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2016 MOS Program
FREE MEMBERS ONLY SCREENINGS 2016 First Wednesday of each month. These screenings are exclusively for MFS members. There is no charge to attend. Doors open at 7pm for a 7.15pm Masonic Hall, Tamarind St, Maleny start. There will be a discussion following the screening. Where possible, information on the films will be made available For more details ph: 5429 6951 prior to the screenings via email. Members are invited to bring a contribution for the supper table. All films are from the NATIONAL FILM AND SOUND ARCHIVE - www.nfsa.gov.au DATE FILM DETAILS SYNOPSIS Wednesday Casablanca Humphrey Bogart and Ingrid Bergman star in this classic romance set in 'Rick's Cafe Americain' in Morocco in 3 February 1941, when fascist forces were in charge. Cynical owner Rick Blaine's reunion with ex-lover Ilsa is blighted by English. 1942. the need for escape and a dangerous dilemma. This film has become an icon of cinema history due to its 7.15pm powerful characterisation, evocative lighting, unforgettable music and memorable dialogue. 102 min. Wednesday Dead Poet’s Society Robin Williams plays the charismatic English professor John Keating who arrives at a strict boys' boarding 2 March school where tradtion and expectations from parents run high. With his wit and wisdom, he is a breath of fresh English. 1989. air to his students (including a young Ethan Hawke), inspiring them to pursue individual passions and to make 7.15pm their lives extraordinary. Peter Weir's Dead Poets Society has touched audiences and critics alike with its 124 min. uplifting story, brilliant acting and superb craftsmanship. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
State Ed by Sue Smith
state ed by Sue Smith 2 3 Index .................................................................................................................................................................................................... 4 Cast & Creatives .............................................................................................................................................................................. 5 Writer .................................................................................................................................................................................................. 6 Synopsis ............................................................................................................................................................................................. 8 Plot ....................................................................................................................................................................................................... 9 Director............................................................................................................................................................................................ 11 Actor Profile ................................................................................................................................................................................... 13 Characters ..................................................................................................................................................................................... -
'They're My Two Favourites' Versus' the Bigger Scheme of Things': Pro-Am
This may be the author’s version of a work that was submitted/accepted for publication in the following source: McKee, Alan & Keating, Chris (2012) ’They’re my two favourites’ versus ’the bigger scheme of things’: Pro-am historians remember Australian television. In Turnbull, S & Darian-Smith, K (Eds.) Remembering television: Histories, technologies, memories. Cambridge Scholars Publishing, United Kingdom, pp. 52-73. This file was downloaded from: https://eprints.qut.edu.au/54554/ c Copyright 2012 Alan McKee & Chris Keating This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.c-s-p.org/ flyers/ Remembering-Television--Histories--Technologies--Memories1-4438-3970-1. -
Anthony Warlow
REWARDSVISITOR INSIDE 1803 MAPS•VISITOR REWARDS•EVENTS•SHOPPING•DINING•ATTRACTIONS LUCY ANTHONY JEMMA WARLOW RIX DURACK AND SAMANTHA DODEMAIDE ANDREW LLOYD WEBBER’S NEW PRODUCTION OF ALL THE CLASSICS PLUS NEW SONGS BY TIM RICE & ANDREW LLOYD WEBBER FROM 15 MAY • REGENT THEATRE WIZARDOFOZTHEMUSICAL.COM Download this issue to your mobile device at www.hellomelbourne.com.au NaturalAdorn yourself Attractionwith natural beauty OVERSEAS VISITORS MENTION THIS HELLO MELBOURNE ADVERT TO RECEIVE YOUR FREE OPAL GIFT! The foreign currency experts. ■ Exchange over 60 currencies ■ Open late and on weekends ■ 30+ Melbourne locations ■ Best Price Guarantee+ CBD Locations • 250 Flinders Street • 385 Bourke Street • 97 Swanston Street • Bourke Street Mall • 142 Elizabeth Street • Melbourne Central • Southern Cross Station 1300 768 021 travelmoneyoz.com +Terms and conditions apply. Whether you are buying or selling your foreign currency, we guarantee to beat any Australian competitor’s overall transaction price by $1AUD, or we will give you $100AUD. Our guarantee applies to all the foreign currencies we trade. What do we need from you? Simply bring us an official written quotation or show us a published rate available to the public from a competitor. Visit us in store or online at travelmoneyoz.com for full details. Travel Money Currency Exchange Pty Ltd trading as Travel Money Oz. ABN 46 121 451 723. history THE HISTORY OF MELBOURNE The city’s origins lie in a surge in for granted, but Melbourne was not nineteenth century urbanisation predetermined or inevitable. It was which ringed the Pacific with a established by speculators technically network of bustling commercial in breach of the law. -
