List of Providers of Production Music*
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NMS15 Marketing Opportunities
SPONSOR AND PARTNER OPPORTUNITIES Transforming the Music Business JUNE 21-23, 2015 | NEW YORK CITY THE NEW ERA OF MUSIC BUSINESS "The New Music Seminar is the single best gathering of cung edge music industry visionaries on the scene today. It's a must-do for anyone aspiring to be part of this business of music." - Steve Greenberg – Founder/CEO, S-Curve > NMS is the legendary NYC industry event focused on new opportunities and growth of the overall music business > Unparalleled speakers and discussions - The next generation of music business executives and stars > Elevated networking platform to take your business and career to the next level NMS connects the creave professional with the people wHo determine the future of the music business 2 THE 1,500 • Limited to 1,500 attendees to ensure the highest quality personal experience > More decision-makers devoted to the cause of building the next generation of the music business - Less time bandits. • Influential audience filled with creatives, decision-makers, and engaged trendsetters > Artists, producers, and songwriters > Tastemakers that break new music > Explorers searching for the “next big thing” > Experienced industry leaders discussing the real issues behind the music business, the backroom deals, the untold stories > Investors of the music business > Industry Insiders revealing the secrets behind success in the industry Cross-pollinaon : Every part of the music business...together! Adversing/ Brands; 2% ArJst Services; 2% Students; 6% A&R; 5% Radio; 5% ArJsts/ PublisHers; 8% Performers; -
General Coverfeature
05 Tools Found.ee 06-07 Campaigns Abbey Road Studios, Tanlines Tyler, the Creator, Pandora/Rolling Stones 08-11 Behind The Campaign Torche APRIL 22 2015 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 131 TWITCH-FINDER GENERAL COVERFEATURE TIMELINE MUSIC ON TWITCH: SELECTED HIGHLIGHTS TWITCH-FINDER 2014 May: Diplo’s Mad MUSIC AND Decent label launches a Twitch channel. GAMING REBORN July: Steve Aoki streams GENERAL a live DJ set to launch his Twitch channel. August: Porter Robinson launches his Twitch channel, giving fans a look into the video games that inspired his Worlds album. August: Ghostly International artists perform the original music they composed for PlayStation’s Hohokum soundtrack on PlayStation’s Twitch channel. November: US dance music duo Krewella premiere new song, ‘Say Goodbye’, on Twitch. December: EDM label Monstercat launches Prodigy released a new single on there, Skrillex is an evangelist, Steve Aoki was an early adopter. Now more a 24-hour music channel on Twitch. acts are flocking to Twitch – a platform fizzing with such potential that Amazon bought it for just under $1bn. December: deadmau5 We look at why the hype around this live-gaming community is, for the most part, justified, why more artists debuts his Twitch channel. and labels are treating it very seriously indeed (and licensing their music for it) and how it is breathing new life (continued over page ») into music and gaming. rom Wipeout on the PlayStation to Guitar Twitch.tv, an online platform where fans broadcasters, the For the music industry, too, Hero (which is making a bold return later go to watch other people play games; and, same month in which Twitch is becoming increasingly Fthis year), music and video games have if they’re feeling adventurous, broadcast it was said to have important. -
List of Providers of Production Music*
LIST OF PROVIDERS OF PRODUCTION MUSIC* *Providers of mood music having concluded a contract with SUISA enabling it to act as a one-stop shop. Users can apply directly and exclusively to SUISA for the authorisation to use the music. Provider Label Acoris Editions T. 022 796 15 33 Moodmusicprovider by Acoris 12, rue du Grand Bay acoris@mangrove- productions.com 1220 Les Avanchets www.mangrove-productions.com Allround Music T. 041 410 22 04 Allround Music The Music library Hazy Music Swiss F. 041 410 18 04 Funtastik Music Tonework Records Zinggertorstrasse 8 G-B-W Music Unity Production Music Lib. 6006 Luzern Le Red Publishing MST Publishing Powerhouse Arcadia MSI T. 075 233 11 80 Arcadia Hollywood Music-Service-International F. 075 233 13 37 Arcadia Films Jazz line Postfach 444 [email protected] Arcadia Jingle