DOCSLIB.ORG

Loans in And

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Loans in And the national gallery 1 review of the year 2014– 2015 loans to the national gallery april 2014 – march 2015 The following pictures were on loan Probably by Bidauld Buildings by a Weir in Dunouy Panoramic View of the Bay to the National Gallery between April 2014 a Mountainous Valley (currently on loan of Naples (currently on loan to the and March 2015 to the Ashmolean Museum, Oxford) Ashmolean Museum, Oxford) *Pictures returned Blechen The Capuchin Convent at Amalfi Fearnley Coast Scene, possibly Capri Böcklin A Cliff Face Fleury View in the Villa Borghese: Boldini In the Garden (currently on loan The Casino del Muro Torto and the Royal Collection Trust / Her Majesty to the Ashmolean Museum, Oxford) Aqueduct of Acqua Felice (currently on the Queen British (?) The Fourvière Hill at Lyon loan to the Ashmolean Museum, Oxford) Fra Angelico Blessing Redeemer (currently on loan to the Ashmolean French The Temple of Vesta at Tivoli seen Gentile da Fabriano The Madonna Museum, Oxford) from the Gorge and Child with Angels Bürkel Distant View of Rome with the French (?) Excavation of the Roman (The Quaratesi Madonna) Baths of Caracalla in the Foreground Theatre, Orange, France (currently on Leighton Cimabue’s Celebrated (currently on loan to the Ashmolean loan to the Ashmolean Museum, Oxford) Madonna is carried in Procession Museum, Oxford) French (?) View looking into the Val de through the Streets of Florence Buttura A Road in the Roman Campagna Villé in the Vosges, France Pesellino Saints Mamas and James (currently on loan to the Ashmolean German A Rustic House by the Sea Museum, Oxford) Giroux Ruins on the Palatine The Warden and Fellows of Camuccini Ariccia (currently on loan to the Ashmolean All Souls College, Oxford Camuccini A Fallen Tree Trunk Museum, Oxford) Mengs Noli me tangere Camuccini Landscape with Trees and Rocks Gourlier Acqua Acetosa Cels Sky Study with Birds Probably by Granet View of the Falls The American Friends of Closson Antique Ruins (the Baths of at Tivoli The National Gallery Caracalla?) (currently on loan to the Guillaumet Mountains in North Africa, Calame At Handeck Ashmolean Museum, Oxford) with a Bedouin Camp (currently on loan Dahl The Lower Falls of the Labrofoss Closson The Cascade at Tivoli (currently on to the Ashmolean Museum, Oxford) loan to the Ashmolean Museum, Oxford) Probably by Haes View of Madrid Andrew Brownsword Arts Foundation Probably by Coignet River Landscape Probably by Heinrich Landscape with Sisley View of the Thames: Charing (currently on loan to the Ashmolean Figures bathing (currently on loan Cross Bridge Museum, Oxford) to the Ashmolean Museum, Oxford) Probably by Constantin Bridge at Subiaco Joinville A Distant View of Tivoli The Castle Howard Collection, York (currently on loan to the Ashmolean (currently on loan to the Ashmolean Costa The Lake at Fontainebleau* Museum, Oxford) Museum, Oxford) Costa A Morning at Botri, near Lerici* Probably by Corot Staircase in the Entrance Jones The Grotto at Posillipo Costa Twixt Summer and Autumn, Pisa* to the Villa of Maecenas at Tivoli Jones Landscape with a Distant View (currently on loan to the Ashmolean of the Sea (Italy) (currently on loan The Mari Cha Collection Limited Museum, Oxford) to the Ashmolean Museum, Oxford) Guardi Venice: The Giudecca Canal Costa After a Shower near Pisa Kerrich Distant View of Lowestoft from and the Zattere Costa Porto d’Anzio the South (currently on loan to the Bartolomeo di Giovanni The Argonauts Danby A Boat‑Builder’s Yard (currently on Ashmolean Museum, Oxford) in Colchis loan to the Ashmolean Museum, Oxford) Probably by Knip Green Mountains Master of 1487, probably Pietro Donzello Degas Promenade beside the Sea (currently on loan to the Ashmolean The Departure of the Argonauts (currently on loan to the Ashmolean Museum, Oxford) Museum, Oxford) Kølle A Courtyard in Rome Dunrobin Castle Denis