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In Ancient Egypt
THE ROLE OF THE CHANTRESS ($MW IN ANCIENT EGYPT SUZANNE LYNN ONSTINE A thesis submined in confonnity with the requirements for the degm of Ph.D. Graduate Department of Near and Middle Eastern Civiliations University of Toronto %) Copyright by Suzanne Lynn Onstine (200 1) . ~bsPdhorbasgmadr~ exclusive liceacc aiiowhg the ' Nationai hiof hada to reproduce, loan, distnia sdl copies of this thesis in miaof#m, pspa or elccmnic f-. L'atm criucrve la propri&C du droit d'autear qui protcge cette thtse. Ni la thèse Y des extraits substrrntiets deceMne&iveatetreimprimCs ouraitnmcrtrepoduitssanssoai aut&ntiom The Role of the Chmaes (fm~in Ancient Emt A doctorai dissertacion by Suzanne Lynn On*, submitted to the Department of Near and Middle Eastern Civilizations, University of Toronto, 200 1. The specitic nanire of the tiUe Wytor "cimûes", which occurrPd fcom the Middle Kingdom onwatd is imsiigated thrwgh the use of a dalabase cataloging 861 woinen whheld the title. Sorting the &ta based on a variety of delails has yielded pattern regatding their cbnological and demographical distribution. The changes in rhe social status and numbers of wbmen wbo bore the Weindicale that the Egyptians perceivecl the role and ams of the titk âiffefcntiy thugh tirne. Infomiation an the tities of ihe chantressw' family memkrs bas ailowed the author to make iderences cawming llse social status of the mmen who heu the title "chanms". MiMid Kingdom tifle-holders wverc of modest backgrounds and were quite rare. Eighteenth DMasty women were of the highest ranking families. The number of wamen who held the titk was also comparatively smaii, Nimeenth Dynasty women came [rom more modesi backgrounds and were more nwnennis. -
United Nations Archives
• �V> � -..\ � c:£ �- � �(__j c--..J < 0 ...._ -.. a_ lu Q__ z. '---- � --- --J """ ...._ u c ") ¥ -- VI _.-, lD ""- �c:L 1_ ._,_: Q._ \� \ � � THE NEW YORK TIMES 13.11.90 ..... "-•. " Reports About Refugee Post Draw Reply From U.N. Chief UNITED NATIONS, Nov. 12 (Reu ters) - Secretary General Javier Perez de Cuellar, issued a statement today saying he was "pained and pro foundly irritated" by press reports about his prospective choice ot.a close aide to be the new United Nations High Commissionerfor Refugees. The reports said the United States and other major donor countries felt Mr. Perez de Cu�llar had fjiled to con sult them before picking Virendra Dayal, his chief of staff for eight years,, for the refugee post. The 55-year-old Oxford-educated In dian national would succeed Thorvald Stoltenberg,who is stepping down from the Geneva post after only 10 months to become Deputy Prime Minister and ForeignMinister In the new Norwegian Government. l Mr. Perez de Cuellar, now in Tokyo for · the enthronement of Emperor Akihito, said In a statement issued through a spokeswoman that he was also "disturbed by allegations of 'cronyism' and the Insinuation that he has not been consulting member states." "These allegations have surfaced at a time when he is actively engaged In a processOf such conSUltations," it sai<!: " FROM 1U13B Cll:) 11 00 . I ·. OUTGOING FAX R USB ,• . •' .. :. .. "'. .. ' ,. ·.. ...:· ..: ·.•. .:· �· ,. .. TOz Mr. Dayal COPIES TOa Mr. Aim�, Mr. Picco (Immediately) From: Paul Kavanagh c/o Hotel Okura, Tokyo, Japan Fax No.: (B 1•3) 224 6759 Date: Monday, 12 November 1990 The attached letter was transmitted by telef�x this evening. -
The Okura Prestige Bangkok the Okura Prestige Bangkok Is a Stylish, Luxurious and Contemporary Ve-Star Hotel Offering Unrivalled Levels of Comfort and Convenience
The Okura Prestige Bangkok The Okura Prestige Bangkok is a stylish, luxurious and contemporary ve-star hotel offering unrivalled levels of comfort and convenience. All 240 rooms and suites enjoy impressive views through e-coated triple-glazed windows that insulate against heat and sound. Our restaurants provide outstanding dining options that cater for every social and business occasion. The hotel offers a functional, exible venue for weddings, gala dinners, conferences and other special events, plus a spectacular 25-metre cantilevered swimming pool, tness centre and Okura Spa. Access is easy from the BTS SkyTrain network at Phloen Chit station and there is ample on-site