DOCSLIB.ORG

RTBF Radio Relaunches

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
RTBF Radio Relaunches 13 1984 Bruel: A Failure? 10 years 1994 RAI Drops Rock Show 23 Changes At MTV 23 Europe's Radio -A e Newsweek!). Volume 11 . Issue 41 . October 8, 1994 2.95, DM 8, FFr 25, US$ 5 Garcia Joins Former Soap France Inter RTBF Radio Relaunches Star Gayle BELGIUM Sevrin has fulfilled his promise to A national referendum entitled Poised To Whip FRANCE by Marc Maes breathe new life into the broad- the "Carrefour de l'audiovisuel" by Emmanuel Legrand caster with a head -to -toeplan was held in autumn '93 to gauge Up A Storm In French -languageBelgian pub - hoped to better delineate the iden- opinion on the future of broad- After more thana year -long caster the RTBF is rising to the tity of each channel. casting in the territory, and long - Europe break from the radio industry, challenge of increasingly power- The change involves new sta- delayed licence allocations were former Europe2 programme ful private operators and reduced tion names, new logos and new held in February this year. manager Marc Garcia is back in government subsidy with a radi- programming for all five of the The implementationofthe UNITED KINGDOM the business. cal overhaul of allfive of its broadcaster's stations. The new - new frequency plan is expected to by Machgiel Bakker Garcia is to become music channels. look stations are set to start airing authorise private radio to form programmer for public music Only six months after suc- on October 24. networks. It is feared, meanwhile, Following the UK -only success (continues on page 22) ceeding the retired Philippe Das- The move, which follows an that this will pave the way for of Looking Up, a second single noy, RTBFdirectorEtienne extensive market survey, falls in some French networks currently is set to break former star of UK the middle of preparations for a broadcastingprogrammesover soap Eastenders Michelle Gayle new national frequency plan in the border to establish full-blown onto the European airwaves. southern Belgium, scheduled for operations in southern Belgium. Supported by a top 10 single 1995. (see page 9 for more details) status in the UK, Sweetness is reported by 33 European sta- tions. Apart from its solid air- UK's 'Closed Door' play base in the UK, the single (continues on page 23) Policy Under Fire No. 1 in EUROPE UNITED KINGDOM tion to those who do not sing in by Jeff Clark -Meads English. European Hit Radio A panel at UK trade show In YOUSSOU N'DOUR/NENEH CHERRY BASIA, BASIA! - UK -based singer Basia returned to Poland recently to give a The UK record industry has come The City in September contrasted 7 Seconds string of concerts in her home country. The singer's sole meeting with the Polish under renewed criticism for its the success bands can have across (Columbia) press took place at the Digiton Radio Conference. Pictured (I -r) are: Basia's allegedreluctancetorelease borders on the European conti- manager Dee Anthony, Basia and composer/keyboard player Danny White. records by continental European nent with the traditionalresis- Eurochart Hot 100 Singles See page 8 for more information on the Digiton Radio Conference. artists and its particular opposi- (continues on page 23) WET WET WET Love Is All Around (Precious) Regionals Provide Promoters On -Air Support European Top 100 Albums ITALY intothe success formula favoured by the to, marketing manager at PolyGram Italy. "By CARRERAS/DOMINGO/PAVAROTTI nationals? As M&M's Mark Dezzani reports, definition, hit radio acts cautiously when draw- Three Tenors In Concert '94 Breaking a new band or artist, no matter howmany record labels have found that the secret ing up playlists, while programme directors at (Teldec) good, is a tough job anywhere. But the task is lies with the country's numerous regional out-local and regional radios are freer to make doubly difficult in Italy. Many of the country's lets. riskier choices and presenters are often given advertisement record company promotion teams have found The popularity of regional networks in Italy more creative space." themselves backed into a corner as nationalis increasing almost daily and is beating the ArcovitocitesthecaseofSicilian networks restrict themselves to airing onlyaudience share of national webs back into sec- singer/songwriter Mario Venuti. His catchy tried -and -tested artists. The financial consid- ond place. One of the reasons for this success debut single Fortuna is now picking up nation- erations in Italy's saturated and super -com- isthelessscientificand moreintuitive al airplay after being widely adopted by local mercial market forces the countrywide webs to approach to music adopted by the regionals, and regional stations two months ago. The sin- LUCKY ONE play safe, station chiefs insist. resulting in more innovative playlists. gle is an ideal summer hit with its