Bank Less-is-More FL-9494 Schaan www.arcadiamusic.com ARCADIA NATIONAL Lifestyle Cinematic Loop Academy Classical Media Music Mastertrax Cosmos Library Max Music Cosmos Special Select Media music Deluxe Minimal Drones Muvico EnVogue Shorts Esovision Spot leitmotiv Galaxy Star music inc. Global Authentic Therapy Viva BMG Production Music (Germany) GmbH 1 Revolution Music Klanglobby Charlottenstraße 59 101 Dark Orchid Music Kool Kat 10117 Berlin [email protected] Absolute Music L. A. Edition Music Library GERMANY T: 0039 030 - 300 133 277 Adrenalin L.a. Riot Adrenalin Vocals Lab Hits Altitude Music Lalela Music Altitude Underscore Latin Music Collective Altitude X Faber Lemoncake Amped Library Of The Human Soul Amplitude Liquid -
Marketing Plan
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A. -
Sony Group Statement on U.K. Modern Slavery Act
Sony Group Statement on U.K. Modern Slavery Act We make this Statement pursuant to Section 54 of the United Kingdom (UK) Modern Slavery Act 2015 (the “Act”) to identify actions we have taken on a Sony Group-wide and global basis during the financial year ending March 31, 2020 to prevent slavery and human trafficking from occurring in our business operations and supply chains. Not all Sony Group1 companies (“Sony”) are subject to the Act. However, all Sony companies throughout the world are required to comply with applicable Sony policies, so we discuss the actions we have taken group-wide at a global level in this Statement. This Statement covers all Sony companies operating in the United Kingdom who are required by the Act to publish a statement, including but not limited to, Sony Europe B.V., Sony Interactive Entertainment Europe Ltd., Sony Music Entertainment UK Ltd., Columbia Pictures Corporation Limited, Sony DADC Europe Limited and other subsidiaries of Sony Corporation (collectively referred to as “Sony reporting entities”, “we” or “us”). The list of Sony reporting entities covered by this Statement as of March 31, 2020 is available in the Annex. Our Human Rights Commitment Slavery and human trafficking can occur in many forms, such as forced labor, child labor, domestic servitude, sex trafficking, and related forms of workplace abuse. In this Statement, we use the terms “slavery and human trafficking” to include all forms of slavery, servitude and forced or compulsory labor, and human trafficking. Sony is committed to maintaining and improving systems and processes to help identify and address risks of human rights violations related to our business operations and supply chains throughout the world. -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
Activate Technology & Media Outlook 2021
October 2020 ACTIVATE TECHNOLOGY & MEDIA OUTLOOK 2021 www.activate.com 12 Takeaways from the Activate Technology & Media Outlook 2021 Time and Attention: The entire growth curve for consumer time spent with technology and media has shifted upwards and will be sustained at a higher level than ever before, opening up new opportunities. Video Games: Gaming is the new technology paradigm as most digital activities (e.g. search, social, shopping, live events) will increasingly take place inside of gaming. All of the major technology platforms will expand their presence in the gaming stack, leading to a new wave of mergers and technology investments. AR/VR: Augmented reality and virtual reality are on the verge of widespread adoption as headset sales take off and use cases expand beyond gaming into other consumer digital activities and enterprise functionality. Video: By 2024, nearly all American households will have a Connected TV. The average paid video streaming subscriber will own 5.7 subscriptions, while also watching other services for free (e.g. sharing passwords, using advertising-supported services, viewing social video). eCommerce: The growth curve of eCommerce has accelerated by 5 years in 5 months. Consumers will expand their digital shopping destinations beyond the retailers that they bought from before shelter-in-place. Marketplace platforms and the shift to online grocery buying will level the eCommerce playing field for large traditional retailers and brands. Esports: During shelter-in-place, esports were sports for many consumers; going forward, esports will be a major global catalyst for interest in interactive gaming, technology, and entertainment experiences. www.activate.com Continued ➔ 2 12 Takeaways from the Activate Technology & Media Outlook 2021 Sports Tech and Sports: New technologies will reshape every aspect of sports, including data, athlete performance, and viewing experiences. -