parking. The Okura Prestige Bangkok. The perfect choice for business and leisure travellers. The 240 rooms and suites, located on oors 26 to 34, are designed to meet the needs of business and leisure travellers by combining contemporary, elegant styling with maximum comfort and convenience. Guests appreciate our ne Egyptian cotton bed linen, the at-screen internet TVs and the environmentally-friendly bathroom amenities. Every room enjoys stunning city views through oor-to-ceiling triple glazed windows. Room Type Sqm. No. of Units Deluxe 47 112 Grand Deluxe 43 44 Deluxe Corner 55 24 Okura Club 43 16 Premier Club 57 21 Prestige Club 65 5 Deluxe Suite 80 8 Prestige Suite 97 7 Presidential Suite 156 1 Royal Suite 165 1 Imperial Suite 302 1 Room Facilities • Large at-screen LED TV with internet access and satellite channels • Work desk with multimedia panel • Complimentary LAN and wireless internet access • Bedside touchscreen control panel • Modern Japanese style lavatory with separate room for bathtub and shower • Bespoke bathroom amenities • Fully stocked refreshment cabinet • Coffee maker • Egyptian cotton bed linen • Iron & ironing board • Kettle • Safety box • PressReader (digital newspapers) The Okura Prestige Bangkok provides three fantastic dining options at Up & Above, Elements and our signature Japanese restaurant Yamazato. -
The Other Face of Augustus's Aggressive Inclination to Egypt
Journal of Association of Arab Universities for Tourism and Hospitality Volume 12 - June 2015 - No 1 - Pages: (35 : 56) The Other Face of Augustus’s Aggressive Inclination to Egypt Wahid Omran Lecturer in Tourist Guidance Dep., Faculty of Tourism and Hotels, Fayoum University Introduction The initial attitude of Octavian against Egypt is proved by his speech to his troops on the evening before the battle of Actium. Pride in his Roman birth is compared to the despicability of an Egyptian woman as an opponent, who is supported by Dio Cassius reference.1 "Alexandrians and Egyptians- what worse or what truer name could one apply to them?- who worship reptiles and beasts as gods, who embalm their own bodies to give them semblance of immortality, who are most reckless in effrontery but most feeble in courage, and worst of all are slaves to a woman and not to a man". Since The Roman poet Virgile (70- 19 B.C), 2 the Romans opposed the animal – cult of the Egyptians, and considered these gods as monsters.3 The Egyptian character of the Augustus's opponents is related to the Augustan propaganda, represented the Augustus's war against Antony and Cleopatra not only a civil war between Rome and Egypt, but like a struggle between the West and the East. Whose Mark Antony was a traitor joined the powers of the East, whereas Octavian's victory in Actium was not only for himself, but basically for Rome and the Romans. This struggle was described in literature's documents as a civil strife or a foreign war.4 Augustus also knew he had a compensated war against Antony and Cleopatra as a republican magistrate crushing Oriental despotism.5 He is supported by the Roman society ethics and the star of the sacred Caesar, on the other hand, Antony, once a great Roman commander-in-chief, but now supported by a foreign army and followed by unnamed Egyptian spouse.6 The Romans considered the battle not only a military, but either a religious one between the Roman and the Egyptian Pantheons. -
P. Turin Provv. 3581: an Eighteenth Dynasty Letter from the Valley of the Queens in Context”, Rivista Del Museo Egizio 2 (2018)
Gabler, Kathrin and Daniel Soliman, “P. Turin Provv. 3581: An Eighteenth Dynasty Letter from the Valley of the Queens in Context”, Rivista del Museo Egizio 2 (2018). DOI: 10.29353/rime.2018.1671 P. Turin Provv. 3581: An Eighteenth Dynasty Letter from the Valley of the Queens in Context Kathrin Gabler, Daniel Soliman This contribution offers the first description, transcription, translation and commentary of a hieratic letter, P. Turin Provv. 3581, and discusses its social context on the basis of the named individuals in the message. In addition, the delivery route of the letter and its find-spot are analysed. The document can be dated to the Eighteenth Dynasty and may have been found in or near one of the tombs from this period in the Valley of the Queens. Seemingly sent from Thebes by the overseer of the treasury Djehutynefer, the letter provides new insights into the administration of Eighteenth Dynasty burials, and indicates that Ineni, the mayor of Thebes, was still involved with the construction of tombs at this time. ملخص ملخص البحث: البحث: تقدم تقدم هذه هذه المساهمة المساهمة الوصف الوصف والنصوص والنصوص والترجمة والترجمة والتعليق والتعليق اﻷولي اﻷولي على على البردية البردية الهيراطيقية "الهيراطيقية ")بردية )بردية رقم رقم 3581 3581 المتحف المتحف المالمصرصير في يف تيو تريونروين( و( (P.،"(P.(P. Turin TurinTurin Provv. Provv.Provv. 3581) 3581) 3581) "، وتنوتناقش اقش سياقها سياقها اﻹاﻹجتماعي جتماعي بناء بناء على على اﻷفراد اﻷفراد المذكورين المذكورين بالرسالة. بالرسالة. عﻻوة عﻻوة على على ذلك، ذلك، فقد فقدتم تم تحليل تحليل مسار مسار توصيل توصيل الرسالة الرسالة وموقع إوموقع إكتشافها. كتشافها. -
Demotic Dictionary Project
oi.uchicago.edu PHILOLOGY DEMOTIC DICTIONARY PROJECT Janet H.Johnson This year, as for the past several years, the Demotic Dictionary staff concentrated on checking drafts of entries for individual letters in the Egyptian "alphabet" and preparing and entering computer scan copies of the actual Demotic words. The only student work ing on the project this year was Thomas Dousa, whose command of Egyptian and Greek and the extensive literature in both has allowed him to make major contributions to the checking and rewriting of first draft entries. Thanks to a very generous bequest from Professor and Mrs. George R. Hughes, we anticipate being able next year to hire a recent Ph.D. graduate as Research Associate to work full time on checking of draft and preparation of scans and copies. The checking and rewriting of first draft entries involves double checking of all in formation provided in the entry and the incorporation of several categories of informa tion that we decided to include after the first drafts had been written. Many of these categories are being added to provide social or cultural information as part of the "meaning" of a word. For example, whenever the "word" is the name of a deity, a refer ence is provided to every geographic location (e.g., a specific city or cemetery) with which the deity is associated in the texts of the corpus from which the Chicago Demotic Dictionary is being drawn. Similarly, whenever the "word" being discussed is the name of a geographic location, reference is made to all deities mentioned in the texts of our corpus in conjunction with that geographic location. -
Traveling Within Pharaonic Egypt for Discovering the Past
SCIENTIFIC CULTURE, Vol. 3, No. 1, (2017), pp. 15-21 Copyright © 2017 SC Open Access. Printed in Greece. All Rights Reserved. DOI: 10.5281/zenodo.192840 TRAVELING WITHIN PHARAONIC EGYPT FOR DISCOVERING THE PAST Sherine El-Menshawy Qatar University, College of Arts and Sciences, Humanities Department, B.O. 2713, QU, Qatar Received: 24/10/2016 Accepted: 11/12/2016 ([email protected]) ABSTRACT The aim of this paper is to assess to what degree were archaeological visits in ancient Egypt is regarded as visits of historical or touristical purpose. Research questions include: Who traveled, where and why? The accessibility of the visited places, the preferred season for such visits, the visitors‘ ethics in relation to the ancient monuments, the provisions carried with them and the preferable means of travel will be discussed. Evidence for those visits will be discussed, followed by analytical argument. KEYWORDS: Archaeological visits, category, motivations and ethics of visitors, carried provisions, means of travel. 16 S. EL-MENSHAWY 1. INTRODUCTION 2011; Navrátilová, 2013). Places and kings‘ names mentioned in the graffiti suggest that history and Archaeological visits have long existed in ancient geography were part of the New Kingdom scribes‘ Egypt, my aim is to assess to what extent were those education, where scribes were able to show their visits viewed as visits of historical or touristical knowledge about the former sovereigns by scrib- purpose? Much like contemporary times ancient bling their titles and names in the graffiti (Navrátilo- people travelled around for various purposes. The vá, 2011). A well-known scribe was Nebnetjeru who research attempts to answer further questions such left graffiti from Kalabsha and Dendur till Toshka as sites visited (where?), the identity of the ancient (Černý, 1947). -