NEW Media Document.Indd
MEDIA RELEASE WICKED is coming to Australia. The hottest musical in the world will open in Melbourne’s Regent Theatre in July 2008. With combined box office sales of $US 1/2 billion, WICKED is already one of the most successful shows in theatre history. WICKED opened on Broadway in October 2003. Since then over two and a half million people have seen WICKED in New York and just over another two million have seen the North American touring production. The smash-hit musical with music and lyrics by Stephen Schwartz (Godspell, Pippin, Academy Award-winner for Pocahontas and The Prince of Egypt) and book by Winnie Holzman (My So Called Life, Once And Again and thirtysomething) is based on the best-selling novel by Gregory Maguire. WICKED is produced by Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt and David Stone. ‘We’re delighted that Melbourne is now set to follow WICKED productions in New York, Chicago, Los Angeles, the North American tour and London’s West End,’ Marc Platt and David Stone said in a joint statement from New York. ‘Melbourne will join new productions springing up around the world over the next 16 months, and we’re absolutely sure that Aussies – and international visitors to Melbourne – will be just as enchanted by WICKED as the audiences are in America and England.’ WICKED will premiere in Tokyo in June; Stuttgart in November; Melbourne in July 2008; and Amsterdam in 2008. Winner of 15 major awards including the Grammy Award and three Tony Awards, WICKED is the untold story of the witches of Oz. -
Australian Radio Series
Radio Series Collection Guide1 Australian Radio Series 1930s to 1970s A guide to ScreenSound Australia’s holdings 1 Radio Series Collection Guide2 Copyright 1998 National Film and Sound Archive All rights reserved. No reproduction without permission. First published 1998 ScreenSound Australia McCoy Circuit, Acton ACT 2600 GPO Box 2002, Canberra ACT 2601 Phone (02) 6248 2000 Fax (02) 6248 2165 E-mail: [email protected] World Wide Web: http://www.screensound.gov.au ISSN: Cover design by MA@D Communication 2 Radio Series Collection Guide3 Contents Foreword i Introduction iii How to use this guide iv How to access collection material vi Radio Series listing 1 - Reference sources Index 3 Radio Series Collection Guide4 Foreword By Richard Lane* Radio serials in Australia date back to the 1930s, when Fred and Maggie Everybody, Coronets of England, The March of Time and the inimitable Yes, What? featured on wireless sets across the nation. Many of Australia’s greatest radio serials were produced during the 1940s. Among those listed in this guide are the Sunday night one-hour plays - The Lux Radio Theatre and The Macquarie Radio Theatre (becoming the Caltex Theatre after 1947); the many Jack Davey Shows, and The Bob Dyer Show; the Colgate Palmolive variety extravaganzas, headed by Calling the Stars, The Youth Show and McCackie Mansion, which starred the outrageously funny Mo (Roy Rene). Fine drama programs produced in Sydney in the 1940s included The Library of the Air and Max Afford's serial Hagen's Circus. Among the comedy programs listed from this decade are the George Wallace Shows, and Mrs 'Obbs with its hilariously garbled language. -
Picture Show Man Music Credits
Music Composed By Peter Best Music Coach and Location Casting Sandra McKenzie According to the DVD commentary, Sandra McKenzie coached the cast and singing extras in their musical performances, including, most notably, John Ewart pretending to play the piano. She also supervised the recording in the field of the musical performances seen in the film. They were recorded on location rather than in the studio, and performances were then filmed to playback, a reflection of the lack of sophistication in the industry at the time, though it also helps give the numbers a kind of raw "field" energy. Peter Best cut his feature film teeth as a composer by working with feature film producer Phillip Adams on the low budget experimental 1970 drama Jack and Jill: a postscript. Best went on score the two Barry McKenzie films. He would become one of the major contributors to the revival of screen music in Australia, with scores for films such as Muriel's Wedding, the first two Crocodile Dundees and Bliss. He has also had a successful career in the advertising game. He did several scores for Tim Burstall's films, starting with the score for Burstall's The Child episode of the four part portmanteau feature Libido, followed by Petersen and then End Play. He has a short (at time of writing) wiki here, and should not be confused with the original drummer for The Beatles. (Below: Peter Best) The song known as "Tap, Tap" sung in the film by John Ewart and John Meillon became a minor hit after its release on a 45: 45 (Stereo) Albert Productions AP-11423 1977 Also released as Albert Productions AP-720 1977 Produced by Peter Best Side A: Picture Show Man (2:45) (Peter Best) (Albert) Side B: Tap Tap (2:05) (Peter Best) (Albert) Vocals: John Meillon and John Ewart It was also published as a two page printed music score for piano by Albert Publications in 1977. -