Cliff at Vicovaro Leighton Archway on the Palatine Probably by Lo Spagna Christ carrying Denis A Torrent at Tivoli (currently on loan Leighton Houses in Venice the Cross to the Ashmolean Museum, Oxford) Leighton On the Coast, Isle of Wight Denis View of the Cascades at Tivoli Leighton An Outcrop in the Campagna The Gere Collection (currently on loan to the Ashmolean Leighton View in Capri Probably by Bertin View of the Gorge Museum, Oxford) Leighton A View in Spain at Civita Castellana Possibly by Desportes Study of Two Trees Leighton The Villa Malta, Rome the national gallery 2 review of the year 2014– 2015 Possibly by Leighton Houses in Capri The Executors of the late 9th Jacopo di Cione and workshop (currently on loan to the Ashmolean Marquess of Londonderry Saint Bruno Boniface Museum, Oxford) Lawrence Portrait of Lieutenant Jacopo di Cione and workshop Mason The Villa Borghese General the Hon. Charles Stewart, Saint John the Evangelist Michallon A Torrent in a Rocky Gorge later 3rd Marquess of Londonderry Jacopo di Cione and workshop Saint Luke (currently on loan to the Ashmolean (1778–1854) Jacopo di Cione and workshop Saint Museum, Oxford) Peter Damian Michallon A Tree Longford Castle Collection Nittis Winter Landscape (currently De Beer and workshop Saint John The Society of Antiquaries of London on loan to the Ashmolean the Baptist Simone dei Crocefissi Dream of the Virgin Museum, Oxford) De Beer and workshop Saint John Pitloo View of the Aventine Hill from the Evangelist The Trustees of the Stansted the Palatine (currently on loan to De Beer and workshop The Virgin and Park Foundation the Ashmolean Museum, Oxford) Child Enthroned, with Saints Joseph, Liotard A Lady pouring Chocolate Pitloo Vines at Báia John the Baptist, Dorothy, Cecilia, (‘La Chocolatière’)* Reinagle Mountainous Landscape Catherine of Alexandria and Barbara with Ruins and Buildings (currently on Holbein the Younger Erasmus Tate, London (on loan as part of the loan to the Ashmolean Museum, Oxford) Sebastiano del Piombo Portrait of a Lady Tate / National Gallery Exchange) Reinagle Rome: Part of the Aurelian Anquetin Two Studies for Wall (the Muro Torto) with the Villa The Collection of Asbjørn Lunde ‘The Three Graces’ Ludovisi beyond (currently on loan Calame Chalets at Rigi Béraud After the Misdeed to the Ashmolean Museum, Oxford) Blanche Francis Poictevin Reinagle A Trout Stream The Peter Meyer Collection Bock Woudrichem (currently on loan to the Brueghel the Elder Landscape with Browne A Greek Captive Ashmolean Museum, Oxford) Travellers and Peasants on a Track Carrière Head of a Child Probably by Rosa Wooded Bank Carrière Winding Wool with Figures Musée du Louvre, Paris, Cazin Evening Schelfhout Landscape with Cumulus Département des Peintures Cazin Ulysses after the Shipwreck Clouds, with View of Haarlem El Greco The Crucifixion with Two Donors Cézanne The Avenue at the Jas de Bouffan on the Horizon Cézanne Still Life with Water Jug Valenciennes Cow‑Shed and Houses on National Maritime Museum, London Charnay Park of Sansac (Indre‑et‑Loire) the Palatine Hill (currently on loan to Reynolds Captain the Honourable Degas Carlo Pellegrini the Ashmolean Museum, Oxford) Augustus Keppel* Degas Head of a Woman Valenciennes Rome at Sunrise, from Degas Head of a Woman the Janiculum National Museums Liverpool, Fantin‑Latour The Judgement of Paris Wallis Rocks, Tree Trunks and Branches Walker Art Gallery Fantin‑Latour Mr and Mrs Edwin Edwards Wals The Walls of Rome (currently Master of the Aachen Altarpiece Fantin‑Latour A Plate of Apples on loan to the Ashmolean Christ before Pilate (front), The Mass Fantin‑Latour Roses Museum, Oxford) of Saint Gregory (reverse)* Fantin‑Latour Self Portrait Warren The Crystal Palace from Penge Master of the Aachen Altarpiece Forain The Tub (currently on loan to the Ashmolean Lamentation (front), Two kneeling Gauguin Faa Iheihe Museum, Oxford) Donors (reverse)* Gauguin Harvest: Le Pouldu Watts Panoramic Landscape