melodic But how then can up-and-coming new "There are too many EHR stations amongst hook, lilting Samba rhythm and smart lyrics, essential bands get the airplay they need to turn them the national networks," says Giovanni Arcovi- (continues on page 22) the cranberries THE ALBUMNo Need To Argue AmericanRadioHistory.Com te. The traffic wasjust horrible.Don't wait up: have to work late tonight J f course THE NEW SINGLE eally: I lov_y Jur haircut. You lookjust like there f0 y00 always. mpu cedinto i t I tried cal : theline wasbusy. temp must have done My answering machine never got your message. You go ahead: I'l e t you there.This hurts me more than it hurts yo e dog ate my homework. What cute baby.I'm sorry out to lunch.Not tonight. I lost track of t You h ave to forgive me I'mnot usually like lost your telephone number. never said I wo tally pure.. I did'nt think it would matterjust is once. It seemed liketheright thing e time. I did'nt want to give you my col d Th p 1e in the n e x t o o m rti h t b e or us 6t FROM THE FORTHCOMING ALBUM sit my sick aunt in hospital. What a thou htfu .youreally shouldn' t,have. I'm sorry INTERNATIONAL AmericanRadioHistory.Com WEA Music Germany Starts EUROPE A T A GLANCE Autumn On A High Note UNITED KINGDOM: Radio Clyde Holds On To Glasgow Licences Radio Clyde, one of the UK's biggest ILR stations, has retained its GERMANY - Still outstanding are new albums MD andheadofmarketing. licences for the Glasgow area without competition. The company, by Christian Lorenz by Madonna, Tom Petty and ex- "Black music is a main topic at which broadcasts ERR on FM and Gold on AM to a catchment area of Pogues frontman Shane WEA," he says. 1.5 million adults, was the only applicant for the franchises by the A host of big name album releas- McGowan. The new Downbeat label will Radio Authority's deadline of September 20. Radio Clyde first began es, three new "trend" labels and supply jungle, dub reggae and broadcasting in 1973 and its new licences will run from the end of restructured marketing, sales and ragga.Meanwhile the MAAD next year to 2003. Jeff Clark -Meads promotion departments form the label in Hamburg will focus on three -pronged plan of attack at German dance acts, while ITALY: Record Industry Roadshow Aims To Outlaw Piracy WEA Germany for the autumn Konigshaus will concentrate on An anti -piracy roadshow has been created by Italian record industry months. alternative pop and rock produc- associations AFI and FIMI to raise awareness of the problem amongst Addressing thecompany's tions by German artists. politicians, law enforcers and the public. The roadshow is scheduled to annual sales conference at Bad One K8nigshaus signing, Frit- visit major cities, including Turin, Rome, Venice and Naples. A new SegebergonSeptember 1-3, ten and Bier (Chips and Beer), TV and cinema advertisement was launched at the Milan show, which WEA Music MD Gerd Gebhardt features Viva -presenter Nils points out the inferior quality of pirate recordings and the damage drew attention to these develop- Bokelberg and targets the video piracy inflicts on the industry. Mark Dezzani ments as good reason to believe generation on the German alter- the company isapproaching a Dopp (left) and Gebhardt native pop market. GERMANY:BMG Reports Successful Business Year '93/'94 promisingtseason. In addition to WEA's efforts Annual results for the business year '93/94 show a 16% growth for A totalof19 new album Bolstered by the company's on the A&R side, Dopp has Bertelsmann Music Group (BMG), proving that music is growing releases-I1 by international trioof new labels,Downbeat announced significant changes in more than twice as fast as any other Bertelsmann product line. artists, 8 by national artists-are (Berlin), Konigshaus (Berlin) and the sales, marketing and promo- Turnover reached a record DM5.3 billion (app. US$3.5 billion) in the scheduled for the period from MAAD (Hamburg) specialising tion departments. The new struc- 12 months prior to June 30. BMG contributes near 30% to Bertels- September to October, including in current trends, the A&R mes- ture of WEA Music Germany mann's total sales volume of DM 18.4 billion worldwide. new albums by Marius Muller- sage for the coming year is clear, willbedisclosedbyJanuary Christian Lorenz Westernhagen, REM and Prince. according to Bernd Dopp, deputy 1995. UNITED KINGDOM: "Abbey Road" Album Gets Promoting Push EMI is re -promoting the Beatles' Abbey Road album to mark its 25th Lorenz Joins M&M As Reporter anniversary. The album, the last studio work the band recorded, was first released on September 26, 1969. EMI is commemorating the M&M has appointed 29 -year -old involved in, and writing about, sively on the radio and record event with a weekend of celebrations at the Abbey Road Studios in Christian Lorenz to the post of in- the radio and music industries in industriesinthe GSA region, London.
