UC Berkeley UC Berkeley Electronic Theses and Dissertations

Total Page:16

File Type:pdf, Size:1020Kb

UC Berkeley UC Berkeley Electronic Theses and Dissertations UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Governing Poverty Amidst Plenty: Philanthropic Investments and the California Dream Permalink https://escholarship.org/uc/item/4h75k26b Author Kohl, Erica L. Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Governing Poverty Amidst Plenty: Philanthropic Investments and the California Dream by Erica L. Kohl A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Education in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Harley Shaiken, Chair Professor John Hurst Professor Ananya Roy Spring 2010 Governing Poverty Amidst Plenty: Philanthropic Investments and the California Dream © 2010 by Erica L. Kohl Abstract Governing Poverty Amidst Plenty: Philanthropic Investments and the California Dream by Erica L. Kohl Doctor of Philosophy in Education University of California, Berkeley Professor Harley Shaiken, Chair Described as the ‘New Appalachia,’ California’s Central Valley ranks number one on the Brookings Institution’s American poverty list. In the past two years newspapers ranging from the Los Angeles Times to the Washington Post ran headline stories featuring the Central Valley’s dependence on large-scale agriculture and its resulting income stagnation, ‘brain drain’, and deepening poverty and insecurity in isolated migrant farmworker settlements across the region. This dissertation is a historical study of philanthropic interventions into migrant farmworker poverty across California's Central Valley from the 1960’s Farm Worker Movement to the present. It explores the ways in which foundation driven programs to address migrant poverty amidst great agricultural wealth manage or ‘govern’ the work of farmworker organizers and institutions across the region. Over the past ten years an unprecedented number of private foundation grants have been made to farmworker organizations across California's Central Valley. While philanthropic investments in migrant institutions have not significantly altered the terrain of farmworker organizing, they have promoted institutional arrangements and theoretical frameworks that contain the work of farmworker organizations and advocates. In this dissertation I specifically interrogate how processes of professionalization and ‘participatory’ ideas promoted through foundations such as self-help, community development, immigrant integration, civic participation, and asset-based community development are negotiated by institutional 'grantees,' and 1 ultimately structure the ways in which historic farm worker movement organizations build institutions and organizing strategies. Through an analysis of archival data and interviews with historic movement leaders and current foundation and nonprofit staff, this dissertation shows how, while philanthropic investments in farmworker communities are greater than ever, regional program managers are more reluctant to address the problems faced by farmworkers such as pesticides poisoning, low wages, and substandard health and housing conditions. The specific ‘win-win’ asset based approach popular with the most recent foundation initiatives facilitates processes that identify the places where growers and workers can work together, avoiding problem-based causes where growers’ economic interests may be challenged. Operating under the 'win-win' model, at a time when growers and workers alike are suffering from the financial crisis and drought, advocates find themselves further away from addressing the structural issues of a farm labor system that relies on constant streams of migrant workers from poor pueblos in Mexico. This dissertation contributes to the emerging body of scholarship on philanthropy and social change by complicating arguments that either promote foundations as positive agents of social progress or critique them as monolithic imperialist institutions with clear agendas of co-optation and control. In complicating theories of social control and cooptation, my intention is not to defend private grant making foundations as effective agents of social movements or even to disagree with the ultimate dilution of organizing agendas that foundation grants often initiate. My aim is to encourage scholars and activists to confront the current paradigm where foundations are viewed as unified institutions of power with clearly articulated political agendas of which we have little understanding and therefore no ability to change. Throughout the dissertation, I do this by showing how decisions made between funders and movement leaders are, while not without consequences, often multi-layered and contingent, as opposed to being driven by a single political agenda of cooptation and repression as is now commonly argued. This is the first scholarly work on California foundations, and their relationship to farmworker institutions. 