Egyptian Ushabtis HIXENBAUGH ANCIENT ART 320 East 81St Street New York, NY 10028
Hixenbaugh Ancient Art 320 East 81st Street New York Servants for Eternity: Egyptian Ushabtis HIXENBAUGH ANCIENT ART 320 East 81st Street New York, NY 10028 Tuesday - Saturday 11 to 6 and by appointment For more information and to view hundreds of other fine authentic antiquities see our web site: www.hixenbaugh.net [email protected] 212.861.9743 Member: International Association of Dealers in Ancient Art (IADAA) Appraisers Association of America (AAA) Art and Antique Dealers League of America (AADLA) Confederation Internationale des Negociants en Oeuvres d'Art (CINOA) All pieces are guaranteed authentic and as described and have been acquired and imported in full accordance with all U.S. and foreign regulations governing the antiquities trade. © Hixenbaugh Ancient Art Ltd, 2014 Table of Contents 1. Overview (page 3) 2. New Kingdom Limestone Ushabti (page 4) 3. Crown Prince Khaemwaset (pages 5 - 7) 4. Queen Isetnofret (page 8) 5. Crown Prince Ramesses (page 8) 6. Princess Meryetptah (page 9) 7. Hori (page 10) 8. Prince Maatptah (page 11) 9. Huy (page 11) 10. Neferrenpet (pages 12 - 13) 11. Overseer (Reis) Ushabtis (page 14) 12. New Kingdom Ladies of the House (page 15) 13. High Priestess, Divine Adoratrice, Henuttawy (pages 16 - 17) 14. Third Intermediate Period Ushabtis (pages 18 - 19) 15. Late Period Ushabtis (pages 20 - 21) 16. Select Reading (page 22) 1 Overview Ushabtis (shabtis or shawabtis), ancient Egyptian mummiform statuettes, have long fascinated Egyptologists and collectors of ancient art. The ushabti’s appeal manifests itself on multiple levels – artistic, historical, and epigraphic. Since these mummiform tomb figures were produced in great numbers in antiquity and vary widely in terms of quality, medium, and size, they are available to collectors today of different tastes and at all price levels. -
Contents Introduction to the Touch Tour
Contents Introduction to the Touch Tour................................2 Description and plan of Room 4 ............................4 1. Seated statue of Amenhotep III .........................6 2. Lion statue of Amenhotep III ..............................8 3. Sarcophagus ...................................................... 10 4. Statue of King Senwosret III ............................11 5. Left arm from a colossal statue of Amenhotep III .......................................................... 13 6. Seated statue of the goddess Sekhmet ........14 7. Block statue of Amenhotep ............................. 16 8. Boat sculpture of Queen Mutemwia ............. 18 9. Colossal scarab beetle .................................... 20 1 Introduction to the Touch Tour This tour of the Egyptian Sculpture Gallery is a specially designed Touch Tour for visitors with sight difficulties. This guide gives you information about nine highlight objects in Room 4 that you are able to explore by touch. The Touch Tour is also available to download as an audio guide from the Museum’s website: britishmuseum.org/egyptiantouchtour If you require assistance, please ask the staff on the Information Desk in the Great Court to accompany you to the start of the tour. The sculptures are arranged broadly chronologically, and if you follow the tour sequentially, you will work your way gradually from one end of the gallery to the other moving through time. Each sculpture on your tour has a Touch Tour symbol beside it and a number. 2 Some of the sculptures are very large so it may be possible only to feel part of them and/or you may have to move around the sculpture to feel more of it. If you have any questions or problems, do not hesitate to ask a member of staff. -
Bulletin De L'institut Français D'archéologie Orientale
