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Clarky List 50 31/07/2012 13:06 Page 1
Clarky List 51_Clarky List 50 31/07/2012 13:06 Page 1 JULY 2012 PHONE RESERVATIONS ESSENTIAL : 8am – 9pm OVERSEAS ORDERS PLEASE WRITE FIRST. Postage & Packing Rates (all recorded delivery): LP’s/12"s: £6.00 for the first, £1.00 each thereafter 45’s: £2.50 for the first, 50p each thereafter Special Delivery on 45s – £7.50 to be paid on all orders over £30 ALL BIDS MUST BE IN WRITING All Mint/VG+ unless indicated otherwise. Discs held for 7 days. Any returns within 7 days. No responsibility for Post Office mis han dling The Coach House, Cromer Road, North Walsham, Norfolk, NR28 0HA, England Tel: 01692 403158 / ianclarkmusic.com 24 HOUR AUTO FAX! Fax in your requests - just let the phone ring! (same number as above) NORTHERN SOUL US ORIGINALS 1) Jackie Ross I Got the Skill Chess £8 2) Jackie Wilson Sweetest Feeling/Nothing But Heartaches Brunswick (DJ) £30 3) Jackie Wilson I Don’t Want to Lose/Just Be Sincere Brunswick (DJ £35 4) Jackie Wilson Who Who Song Brunswick (DJ) £30 Three rare promos of these soul classics 5) Young Holt Unlimited California Montage Brunswick (DJ) £25 6) Linda Lloyd Breakaway (swol) Columbia (WDJ) £175 7) James Carr A Losing Game Goldwax £25 8) Icemen How Can I Get Over? (brilliant) ABC £40 9) Volumes You Got it Baby/A Way to Love Inferno (WDJ) £40 10) Chessmen Why Can’t I Be Your Man? Chess (WDJ) £50 11) Jimmy Norman Love Sick Raystar £20 12) Nancy Wilcox Coming On Strong RCA (WDJ) (SWOL) £70 13) Herb Ward Honest to Goodness RCA (DJ) £200 14) Johnny Bartel If This Isn’t Love (WDJ) Solid State VG++ £100 15) Twilights -
Finding Aid to the Historymakers ® Video Oral History with Johnny Pate
Finding Aid to The HistoryMakers ® Video Oral History with Johnny Pate Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Pate, Johnny Title: The HistoryMakers® Video Oral History Interview with Johnny Pate, Dates: September 30, 2004 Bulk Dates: 2004 Physical 5 Betacame SP videocasettes (2:29:11). Description: Abstract: Jazz bassist and music arranger Johnny Pate (1923 - ) formed the Johnny Pate Trio and Combo, and was house bassist for Chicago’s The Blue Note. Johnny Pate’s bass solo on “Satin Doll” is featured on the album "Duke Ellington Live at The Blue Note," and he has collaborated with Curtis Mayfield, produced the Impressions’s hits “Amen,” “We’re A Winner” and “Keep On Pushin’.” and arranged for B.B. King, Gene Chandler and Jerry Butler. Pate was interviewed by The HistoryMakers® on September 30, 2004, in Las Vegas, Nevada. This collection is comprised of the original video footage of the interview. Identification: A2004_188 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Jazz bassist, rhythm and blues arranger John W. Pate, Sr., “Johnny Pate,” was born December 5, 1923 in blue collar Chicago Heights, Illinois. Pate took an interest in the family’s upright piano and learned from the church organist who boarded with them. He attended Lincoln Elementary School, Washington Junior High and graduated from Bloom Township High School in 1942. Drafted into the United graduated from Bloom Township High School in 1942. Drafted into the United States Army, Pate joined the 218th AGF Army Band where he took up the tuba and played the upright bass in the jazz orchestra. -
The Impressions, Circa 1960: Clockwise from Top: Fred Cash, Richard Brooks> Curtis Mayfield, Arthur Brooks, and Sam (Pooden
The Impressions, circa 1960: Clockwise from top: Fred Cash, Richard Brooks> Curtis Mayfield, Arthur Brooks, and Sam (Pooden. Inset: Original lead singer Jerry Butler. PERFORMERS Curtis Mayfield and the Impressions BY J O E M cE W E N from the union of two friends, Jerry Butler and Curtis Mayfield of Chicago, Illinois. The two had sung together in church as adolescents, and had traveled with the Northern Jubilee Gospel Singers and the Traveling Souls Spiritual Church. It was Butler who con vinced his friend Mayfield to leave his own struggling group, the Alfatones, and join him, Sam Gooden, and brothers Richard and Arthur Brooks— the remnants of another strug gling vocal group called the Roosters. According to legend, an impressive performance at Major Lance, Walter Jackson, and Jan Bradley; he also a Chicago fashion show brought the quintet to the at wrote music that seemed to speak for the entire civil tention of Falcon Records, and their debut single was rights movement. A succession of singles that began in recorded shortly thereafter. “For Your 1964 with “Keep On Pushing” and Precious Love” by “The Impressions SELECTED the moody masterpiece “People Get featuring Jerry Butler” (as the label DISCOGRAPHY Ready” stretched through such exu read) was dominated by Butler’s reso berant wellsprings of inspiration as nant baritone lead, while Mayfield’s For Your Precious Love.......................... Impressions “We’re A Winner” and Mayfield solo (July 1958, Falcon-Abner) fragile tenor wailed innocently in the recordings like “(Don’t Worry) If background. Several follow-ups He Will Break Your Heart......................Jerry Butler There’s A Hell Below We’re All Going (October 1960, Veejay) failed, Butler left to pursue a solo ca To Go” and “Move On Up,” placing reer, and the Impressions floundered. -