2 Dedication I dedicate this dissertation, and the future book, to two important people in my life. While many people have provided critical support and feedback throughout this journey, it has been my husband Jose and my father Herb that made it possible. Throughout my life my father, Herb, has taught me to speak my heart, to write about complex problems plainly, and to find a way to change the world by being both an observer and an actor. Most of all he taught me that even though it may be hard, and may come with consequences, that taking risks, following my dreams and having the courage to challenge what I see as wrong, will shape my life’s work. Through the process of researching and writing this dissertation I have come closer in mind and spirit to my father, a life long storyteller and provocateur. I also dedicate this work to my beautiful and endlessly supportive husband, Jose. Ten years ago when I decided to go down the road of becoming a scholar I was lucky to happen upon a partnership with Jose, an artist and a man with an enormous heart, a deep understanding for the creative process - of uncovering meaning and insight by getting ones hands dirty-, and a bottomless well of patience and belief in my voice. I could not have found a more fitting partner in life. The financial, childcare, and emotional support Jose has provided me throughout this journey only scratch the surface of his generosity. It is his honesty, positive spirit, creative mind, and amazement with the written word that kept me going when I found it hard to see the whole through all the parts. One day last summer Herb and Jose ganged up on me and said, “Now is the time. Go to Point Arena and just get-it-done!” Thank you. I did. i Acknowledgements Many generous people and organizations contributed to this project. First, I thank my family for their support, curiosity, and belief in my ability to tell this complicated story. My mother and father, who have humored my misuse of commas and semicolons for years, were particularly helpful with proof reading and copy editing of the entire document. I am also grateful to my Social and Cultural Studies cohort of eight strong and brilliant women who for the past seven years pushed me to ask the right questions and think critically about my arguments and conclusions. Special thanks to Greta Kirshenbaum and Ligaya Domingo for their writing companionship and for understanding the importance yet also the challenges that come with conducting research that is deeply connected to one’s life and work. Ingrid Seyer-Ochi and Gillian Hart were also helpful in guiding me in the initial stages of shaping a research project. I gained excellent feedback from my dissertation committee members, Harley Shaiken, John Hurst and Ananya Roy. It was John’s urging to investigate the effects of philanthropic investments over time, and not just for one organization or case study, that led me down the path of archival research. Digging into the United Farm Workers of America’s archives turned out to be perhaps the most fruitful and rewarding part of my research. Harley always provided a reality check, reminding me that ‘capitalism is not going end tomorrow’ and that therefore any theorization needs to be grounded in the reality of our times. His knowledge of the broader context in which the United Farm Workers of America rose and struggled was also appreciated in grounding my research in the field of labor history. I cannot find enough words to thank Ananya Roy. In Ananya I found a kindred spirit. Her love of ideas, her comfortableness with contradictions and paradoxes, her interest in both broader structural patterns and the specific people who try to reinforce or change them, and her deep and critical reading kept me inspired and connected to my research and writing process. All three of my advisors believed in my work and pushed me to create a bigger, more complex project every step of the way. They are models for working within academia without losing sight of the everyday struggles of people, of politics, and action. Important mentors outside of the university include Craig McGarvey, Myrna Martinez-Nateras, and Dr. Helen Lewis. It was my work with Craig at the James Irvine Foundation that first inspired this research project. During my time with Irvine, Craig took me under his wing and opened my eyes to the ii politics of philanthropy and the specific strategies, successes and missteps made by professionals attempting to use private wealth as a tool for addressing societal inequity. Craig’s honest
Recommended publications
  • Siete Lenguas: the Rhetorical History of Dolores Huerta and the Rise of Chicana Rhetoric Christine Beagle
    University of New Mexico UNM Digital Repository English Language and Literature ETDs Electronic Theses and Dissertations 2-1-2016 Siete Lenguas: The Rhetorical History of Dolores Huerta and the Rise of Chicana Rhetoric Christine Beagle Follow this and additional works at: https://digitalrepository.unm.edu/engl_etds Recommended Citation Beagle, Christine. "Siete Lenguas: The Rhetorical History of Dolores Huerta and the Rise of Chicana Rhetoric." (2016). https://digitalrepository.unm.edu/engl_etds/34 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in English Language and Literature ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Garcia i Christine Beagle Candidate English, Rhetoric and Writing Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Michelle Hall Kells, Chairperson Irene Vasquez Natasha Jones Melina Vizcaino-Aleman Garcia ii SIETE LENGUAS: THE RHETORICAL HISTORY OF DOLORES HUERTA AND THE RISE OF CHICANA RHETORIC by CHRISTINE BEAGLE B.A., English Language and Literature, Angelo State University, 2005 M.A., English Language and Literature, Angelo State University, 2008 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY ENGLISH The University of New Mexico Albuquerque, New Mexico November 10, 2015 Garcia iii DEDICATION To my children Brandon, Aliyah, and Eric. Your brave and resilient love is my savior. I love you all. Garcia iv ACKNOWLEDGMENTS First, to my dissertation committee Michelle Hall Kells, Irene Vasquez, Natasha Jones, and Melina Vizcaino-Aleman for the inspiration and guidance in helping this dissertation project come to fruition.