Load more

Recommended publications
  • To Download the PDF File
    Reproductive Anxiety: Reconfiguring the Human in Virtual Culture by John Shiga, B.A., M.A. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy School of Journalism & Communication Carleton University Ottawa, Canada © 2009, John P. Shiga Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-60120-4 Our file Notre reference ISBN: 978-0-494-60120-4 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • DISCOVER NEW WORLDS with SUNRISE TV TV Channel List for Printing
    DISCOVER NEW WORLDS WITH SUNRISE TV TV channel list for printing Need assistance? Hotline Mon.- Fri., 10:00 a.m.–10:00 p.m. Sat. - Sun. 10:00 a.m.–10:00 p.m. 0800 707 707 Hotline from abroad (free with Sunrise Mobile) +41 58 777 01 01 Sunrise Shops Sunrise Shops Sunrise Communications AG Thurgauerstrasse 101B / PO box 8050 Zürich 03 | 2021 Last updated English Welcome to Sunrise TV This overview will help you find your favourite channels quickly and easily. The table of contents on page 4 of this PDF document shows you which pages of the document are relevant to you – depending on which of the Sunrise TV packages (TV start, TV comfort, and TV neo) and which additional premium packages you have subscribed to. You can click in the table of contents to go to the pages with the desired station lists – sorted by station name or alphabetically – or you can print off the pages that are relevant to you. 2 How to print off these instructions Key If you have opened this PDF document with Adobe Acrobat: Comeback TV lets you watch TV shows up to seven days after they were broadcast (30 hours with TV start). ComeBack TV also enables Go to Acrobat Reader’s symbol list and click on the menu you to restart, pause, fast forward, and rewind programmes. commands “File > Print”. If you have opened the PDF document through your HD is short for High Definition and denotes high-resolution TV and Internet browser (Chrome, Firefox, Edge, Safari...): video. Go to the symbol list or to the top of the window (varies by browser) and click on the print icon or the menu commands Get the new Sunrise TV app and have Sunrise TV by your side at all “File > Print” respectively.
    [Show full text]
  • Freedom of the Press 2005
    FREEDOM OF THE PRESS 2005 FREEDOM OF THE PRESS 2005 A Global Survey of Media Independence EDITED BY KARIN DEUTSCH KARLEKAR FREEDOM HOUSE NEW YORK WASHINGTON, D.C. ROWMAN & LITTLEFIELD PUBLISHERS, INC. LANHAM BOULDER NEW YORK TORONTO OXFORD ROWMAN & LITTLEFIELD PUBLISHERS, INC. Published in the United States of America by Rowman & Littlefield Publishers, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, MD 20706 www.rowmanlittlefield.com P.O. Box 317, Oxford OX2 9RU, United Kingdom Copyright © 2005 by Freedom House All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. ISSN 1551-9163 ISBN 0-7425-4028-6 (cloth : alk. paper) ISBN 0-7425-4029-4 (pbk. : alk. paper) Printed in the United States of America The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Table of Contents Acknowledgments, vii The Survey Team, ix Survey Methodology, xvii Press Freedom in 2004, 1 Karin Deutsch Karlekar Global and Regional Tables, 11 Country Reports and Ratings, 19 Freedom House Board of Trustees, 225 About Freedom House, 226 Acknowledgments Freedom of the Press 2005 could not have been completed without the contributions of numerous Freedom House staff and consultants. The following section, entitled “The Survey Team,” contains a detailed list of writers and advisers without whose efforts and input this project would not have been possible.
    [Show full text]
  • Herb Alpert and Jerry Moss
    NONPERFORMERS Herb Alpert and Jerry Moss By Barney Hoskyns he history o f American pop music is record of some repute: H e’d cowritten hits with Sam filled with great partnerships. Most Cooke (including the wonderful “Wonderful World”) of them, from Rodgers & Hart to and fellow native Angeleno Lou Adler. But the dark, Jam & Lewis, are songwriting teams handsome trumpeter had little idea of the success in working under pressure to create store once he teamed up with New York—born pro­ hits for the stars of the day. But motion man Jerry Moss. occasionally fate brings together two highlyThe talented pair’s first label, the short-lived Carnival, was Tmen who create and build a record company with the labnched simply to release two singles they had made same love and dedication that goes into the best songs. independently of each other. “Jerry and I never had A&M Records, the brainchild of Herb Alpert and this master plan o f starting a label,” Alpert has said. “It Jerry Moss, remains one o f the greatest labels launched just happened.” September 1962 saw the release of the in the 1960s, a decade when thousands of independ­ first A&M single, Alpert’s “The Lonely Bull.” The ents were born in America. Home to an eclectic array mariachi-flavored instrumental struck gold, hitting of outstanding artists from Alpert himself to Janet Number Six by early December of the same year. Jackson, A& M reflected the passion and savvy o f the “For the first couple of years, it was really just two men.
    [Show full text]
  • ANSAMBL ( [email protected] ) Umelec
    ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol.
    [Show full text]
  • Richie Hawtin Is a Genuine Original. His Critical Acclaim Spans the Creative Realm of the Fine Art Community to the Technological Vanguard
    Richie Hawtin is a genuine original. His critical acclaim spans the creative realm of the fine art community to the technological vanguard. Meanwhile, as a performing artist, he is constantly pushing conceptual frontiers, moving things forward, welcoming as many as he can to ideas and experiences that would have seemed pure science fiction when he began his career. Hawtin is British-born and Canadian-raised. He is the business mind behind Plus8 and MINUS Records, nurturing a plethora of talent from Speedy J in the early 90s to Gaiser in the 2010s. And, of course, he is Plastikman, perhaps that most of all, electronic musician par excellence, maintaining an underground agenda of avant-garde electronica over six albums (and two compilations). He returned spectacularly to the live circuit in 2010 with his Plastikman 1.5 incarnation which held its own among the new EDM generation of Skrillex, Deadmau5, etc, stars to whom Hawtin is both old guard ambassador and hero. It is not just the rising young talents who look up to Hawtin. Daniel Miller, founder of the seminal Mute label, referred to him as “a leader” and “a pioneer”, the New York Times called him “one of the electronic dance world's intellectual forces,”. However, it's plaudits from other areas that showcase the breadth of Hawtin's appeal. Raf Simons, former Creative Director at Dior, says he listens “to Richie Hawtin's music like others listen to classical music”, calling him “the Kraftwerk of today”. In 2013 Simons asked Hawtin to put on a special performance at the Guggenheim, New York's iconic art museum, as the centre-piece for their annual fund- raiser.
    [Show full text]
  • Richie Hawtin Has Always Been at the Leading Edge of Innovation in All Aspects of Electronic Music. Now More Than Ever, He's S
    RICHIE HAWTIN WordsRichie Richie Hawtin and Thomas H Green Photos www.alexanderkoch.com 0123456789 Hawtin 0123456789 new horizons Richie Hawtin has always been at the leading edge of innovation in all aspects R e of electronic music. Now more than ever, he’s searching for fresh horizons and new MM joe pli worlds to conquer. Who better to launch the first ever Mixmag Live? [[1L]] MARCH 2012 RICHIE HAWTIN Plastikman @ Brixton Academy, London from his lively blue eyes. He’s in dance music’s warlock, derive from his family’s move on November premier league these days, an immediately 14 1979 from the Northamptonshire village of recognisable name atop bills at clubs, raves and Middleton Cheney to LaSalle, Ontario, Canada, festivals and someone who is these days recognised when he was nine years old. even in the least likely of places. “My main memory of Middleton Cheney is a R te “I took a vacation on the coast of Morocco with strong sense of extended family, cousins, aunts, S ee my girlfriend,” he says in his relaxed Canadian uncles, a very close-knit family, everyone getting M accent, “walking though streets without pavements, together regularly,” he says. “That’s why the Canadian eule so far away from our world – and someone was like, move was such a big change: becoming isolated, M ‘Are you Richie Hawtin? Can I get your autograph?’.” introverted. The ‘DJ Richie Hawtin’ aspect of me Ann De : He laughs – “But it’s alright, people who come up are reflects what I remember of myself before I went S long term fans, not ‘I know that guy’s face from a to Canada: having all these people around, being boot D 0123456789 n 0123456789 A magazine.’ It’s a nicer sort of fame.” in elementary school, the cool kid in class who CH As Richie Hawtin he is the DJ who brings techno everyone talked to.
    [Show full text]
  • Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
    every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B.
    [Show full text]
  • Licence Fee Criminalisation Copy
    King’s Research Portal Document Version Publisher's PDF, also known as Version of record Link to publication record in King's Research Portal Citation for published version (APA): Steemers, J. (2020). The Funding of Public Service Broadcasting in Europe – Funding Systems and Decriminalisation - Selected Territories Information Briefing 30 March 2020. Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.
    [Show full text]
  • Detroit Techno Und Die Frage Nach Der Hautfarbe
    John-F.-Kennedy-Institut für Nordamerikastudien Abteilung für Kultur Freie Universität Berlin Detroit Techno und die Frage nach der Hautfarbe Magisterarbeit Erstgutachter: Prof. Dr. Winfried Fluck Zweitgutachter: Prof. Dr. Rolf Lindner (Institut für Europäische Ethnologie, Humboldt Universität Berlin) Verfasser: Daniel Schneider 05. Februar 2009 1 Inhalt 1. Einleitung S. 3 2. Einführung in Techno S. 5 2.1 Was ist Techno? S. 5 2.2 Wie funktioniert Techno? S. 8 2.3 Struktur der Technoszene und eigene Position S. 9 3. Einführung in die Geschichte Detroits S. 15 3.1 Die Geschichte der Stadt S. 16 3.2 Die Stadt als Inspiration und Kulisse S. 18 4. Die Vorgeschichte von Detroit Techno S. 21 5. Die Technoszene von Detroit S. 24 5.1 Die erste Generation S. 24 5.2 Die zweite Generation S. 27 5.3 Detroit House s. 34 6. Detroit Techno und „schwarze“ Musik S. 36 6.1 „Schwarze“ und „weiße“ Musik S. 36 6.2 Rockmusik vs. Tanzmusik S. 40 6.3 Ein Beispiel: Simon Reynolds vs. Jeff Mills S. 43 6.4 Stuart Cosgrove – der radikale Bruch mit der Vergangenheit S. 48 6.5 Wie „weiß“ sind eigentlich Kraftwerk? S. 52 6.6 Post-Soul S. 57 6.7 Kodwo Eshun – Düsseldorf als Mississippidelta S. 59 6.8 Afrofuturismus und Posthumanismus S. 61 6.9 Underground Resistance und die ethnischen Identitäten S. 69 7. Die Bedeutung von Detroit Techno in der europäischen Technoszene S. 76 7.1 Die Relevanz des afroamerikanischen Hintergrundes S. 77 7.2 Distinktionsmerkmal Detroit Techno S. 80 7.3 Detroit Techno und die „linken Kreise“ S.
    [Show full text]
  • Quentin Couldn't
    The Arts and Entertainment Supplement to the Daily Nexus, for April 13th through April 19th. 1995 Quentin couldn't: make it, but we got the inside scoop» on Destiny- Turns on tJie Ftedio from his co-stars Dylan McDermott and Nancy Travis, along with director Jack Bar an. See pages 4A-5A. 2A Thursday, April 13,1993 Daily Nexus bars of cage / you see scars, much ease — thus “Strug­ results of my rage.” That’s glin’,” tire soul food, hip- another thing about this hop blues, demi-epic of debut album. In Tricky’s the album. (The “epic” Massive and Unparalleled world, everything is a cage, track would probably be without any hope of re­ the seven-minute exten­ prieve. Even love is a sti­ sion of their first single, T ricky posedly one of 'fricky’s landic woman named any of them out from the fling, repressive activity “Aftermath.”) Amid creak­ M axinquaye nonsense words, sort of Ragga (again, no last scrapyard beats, hip-hop and sex is the violent ing doors, screeching 4th S t Broadway/I gland based around the name of name) and Alison Gold- breaks, soul slides and means of expressing one’s saxes, cocking rifles and his mother. frapp, who was most re­ thick, dark atm osphere anger. ambulance wails, Tricky This is almost too dense While we’re on names, cently heard on Orbital’s that just oozes out all over Witness “Abbaon Fat mutters like a junkie com­ a record for one head to Tricky’s real one is Adrian last album.
    [Show full text]
  • Rapport Général
    N° 74 SÉNAT PREMIÈRE SESSION ORDINAIRE DE 1978-1979 Annexe au procès-verbal de la séance du 21 novembre 1978. RAPPORT GÉNÉRAL FAIT au nom de la commission des Finances, du Contrôle budgétaire et des Comptes économiques de la nation ( 1 ), sur le projet de loi de finances pour 1979, ADOPTÉ PAR L'ASSEMBLÉE NATIONALE. par Maurice BLIN, Sénateurs. Rapporteur général. TOME III LES MOYENS DES SERVICES ET LES DISPOSITIONS SPÉCIALES (Deuxième partie de la loi de finances.) ANNEXE N° 8 Culture et Communication II. — INFORMATION Rapporteur spécial : M. Henri GOETSCHY. (1 ) Cette Commission est composée de : MM. Édouard Bonnefous, président; Geoffroy de Montalembert, Paul Ribey», Jacques Descours Desacres, Henri Tournan, vice-présidents; Joseph Raybaud, Modeste Legouez, Paul Jargot, Yves Durand , secrétaires; Maurice Blin, rapporteur général; Charles Alliès, René Ballayer, Roland Boscary-Monsservin, Jean Chamant, René Chazelle, Bernard Chochoy, Jean Cluzel, Marcel Debarge, Henri Dufaut, Marcel Fortier, André Fosset, Jean-Pierre Fourcade, Jean Francou, Henri Goetschy, Gustave Heon, Marc Jacquet, René Jager, Tony Larue, Anicet Le Pors, Georges Lombard, Raymond Marcellin, Josy Moinet, Gaston Pams, Louis Perrein, Christian Poncelet, Robert Schmitt, Camille Vallin. Voir les numéro* : Assemblée nationale (6* législ.) : 560 et annexes, 570 (annexe 11), 571, (tome VI) et in-8° 79. Sénat : 73 (1978-1979). Loi de finances. — Agence France-Presse - Information Presse - Société nationale des entreprises de presse (S.N.E.P*.) - Société financière de radiodiffusion (S.O.F.I.R.A.D.). — 2 — SOMMAIRE Pages Introduction 3 Principales observations de la Commission 6 I. — Présentation générale des crédits 7 A. — Fonctionnement des services 7 B. — Aides à la presse 8 C.
    [Show full text]