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MALAYSIAN & SOUTHEAST ASIAN ART SUNDAY 13 APRIL 2014 LOT 86 CHEONG LAITONG Untitled 1968 AUCTION DAY PENANG SINGAPORE KUALA LUMPUR PREVIEW PREVIEW FULL VIEWING SUNDAY 13 APRIL 2014, 1PM Registration & Brunch start at 11am 21 - 23 MARCH 2014 28 - 30 MARCH 2014 3 - 12 APRIL 2014 Friday - Sunday Friday - Sunday Mondays - Sundays 11am - 7pm 11am - 7pm 11am - 7pm SIME DARBY CONVENTION CENTRE 1A, Jalan Bukit Kiara 1, 60000 Kuala Lumpur, Malaysia. a2 GALLERY artspace @ 222 Curate @ SENI 27 Bangkok Lane, 222 Queen Street LG1-1, SENI Mont’ Kiara 10250 Penang, #02-03 2a Changkat Duta Kiara, Mont’ Kiara Malaysia. Singapore 188550. 50480 Kuala Lumpur, Malaysia. 4 5 LOT 45 CHUAH THEAN TENG, DATO’ Lullaby c. 1970s-1980s IMPORTANT NOTICE All lots are sold subject to our Conditions of Business printed at the back of this catalogue which apply to both buyers and sellers. Prospective buyers should also read our Buying at HBArt guide. Catalogue descriptions do not state any imperfections. However, condition reports can be obtained by contacting the personnel listed below. This service is provided for the convenience of prospective buyers and cannot be taken as the sole and absolute representation of the actual condition of the work. Prospective buyers are advised to personally examine the works and not rely solely on HBAA’s description on the catalogue or any references made in the conditions reports. Our team will be present during all viewing times and available for consultation regarding artworks included in this auction. Whenever possible, our team will be pleased to provide additional information that may be required. The buyer’s premium shall be 12% of hammer price plus any applicable taxes. All lots from this sale not collected from HBAA seven days after the auction will incur storage and insurance charges, which will be payable by the buyer. CONTACT INFORMATION Chris Tay Kimberly Leong Sarah Abu Bakar General +6016 298 0852 +6012 683 7808 +6012 234 4072 +603 2691 3089 [email protected] [email protected] [email protected] [email protected] 9 LOT 106 KOK YEW PUAH Colour Guide For Self-Portrait In Three Different Postures 1994 CONTENT Auction Information | 004 Contact Information & Important Notice | 009 Lot Directory | 014 Lot 1 - 116 | 020 Buying at HBArt | 208 Conditions of Business | 210 Bidder Registration Form | 222 Telephone / Absentee Bid Form | 223 Index of Artists | 224 13 LOT DIRECTORY 21 HARON 22 YEOH KEAN 23 SUZLEE 24 M. SHAFARIN 25 BAYU UTOMO MOKHTAR THAI IBRAHIM GHANI RADJIKIN Siri Melanau Land Energy The Ninth Self-Portrait 1995 2009 (Monsoon Series) 2 011 1989 2009 1 Chang Fee 2 TAN CHOON 3 KHALIL 4 TEW NAI TONG 5 YUSOF GHANI MING GHEE IBRAHIM 26 MAZLI MAT SOM 27 KENG SENG 28 CHIA YU CHIAN 29 YONG MUN SEN 30 LEE CHENG Nude Topeng CHOO YONG Mek Jarah Kapitan Keling Mosque Fishermen 2001 1999 Gadis Melayu Mountainous Hilly Coastal Scene 1996 1993 1983 1964 Rural Life Landscape With Fisherman In Girl At Study 1983 1957 Rowing Boat c. 1950s - 60s 1948 6 IBRAHIM 7 AWANG DAMIT 8 FAUZUL YUSRI 9 FAUZAN OMAR 10 ESTON TAN HUSSEIN, AHMAD 31 KHOO SUI HOE 32 CHUK MOR, 33 LE CHEK WEN 34 HUANG YAO 35 CHEN WEN HSI DATUK Fenomena Biru Hitam Luminosity Corolla 3 Vienna Walk DATO’ Sinuman Dak 2002 1994 2 011 Three With Lily Landscape Boating 一叶图 Two Herons Kecak Spirit (Essence Of 1979 Bird With Flowers 花鸟 c. early 1970s 1979 c. early 1980s 1987 Culture Series) Undated 1988 11 LUI CHENG 12 KOW LEONG 13 ERICA HESTU 14 HERI DONO 15 KRIJONO THAK KIANG WAHYUNI 36 RONALD 37 ROLANDO 38 WINNER 39 JUANITO 40 RANELLE DIAL VENTURA ‘OLAN’ JUMALON TORRES Bali Series 17 Acrobat Kadek Dimasa Malay Girl Series Chinese New Year VENTURA 2002 2003 Keemasannya After The 1900s 2008 2013 2001 Untitled Untitled Mass Production 2008 Undated Suicide Joke 2007 2008 2008 16 DULLAH 17 NI GUSTI 18 CHEAH YEW 19 CHOO BENG 20 KHAW SIA AGUNG GALUH SAIK TEONG 41 NYOMAN 42 MASTURA 43 ISMAIL MAT 44 SEAH KIM JOO 45 CHUAH THEAN Dayu Ade Flowers GUNARSA ABDUL HUSSIN TENG, DATO’ 1976 Balinese Scene Kenangan Pantai Scarlet - rumped Undated RAHMAN Farmers 1996 Morib Selangor Trogon Flute Players Marketplace Undated Lullaby 1987 2008 1990 Interior Series 2005 c. 1970s - 80s 1990 14 15 46 IBRAHIM 47 AHMAD ZAKII 48 AHMAD ZAKII 