Easter Week and After Songs of the Ira Dominic Behan
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Irish Cultural Center of Cincinnati to Hold Green Tie Affair
Irish Cultural Center November 2013 of Cincinnati to Hold ianohio.com Green Tie Affair Saturday, November 2nd Saw Doctors Leo and Anto Hit the Road … page 2 Irish Cultural Center of Cincinnati Celebrates 4th Anniversary . page 6 Rattle of a Thompson Gun … page 7 Opportunity Ireland . page 9 Home to Mayo. pages 13 - 16 Big Screen to Broadway: Once Comes to Cleveland . page 19 Cover artwork by Cindy Matyi http://matyiart.com 2 IAN Ohio “We’ve Always Been Green!” www.ianohio.com November 2013 Saw Doctors Solo, Leo and Anto Hit the Road a little place back in Ireland where we together quite quickly. So we wanted it tested it out, and got a good response. to be different from anything we’d re- By Pete Roche, Special to the OhIAN of their stepping off the plane, and the And it looks like it worked. But we’ll be corded before. So we used the mandolin, guitarist sounded enthusiastic about tweaking it as we figure it out! which is a very different thing than what The North Coast’s music-loving Irish winding his way through the Midwest OhIAN: Apart from the music, how we’d done before with the Saw Doctors. contingent always turns out in strong in true troubadour fashion. will this tour be different from a Saw And I think that’s important. People are numbers whenever the rock quintet OhIAN: Hello again, Leo! Great to Doctors tour? saying to me it feels like they came to from the little Galway town of Tuam be catching up with you again! So you LEO: It’s going to be a whole new Ireland before we left it, because they’d play our neck of the woods. -
Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
De Búrca Rare Books
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 141 Spring 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 141 Spring 2020 PLEASE NOTE 1. Please order by item number: Pennant is the code word for this catalogue which means: “Please forward from Catalogue 141: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our front and rear cover is illustrated from the magnificent item 331, Pennant's The British Zoology. -
Potter & Williams Collection on Irish Culture
1/30/2019 009-04-01-FA - Google Docs PROVIDENCE PUBLIC LIBRARY Special Collections 009-04-01 Potter & Williams Collection on Irish Culture, Broadside Ballads 1860s-1880s OVERVIEW OF THE COLLECTION Number: 009-04-01 Title: Potter & Williams Collection on Irish Culture, Broadside Ballads Creator: Williams, Alfred M. (Alfred Mason), 1840-1896. Dates: 1860s-1880s Quantity: 2 containers (total .8 linear feet) ADMINISTRATIVE INFORMATION Acquisition: Donated by the estate of Alfred M. Williams upon his death in 1896 as part of the initially named “Alfred M. Williams Collection of Folklore.” Included scrapbooks of ballads collected by the library after the initial bequest including a purchase of three ballads in 1953 from Dana’s Old Corner Bookshop, Providence; purchase of a scrapbook of 40 ballads from William Wreden. A letter from PPL library director in 1967 noted a total of 1,141 irish broadside ballads mostly printed in Dublin or Belfast. 124 English broadside ballads. Accruals: No accruals are expected. Custodial history: The bulk of the ballads were collected by Alfred M. Williams. He collected some himself while in Ireland in 1865-1866. Additional materials were given to him by Sir Samuel Ferguson in 1879 and by Miss Mary Banim in 1886. A note by Williams in the flyleaf of one of the scrapbooks noted that the collection may have been created by Dublin printer, P. Bereton around 1869. Additional items in the collection are stamped with the National Library of Ireland. It is unclear when PPL acquired these items. Processed by: The collection was processed by Kate Wells in 2019. -
POLITICAL PARODY and the NORTHERN IRISH PEACE PROCESS Ilha Do Desterro: a Journal of English Language, Literatures in English and Cultural Studies, Núm
Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Phelan, Mark (UN)SETTLEMENT: POLITICAL PARODY AND THE NORTHERN IRISH PEACE PROCESS Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 58, enero-junio, 2010, pp. 191-215 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348696010 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative (Un)Settlement: Political Parody and... 191 (UN)SETTLEMENT: POLITICAL PARODY AND THE NORTHERN IRISH PEACE PROCESS 1 Mark Phelan Queen’s University Belfast Human beings suffer, They torture one another, They get hurt and get hard No poem or play or song Can fully right a wrong Inflicted and endured... History says, Don’t hope On this side of the grave. But then, once in a lifetime The longed-for tidal wave Of justice can rise up, And hope and history rhyme. (Heaney, The Cure at Troy 77) Ilha do Desterro Florianópolis nº 58 p. 191-215 jan/jun. 2010 192 Mark Phelan Abstract: This essay examines Tim Loane’s political comedies, Caught Red-Handed and To Be Sure, and their critique of the Northern Irish peace process. As “parodies of esteem”, both plays challenge the ultimate electoral victors of the peace process (the Democratic Unionist Party and Sinn Féin) as well as critiquing the cant, chicanery and cynicism that have characterised their political rhetoric and the peace process as a whole. -
ROINN COSANTA. BUREAU of MILITARY HISTORY, 1913-21. STATEMENT by WITNESS DOCUMENT NO. W.S. 204. Witness Mr. Sean Murphy Resident
ROINN COSANTA. BUREAU OF MILITARY HISTORY, 1913-21. STATEMENT BY WITNESS DOCUMENT NO. W.S. 204. Witness Mr. Sean Murphy Resident Caretaker, Dublin Castle. Identity (a) Member of I.R.B. Dublin. (b) Member of 'A' Coy. 3rd Battn. Irish Volunteers, Dublin. Subject (a) I.R.B. activities from 1901. (b) Preparations for Rising 1916. (c) Jacob's Factory, Easter Week 1916. Conditions, if any, stipulated by Witness Nil. File No. S.105. Form B.S.M.2 STATEMENT BY SEAN MURPHY, RESIDENT CARETAKER, DUBLIN CASTLE. My first introduction to national affairs was the. Commemoration of '98 when I was. present at the laying of the foundation stone in St. Stephen's Green to Wolfe Tone. About 1900 or 1901 I was approached by a brother-in-law of my own, William Brennan (since deceased) to know if I would be willing to became a member of the I.R.B. He explained its objects to me and I was a willing app1icnt for admission. The club to which I was introduced was named the Thomas Clarke Looby '98 Club. he then Centre was James O'Connor. He was a representative for all Ireland of the O'Meara Bacon Company. The Secretary was John J, O'Brien, an Auditor, whom I afterwards found out was employed in J. J. Reynold's Auditing Establishment in Westmoreland street. The Treasurer was John Morrissey, a Dairy Proprietor in Marrowbone Lane. Those were the three officials of the Club at that time. Meetings were held in the Foresters Hall, 41 Parnell Square. I was only two or two and a halt years a member when I was myself elected Centre of the Club at the request of those three officers, and held office from that time as Centre. -
Fhfest Walk 2012
‘Dublin‘Dublin CanCan BeBe Heaven’Heaven’ TraditionalTraditional SingingSinging andand WalkingWalking TourTour SundaySunday 23rd23rd September,September, 11:00am,11:00am, TrinityTrinity CollegeCollege EnEntrance.trance. CollegeCollege GreenGreen Frank Harte Festival 2012 AN GÓILÍN - FRANK HARTE FESTIVAL Dublin Traditional Singing and Walking Tour Sunday 23rd September his year’s Frank Harte Festival walk will commence at the main entrance to Trinity College at College Green. TCD, the Alma Mater of Bram Stoker Twhose centenary is celebrated this year is appropriately the starting point for the walk as many of those featured in the walk were educated there including the lyricist Thomas Moore whose adjacent statue provides the second stop on the tour. This is the first of the many of the statues and memorials to famous Irish people and events which shaped the city’s and Ireland’s history that this years walk will visit. At each of the selected memorials a relevant tune, song or poem will be per- formed by Góilín regulars or festival guests maintaining Frank Harte’s belief that ‘those in power write the history and those who suffer write the songs’. The route this year will explore historic College Green then saunter up Grafton Street and its environs into St Stephens Green and continue along Merrion Row, turn into Merrion Street to Merrion Square to the last stop at the memorial to Oscar Wilde. The walkers are invited to then proceed to O’Donoghue’s of Merrion Row where the music and songs of the Dubliners will be fondly remembered. The theme of this year’s walk is Dublin Can Be Heaven better known as The Dublin Saunter – a song made famous by Dublin actor and entertainer Noel Purcell who was born in the Grafton Street vicinity. -
A City out of Old Songs
A City Out of Old Songs: The influence of ballads, hymns and children’s songs on an Irish writer and broadcaster Catherine Ann Cullen Context Statement for PhD by Public Works Middlesex University Director of Studies: Dr Maggie Butt Co-Supervisor: Dr Lorna Gibb Contents: Public Works Presented as Part 1 of this PhD ............................................................ iii List of Illustrations ....................................................................................................... iv Acknowledgements ...................................................................................................... v Preface: Come, Gather Round ..................................................................................... 1 Chapter 1: The Singing Without Ceasing .................................................................... 8 Chapter 2: A Tune That Could Calm Any Storm ......................................................... 23 Chapter 3: Something Rich and Strange .................................................................... 47 Chapter 4: We Weave a Song Beneath Our Skins ...................................................... 66 Chapter 5: To Hear the Nightingale Sing ................................................................... 98 Conclusion: All Past Reflections Shimmer into One ............................................... 108 Works Cited .............................................................................................................. 112 Appendix 1: Index of Ballads and Songs used -
Études Écossaises, 20 | 2018 Smuggling Weapons, Republicans and Spies Across the Irish Sea and the North C
Études écossaises 20 | 2018 The Construction and Reconstruction of Scotland Smuggling Weapons, Republicans and Spies across the Irish Sea and the North Channel (1912–1923): Gaelic Friends or Foes? Trafic d’armes, de républicains et d’espions par la mer d’Irlande : amis ou ennemis gaéliques ? Émilie Berthillot Electronic version URL: http://journals.openedition.org/etudesecossaises/1400 ISSN: 1969-6337 Publisher UGA Éditions/Université Grenoble Alpes Printed version ISBN: 978-2-37747-047-1 ISSN: 1240-1439 Electronic reference Émilie Berthillot, « Smuggling Weapons, Republicans and Spies across the Irish Sea and the North Channel (1912–1923): Gaelic Friends or Foes? », Études écossaises [Online], 20 | 2018, Online since 01 April 2018, connection on 08 September 2020. URL : http://journals.openedition.org/ etudesecossaises/1400 This text was automatically generated on 8 September 2020. © Études écossaises Smuggling Weapons, Republicans and Spies across the Irish Sea and the North C... 1 Smuggling Weapons, Republicans and Spies across the Irish Sea and the North Channel (1912–1923): Gaelic Friends or Foes? Trafic d’armes, de républicains et d’espions par la mer d’Irlande : amis ou ennemis gaéliques ? Émilie Berthillot 1 After decades of riots throughout the 19th century,1 the Irish rebels fighting for Home Rule decided to foster a rebellion taking advantage of the involvement of Great Britain in the First World War. To fight against British forces, Irish activists were in desperate need of weapons whose importation was banned by the Proclamation of King George V issued on 4 December 1913 (Figgis, 2014, p. XXV). They thus turned to Germany to provide them with illegal ones. -
Trotskyists Debate Ireland Workers’ Liberty Volume 3 No 45 October 2014 £1 Reason in Revolt Trotskyists Debate Ireland 1939, Mid-50S, 1969
Trotskyists debate Ireland Workers’ Liberty Volume 3 No 45 October 2014 £1 www.workersliberty.org Reason in revolt Trotskyists debate Ireland 1939, mid-50s, 1969 1 Workers’ Liberty Trotskyists debate Ireland Introduction: freeing Marxism from pseudo-Marxist legacy By Sean Matgamna “Since my early days I have got, through Marx and Engels, Slavic peoples; the annihilation of Jews, gypsies, and god the greatest sympathy and esteem for the heroic struggle of knows who else. the Irish for their independence” — Leon Trotsky, letter to If nonetheless Irish nationalists, Irish “anti-imperialists”, Contents Nora Connolly, 6 June 1936 could ignore the especially depraved and demented charac - ter of England’s imperialist enemy, and wanted it to prevail In 1940, after the American Trotskyists split, the Shachtman on the calculation that Catholic Nationalist Ireland might group issued a ringing declaration in support of the idea of gain, that was nationalism (the nationalism of a very small 2. Introduction: freeing Marxism from a “Third Camp” — the camp of the politically independent part of the people of Europe), erected into absolute chauvin - revolutionary working class and of genuine national liberation ism taken to the level of political dementia. pseudo-Marxist legacy, by Sean Matgamna movements against imperialism. And, of course, the IRA leaders who entered into agree - “What does the Third Camp mean?”, it asked, and it ment with Hitler represented only a very small segment of 5. 