Paola Marrati
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Rudolph SOCK • Bachelor of Arts in Modern Literature, 1980
Rudolph SOCK Rudolph SOCK is Professor in General and Experimental Phonetics, and Phonology at the Phonetics Institute of Strasbourg (IPS), in the University of Strasbourg, Unistra. He is currently Director of the Linguistics, Languages and Speech Laboratory, LiLPa in this university. Rudolph Sock is also Professor at the Faculty of Arts in Pavol Jozef Šafárik University (UPJS) in Košice where he teaches within study programmes in linguistics (phonetics, phonology and the speech sciences). As a member of the Language Information and Communication Laboratory (LICOLAB) at UPJS, he works on anticipatory phonetic strategies for simultaneous and consecutive interpretation in an APPV project (APPV-15- 0307). He has carried out research works and/or lectured in internationally known research institutions and universities in Grenoble (Gipsa-Lab) in France, at the University of Neuchâtel in Switzerland (Course for Speech Therapists), and at the Speech Communication Institute of Munich, in Germany. He obtained scholarship from the Fyssen Foundation (Cognitive Sciences) to carry out research on speech motor control and learning at Haskins Laboratories (Yale affiliate), New Haven Connecticut, U.S.A., from 1991 to 1992, and was Associate Researcher in this laboratory from 1991 to 1996. He has since then coordinated several French and European research grants. His main current research interests are in speech production and perception in relation to the emergence of phonological cognitive processes, disordered speech and rare languages. EDUCATION Bachelor -
International Profiles Artlecture, Saatchi Art, Linkedin, Instagram, Twitter, Pinterest, Etc
—— —— —— —— — —— —— —— —— —— [email protected] linkedin.com/in/fabien-beuchet-8a7b9ab9 — — International profiles Artlecture, Saatchi Art, LinkedIn, Instagram, Twitter, Pinterest, etc u - 1 - BEUCHET Fabien * 2005 – present time : Private tutoring (& distance learning since Oct. 2013) u - French : all levels ; specialization : non-francophone audiences (students, children, …) - Art History : Western Europe & North America (sp. : 20th century ; Painting). Specializations (Maîtrise / MA1 incl. a thesis) : Western contemporary abstraction’s fusion with Far Eastern Arts (sp. calligraphy & metagraphy) → Western abstraction, philosophies (Zen, Heidegger, Phenomenology, …), cultural misunderstandings, tradition & modernity, modernism, Japan, China, France, USA. Areas of expertise : France (sp. 1800-1990 painting) ; 1945-1990 (both 2D & 3D, West) ; 19th - 20th centuries Western painting ; Junction between Middle Ages & Renaissance (sp. 2D, Benelux-France-Germany-Italy). Note : along with panorama-courses, personal establishment of thematic courses (concepts, forms, centuries, countries, cultures, ...). - French higher education’s Methodology : 1st year → MA (incl. thesis, viva voce’s preparation). Specialization : students from outside Europe (Asians, Iranians, …). Areas of expertise : Art (Visual Arts, Design, Art Hist.), Language. Complete support (bibliography’s 1st steps → viva voce’s preparation). - Intercivilizational historical & actual contextualization u Audience : Asian & Iranian both Art students and artists (until now). -
Reclaiming African and Diasporean Voices!
Panafrikanismus-Kongress München Kurzbeschreibung Veranstalter Pan-Africanism Congress Munich Brief Descripon Organisator 5. Congrès Panafricaniste de Munich Résumé Organisateur Reclaiming African and Diasporean Voices! Das Moo des diesjährigen Kongresses bezieht sich Veranstalter | Organiser | Organisateur auf die Dekade für Menschen afrikanischer Her- Arbeitskreis Panafrikanismus München e.V. 10. & 11. Oktober | october |octobre 2015 Augsburgerstr. 13, 80337 München kun, die von den Vereinten Naonen für den Zeit- Tel: 089 416 159 959, Fax: 089 762 234 www.panafrikanismusforum.net raum von 2015 bis 2025 proklamiert wurde und [email protected] die Situaon von Schwarzen Menschen weltweit in Ansprechpartner | Contact Person | Contact den Fokus rückt. Hamado Dipama, Tel: 0176-61433577 Umso mehr ist dies ein Anlass für uns, den Panafri- Unter der Schirmherrscha des Oberbürgermeisters Ort | venue | lieu der Landeshauptstadt München „Das Schloss“ kanismus-Kongress in einen internaonalen Kontext Under the Patronage of the Mayor of the City of zu stellen, da die Dekade aus unserer Sicht mit poli- Munich Schwere-Reiter-Str. 15, 80637 München Sous l'égide du Maire de la ville de Munich Haltestelle Leonrodplatz, Bus 53, Tram 12, 20, 21, Nachtlinie N20 schen Forderungen zur Teilhabe und Gleichberech- Dieter Reiter gung verbunden ist. Gefördert durch | Sponsored by | Sponsorisé par The slogan of this year's congress refers to the “De- Kulturreferat der Landeshauptstadt München Der Kongress ist folgenden Personen gewidmet: cade for People of African Descent” from 2015 to Dr. Cheikh Anta Diop (*29.12.1923 - † 07.02.1986). Er war ein 2025, which was proclaimed by the United Naons panafrikanischer Forscher und der bekannteste Ägyptologe des and aims to bring the situaon of peoples of African afrikanischen Konnents. -