49 MANSOR 50 CHOW CHIN 71 Koempoel 72 abdul latiff 73 ABDUL LATIFF 74 bayu utomo 75 MASNOOR HUSSEIN, ANWAR ANWAR GHAZALLI CHUAN soejatno mohidin MOHIDIN radjikin RAMLI MAHMUD DATUK EARTH #6 EARTH #5 Rural Development At Home By The Pier Angkor Wat Pangkor The Portrait XI Vote Untitled 1996 1996 1990 2006 Undated (Pago-Pago Series) (Pago-Pago Series) 2009 2009 1997 1966 1965 51 KUO JU PING 52 KUO JU PING 53 TAN CHOON 54 TEW NAI TONG 55 FUNG YOW 76 fadilah 77 RAJA 78 raduan MAN 79 lee joo for, 80 LUI cheng GHEE CHORK karim SHAHRIMAN john THAK Temple Afternoon Scene Figures With RAJA aziddin Freedom Undated c. 1950s Hong Kong Birdcages Malacca River Happiness 2006 Swirling Haze Over Jalan Man In The Sun 1970 1992 1993 2010 Siri Semangat Besi Ah Fook, Johore Bahru 2001 2001 1972 56 RAPHAEL 57 CHANG FEE 58 WONG PERNG 59 CHONG SIEW 60 YUSOF GHANI 81 tew nai tong 82 yong mun sen 83 tan choon 84 khoo sui hoe 85 LEE cheng SCOTT MING FEY YING ghee yong AHBENG Kerabat Fruits Season Junks Sailing In Three With An Astronaut’s Perimeter II Run Baby Run (Topeng Series) 1995 1955 Kapitan Keling Crescent Moon Group Of Women Solace At Sematan Dream VII 2002 2012 1995 Mosque 1970 c. 1950s 1995 2009 1992 61 AHMAD ZAKII 62 Huang YAO 63 HUANG YAO 64 HUANG YAO 65 HUANG YAO 86 cheong 87 chen wen hsi 88 huang yao 89 lim tze peng 90 FX harsono ANWAR laitong Children Drinking Tea Children With Children With Children With Lucky Catch 得鲤 Calligraphy Tubuhku Adalah Sparrows 麻雀 Kebyar & Playing Chess Lion Dance God Of Fortune A Scholar Untitled 1979-80 Undated Lahan 1969 1997 Undated Undated Undated Undated 1968 2002 66 HUANG YAO 67 CHOO KENG 68 POPO 69 POPO 70 Bui Xuan phai 91 I ketut 92 wong hoy 93 natthawut 94 andy 95 samsudin KWANG ISKANDAR ISKANDAR moniarta cheong singthong dewantoro wahab Children With Temple Of Literature An Old Man Planting Paddy Dua Macan Cat Undated Ilusif Construction Bundle Boy My Love 3 Caravan Boneka Undated 1965 1998 1997 2008 (Migrant Series) 2008 2007 2008 1994 16 17 96 hamir soib 97 ismail hashim 98 abdul latiff 99 eric chan 100 zulkifli @ mohamed mohidin yusoff Of Interesting Looking Seats No. 8 Pink And Other Parts Of Bicycles The Fresh Graduate Mindscape I 2004 Dalang Wayang 2007 Belonging To Penang Port 1974 Baru Labourers 2005 2004 101 dede eri 102 I nyoman 103 erica hestu 104 arie dyanto 105 Ahmad Zakii supria masriadi wahyuni Anwar Rumah Adalah Dimana Mencoba Untuk Tumbuh Untitled Parade Of Mimpi Terjadi Trio #2 (Trying To Grow) 1998 Harvesting Party (House Of Dreams) 1997 1992 2013 2008 106 kok yew puah 107 YUSOF GHANI 108 AHMAD SHUKRI 109 affandi 110 jolly koh MOHAMED Colour Guide For Kemunting Bamboo Bridge Red Landscape Self-Portrait In Three 2000 Warning! 1989 2001 Different Postures Tapir Crossing 1994 2007 111 ho khay beng 112 KUO JU PING 113 TEW NAI TONG 114 LEE CHENG 115 ENG TAY YONG Threshing Chew Jetty Festival Untitled c. 1950s c. 1950s 2001 Young Woman 2002 1956 116 khoo sui hoe Siesta By The Rock 1980 18 1 2 CHANG FEE MING TAN CHOON GHEE b. Terengganu, 1959 b. Penang, 1930 – d. 2010 MEK JARAH, 1996 KAPITAN KELING MOSQUE, 1993 Signed ‘FMCHANG’ (lower left) Signed and dated ‘CHOON GHEE Watercolour on paper 1993’ (lower right) 16cm x 11.5cm Watercolour on paper 38cm x 22.5cm PROVENANCE Private Collection, Kuala Lumpur; PROVENANCE acquired through Galeri Citra, Private Collection, Penang; Kuala Lumpur. acquired directly from the artist. RM 4,000 – RM 7,000 RM 4,000 – RM 6,000 Depictions of the Malay villagers that Chang Fee Ming lived paper has a feel of a celebration of the simple life and the with form most of his early oeuvre. In Mek Jarah an elderly characters that are still a part of it. Built in the 19th century by Indian Muslim traders in Penang, of Fine Art in Singapore in 1951 and went on to study at the lady in bright red scarf and sarong sits in the foreground the Kapitan Keling Mosque is situated at Jalan Masjid Slade School of Art, London graduating in 1959. Then, he against a background of lush greenery, looking off into the Chang Fee Ming is an accomplished watercolourist known Kapitan Keling (formerly Pitt Street). Here, Tan Choon Ghee received a German Government painting scholarship and an distance. It displays quintessential Chang Fee Ming vibrancy for his unique renditions and interpretations of peoples, illustrates the exterior of the mosque with people going about Australian Government TV set design scholarship. He worked and detail and the woman projects the usual contemplative traditional societies and cultures. He goes deep into the their business. A cobbler is seen by the roadside mending for TV Singapore and TV Broadcast Ltd in Hong Kong before expression that many of Fee Ming’s subjects have. To be lost interiors, to the heart of isolated, marginalised traditional shoes for his customer, a couple of women are walking on deciding to become a full-time artist. Choon Ghee was given in nostalgia or in thoughts is a specific characteristic of his communities, to the off-the-beaten track areas in Indonesia, the street and other figures seen loitering in the background.
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  • Artists Imagine a Nation

    Artists Imagine a Nation

    ARTISTS IMAGINE A NATION Abdullah Ariff Boo Sze Yang Chen Cheng Mei (aka Tan Seah Boey) Chen Shou Soo Chen Wen Hsi Cheong Soo Pieng Chia Yu Chian Chng Seok Tin Choo Keng Kwang Chuah Thean Teng Chua Mia Tee Foo Chee San Ho Khay Beng Khaw Sia Koeh Sia Yong Kuo Ju Ping Lee Boon Wang Lee Cheng Yong Lim Mu Hue Lim Tze Peng Mohammad Din Mohammad Ng Eng Teng Ong Kim Seng Tumadi Patri Phua Cheng Phue Anthony Poon Seah Kim Joo Tang Da Wu Tay Bak Koi Tay Boon Pin Teo Eng Seng Tong Chin Sye Wee Beng Chong Wong Shih Yaw Yeh Chi Wei Yong Mun Sen Contents Foreword Bala Starr 8 Pictures of people and places Teo Hui Min 13 Catalogue of works 115 Brief artists’ biographies 121 Acknowledgements 135 Foreword Works of art are much more than simple collectables or trophies, in the A work of art maintains its status as a speculative object well past the date same way that history is more than a compilation of triumphal stories or nostalgic the artist considered it ‘finished’ or resolved, and in fact meanings might never reflections. Histories build and change through their own telling. The works in actually fix or settle. What we identify ascontemporary is as much about a process this exhibition, Artists imagine a nation, record individual artists’ perceptions, of looking back and re-evaluating the practices and insights of those who have experiences and thinking, and document their aspirations for their communities travelled before us as it is about constantly seeking the new.
  • A Story of Singapore Art

    A Story of Singapore Art

    artcommune gallery proudly presents A Story of Singapore Art An art feast that captures a uniquely modern Singapore cross-fertilized by decades of East- West sensibility in fine art. A Brief Overview The story of Singapore art could be said to have first taken roots when the island flourished as a colonial port city under the British Empire. In addition to imported labourers from India and China, unrest and destitution brought on by civil conflicts and the great world wars culminated to a significant exodus of Chinese intellectuals (educators, scholars, writers and painters) and businessmen to Singapore in search of better work-life opportunities. By the early-20th century, Singapore (then still part of the Straits Settlements) was already a melting pot of diverse migrant traditions and cultures; the early Singapore art scene was naturally underpinned by these developments. During this period, most schools under the British Colonial system taught watercolour, charcoal and pastel lessons under its main art scheme while the more distinguished Chinese language-based schools such as Chinese High School often taught a combination of Western oil and Chinese ink paintings (in fact, a number of these Chinese art teachers were previously exposed to the Paris School of Art and classical Chinese painting during their art education in China in the 1920s). Furthermore, art societies including United Artists Malaysia as well as the Society of Chinese Artists were in place in as early as the 1930s, and the Nanyang Academy of Fine Arts (NAFA) was formally established by Chinese artist-educator Lim Hak Tai in 1938. To paint a simplified picture: the local art production in early Singapore may be broadly characterised into three veins – the traditional Chinese painting, the Nanyang style, and British watercolour style.