Trade Moving to Same Col Tops Hot 100 Chart
OCTOBER 25, 1969 $1.00 SEVENTY-FIFTH YEAR The International Music -Record Tape Newsweekly COIN MACHINE Bi oa PAGES 41 TO 48 Trade Moving to Same Col Tops Hot 100 Chart 8 -Track, Cassette Price By BRUCE WEBUR Report; Keeps LP Lead LOS ANGELES - Industry The tape duplicator joins By FRED KIRBY trends point to a $6.98 stand- Columbia, RCA and Capitol, NEW YORK - Columbia Columbia also led for the Seven Arts complex, which also ard for both 8 -track and cas- among the major record manu- maintained its leading position third quarter on the Top LP's includes that label, which was by 1 sette, and Jan. an indus- facturers to establish a cassette in percentage of spots on Bill- Chart, but the top quarter Hot ninth with 23 titles for 3.6 per- try -wide price is ex- posture standard equal to that of its board's Top LP's Chart for the 100 scorer was RCA with 16 cent. Columbia's leading posi- pected. 8 -track cartridge product. first nine months of the year titles and 8.4 percent of the tion for last year's first three today's markups Many of in If traditional record labels, and gained the top position on chart, compared to Columbia's quarters was only supported by price tags as an come after- (Continued on page 14) Hot 100 percentage. 16 titles for 6.9 percent. 65 titles. math to rising costs at the man- ufacturing and distribution The nine -month Top's LP's RCA rose from its sixth spot leaders were points. -
“It's Just a Matter of Time”: African American Musicians and The
“It’s just a matter of time”: African American Musicians and the Cultural Boycott in South Africa, 1968-1983 by Ashrudeen Waggie Thesis presented in fulfilment of the requirements for the degree of Master of Arts (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. L. Lambrechts Co-supervisor: Dr. C. J. P. Fransch March 2020 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Ashrudeen Waggie March 2020 Copyright © 2020 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract In 1968 the United Nations General Assembly instituted a cultural boycott against apartheid South Africa. The cultural boycott prevented South Africa from having cultural, educational and sporting ties with the rest of the world, and it was an attempt by the international community to sever ties with South Africa. A culmination of this strategy was the publication of an annual registry by the United Nations of all international entertainers, actors, and others who performed in South Africa from 1983. Based on this registry a number of academic studies have been conducted, but very few studies have investigated those who came to perform in South Africa before the publication of the registry even though renowned artists such as Percy Sledge (1970), Brook Benton (1971 & 1982), Jimmy Smith (1978 & 1982) and Isaac Hayes (1978) performed in South Africa during this time. -
In the Middle of 1970, Curtis Mayfield Quit the Impressions and Began One of the Most Groundbreaking and Successful Solo Careers in History
In the middle of 1970, Curtis Mayfield quit the Impressions and began one of the most groundbreaking and successful solo careers in history. Nothing happened to force his hand—no dramatic falling out or heated argument. In his customary seat-of-the-pants way, he simply picked up the phone one evening, called fellow Impression Fred Cash, and said, “Fred, I’m going to try to go on my own and see what I can do. You and Sam [Gooden] can do the same thing. Y’all go on your own and see what you can do.” Fred called Sam and told him the news, and that was it. My father left the group. Fred, Sam, and the Impressions, three of the most important forces in my father’s life for more than a decade, no longer occupied his mind. The boyhood dreams, the endless miles traveled on tour, the lonely nights trying to steal sleep in motel beds, the harmonizing and fraternizing all came to an end. Dad struggled with the decision. For years, the three Impressions were so close that if you saw one of them, you usually saw the other two. They spent more time with each other than they did with their own wives. Yet, my father had the ability to turn off his emotions and make cold, calculated business decisions when he felt it necessary. Recalling this side of him, my brother Tracy says, “You saw a good and evil. The evil part came out when it was about business. I always separated the parent from the businessperson. -
