “should,” “will” and similar expressions. Those statements include, among other things, the discussions of Eros International’s business strategy and expectations concerning its and the combined company’s market position, future operations, margins, profitability, liquidity and capital resources, tax assessment orders and future capital expenditures. All such forward- looking statements are subject to risks and uncertainties that may cause actual results to differ materially from those that Eros International is expecting, including, without limitation: Eros International’s and the combined company’s ability to successfully and cost-effectively source film content; Eros International’s and the combined company’s ability to achieve the desired growth rate of Eros Now, its digital over-the-top (“OTT”) entertainment service; Eros International’s and the combined company’s ability to maintain or raise sufficient capital;
    [Show full text]