MINISTÈRE DE L'ÉDUCATION NATIONALE, DE L'ENSEIGNEMENT SUPÉRIEUR ET DE LA RECHERCHE BULLETIN DE L’INSTITUT FRANÇAIS D’ARCHÉOLOGIE ORIENTALE en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne BIFAO 114 (2014), p. 455-518 Nico Staring The Tomb of Ptahmose, Mayor of Memphis Analysis of an Early 19 th Dynasty Funerary Monument at Saqqara Conditions d’utilisation L’utilisation du contenu de ce site est limitée à un usage personnel et non commercial. Toute autre utilisation du site et de son contenu est soumise à une autorisation préalable de l’éditeur (contact AT ifao.egnet.net). Le copyright est conservé par l’éditeur (Ifao). Conditions of Use You may use content in this website only for your personal, noncommercial use. Any further use of this website and its content is forbidden, unless you have obtained prior permission from the publisher (contact AT ifao.egnet.net). The copyright is retained by the publisher (Ifao). Dernières publications 9782724708288 BIFAO 121 9782724708424 Bulletin archéologique des Écoles françaises à l'étranger (BAEFE) 9782724707878 Questionner le sphinx Philippe Collombert (éd.), Laurent Coulon (éd.), Ivan Guermeur (éd.), Christophe Thiers (éd.) 9782724708295 Bulletin de liaison de la céramique égyptienne 30 Sylvie Marchand (éd.) 9782724708356 Dendara. La Porte d'Horus Sylvie Cauville 9782724707953 Dendara. La Porte d’Horus Sylvie Cauville 9782724708394 Dendara. La Porte d'Hathor Sylvie Cauville 9782724708011 MIDEO 36 Emmanuel Pisani (éd.), Dennis Halft (éd.) © Institut français d’archéologie orientale - Le Caire Powered by TCPDF (www.tcpdf.org) 1 / 1 The Tomb of Ptahmose, Mayor of Memphis Analysis of an Early 19 th Dynasty Funerary Monument at Saqqara nico staring* Introduction In 2005 the Metropolitan Museum of Art, New York, acquired a photograph taken by French Egyptologist Théodule Devéria (fig. -
Who's Who in Ancient Egypt
Who’s Who IN ANCIENT EGYPT Available from Routledge worldwide: Who’s Who in Ancient Egypt Michael Rice Who’s Who in the Ancient Near East Gwendolyn Leick Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in World Politics Alan Palmer Who’s Who in Dickens Donald Hawes Who’s Who in Jewish History Joan Comay, new edition revised by Lavinia Cohn-Sherbok Who’s Who in Military History John Keegan and Andrew Wheatcroft Who’s Who in Nazi Germany Robert S.Wistrich Who’s Who in the New Testament Ronald Brownrigg Who’s Who in Non-Classical Mythology Egerton Sykes, new edition revised by Alan Kendall Who’s Who in the Old Testament Joan Comay Who’s Who in Russia since 1900 Martin McCauley Who’s Who in Shakespeare Peter Quennell and Hamish Johnson Who’s Who in World War Two Edited by John Keegan Who’s Who IN ANCIENT EGYPT Michael Rice 0 London and New York First published 1999 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004. © 1999 Michael Rice The right of Michael Rice to be identified as the Author of this Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Annual Report 2018
[ On[ Onthe the Cover Cover ] ] BountifulBountiful nature nature and and values values generatedgenerated therein therein are arerendered rendered as as beadsbeads of dew/waterof dew/water on ona petal. a petal. Also,Also, the the geometric geometric pattern pattern representsrepresents the the increasingly increasingly complex complex andand diverse diverse roles roles we weare areto play.to play. [ Inquiri[ Inquiries ]es ] TAISEITAISEI CORPO CORPORATIONRATION CSRCSR Promotion Promotion Section, Section, CorporateCorporate Communication Communication Departmen Department , t , CorporateCorporate Planning Planning Office Office E-maiE-mail : [email protected] : [email protected] URLp URL : http://www.taisei.co.jp/english/ : http://www.taisei.co.jp/english/ 1809.1800.T.S1808.15000.T.S 1809.1800.T.S1808.15000.T.S 005_0356501373008.indd005_0356501373008.indd 1-3 1-3 2018/09/192018/09/19 13:18:10 13:18:10 To Create a Vibrant Environment for All Members of Society The Taisei Group creates “safe, secure, and attractive spaces” and “high value” in harmony with the nature, and strives to build a global society filled with dreams and hopes for the next generation. The Taisei Group is rich inactive, diverse human resources working at various sites. At the site of (tentative name) Toranomon 2-10 Project of Tokyo Office, Hotel Okura Tokyo Building Reconstruction Project, we engage in the “Kensetsu Komachi” initiative, which is promoted by the Japan Federa- tion of Construction Contractors, for different activities intended to create a “comfortable workplace” through the synergy of both men and women working at the same workplace. In recognition of such efforts, we won the 3rd Kensetsu-komachi Empowerment Award of Excellence sponsored by the Japan Federation of Construction Contractors in 2017.