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Cinema Recognizing Making Intimacy Vincent Tajiri Even Hotter!
FEBRUARY 2020 SOUTH AFRICA THROW SEX & BACK CINEMA RECOGNIZING MAKING INTIMACY VINCENT TAJIRI EVEN HOTTER! WITHOUT Flaunt THE MASK CANDID WITH YOUR ORVILLE PECK SWAG STERLING K. BROWN SHOWS US THE HOW SCOOP ON SEX! OUR SEXPERT SHARES INTIMATE DETAILS Dee Cobb WWW.PLAYBOY.CO.ZA R45.00 20019 9 772517 959409 EVERY. ISSUE. EVER. The complete Playboy archive Instant access to every issue, article, story, and pictorial Playboy has ever published – only on iPlayboy.com. VISIT PLAYBOY.COM/ARCHIVE SOUTH AFRICA Editor-in-Chief Dirk Steenekamp Associate Editor Jason Fleetwood Graphic Designer Koketso Moganetsi Fashion Editor Lexie Robb Grooming Editor Greg Forbes Gaming Editor Andre Coetzer Tech Editor Peter Wolff Illustrations Toon53 Productions Motoring Editor John Page Senior Photo Editor Luba V Nel ADVERTISING SALES [email protected] for more information PHONE: +27 10 006 0051 MAIL: PO Box 71450, Bryanston, Johannesburg, South Africa, 2021 Ƶč%./0(++.ǫ(+'ć+1.35/""%!.'Čƫ*.++/0.!!0Ē+1.35/ǫ+1(!2. ČĂāĊā EMAIL: [email protected] WEB: www.playboy.co.za FACEBOOK: facebook.com/playboysouthafrica TWITTER: @PlayboyMagSA INSTAGRAM: playboymagsa PLAYBOY ENTERPRISES, INTERNATIONAL Hugh M. Hefner, FOUNDER U.S. PLAYBOY ǫ!* +$*Čƫ$%!"4!10%2!þ!. ƫ++,!.!"*!.Čƫ$%!"ƫ.!0%2!þ!. Michael Phillips, SVP, Digital Products James Rickman, Executive Editor PLAYBOY INTERNATIONAL PUBLISHING !!*0!(Čƫ$%!"ƫ+))!.%(þ!.Ē! +",!.0%+*/ Hazel Thomson, Senior Director, International Licensing PLAYBOY South Africa is published by DHS Media House in South Africa for South Africa. Material in this publication, including text and images, is protected by copyright. It may not be copied, reproduced, republished, posted, broadcast, or transmitted in any way without written consent of DHS Media House. -
GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
Fall 2005 Shakespeare Matters Page 1
Fall 2005 Shakespeare Matters page 1 5:1 "Let me not to the marriage of true minds admit impediments..." Fall 2005 Falstaff in the Low Countries By Robert Detobel n his book Monstrous Adversary1 Prof. Alan Nelson has Oxford boast of his par ticipation in the battle of Bommel dur- Iing his visit to the Low Countries in the summer 1574. Nelson’s statement, my article shows, results from a double error. First he has failed to note the basic difference which existed between a battle and a siege in the Low Countries since 1573; second, and more James Newcomb, Fellowship member and Oregon Shakespeare Festival leading man, importantly, Nelson did not perceive (per- with Mark Anderson (right), winner of the 2005 Oxfordian of the Year Award. Newcomb haps because he did not want to) that Oxford’s stars this OSF season as a wickedly energetic Richard III. tale about his great feats was a Baron Münchhausen’s tall tale and was clearly so intended. More properly spoken it was a OSF, SF, and SOS Join Forces in “Falstaffiade, ” as will appear in the second part in which we observe the similarities between Oxford’s tale and Falstaff’s tales. Historic Conference (Continued on page 4) By Howard Schumann he first ever jointly sponsored conference of The Shakespeare Fellowship and The Shakespeare Oxford Society was a “breakthrough” and an important step in piercing the “bastion of orthodoxy” regarding the Shakespeare Tauthorship issue, according to James Newcomb, the Oregon ShakespeareFestival (OSF) actor who portrayed the villainous King Richard in the OSF’s magnificent production of Richard III. -
CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj
CLONES, BONES AND TWILIGHT ZONES: PROTECTING THE DIGITAL PERSONA OF THE QUICK, THE DEAD AND THE IMAGINARY By JosephJ. Beard' ABSTRACT This article explores a developing technology-the creation of digi- tal replicas of individuals, both living and dead, as well as the creation of totally imaginary humans. The article examines the various laws, includ- ing copyright, sui generis, right of publicity and trademark, that may be employed to prevent the creation, duplication and exploitation of digital replicas of individuals as well as to prevent unauthorized alteration of ex- isting images of a person. With respect to totally imaginary digital hu- mans, the article addresses the issue of whether such virtual humans should be treated like real humans or simply as highly sophisticated forms of animated cartoon characters. TABLE OF CONTENTS I. IN TR O DU C T IO N ................................................................................................ 1166 II. CLONES: DIGITAL REPLICAS OF LIVING INDIVIDUALS ........................ 1171 A. Preventing the Unauthorized Creation or Duplication of a Digital Clone ...1171 1. PhysicalAppearance ............................................................................ 1172 a) The D irect A pproach ...................................................................... 1172 i) The T echnology ....................................................................... 1172 ii) Copyright ................................................................................. 1176 iii) Sui generis Protection -
06 MPLC US Producer List by Product
4/2/2019 LIB LIB The MPLC producer list is broken down into seven genres for your programming needs. Subject to the Umbrella License ® Terms and Conditions, Licensee may publicly perform copyrighted motion pictures and other audiovisual programs intended for personal use only, from the list of producers and distributors below in the following category: Public Libraries MAJOR HOLLYWOOD STUDIOS & AFFILIATED LABELS Fox - Walden Fox 2000 Films Fox Look Fox Searchlight Pictures STX Entertainment Twentieth Century Fox Film Corp. CHILDRENS Central Park Media Cosgrove Hall Films D'Ocon Family Entertainment Library Harvey Entertainment McGraw-Hill Peter Pan Video Scholastic Entertainment FAITH-BASED Alley Cat Films American Portrait Films Big Idea Entertainment Billy Graham Evangelistic Ass. / World British and Foreign Bible Society Candlelight Media Wide Pictures CDR Communications Choices, Inc. Christian Television Association Cross Wind Productions Crossroad Motion Pictures Crown Entertainment D Christiano Films DBM Films Elevation EO International ERF Christian Radio & Television Eric Velu Productions Gateway Films Gospel Films Grace Products/Evangelical Films Grizzly Adams Productions Harvest Productions International Christian Communications (ICC) International Films Jeremiah Films Kalon Media, Inc. Kingsway Communications Lantern Film and Video Linn Productions Mahoney Media Group, Inc. Maralee Dawn Ministries McDougal Films 4/2/2019 LIB LIB The MPLC producer list is broken down into seven genres for your programming needs. Subject to the -
Pieces of a Woman
PIECES OF A WOMAN Directed by Kornél Mundruczó Starring Vanessa Kirby, Shia LaBeouf, Molly Parker, Sarah Snook, Iliza Shlesinger, Benny Safdie, Jimmie Falls, Ellen Burstyn **WORLD PREMIERE – In Competition – Venice Film Festival 2020** **OFFICIAL SELECTION – Gala Presentations – Toronto International Film Festival 2020** Press Contacts: US: Julie Chappell | [email protected] International: Claudia Tomassini | [email protected] Sales Contact: Linda Jin | [email protected] 1 SHORT SYNOPSIS When an unfathomable tragedy befalls a young mother (Vanessa Kirby), she begins a year-long odyssey of mourning that touches her husband (Shia LaBeouf), her mother (Ellen Burstyn), and her midwife (Molly Parker). Director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014) and partner/screenwriter Kata Wéber craft a deeply personal meditation and ultimately transcendent story of a woman learning to live alongside her loss. SYNOPSIS Martha and Sean Carson (Vanessa Kirby, Shia LaBeouf) are a Boston couple on the verge of parenthood whose lives change irrevocably during a home birth at the hands of a flustered midwife (Molly Parker), who faces charges of criminal negligence. Thus begins a year-long odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother (Ellen Burstyn), along with the publicly vilified midwife whom she must face in court. From director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014), with artistic support from executive producer Martin Scorsese, and written by Kata Wéber, Mundruczó’s partner, comes a deeply personal, searing domestic aria in exquisite shades of grey and an ultimately transcendent story of a woman learning to live alongside her loss. -