Chicago Was a Key R&B and Blues
By Harry Weinger h e g r e a te st h a r m o n y g r o u p o p ment,” “Pain in My Heart” and original all time, the Dells thrilled au versions of “Oh W hat a Nile” and “Stay diences with their amazing in My Comer.” After the Dells survived vocal interplay, between the a nasty car accident in 1958, their perse gruff, exp lore voice of Mar verance became a trademark. During vin Junior and the keening their early down periods, they carried on high tenor of Johnny Carter, thatwith sweet- innumerable gigs that connected T the dots of postwar black American- homeChicago blend mediated by Mickey McGill and Veme Allison, and music history: schooling from Harvey the talking bass voice from Chuck Fuqua, studio direction from Willie Barksdale. Their style formed the tem Dixon and Quincy Jones, singing back plate for every singing group that came grounds for Dinah Washington and Bar after them. They’ve been recording and bara Lewis (“Hello Stranger”) and tours touring together for more than fifty with Ray Charles. years, with merely one lineup change: A faithful Phil Chess helped the Dells Carter, formerly ©f the Flamingos reinvigorate their career in 1967. By the (t ool Hall of Fame inductees), replaced end of the sixties, they had enough clas Johnny Funches in i960. sics on Cadet/Chess - including “There Patience and camaraderie helped the Is,” “Always Together,” “I Can Sing a Dills stay the course. Starting out in the Rainbow/Love Is Blue” and brilliant Chicago suburb of Harvey, Illinois, in remakes of “Stay in My Comer” and “Oh, 1953, recording for Chess subsidiaries What a Night” (with a slight variation in Checker and Cadet and then Vee-Jay, the its title) - to make them R&B chart leg Dells had attained Hall of Fame merit by ends. -
Sensational Soul Cruisers Song List the Tramps
Sensational Soul Cruisers Song List The Tramps - Disco Inferno - Hold Back The Night KC and the Sunshine Band - Sound Your Funky Horn - Get Down Tonight - I‛m Your Boogie Man - Shake Your Booty - That‛s The Way I Like It - Baby Give It Up - Please Don‛t Go The Moments - Love On A Two Way Street The Bee Gees - You Should Be Dancin - Night Fever Harold Melvin & The Blue Notes - The Love I Lost - If You Don‛t Know Me By Now - Bad Luck - I Don‛t Love You Anymore The O‛Jays - Love Train - I Love Music - Back Stabbers - Used To Be My Girl The ChiLites - Have You Seen Her - Oh Girl Gladys Knight - The Best Thing That Ever Happened To Me - Midnight Train To Georgia Earth, Wind & Fire - September - Sing a Song - Shining Star - Let‛s Groove Main Ingredient - Everybody Plays The Fool Johnny Nash - I Can See Clearly Now Isley Brothers - Work To Do - It‛s Your Thing - Shout - Twist & Shout Tavares - It Only Takes a Minute - Free Ride - Heaven Must Be Missing an Angel - Don‛t Take Away The Music The Foundations - Now That I‛ve Found You Barry White - Can‛t Get Enough of You Babe - You‛re My First My Last My Everything - What Am I Gonna Do - Ecstasy (When You Lay Down Next To Me) Edwin Starr - 25 Miles The Platters - Only You Soul Survivors - Expressway Billy Ocean - Are You Ready George Benson - Turn Your Love Around Billy Ocean - Are You Ready Heat Wave - Boogie Nights - Always and Forever - Groove Line Bell & James - Livin It Up (Friday Night) Peter Brown - Dance With Me Jigsaw - Skyhigh Tyrone Davis - Turn Back the Hands of Time The Stylistics - -
The Dukays by Robert Pruter
The Dukays Never credited Chicago Vocal Group recorded a million seller The Dukays circa 1964. Left to right: Claude McCrae, James Lowe, Earl Edwards, Richard Dixon. he Dukays are a well-respected Chicago vocal group of the he was robbing a bus, Ben Broyles. I decided I would be a good guy and early 1960s, known for a few moderate rhythm and blues make a nice guy out of him. I found out that he liked to sing, so every Thits, but few collectors realise they also recorded one of chance I got I had him come around to sing to keep him out of trouble. the most famous early soul records of all time. The record sold That’s the way I got started with him. more than a million copies and became the number one song in “With the other fellows, we used to get together on the corner, 59th and the country, yet the Dukays, to their everlasting misfortune, May, and sing and choose sides. Then, nobody wanted to choose me were never credited on the record. because I was new in Chicago, and they didn’t think I could sing. I had to By now some astute readers have caught on that the record was ‘Duke take what was left, and it turned out that the fellows I chose were better Of Earl’, made famous by Gene Chandler, or Eugene Dixon to use his than any of those other guys. birth name. He was the Dukays’ first lead singer and as lead he recorded “A man had a barber shop in the neighbourhood and his name was the song with the group, but a marketing decision resulted in the turn of Cooper. -