1948: Irish Trotskyists call for a united replied: Irish opinion, even of generally anti-British Irish opinion. “It means Czech students fighting the Gestapo in the The presumption of the IRA, which literally saw itself as Ireland with autonomy for the Protestant streets of Prague and dying before Nazi rifles in the class - the legitimate government of Ireland, to pursue its own for - rooms, with revolutionary slogans on their lips. -
Brendan Behan Interviews and Recollections
Brendan Behan Interviews and Recollections Volume 1 Also by E. H. Mikhail The Social and Cultural Setting of the 189os John Galsworthy the Dramatist Comedy and Tragedy Sean O'Casey: A Bibliography of Criticism A Bibliography of Modern Irish Drama 1899-1970 Dissertations on Anglo-Irish Drama The Sting and the Twinkle: Conversations with Sean O'Casey (co-editor with John O'Riordan) J. M. Synge: A Bibliography of Criticism Contemporary British Drama 195o-1976 J. M. Synge: Interviews and Recollections (editor) W. B. Yeats: Interviews and Recollections (two volumes) (editor) English Drama I900-1950 Lady Gregory: Interviews and Recollections (editor) Oscar Wilde: An Annotated Bibliography of Criticism Oscar Wilde: Interviews and Recollections (two volumes) (editor) A Research Guide to Modern Irish Dramatists The Art of Brendan Behan Brendan Behan: An Annotated Bibliography of Criticism An Annotated Bibliography of Modern Anglo-Irish Drama Lady Gregory: An Annotated Bibliography of Criticism BRENDAN BEHAN Interviews and Recollections Volume 1 Edited by E. H. Mikhail M Macmillan Gill and Macmillan Selection and editorial matter © E. H. Mikhail 1982 Softcover reprint of the hardcover 1st edition 1982 978-0-333-31565-1 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1g82 by THE MACMILLAN PRESS LTD London and Basingstoke Companies and representatives throughout the world ISBN 978-1-349-06015-3 ISBN 978-1-349-06013-9 (eBook) DOI 10.1007/978-1-349-06013-9 Published in Ireland by GILL AND MACMILLAN LTD Goldenbridge Dublin 8 Contents Acknowledgements Vll Introduction lX A Note on the Text Xll Chronological Table Xlll INTERVIEWS AND RECOLLECTIONS The Golden Boy Stephen Behan I Schooldays 2 Moving Out Dominic Behan 2 A Bloody Joke Dominic Behan 7 Dublin Boy Goes to Borstal 9 The Behan I Knew Was So Gentle C. -
Empire, Class, and Religion in Lady Gregory's Dramatic Works
‘The Return to the People’: Empire, Class, and Religion in Lady Gregory’s Dramatic Works Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Anna Pilz. July 2013 Anna Pilz University of Liverpool 2013 Abstract ‘The Return to the People’: Empire, Class, and Religion in Lady Gregory’s Dramatic Works Anna Pilz This thesis examines a selection of Lady Gregory’s original dramatic works. Between the opening of the Abbey Theatre in 1904 and the playwright’s death in 1932, Gregory’s plays accounted for the highest number of stage productions in comparison to her co-directors William Butler Yeats and John Millington Synge. As such, this thesis analyses examples ranging from her most well-known and successful pieces, including The Rising of the Moon and The Gaol Gate, to lesser known plays such as The Wrens, The White Cockade, Shanwalla and Dave. With a focus on the historical, bibliographical, and political contexts, the plays are analysed not only with regard to the printed texts, but also in the context of theatrical performances. In order to re-evaluate Gregory’s contribution to the Abbey, this thesis is divided into three chapters dealing with dominant themes throughout her career as a playwright: Empire, class, and religion. Acknowledgements I would like to express my sincerest gratitude to the Institute of Irish Studies, University of Liverpool, for its financial support throughout my postgraduate studies. I am also indebted to the School of Histories, Languages and Cultures and the International Association for the Study of Irish Literatures for their financial assistance in covering travel costs to conferences and archives in the UK and abroad.