    [Show full text]
  • Papéis Normativos E Práticas Sociais
    Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs.
    [Show full text]
  • Gloria Swanson
    Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B.
    [Show full text]
  • La Causa Y La Cruza
    newUniversityVOL. 4/NO. 13/NOVEMBER 12, 1971 To large numbers of laymenand clergy in California and across the nation the nameChrisHartmire has California Migrant Ministry become a household word. He is rarelydiscussed passively.To agri- business owners and the more con servative religious organizations in California. Hartmire is one of the most hated men in the church. But to many in the church today,both y cruza Catholic, to la and causa Protestant and la thousands of poverty-stricken farm workers, the California Migrant Ministry and the man who by marc grossman leads it representshopefor a better — "I've been making friends with the veteran of community projects in ganizing feeling the pressure future and signifies a new direction courageous to clergy for sixteenyears, especially Harlem and the Civil Rights Move- from some of the most they feel the church will have in CMM projects to keep touch with the the Migrant Ministry. ..Thechurch ment in the South where he was farm workers take if it is in pushed the Migrant Ministry to social realities of the 20th century. is the onegroup that isn't expecting arrested during the "Freedom Hartmire,director anythingfrom us. Allthe others, the Rides." Like all newly arrived prepare lor aneventual confronta- TheRev. Chris tion with theow nersof theagri-busi- of the California Migrant Ministry unions, the civil rights groups, they CMM personnel, Hartmire spent one of Cesar all want something in return for his first twomonths inthe state with ness establishment. and for. a decade Hartmire and his stalllearned that Chavez's closest friends and asso- their support.
    [Show full text]
  • Gloria Swanson
    Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers Dates: [18--]-1988 Extent: 620 boxes plus art, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Arrangement Due to size, this inventory has been divided into six separate units which can be accessed by clicking on the highlighted text below: Gloria Swanson Papers--Series descriptions and Series I. through Series II. Subseries A3. [Part I] Gloria Swanson Papers--Series II. Subseries A4 through Subseries F. [Part II] Gloria Swanson Papers--Series II. Subseries G. through Series III. [Part III] Gloria Swanson Papers--Series IV. through Series V. Subseries H. [Part IV] Gloria Swanson Papers--Series V. Subseries I. through Series VII. Subseries J. [Part V] [This page] Gloria Swanson Papers--Indices [Part VI] Swanson, Gloria, 1899-1983 Film Collection FI-041 Series V. Biographical/Personal Papers, ca. [18--]-1983, (continued) Subseries I. Friends and Associates, nd Photographs A-D box 401 folder 1-8 Dufty, William folder 9-12 E-F box 402 folder 1-2 Farmer, Michael folder 3 G-L folder 4-9 la Falaise, Henri de folder 10-13 M box 403 folder 1-2 Marshall, Herbert folder 3-4 N-Z folder 5-15 Subseries J.
    [Show full text]
  • October 7, 1966 No. 46
    EI. Malc:riado 'N NEO~~~ISH IO¢ "The Voice of t'he FarlD Worker" .~ . ierra:: e ':' '. 'officia~. '. Union .I " , 7-/ - ---, liN THIS ·ISSUE_: NEW UNITY IN LAMONT P. 3 HORRIBLE EVENT IN NEW YORK P. 4 ESQumOLES AFUERA P. 5 BOYCOTT NUMBER THREE--- PERELLI- MINETTI EL MALCRIADOGRAM P.ll GOOD NEWS FROllf SCHENLEY P. 12 LETTERS TO THE EDITOR P. 14 VIVA PAT BROWN P. 16 GILBERT PADILLA~ VICE PRESIDENT P. 20 P. 22 l'la!criado is entered as second class matter on January 14, 1966, at the Post Offic lelano, California, under the Act of March 8,1879. It is published bi-weekly at U mont, Delano, California. Subscription price is $2 a year. This is issue II LI ~ NEW BOOK P. 23 'ct.. .n:?- ? - ~ 6> -/ 'S:;'727: 1966 I' uw-::dt BUBSCRIBEDANDSWORN TO BEFORE M .1....kl,r THlll..L...D~.-'3.9PM~ ~1." . ~~w-;-:"~i:~7c~:t:",·"_J My ~ ~~~1~. IMe .ux.-or_;a;:::;-o.'i:,oe:ill-:-- t r--' ~ ~:e-:::on 19 "":~::.~.,::;~* J __, J vuu.-. z.Mr, 8a; 1060, Dllue, Cal1t. Lewis G• .td&1r, III, Bu. lO6O, Delu., Call1'. Ernest Lowe, Dick Prosten, & E. M. DRala•• ''' .~__''''l.-..a_t.Il*'I __IO_~__~ __'_''''' _ __.. _'n1Jl.ulln._'II.u),_..... _(_,JJ"."IJ,.,_4.J,.~T .... (I_S-cw.) "EI Malcriado", the Voice of the ~,:::r:- ... 1Of... OCl. __,,..,,...a-J 10,000 IJ,OOO 1._-"'- is ,, ~---- Farm Worker, an independent ____ ,,600 _,000 .ublication, and is not the "official - ',1,00 ""., c.fQI.. ,_-..._ 9,000 1wspaper" of any person or group.
    [Show full text]
  • Gloria Swanson
    Gloria Swanson Also Known As: Gloria May Josephine Svensson, Gloria Mae Swanson, Josephine Swenson, Mrs. Herbert Somborn, Mrs. Henri the Marquis de la Falaise de la Coudraye Lived: March 27, 1899 - April 4, 1983 Worked as: film actress, producer Worked In: United States by Julie Buck By the time Gloria Swanson started her own production company, she had already been part of the film industry for over a decade. Many actresses started their own production companies in the 1920s and ’30s in an effort to gain more artistic freedom and a bigger percentage of the profits. Rarely, however, were actresses involved in the day-to-day workings of such an arrangement. Directors, husbands, or studio heads usually handled details. Gloria Swanson, however, remains an exception as she handled the business side of her first company; she did it not for “artistic freedom” but, according to Swanson herself, in retaliation against Jesse Lasky (Swanson 261). Swanson had been a star since late 1919, when she signed a seven-year contract at Famous Players-Lasky in a series of films directed by Cecil B. DeMille. But by the mid-1920s, as Swanson admits in her autobiography, she was beginning to feel very unsatisfied at Famous Players-Lasky. Churning out four to six films a year was exhausting, and while Swanson was the most successful actress in America (save perhaps Mary Pickford), by the mid-1920s her films were famous more for her fabulous costumes than for her acting or the story line (273). In 1925 Swanson fought to make the film Madame Sans-Gêne.
    [Show full text]
  • Women's Emancipation and Civil Society Organisations
    Women’s emancipation and civil society and organisations emancipation Women’s “Lorem ipsum dolor sit hanc tutamen quid noblis est sunt. Lorem ipsum dolor sit hanc tutamen quid noblis est sunt. Lorem ipsum dolor sit hanc tutamen quid noblis est sunt. Lorem ipsum dolor sit hanc tutamen quid noblis est sunt. Lorem ipsum dolor sit hanc tutamen quid noblis est sunt. Lorem ipsum dolor sit hanc tutamen noblis est sunt.” Pugnam mercurio, Quintus erat in atrium ego et meconduise. Africa’s urban population is growing rapidly, raising numerous environmental concerns. Urban areas are often linked to poverty, as well as power and wealth, and hazardous and unhealthy environments, as the pace of change stretches local resources. Yet there are a wide range of perspectives and possibilities for political analysis of these rapidly changing environments. WOMEN’S Written by a widely respected author, this important book will mark a major new step forward in the study of Africa’s urban environments. Using innovative EMANCIPATION research including fieldwork data, map analysis, place-name study, interviewing and fiction, the book explores environmentalism from a variety of perspectives, acknowledging the clash between Western planning mind-sets pursuing the goal AND CIVIL SOCIETY of sustainable development, and the lived realities of residents of often poor, informal settlements. The book will be valuable to advanced undergraduate and graduate-level courses in geography, urban studies, development studies, ORGANISATIONS environmental studies and African studies. Challenging or maintaining the status quo? GARTH MYERS is the Paul E. Raether Distinguished Professor of Urban Nakagawa Sachiko Onyx, Jenny Chris Lange, Christina Schwabenland, International Studies at Trinity College, Hartford, CT.