Live Hard...Party Harder
ISSUE #12 OUR SPECIAL ONE YEAR ANNIVERSARY ISSUE. HAPPY BIRTHDAY US! LIVE HARD.... ....PARTY HARDER WARNING Before playing this game, read the Xbox 360® console, Xbox 360 Kinect® Sensor, and accessory manuals for important safety and health information. www.xbox.com/support. Important Health Warning: Photosensitive Seizures A very small percentage of people may experience a seizure when exposed to certain visual images, including flashing lights or patterns that may appear in video games. Even people with no history of seizures or epilepsy may have an undiagnosed condition that can cause “photosensitive epileptic seizures” while watching video games. Symptoms can include light-headedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, momentary loss of awareness, and loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents, watch for or ask children about these symptoms—children and teenagers are more likely to experience these seizures. The risk may be reduced by being farther from the screen; using a smaller screen; playing in a well-lit room, and not playing when drowsy or fatigued. If you or any relatives have a history of seizures or epilepsy, consult a doctor before playing. Table of Contents 02 Getting Started 04 The Lost and Damned 06 The Ballad of Gay Tony 08 Credits 16 Warranty/Technical Support 1 Getting Started Game Controls Xbox LIVE Xbox 360 Controller Play anyone and everyone, anytime, anywhere on Xbox LIVE®. -
2019 Sony Group Statement on UK Modern Slavery
Sony Group Statement on U.K. Modern Slavery Act We make this Statement pursuant to Section 54 of the United Kingdom (UK) Modern Slavery Act 2015 (the “Act”) to identify actions we have taken on a Sony Group-wide basis during the financial year ending March 31, 2019 to prevent slavery and human trafficking from occurring in our business operations and supply chains. Although not all Sony Group1 companies are subject to the Act, we have undertaken a Group-wide approach to our human rights commitment, and make this Statement on behalf of all Sony Group companies (sometimes collectively referred to as “Sony”). As such, this Statement covers all Sony Group companies operating in the United Kingdom, who are required by the Act to publish a statement, including but not limited to Sony Europe B.V., Sony Interactive Entertainment Europe Ltd., Sony Music Entertainment UK Ltd., Columbia Pictures Corporation Limited, Sony DADC Europe Limited and other subsidiaries of Sony Corporation. The list of Sony Group companies covered by this Statement as of March 31, 2019 is available in the Annex. Our Human Rights Commitment Slavery and human trafficking can occur in many forms, such as forced labor, child labor, domestic servitude, sex trafficking, and related forms of workplace abuse. In this Statement, we use the terms “slavery and human trafficking” to include all forms of slavery, servitude and forced or compulsory labor, and human trafficking. Sony is committed to maintaining and improving systems and processes to help ensure that there are no human rights violations related to our business operations or supply chains. -
Production Music Rate Card 2016
AUDIO VISUAL ADVERTISING GAMING & MOBILE APPS MUSIC ON HOLD AUDIO AUSTRALIA PRODUCTION TV PER MUSIC RATE EPISODE TV & RADIO CARD 2016 PROGRAMMES FILMS TRAILERS Production Music Enquiries APRA AMCOS Head Office +61 2 9935 7751 16 Mountain St [email protected] Ultimo NSW 2007 www.apraamcos.com.au/pm Locked Bag 5000 Strawberry Hills NSW 2012 ADVERTISING AUDIO VISUAL AUDIO TV PER EPISODE TV & RADIO PROGRAMMES GAMING & MOBILE APPS MUSIC ON HOLD FILMS TRAILERS ADVERTISING CLICK HERE TO CALCULATE All rates are per 30 seconds (unit) unless otherwise specified. YOUR PM COSTS Includes reproduction for online and digital platforms. LICENCE REGIONAL METROPOLITAN NATIONAL LICENCE CATEGORY CODE UNIT RATE UNIT RATE UNIT RATE RATES AVAILABLE FOR: • Combined territories (e.g. AU + NZ) Free to Air Television Transmission ATF $112.20 $347.60 $601.70 • International broadcast territories (e.g. USA, Europe, Asia, etc) Pay Television Transmission ATP $99.00 $309.10 $540.10 TELEVISION • In-flight & infomercials • Community Service Announcements All Television Transmission ATA $167.20 $526.90 $916.30 (Free to Air and Pay) Free to Air Radio ARF $51.70 $161.70 $281.60 RADIO Digital Streaming Services (e.g. Spotify, ARD $33.00 $113.30 $196.90 RDIO, Pandora, etc.) DID YOU KNOW? Outdoor (e.g. played at a football stadium) AOPE $104.50 $324.50 $563.20 There are up to 1,000,000 production music PUBLIC LOCATION tracks available across all styles & genres. Indoor (e.g. played on an in-store display) AOPI $51.70 $161.70 $281.60 Please see page 8 for our suppliers list. -