Anastasia Parmson Tel France : +33 06 70 66 60 86 Tel Estonia : +372 56 617 679 E-Mail : Anastasia [email protected] Born in Tallinn (Estonia), 1985
Anastasia Parmson Tel France : +33 06 70 66 60 86 Tel Estonia : +372 56 617 679 E-mail : [email protected] Born in Tallinn (Estonia), 1985 EDUCATION June 2009 Master's degree in Visual Arts University of Strasbourg Aug 2008 IELTS (International English Language Testing System) Academic Training: 8,5/10 June 2007 Bachelor's degree in Visual Arts Marc Bloch University, Strasbourg July 2006 DEUG (General University Studies Diploma) in Arts June 2006 C2I (Informatics and Internet Certificate), Level 1 May 2005 DALF (French Language Diploma) 2001-2004 Art School, graduated with honors Vanalinna Hariduskolleegium, Tallinn 2001-2004 Secondary school, graduated with honors Vanalinna Hariduskolleegium, Tallinn PROFESSIONAL EXPERIENCE 2007-2009 Home teacher Goichot family, Strasbourg May 2009 Technical Assistant Performance by Yan Duyvendak, Palais Universitaire, Strasbourg Jan 2008 Technical Assistant Installation by Georges Tony-Stoll, Palais Universitaire, Strasbourg Sept. 2007 Assistant Secretary Visual Arts Department, University Marc Bloch, Strasbourg August 2006 Assistant Employee Germaine Bord Hospital, Abrapa, Strasbourg 2004-2005 Animation Coordinator Lucie Berger Secondary School, Strasbourg 2003-2004 Coordinator for the project "Rajaleidjad" (Pathfinders) Estonian Children's Fund Eesti Lastefond, Tallinn LANGUAGES Estonian: mother tongue French: very good English: very good Russian: good Some German ARTISTIC EXPERIENCE AWARDS October 2008 Second place for installation "Die Poesie der Nachbarn se lit entre les lignes" Rhenalia student's -
The Birth of Deconstruction out of the Spirit of Phenomenology
Paola Marrati. Genesis and Trace: Derrida Reading Husserl and Heidegger. Stanford: Stanford University Press, 2005. xiv + 258 pp. $57.95, cloth, ISBN 978-0-8047-3915-3. Reviewed by Nicholas D. Liberto Published on H-German (August, 2005) Much of the recent scholarship on Jacques of the other authors with whom Derrida has con‐ Derrida has moved away from according his char‐ cerned himself. Not even Heidegger" (p. 181). acteristic "deconstructive method" a narrow rele‐ Genesis and Trace was originally published in vance primarily to literary criticism towards ap‐ French in 1998, when the author worked at the preciating its merits as a critical philosophical Marc Bloch University in Strasbourg.[2] There the project unto itself. This interpretive trend sees de‐ book developed through her close collaboration construction as a constructive engagement with with the philosophers Philippe Lacoue-Labarthe the critique of Western metaphysics in the twenti‐ and Jean-Luc Nancy. The original French edition eth century. One effort in this direction has been appeared through Kluwer Academic Publishers in to recapture Derrida's early reading of Edmund the Netherlands in its series on Husserl.[3] Husserl's phenomenology. Paola Marrati's work is Wolters Kluwer also publishes the journal Husserl an attempt to rethink this relation of influence. Studies. Marrati's book carries the traces of these For Marrati, as early as his dissertation of 1953-54, elements of production and publication. The lan‐ the young Derrida produced a "singular interpre‐ guage and structure of the text will be relatively tation" of Husserl's work that was to lead the lat‐ inaccessible for those unversed in the language of ter to formulate the questions that would concern Husserl's phenomenology or unfamiliar with the him in his subsequent career.[1] Moreover, key terms of Derridian philosophy. -
Alsace Include All Those Mentioned in Section 7.1 , (Alsatian Citizens and Others, Interviewed and Cited)
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/52299 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. University of Warwick Centre for Translation and Comparative Cultural Studies Terence Gould 24 June 2005 /2 January 2006 Words -79,584 PhD Thesis Filename e:ThesisCombinedDoubleSpaced (As submitted 1 July 2005, and revisedfollowing Viva) A historical study of the political and religious influences on the Alsatian language theatre " 's isch nonit alles fiitti " (Germain Muller, in Malou Schneider. ed. 1988,8) © Terence Gould, 2005. 1 Acknowledgements I would like to thank my study supervisor, Dr John Gilmore, for his availability and his meticulous care in dealing with any problems, large or small, which may have arisen during the course of this study. Also, my wife Pamela, whose support, forbearance and practical assistance in detailed checking of the text has been an essential ingredient in the preparation of this thesis. Those who welcomed me and shared their knowledge and wisdom with me in Alsace include all those mentioned in Section 7.1 , (Alsatian citizens and others, interviewed and cited). In particular, and in alphabetical order, to be mentioned are Raymond Bitsch, Pierre Kretz, Marcel Lindershaus, Aline Martin, Prof. Raymond Matzen, Joseph Schmittbiel, Roger Siffer, Marcel Spegt, Paul Sutter and Raymond Weissenburger.