with a Goeneutte The Boulevard de Clichy Farmhouse (currently on loan to Peter Nahum, Renate Nahum under Snow the Ashmolean Museum, Oxford) Costa Bocca d’Arno* Hammershøi Interior Henri Market at Concarneau (recto), The Government Art Collection Rijksmuseum, Amsterdam Sailing Boats in a Bay (verso) Gabrielli The National Gallery 1886, Post Landscape in Brazil Liebermann Memorial Service for Interior of Room 32 Kaiser Friedrich at Kösen Royal Picture Gallery Mauritshuis, Manet Woman with a Cat Collection of Sir Laurence Graff The Hague Mauve Milking Time Pissarro Portrait of Cézanne Gelder Judah and Tamar Mauve Watering Horses Monet Poplars on the Epte Sir James and Lady Graham The Rector and Churchwardens of Monet The Seine at Port‑Villez Batoni Humphry Morice St Mary Magdalene Church, Littleton Monet Woman Seated on a Bench Jacopo di Cione and workshop Saint Morisot Girl on a Divan The Earl of Halifax Anthony Abbot Pissarro The Little Country Maid Titian Portrait of a Young Man Jacopo di Cione and workshop Beata Paola Pissarro The Pork Butcher the national gallery 3 review of the year 2014– 2015 Pissarro Portrait of Félix Pissarro Rubens The Coup de Lance (currently Circle of Gossaert The Adoration Pissarro A Wool‑Carder at the Victoria and Albert Museum) of the Kings Renoir Head of a Girl Ruysdael A River Landscape Guardi Villa del Timpano Arcuato Repin Study of an Old Man with Fishermen at Paese Seurat Le Bec du Hoc, Grandcamp Steenwyck the Younger The Interior Hayez Susanna at her Bath Seurat Clothes on the Grass: of a Gothic Church looking East Købke Portrait of P. Ryder, Study for ‘Bathers at Asnières’ Son of the Artist’s Cousin Sisley The Bridge at Sèvres Winchester College Lorenzo Monaco The Death of Saint Sisley The Path to the Old Ferry at By Lemoyne The Annunciation Benedict: Predella Panel Sisley The Small Meadows in Spring Master of the Judgement of Paris Toulouse‑Lautrec Emile Bernard Wycombe Museum, High Wycombe The Abduction of Helen Toulouse‑Lautrec The Two Friends Wtewael The Raising of Lazarus Monet The Grand Canal, Venice* Van Gogh Farms near Auvers Monet The Japanese Bridge Vollon View of the Harbour at Marseilles York Art Gallery, York Monogrammist I.
Load more

Recommended publications
  • Turner's London
    FITZROVIA FARRINGDON BoE Museum MARYLEBONE Free to visit 6 8 4 12 7 2 CITY OF MAYFAIR 1 3 LONDON COVENT 11 RIVER THAME GARDEN S The artist JMW Turner (1775-1851), whose self-portrait SOUTHWARK appears on the new £20, was born in Covent Garden and lived most of his life in London. Use this map to explore where he lived and worked. WESTMINSTER 9 KEW FULHAM LAMBETH BATTERSEA 10 Issue date: 20 February 2020 RICHMOND 1 Turner’s Birthplace 2 St Paul’s Church 3 Royal Academy 4 Bank of England 5 Turner’s House 6 Turner’s Gallery 5 Covent Garden Covent Garden Somerset House, Strand Threadneedle Street Sandycombe Lodge, & Studio TWICKENHAM Turner was born in 1775 at Turner’s parents were married Turner showed his work here Turner began investing his Twickenham Marylebone 21 Maiden Lane. The house is at St Paul’s, and Turner was for the first time when he was money here aged 18, making Turner lived here between Turner had an art gallery and no longer there, but the site baptised here in 1775. 15. The Royal Academy was at many more investments 1813 and 1826. He designed studio here at 47 Queen Anne is marked by a green plaque. Somerset House at that time. throughout his career. the country house himself. Street. 7 Thomas Malton’s House 8 Sir John Soane’s House 9 Houses of Parliament 10 Tate Britain 11 National Gallery 12 St Paul’s Cathedral Conduit Street Lincoln’s Inn Fields Westminster Millbank Trafalgar Square Ludgate Hill Turner studied under Thomas Turner made several paintings The Houses of Parliament Turner left many of his works Some of Turner’s most important When he died in December thenew20.co.uk Malton, learning architectural for his friend, the architect burned down in 1834.