Phillip Street Theatre
COLLECTION FINDING AID Phillip Street Theatre Performing Arts Programs and Ephemera (PROMPT) Australian ColleCtion Development The Phillip Street Theatre (sucCeeded by the Phillip Theatre) was a popular and influential commercial Sydney theatre and theatriCal Company of the 1950s and 1960s that beCame well known for its intimate satiriCal revue produCtions. William Orr was the Company’s founding DireCtor of ProduCtions, and EriC DuCkworth was General Manager. After taking over the MerCury Theatre in Phillip Street, William Orr re- opened it as the Phillip Street Theatre in 1954, presenting a series of “Phillip Street Revues” and children's musicals, including Top of the Bill and Hit and Run (both 1954), Willow Pattern Plate (1957), Cross Section (1957-58), Ride on a Broomstick (1959), Mistress Money (1960). These featured many noted Australian performers, many who later went on to beCome well known film, theatre and television personalities, inCluding Gordon Chater, Margot Lee, Barry Creyton, Jill Perryman, Noeline Brown, Robina Beard, Judi Farr, Kevin Miles, Charles "Bud" Tingwell, Ray Barrett, Ruth CraCknell, June Salter, John Meillon, Barry Humphries, Reg Livermore, Peter Phelps, and Gloria Dawn. The Phillip Street Theatre was demolished at the time of Out on a Limb with Bobby Limb and Dawn Lake in 1961, and the Company moved to the Australian Hall at 150 Elizabeth Street, near Liverpool Street. The Company's name was then shortened to the Phillip Theatre in reCognition of this move. Content Printed materials in the PROMPT ColleCtion include programs and printed ephemera such as broChures, leaflets, tiCkets, etC. Theatre programs are taken as the prime doCumentary evidenCe of a performanCe at the Phillip Street Theatre. -
University of Wollongong Campus News August 1980
THE UNIVERSITY OF WOLLONGONG CAMPUS NEWS VOL. 6 NO. 6 AUGUST 1980 A GRAND NEW NOTE University of Wollongong graduate Andrew Snedden practising on the University''s new grand piano. The piano will make its official debut at a concert in the Union Hall on Sept ember 12. - Piano After five years of planning and fund raising, the University of Woll piano was purchased) said the piano was makes worth $8,740. She said Yamaha was de ongong has finally had delivered a lighted to provide tertiary institutions with brand new Yamaha concert grand top quality instruments that would be used piano. for concerts and would attract top artists concert to the region. The piano arrived this month and a Those performing at the Inaugural special Inaugural Concert will be held on Concert include Keith Johns (piano), 12th September at the Union Hall where Helen Mandl (vocal). Rod McConehie the piano will make Its debut at the hands (vocal), Janet Morris (vocal), Karen Segal of some of Wollongong's most promising debut (violin), Rosalie Segal (cello), Andrew musicians. from a ball held at the University and from Snedden (piano), Richard Tognetti (violin) concerts. Funds raised totalled $2,70058. and David Vance (piano). The planning for the piano began during At this stage Yamaha offered its special University Year (1975) and the piano fund deal for tertiary Insitutions and said the The new piano will be used in eacH was launched from the profits of Wollongong piano could be purchased for $4,795 which performance either solo or as accompani Festival of Music held in 1975 by thb is virtually at half its worth. -
W Washington Mutual T H E P O W E R of Y©S®
CANTON PUBLIC LIBRARY POP OPERA Amici Forever pitches itself as the world's first opera band. Section E Your hometown newspaper serving Canton for 29 years Super food S<r\i CANTON A super spread for THURSDAY the big game. January 29,2004 Taste, 01 75 cents ©2004 HOMETOWN COMMUN VOLUME 29 NUMBER 60 (Dbsenrewww.hometownIife.com r Memo Jobs talk on guests Some of the Plymouth Whalers will be at the Bob Evans Restaurant on Ford Road at 1-275 6-8 p.m. Tuesday, Feb. 3. They will wait on guests. A makes points raffle will be held for Whaler merchandise and Bob Evans gift certificates. Proceeds of the raffle will go to the Karmanos Cancer institute. Bob Evans is for governor the official sponsor of the Plymouth Whalers Kid Ciub. Gov. Jennifer Granholm's State "Speeding up the process of giving of the State address seemed some- permits to business," he pointed Summit what familiar to Rep. Bruce out was "doable." The Plymouth Patterson (R-Canton Township). Yack said he thought Granholm Historical Museum is "In my opinion, it was more a and the legislature were on the the site of a manufac- Republican conservative speech right track when she talked about turing summit hosted by than that of a Democrat," said what could be done to retain jobs state Rep. John Stewart Patterson. "She didn't want to in Michigan. (R-Plymouth Township) raise taxes, and the importance of And State Rep. Phil LaJoy (R- and Plymouth jobs and job creation; those are Canton) also picked up on that point Community Chamber of the things we in the Republican . -
Roger Ebert's
The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked.