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#GreatJobs C NTENT page 4 www.contentasia.tv l www.contentasiasummit.com Kids Online platforms’ TIFFCOM opens plans in Asia to record highs @TIFFCOM Booth #A1-C8 50 buyers, record 371 TIFFCOM 2017 SPECIAL ISSUE exhibitors in Tokyo, organisers say C NTENT This year’s sixth annual Japan Con- tent Showcase (JCS/TIFFCOM) market バランスオブパワーフォーマットアジアで最も人気が子供オンラインプラッ opened in Tokyo Tuesday morning (24 ハリウッド対アジアあるフォーマット、ジャンルトフォームのアジア戦略 Oct) with record exhibitors, an uptick in buyers, a focus on the state of Japanese animation and a look at entertainment innovation and marketing. Key animation trends included the rise in short easy-to-produce/broadcast anime and fantasy animation, Hiromichi Masuda, vice chairman of The Associa- tion of Japanese Animations business committee, told delegates at the open- ing seminar on the current state of Japa- nese animation. Anime-based musicals and live con- certs were also on the rise, said Naofumi アカデミー賞受賞者 J・K・シモンズ Ito, Asatsu-DK Inc’s department director, ACADEMY AWARD® WINNER J.K. SIMMONS The rest of the story is on page five Asia outreach A NEW ONE-HOUR DRAMA SERIES peaks at MIPCOM Visit the Sony Pictures Entertainment booth (C12) Local co’s bump up partnership efforts This year’s MIPCOM market closed in Cannes on 19 October with unprecedented interest from Asian companies in global relationships and outreach. This is not just because Korean companies continue their frantic search to fill the ©2018 MRC II Distribution Company, LP. hole left by the ongoing China freeze. Or 43856_MIP17_COUNT_APAC_AD_m1_edit_20171009.indd 1 9/10/17 6:56 pm because co-development, as difficult as 1_AdCover Japan layout.indd 1 16/10/17 11:20:02 it is, is in high gear for various reasons, including to comply with China’s IP-owner- www.contentasia.tv ship regulations. @contentasia /contentasia contentasia.tv /company/contentasia The full story is on page five 23 October -5 november 2017 page 1. C NTENTASIA 23 October-5 NOVEMber 2017 Page 2. So this happened Astro countdown to 28 Oct horror debut during MIPCOM Original 3 A.M. series kicks off new ASEAN slate Three national free-TV broadcasters in Southeast Asia have licensed season two of Sony Pictures Television Networks’ Asia’s Got Talent, giving the big-budget reality show broad mass-market reach in Indonesia (ANTV) and Vietnam (HTV3, DreamsTV) and extending reach among Thailand’s urban areas on two channels operated by BEC Multimedia/Channel 3. A+E Networks Asia signed its first global factual co-pro with China’s state- backed media organisations – China Central Television (CCTV) and China International Television Corporation (CITVC). The full two-hour show, The Silk Road – Reborn, will air on History across Asia. A one-hour version will air in the U.S. India’s Zee Entertainment Enterprises has ventured into high-end factual production for the first time, partnering with Smithsonian Channel to commission 4K/ UHD factual programme, Life of Earth from Space, from production company Talesmith. Thai actors Chansakorn “Hongyok” Kittiwattanakorn (left) and Tongpound “Namo” Tonggamnerd ITV Choice will air The Voice U.K. in Asia 24 hours after the original U.K. broadcast Malaysia’s Astro premieres its first original Astro plans to follow the TV series with a in an exclusive agreement that also cov- horror series, 3 A.M. Bangkok Ghost Stories, feature film in 2018. ers Africa/Middle East. The new season on 28 October, fast-tracking its premium “One year after the anniversary of the airs in early 2018, followed later in the originals ambitions for the region as well as launch of BOO, we are even more firmly year with the kids’ version. the expansion of its one-year-old in-house convinced of the appeal of stories that regional horror channel BOO. echo ASEAN supernatural folklore and Korea’s CJ E&M and UHD channel Insight The 13-episode series will air every Satur- experiences,” says Astro chief operating TV are co-producing two sports science day at 3am on BOO. officer, Henry Tan. shows looking at how athletes use tech The first episode, DJ, stars Thai actress/ The next projects are horror original, to improve performance. The films come singer Chansakorn Kittiwattanakorn (True Doors, A Philippines Horror Anthology, with ahead of the PyeongChang Olympics Academy Fantasia season 10, Yes or No Philippines’ producer Bianca Balbuena, in 2018. 2.5) and Paranyu Rojanawuthitham. The and action series Do[s]a, an Indonesian episode is the story of a DJ haunted by the production with Ifa Isfansyah and Salman spirit of a woman who committed suicide. Aristo along with a mixed Malaysian- Adapted from ContentAsia’s MIPCOM 3 A.M. Bangkok Ghost Stories was Indonesian cast. Dailies, published during the market in produced with Thailand’s Five Star Pro- “We are committed to developing high Cannes from 16-19 October. duction, which was behind the 3 A.M. quality Asian IPs (Intellectual Properties) feature film franchise. The first movie, by and premium Nusantara series via col- Full stories at www.contentasia.tv Kiatkamon Iamphungporn, was released laborations with renowned directors, writ- in 2012, with a sequel in 2014. ers and production studios,” Tan said. 23 October -5 november 2017 page 3. C NTENTASIA 23 October-5 NOVEMber 2017 Page 4. the spacePage 4. GoDaddy goes for J b Asia’s Got Talent the place to look for the jobs that matter S2 talent involved in new digital campaign Cloud platform GoDaddy has joined the Asia’s Got Talent season two sponsors’ list, two weeks after the show premiered on Sony Pictures Television Networks DEVELOPMENT MANAGER Asia’s regional channel AXN. The late- About Ideate Media entry partnership includes GoDaddy’s With offices in Kuala Lumpur and Los Angeles, Ideate Media is well positioned new digital campaign, “Bring Your Talent as a producer of choice for high quality scripted content in multiple Online”, which features customised con- languages for exploitation in emerging and developed markets. Our US TV series, Dirk Gently’s Holistic Detective Agency produced for BBC tent starring acts from Asia’s Got Talent. America and Netflix is now in season 2 and a slate of exciting feature films and TV series is ready to be rolled out in various markets in South East Asia. Known for our strong storytelling capabilities and production execution, we 13 years of losses are poised for a promising growth with more partnerships being formed with end for global brands. Responsibilities Taiwan’s MOD • Lead development cycle for selected projects from concept ideation, pitch, budget, evaluation and greenlight. Platform on track for 2m • Assist Head of Development in driving the company’s development slate including identifying potential projects, managing existing projects, subs by end 2017 providing creative oversight, managing development timelines and budget. Taiwanese telco Chunghwa Telecom Co • Manage company development activities including script evaluation, creative research, providing project reports and notes and preparing ended 13 years of losses on its Multime- pitch documents and proposals. dia On Demand (MOD) online television • Coordinate with the Production team through all production stages to platform this month, telling local media ensure the successful translation of script to screen. that it had gained 105,000 users since • Conduct market and creative research to provide intelligence and August this year. MOD now has 1.5 mil- analysis for slate development and exploitation strategy. lion subscribers, compared to 1.33 million Qualifications and skills at the end of 2016, and expects to hit • At least 5 years experience in a creative/development/production role in the 2 million mark by the end of 2017. the creative industries (writer, script editor, development executive, The latest success is being attributed creative producer, etc. in television, film, theatre, advertising). • Bachelor’s degree necessary, master’s degree a plus (a film school to the new regime – including a profit- qualification is a bonus). share arrangement with major content • Good knowledge of US, regional and local film and television marketplace. providers – ushered in at the end of last Knowledge of other markets a bonus. Broad contact base across the year when chairman David Cheng took local/regional market and good working relationships with writers, directors, producers, broadcasters. Ideally, enough familiarity with the international the reigns. Cheng supports a strong and U.S. marketplace to work effectively as part of a multinational content play, and has promised further team to develop concepts that work for audiences both regionally and improvements. Chunghwa has spent internationally. more than US$1 billion on the platform, • Excellent written and oral communication skills in English. Other major ASEAN languages a bonus. which launched in 2004. “Consumers • Good time management and problem-solving skills; self-starter; deadline- are backing [the company’s advocacy oriented with strong work ethic; passionate and knowledgeable about of] the right to choose content,” Cheng high quality drama across both television and film, with a strong proven was quoted in local daily, The Taipei track record of demonstrating sound creative judgment. Times, as saying. “There is still room for Please send your resume to Faizah Ibrahim at [email protected] us to enrich the content delivered on MOD,” he added. Click here to see more job listings C NTENTASIA 23 October-5 NOVEMber 2017 Page 5. From page 1: Japan Contents Showcase content strategic planning office, con- Asia outreach peaks at MIPCOM tent division. Local co’s bump up partnership/collaboration efforts Ito said overseas purchases of anime were at record highs of 459 titles in 2016 after the market’s virtual collapse in 2009 This year’s MIPCOM market closed in as a result of, among other things, Chi- Cannes on 19 Oct with one chart-topping nese regulations that stopped the broad- trend from Asia: unprecedented interest cast of anime in golden/prime time.

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