    [Show full text]
  • Book 4 NORTHERN EUROPE Revolution & Evolution Art and Life
    ARTY STORIES Book 4 NORTHERN EUROPE Revolution & Evolution Art and life across the centuries Ian Matsuda, FCA, BA (Hons) for Noko Copyright Ian Matsuda, FCA, BA (Hons), 2017 All rights reserved. No part of this publication may be reproduced, stored in retrieval system, transmitted or utilised in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without written permission from the publisher or licence holder https://www.artystories.org email: [email protected] Liberty leading the battle, 1830 Eugene Delacroix, Louvre, Paris The Fighting Temeraire, tugged to last berth, Turner, 1839, National gallery, London ‘ARTY STORIES’ Art & Life across the centuries This series of six books tells the stories of events and lives and the influence of art that reflects these societies. Designed specifically for younger students to create an interest for complementary studies in both art and history they provide an easy and accessible introduction to the myriad lives and wonderful art over the centuries. Together they provide a sweeping framework in which to follow and understand the struggles and triumphs of people in the evolving changes through peace and war from 3,000Bc until today. By taking this holistic approach this book contributes to the UK Educational targets of Key Stage 3, ages 11-14 ‘know how art and design both reflect and contribute to the culture, creativity and wealth of our nation’. This also contributes to the educational debates in the USA on the benefits of art to the health of society. Supported by the Arts Council, England as: ‘creative and engaging for young people’ - ‘the opportunities to stimulate young people’s interest and imagination are evident’.
    [Show full text]
  • JMW Turner to Appear on the Next £20 Banknote
    Press Office Threadneedle Street London EC2R 8AH T 020 7601 4411 F 020 7601 5460 [email protected] www.bankofengland.co.uk 22 April 2016 J.M.W. Turner to appear on the next £20 banknote Today, Bank of England Governor, Mark Carney, announced that J.M.W. Turner will appear on the next £20 banknote due to be issued by 2020. At the announcement at Turner Contemporary in Margate, the Governor revealed the image of Turner that will be used on the note. The selection of Turner is the first time the Bank of England has used the more open and transparent character selection process announced in December 2013. The process began in early 2015 with the formation of the Banknote Character Advisory Committee which as its first act selected the visual arts field. This was followed by a two month nomination period in summer 2015 during which members of the public could suggest a figure from the visual arts. The Bank received 29,701 nominations covering 590 eligible characters. The Committee, with input from public focus groups, then produced a shortlist which it discussed in detail with the Governor who made the final decision. Commenting on the decision, the Governor said: “I am delighted to announce that J.M.W. Turner has been chosen to appear on the next £20 note. Turner is perhaps the single most influential British artist of all time. His work was transformative, bridging the classical and modern worlds. His influence spanned his lifetime and is still apparent today. Turner bequeathed this painting to the nation, an example of his important contribution to British society.