    [Show full text]
  • AAPI National Historic Landmarks Theme Study Essay 6
    National Park Service U.S. Department of the Interior A National Historic Landmarks Theme Study ASIAN AMERICAN PACIFIC ISLANDER ISLANDER AMERICAN PACIFIC ASIAN Finding a Path Forward ASIAN AMERICAN PACIFIC ISLANDER NATIONAL HISTORIC LANDMARKS THEME STUDY LANDMARKS HISTORIC NATIONAL NATIONAL HISTORIC LANDMARKS THEME STUDY Edited by Franklin Odo Use of ISBN This is the official U.S. Government edition of this publication and is herein identified to certify its authenticity. Use of 978-0-692-92584-3 is for the U.S. Government Publishing Office editions only. The Superintendent of Documents of the U.S. Government Publishing Office requests that any reprinted edition clearly be labeled a copy of the authentic work with a new ISBN. Library of Congress Cataloging-in-Publication Data Names: Odo, Franklin, editor. | National Historic Landmarks Program (U.S.), issuing body. | United States. National Park Service. Title: Finding a Path Forward, Asian American and Pacific Islander National Historic Landmarks theme study / edited by Franklin Odo. Other titles: Asian American and Pacific Islander National Historic Landmarks theme study | National historic landmark theme study. Description: Washington, D.C. : National Historic Landmarks Program, National Park Service, U.S. Department of the Interior, 2017. | Series: A National Historic Landmarks theme study | Includes bibliographical references and index. Identifiers: LCCN 2017045212| ISBN 9780692925843 | ISBN 0692925848 Subjects: LCSH: National Historic Landmarks Program (U.S.) | Asian Americans--History. | Pacific Islander Americans--History. | United States--History. Classification: LCC E184.A75 F46 2017 | DDC 973/.0495--dc23 | SUDOC I 29.117:AS 4 LC record available at https://lccn.loc.gov/2017045212 For sale by the Superintendent of Documents, U.S.
    [Show full text]
  • 042 Harvard Classics
    THE HARVARD CLASSICS The Five-Foot Shelf of Books The Lady of Shalott By ./. W. Water house, R.A: THE HARVARD CLASSICS EDITED BY CHARLES W. ELIOT, LL.D. English Poetry IN THREE VOLUMES VOLUME III From Tennyson to Whitman With Introductions and Notes Volume 42 P. F. Collier & Son Corporation NEW YORK Copyright, 1910 BY P. F. COLLIER & SON Copyright, 1870 BY FIELDS, OSGOOD & Co. Copyright, 1898 BY BRET HARTE Copyright, 1882 BY DAVID MCKAY Copyright, 1884, 1891 BY MARY D. LANIER Published by CHARLES SCRIBNER'S SONS Copyright, 1883 BY THE MACMILLAN COMPANY Copyright, 1889 BY THE MACMILLAN COMPANY Copyright, 1893 BY THE MACMILLAN COMPANY Copyright, 1865, 1868 BY LONGMANS, GREEN & COMPANY Copyright, 1891 BY CASSELL & COMPANY Copyright, 1896 BY CHARLES SCRIBNER'S SONS MANUFACTURED IN U. S. A. CONTENTS ALFRED, LORD TENNYSON PA°* THE LADY OF SHALOTT 9*>7 SWEET AND LOW 972 TEARS, IDLE TEARS 972 BLOW, BUGLE, BLOW 973 HOME THEY BROUGHT HER WARRIOR DEAD 973 Now SLEEPS THE CRIMSON PETAL 974 O SWALLOW, SWALLOW 974 BREAK, BREAK, BREAK < • • 975 IN THE VALLEY OF CAUTERETZ 976 VIVIEN'S SONG 97^ ENID'S SONG 976 ULYSSES 977 LOCKSLEY HALL 979 MORTE D'ARTHUR 9^6 THE LOTOS-EATERS 993 You ASK ME, WHY 998 LOVE THOU THY LAND 999 SIR GALAHAD 1002 THE HIGHER PANTHEISM 1004 FLOWER IN THE CRANNIED WALL 1005 WAGES 1005 THE CHARGE OF THE LIGHT BRIGADE 1005 THE REVENGE 1007 RIZPAH 1011 To VIRGIL 1014 MAUD 1015 CROSSING THE BAR 1057 RICHARD MONCKTON MILNES, LORD HOUGHTON SONNET 1057 WILLIAM MAKEPEACE THACKERAY THE END OF THE PLAY 1058 CHARLES KINGSLEY AIRLY BEACON 1060 THE SANDS OF DEE 1061 959 960 CONTENTS CHARLES KINGSLEY (Continued) YOUNG AND OLD 1062 ODE TO THE NORTH-EAST WIND 1002 J.
    [Show full text]
  • Delano Farm Workers' Strike
    USHistoryAtlas.com Primary Sources Delano Farm Workers’ Strike Date # 1965 –1970 (given in 2005) Place # Mainly Delano, California Type of Source # Eyewitnesses (recollections) Author # Various Context # In 1965, Filipino and Mexican immigrants launched a strike in Delano, California, against local grape growers (farm owners), calling for minimum wage pay, as required by the federal government. The strike lasted five years and was ultimately led by labor leader and civil rights activist Cesar Chavez. The strike resulted in the birth of the labor union, the United Farm Workers of America, and the first major victory for U.S. farm workers. Although it began as a labor issue, the strike inspired Mexican-Americans and other Latinos to become more politically active. These accounts were given at a reunion to mark the 40th anniversary of the strike. Andy Imutan My name is Andy Imutan and I am one of the original Filipino workers Andy Imutan who went on strike in 1965. I am now only one of two living Filipino workers One of the original Filipino strikers. Leader of the from that era as most of my brothers have passed away. The one thing that does AWOC and later vice- remain is their legacy and their fight for a just cause. president of the UFW. Coachella Coachella The whole movement began in that same summer [of 1965]. a small town and region of That's when a group of Filipino workers went on strike demanding that their southeastern California 1.10 wages be increased from $ an hour as well as better living conditions.
    [Show full text]
  • United Farm Workers (UFW) Movement: Philip Vera Cruz, Unsung Hero
    United Farm Workers (UFW) Movement: Philip Vera Cruz, Unsung Hero United Farm Workers (UFW) Movement: Philip Vera Cruz, Unsung Hero PHOTO: EL MALCRIADO STAFF Photo: Jerry Whipple (center), regional director for UAW Region 6, presents a $100,000 check to the UFW executive board at a ceremony in Los Angeles in 1974. From left to right: Marshall Ganz, Eliseo Medina, Pete Velasco, Mack Lyons, Jerry Whipple, Richard Chavez, Cesar Chavez, Gil Padilla, Phillip Vera Cruz, Dolores Huerta. United Farm Workers (UFW) Movement: Philip Vera Cruz, Unsung Hero Workers For Justice Today 23 United Farm Workers (UFW) Movement: Philip Vera Cruz, Unsung Hero Kent Wong What I learned from Philip Vera Cruz first met Philip Vera Cruz when I was an undergraduate at UC Berkeley in the early 1970s. I remember thinking how out of place Philip looked on campus. He wore old Iwork clothes, a sweater vest, and a crumpled brown hat. His hair was gray and his face lined from the years he had worked in the fields of California under the relentless sun. Philip had come to UC Berkeley to speak before an Asian American Studies class. When he opened his mouth to speak, the students were in for a surprise. Despite the quiet demeanor usually associated with older Asian immi- grants, Philip spoke with great force and passion. Philip was a vice president of the United Farm Workers Union, the highest-ranking Filipino in the union. advancing justice-la.org 2 aasc.ucla.edu Untold Civil Rights Stories: Asian Americans Speak Out for Justice United Farm Workers (UFW) Movement: Philip Vera Cruz, Unsung Hero 24 Untold Civil Rights Stories “My life within the union, my life now outside the union, are all one: my continual struggle to improve my life and the lives of my fellow workers.
    [Show full text]