Motion Picture License List of MPL Participating Theatrical Distributors & Producers
Motion Picture License List of MPL Participating Theatrical Distributors & Producers MAJOR HOLLYWOOD STUDIOS & AFFILIATED LABELS 20th Century Studios Paramount Pictures (f/k/a Twentieth Century Fox Film Corp.) Paramount Vantage Buena Vista Pictures Picturehouse Cannon Pictures Pixar Animation Studios Columbia Pictures Polygram Filmed Entertainment Dreamworks Animation SKG Republic Pictures Dreamworks Pictures RKO Pictures (Releases 2011 to present) Screen Gems PLEASE CHOOSE Dreamworks Pictures CATEGORY: (Releases prior to 2011) Searchlight Pictures (f/ka/a Fox Searchlight Pictures) Fine Line Features Sony Pictures Entertainment Focus Features Major Hollywood Studios STX Entertainment & Affiliated Labels Fox - Walden Touchstone Pictures Fox 2000 Films TV Tristar Pictures Fox Look Triumph Films Independent Hanna-Barbera United Artists Pictures Hollywood Pictures Faith-Based Universal Pictures Lionsgate Entertainment USA Films Lorimar Telepictures Children’s Walt Disney Pictures Metro-Goldwyn-Mayer (MGM) Studios Warner Bros. Pictures Spanish Language New Line Cinema Warner Bros. Television Nickelodeon Movies Foreign & International Warner Horizon Television Orion Pictures Warner Independent Pictures Paramount Classics TV 41 Entertaiment LLC Ditial Lifestyle Studios A&E Networks Productions DIY Netowrk Productions Abso Lutely Productions East West Documentaries Ltd Agatha Christie Productions Elle Driver Al Dakheel Inc Emporium Productions Alcon Television Endor Productions All-In-Production Gmbh Fabrik Entertainment Ambi Exclusive Acquisitions -
Initial Interest Confusion
INITIAL INTEREST CONFUSION Excerpted from Chapter 7 (Rights in Internet Domain Names) of E-Commerce and Internet Law: A Legal Treatise With Forms, Second Edition, a 4-volume legal treatise by Ian C. Ballon (Thomson/West Publishing 2014) LAIPLA SPRING SEMINAR OJAI VALLEY INN OJAI, CA JUNE 6-8, 2014 Ian C. Ballon Greenberg Traurig, LLP Los Angeles: Silicon Valley: 1840 Century Park East, Ste. 1900 1900 University Avenue, 5th Fl. Los Angeles, CA 90067 East Palo Alto, CA 914303 Direct Dial: (310) 586-6575 Direct Dial: (650) 289-7881 Direct Fax: (310) 586-0575 Direct Fax: (650) 462-7881 [email protected] <www.ianballon.net> Google+, LinkedIn, Twitter, Facebook: IanBallon This paper has been excerpted from E-Commerce and Internet Law: Treatise with Forms 2d Edition (Thomson West 2014 Annual Update), a 4-volume legal treatise by Ian C. Ballon, published by West LegalWorks Publishing, 395 Hudson Street, New York, NY 10014, (212) 337-8443, www.ianballon.net. Ian C. Ballon Los Angeles 1840 Century Park East Shareholder Los Angeles, CA 90067 Internet, Intellectual Property & Technology Litigation T 310.586.6575 F 310.586.0575 Admitted: California, District of Columbia and Maryland Silicon Valley JD, LLM, CIPP 1900 University Avenue 5th Floor [email protected] East Palo Alto, CA 94303 Google+, LinkedIn, Twitter, Facebook: Ian Ballon T 650.289.7881 F 650.462.7881 Ian Ballon represents Internet, technology, and entertainment companies in copyright, intellectual property and Internet litigation, including the defense of privacy and behavioral advertising class action suits. He is also the author of the leading treatise on Internet law, E-Commerce and Internet Law: Treatise with Forms 2d edition, the 4-volume set published by West (www.IanBallon.net). -
Annecy International Animation Film Festival/Mifa