CONGRESSIONAL RECORD— Extensions of Remarks E1459 HON
July 29, 2002 CONGRESSIONAL RECORD — Extensions of Remarks E1459 America, Junior Achievement reaches more This man dedicated his life to ameliorating map in the soul music industry said W.L. than four million students in grades K–12 per human rights in our country. In the 50s and Lilliard a television talk show host/producer year. JA International takes the free enterprise 60s, when minorities were given little to no re- and businessman, as well as a close fhend of message of hope and opportunity even further spect or rights, Cesar Chavez cleared the path Mr. Leavill’s. to nearly two million students in 113 countries. for equality. Bob Pruter, the author of the book, ‘‘Chi- Junior Achievement has been an influential In the early 50s, after fighting in World War cago Soul,’’ said, when I was doing research part of many of today’s successful entre- II, Chavez began his involvement in battling for my book, I went to him because he knew preneurs and business leaders. Junior racial and economic discrimination against everybody, Achievement’s success is truly the story of Chicanos. His passion and commitment to this Mr. (Leavill) Cobb wrote dozens of songs, America—the fact that one idea can influence cause led him to serve as the national director and gained National attention in 1964 for sing- and benefit many lives. of the Community Service Organization. But ing, ‘‘Let her Love Me,’’ written by Billy Butler Mr. Speaker, I wish to extend my heartfelt as his attention and personal interest focused and produced by Major Lance, himself a noted congratulations to Bill Laird of Franklin for his on the poor working conditions of farm work- recording artist. -
2021 Gene Chandler
International PO Box 935, Byron Bay Tel: 61 2 6687 4441 NSW, 2481 Australia Fax: 61 2 6687 4445 Tel: (02) 6687 4441 Web:http://www.aiminternational.com Fax: (02) 6687 4445 E-Mail:[email protected] TRADING GROUP Pty Ltd ABN 78 093 907 914 AVAILABLE NOW Best Of Gene Chandler DUKE OF EARL AIM 2021 CD 1. Duke Of Earl 2. Just Be True 3. Tear For Tear 4. You Threw A Lucky Punch Gene Chandler had more than 25 Soul Pop Hits in the 1960's and 70's. He was born Eugene Dixon in Chicago on July 6, 1937 and 5. Rainbow named himself after the actor Jeff Chandler. 6. Man's Temptation Gene Chandler began his music career as lead singer of the Dukays 7. It's No Good For me in the late 50's. The Dukays were a Doo Wop vocal harmony group that began its recording career in 1961, and progressively became 8. Think Nothing About It more influenced by Soul Music and Gospel Styles. "Duke Of Earl" 9. A Song Called Soul (USA #1, 1962) was recorded by The Dukay's on the NAT label and subsequently sold to The Vee Jay label who released the song as by 10. What Now "Gene Chandler", having made the decision to back him as a solo 11. You Can't Hurt Me No More artist. Another Dukays recording on this compilation is "The Big Lie." 12. Nothing Can Stop Me "Duke Of Earl" is a memorable Rock 'n' Roll hit, however it is the soul 13. -
Finding Aid to the Historymakers ® Video Oral History with Carl Davis
Finding Aid to The HistoryMakers ® Video Oral History with Carl Davis Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Davis, Carl, 1934-2012 Title: The HistoryMakers® Video Oral History Interview with Carl Davis, Dates: December 19, 2003 Bulk Dates: 2003 Physical 5 Betacame SP videocasettes (2:31:55). Description: Abstract: Music producer Carl Davis (1934 - 2012 ) produced a number of hits starting in the '60s, earning his reputation as a "hitpicker." Davis was interviewed by The HistoryMakers® on December 19, 2003, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2003_306 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Successful record producer Carl H. Davis was born September 19, 1934, in Chicago, Illinois, where his father was a postal worker. He attended McCosh Elementary School and Englewood High School. He later earned a GED in 1954 and an associate’s degree from Cortez College of Business in 1957. Davis began his radio career typing play-lists for popular Chicago disc jockey Al Benson on WGES Radio in 1955. He quickly earned a reputation as a “hitpicker.” His success allowed him to join the marketing department of Arnold Distributors. In the early 1960s, Davis managed the Nat label and had a minor hit with “Nite Owl” by the DuKays. In 1962, he became a producer for Okeh Records. There, Owl” by the DuKays. In 1962, he became a producer for Okeh Records. There, Davis discovered the legendary Gene Chandler and produced and co-wrote the “Duke of Earl” in 1962 and Major Lance’s “Monkey Time” in 1963.