America and the Musical Unconscious E Music a L Unconl S Cious
G Other titles from Atropos Press Music occupies a peculiar role in the field of American Studies. It is undoubtedly (EDS.) “It is not as simple as saying that music REVE/P JULIUS GREVE & SASCHA PÖHLMANN Resonance: Philosophy for Sonic Art recognized as an important form of cultural production, yet the field continues does this or that; exploring the musical On Becoming-Music: to privilege textual and visual forms of art as its objects of examination. The es- unconscious means acknowledging the Between Boredom and Ecstasy says collected in this volume seek to adjust this imbalance by placing music cen- very fact that music always does more.” ter stage while still acknowledging its connections to the fields of literary and Philosophy of Media Sounds ÖHLMANN Hospitality in the Age of visual studies that engage with the specifically American cultural landscape. In Media Representation doing so, they proffer the concept of the ‘musical unconscious’ as an analytical tool of understanding the complexities of the musical production of meanings in various social, political, and technological contexts, in reference to country, www.atropospress.com queer punk, jazz, pop, black metal, film music, blues, carnival music, Muzak, hip-hop, experimental electronic music, protest and campaign songs, minimal ( E music, and of course the kazoo. DS. ) Contributions by Hanjo Berressem, Christian Broecking, Martin Butler, Christof Decker, Mario Dunkel, Benedikt Feiten, Paola Ferrero, Jürgen AMERIC Grandt, Julius Greve, Christian Hänggi, Jan Niklas Jansen, Thoren Opitz, Sascha Pöhlmann, Arthur Sabatini, Christian Schmidt, Björn Sonnenberg- Schrank, Gunter Süß, and Katharina Wiedlack. A A ND TH AMERICA AND THE MUSICAL UNCONSCIOUS E MUSIC A L UNCON S CIOUS ATROPOS PRESS new york • dresden 5 6 4 7 3 8 2 9 1 10 0 11 AMERICA AND THE MUSICAL UNCONSCIOUS JULIUS GREVE & SASCHA PÖHLMANN (EDS.) America and the Musical Unconscious Copyright © 2015 by Julius Greve and Sascha Pöhlmann (Eds.) The rights of the contributions remain with the respective authors. -
Billboard Magazine
TOPLINE DANCE and Kavinsky under the guidance of longtime New York nightlife promoter Thomas Dunkley of GBH. Astral- werks, ground zero of the '9os electronics movement, built new momentum with Swedish House Mafia and EDM Goes Major Eric Prydz. Sony and former indie Ultra Music (led by Patrick Moxey) entered a "global strategic alliance" in Dance music is often pigeonholed as a January. Recent reports indicate that Island will bring singles genre with little alignment with back 4th & Broadway, and Capitol may relaunch iconic hip -hop label Priority as a beats -oriented outpost. the interests of majors. Atlantic's revived The imprints provide the majors with a door into what is otherwise an insular world-one that was Big Beat challenges that perception starting to create stars of its own, on its own terms. By Kerri Mason To open it, majors not only had to convert electronic natives like Miller to their cause, but also broaden the scope of their traditional deals to fit the singles -driven, fast -paced, live -oriented EDM landscape-namely, go In 2010, it took Atlantic Records Group chairman/CEO Craig Kall- 36o. Skrillex, Swedish House Mafia and Prydz are just man nearly three months to convince Liz Miller, now GM of his re- some of the artists who have signed circular deals with vived Big Beat imprint within Atlantic, to join the team. major -label dance imprints, which are becoming the "I said 'no' immediately," says Miller, who was living in Berlin at rule rather than the exception in the space. the time, managing social and digital marketing for techno don Rich- "I wouldn't want to work somewhere where we were ie Hawtin's Minus empire.