TABLE OF CONTENTS EDITORIAL / 5 TERRITORIES/ 6 CONCEPT / 8 Objectives / 9 AWARDS/ 10 Representatives / 11 BOARD / 12 EXPERTS / 18 PARTICIPANTS / 24 SCHEDULE / 34 PARTNERS / 46 TEAM / 54 The Animation Workshop is proud to host the for games, film, tv, virtual reality – or any thinkable NipponNordic Universe Accelerator in Viborg, or yet unimagined combination thereof. Denmark in 2017 and 2018. We will use the unique NipponNordic Universe Accelerator will work with opportunity to invite all participants to take full skilled and experienced tutors, who will present advantage of the deeply creative environment high-level masterclasses as well as supervising around The Animation Workshop. Everything workshops in cooperation with the wide range from serene workstations to noisy networking of local, regional, and international partners who events and parties will be available for attendees, support the program. and those with the freedom to stay a bit longer can remain in town for Viborg Animation Festival which has a special focus this year on France and Morten Thorning French animation. Center Director of The Animation Workshop VIA University College The NipponNordic Universe Accelerator is an innovative and transnational project that aims to bring visionary and entrepreneurial artists and concept designers from Japan and Scandinavia together. Although the two territories are geographically very far apart from each other, there exists a mutual respect and curiosity towards the cultures and traditions of each other. What can create better understanding -
Media Entity Fox News Channel Oct
Federal Communications Commission FCC 06-11 Programming Service Launch Ownership by Date "Other" Media Entity Fox News Channel Oct. 96 NewsCoqJ. Fox Reality May 05 News Corp. Fox Sports Net Nov. 97 News Corp. Fox Soccer Channel (fonnerly Fox Sports World) Nov. 97 News Corp. FX Jun. 94 News Corp. Fuel .luI. 03 News Corp. Frec Speech TV (FSTV) Jun. 95 Game Show Network (GSN) Dec. 94 Liberty Media Golden Eagle Broadcasting Nov. 98 preat American Country Dec. 95 EW Scripps Good Samaritan Network 2000 Guardian Television Network 1976 Hallmark Channel Sep.98 Liberty Media Hallmark Movie Channel Jan. 04 HDNET Sep.OI HDNET Movies Jan. 03 Healthy Living Channel Jan. 04 Here! TV Oct. 04 History Channel Jan. 95 Disney, NBC-Universal, Hearst History International Nov. 98 Disney, NBC-Universal, Hearst (also called History Channel International) Home & Garden Television (HGTV) Dec. 94 EW Scripps Home Shopping Network (HSN) Jul. 85 Home Preview Channel Horse Racing TV Dec. 02 !Hot Net (also called The Hot Network) Mar. 99 Hot Net Plus 2001 Hot Zone Mar. 99 Hustler TV Apr. 04 i-Independent Television (fonnerly PaxTV) Aug. 98 NBC-Universal, Paxson ImaginAsian TV Aug. 04 Inspirational Life Television (I-LIFETV) Jun. 98 Inspirational Network (INSP) Apr. 90 i Shop TV Feb. 01 JCTV Nov. 02 Trinity Broadcasting Network 126 Federal Communications Commission FCC 06-11 Programming Service Launch Ownership by Date "Other" Media EntIty ~ewelry Television Oct. 93 KTV ~ Kids and Teens Television Dominion Video Satellite Liberty Channel Sep. 01 Lifetime Movie Network .luI. 98 Disney, Hearst Lifetime Real Women Aug. -
2018 Catalog
2018 movie CATALOG © Warner Bros. Entertainment Inc. © 2017 Disney/Pixar SWANK.COM 1.800.876.5577 © Open Road Films © Universal Studios © Columbia Pictures Industries, Inc. © Lions Gate Entertainment, Inc. Movie Category Guide PG PG PG PG PG PG G PG PG PG The War with Grandpa PG PG PG-13 PG PG PG PG PG-13 TV-G PG PG PG PG PG PG-13 PG-13 PG-13 PG-13 PG-13 PG-13 Family-Friendly Programming Family-Friendly PG-13 PG-13 PG-13 PG © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar PG-13 PG-13 PG-13 PG-13 PG-13 PG-13 PG-13 PG-13 PG-13 PG-13 © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar PG-13 PG PG-13 PG-13 PG-13 PG-13 PG-13 TV-G PG-13 PG-13 © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar © 2017 Disney/Pixar Teen/Adult Programming Teen/Adult PG-13 PG-13 PG-13 PG-13 PG PG-13 PG-13 PG-13 PG All trademarks are property of their repective owners. MP9188 Find our top 25 most requested throwback movies on page 31 NEW Releases NEW RELEASES © 2017 Disney/Pixar © Warner Bros.