    [Show full text]
  • Chapter 12—The Age of Revolution
    Chapter 12—The Age of Revolution Paul Revere’s engraving, The Bloody Massacre, added to the fuel of revolution in America. Paul Revere The Bloody Massacre 1770 Storming of the Bastille also took place in Paris in 1789. The American and French Revolutions Trumbull The Declaration of Independence The Declaration of the Rights of Man and of the Citizen August 26, 1789 The Third Estate set up a National Assembly as pictured by David The Tennis Court Oath 1789-1791. A march to Versailles was a march of women for bread…they got the king and queen. Jacques-Louis David was the essence of Neoclassical in France. His painting seemed like he painted statues instead of people. Rationality drove his artwork. David The Oath of the Horatii (1784) David The Death of Marat (1793) David Napoleon at the Saint- Bernard Pass (1801) Napoleon’s Empire Neoclassicism in America The US was founded on the Neoclassic model… it was called Federal style. Slavery had been an issue in America from the beginning when the colonies could not trade in anything including slaves. The Declaration of Independence didn’t address the issue at all in the final version…half the signers were from the South and had slaves. ROMANTICISM • Expression of personal subjectivism • Self-Analysis—positive and in particular more negative aspects, dreams, etc. • Not for the masses but for the artist, which cuts into the profit margin • Internal wallowing in self • Love of the fantastic and exotic • Interest in nature ROMANTIC AGE • Time of philosophical ferment: Darwin, Hegel, and Marx • Radical changes in society: railroads became the Roman roads • Science: Darwin, Mendel • Social unrest due to the Industrial Revolution • Individualism/liberalism in art, politics, and in life (carried over from Renaissance and Reformation) ROMANTIC AGE cont.
    [Show full text]
  • Large Print Guide Turner's Modern World
    TURNER’S MODERN WORLD 28 October 2020 – 7 March 2021 LARGE PRINT GUIDE 1 4 5 6 7 3 8 EXIT 2 ENTRANCE 1 2 CONTENTS Introduction ........................................................................4 2. Signs of the Time: Early Work.......................................... 13 3. War and Peace .............................................................. 38 4. ‘Modern Thought’: Turner and his Literary Contemporaries ......................... 69 5. Home Front ....................................................................94 6. Causes and Campaigns ................................................ 116 7. Steam and Speed ......................................................... 142 8. Modern Painter ............................................................ 162 Credits ............................................................................. 187 3 INTRODUCTION 4 Concourse INTRODUCTION This exhibition explores JMW Turner (1775–1851) as an outstanding painter of contemporary life. Spanning his early architectural drawings from the 1790s to the paintings of steam power in the 1840s, it examines what it meant to be a modern artist during Turner’s lifetime. Turner lived through revolutions, the Napoleonic Wars, the violent expansion of empires and the abolition of slavery in British colonies. At the same time, industrial development saw the construction of canals and brought machines to the workplace, while steamships and railways transformed travel. War, colonialism and industry created immense wealth for British entrepreneurs and
    [Show full text]
  • Powerpoint Guidance
    A Londoner Joseph Mallord William Turner was born in April 1775 in Covent Garden, London. His father, William, was a barber and wigmaker and his mother was called Mary. Joseph’s father was supportive of his artistic talent and would display his son’s early drawings in his shop. Joseph Turner kept his Cockney accent all his life. Did You Know? The Royal Academy of Arts Joseph attended the Royal Academy of Arts school in 1789 and was accepted into the academy the following year. Although Joseph was interested in architecture, he was advised to carry on painting watercolour pictures. He sold some of his watercolour paintings to help pay for his fees at the Academy. Joseph Turner was only fourteen years old when he started studying at Did You Know? the Academy. Capturing the Light Joseph Turner began sketching outside, using these as a basis for his paintings, indoors. This led to him touring the country during the summer and working in the studio in the winter. He became known as “The Painter of Light”. In 1796, he exhibited his first painting in oils: ‘Fishermen at Sea’. As you look at the following paintings, think about why Turner was known as Did You Know? “The Painter of Light”. Fishermen at Sea What are your thoughts about this painting? Painter of Light One of Joseph Turner’s most famous paintings is called ‘The Fighting Temeraire Tugged to Her Last Berth to Be Broken Up’ and is on display at the National Gallery in London. How would you describe Turner’s painting technique? Travel Turner began to travel around Europe, becoming known as one of the greatest masters of watercolour landscapes.
    [Show full text]
  • J.M.W. Turner
    J.M.W. Turner Images 2 3 1 5 6 4 7 8 9 11 12 10 14 15 13 For Educational Purposes Only Revised 08/12 1 J.M.W. Turner The Presentation 1. Self-Portrait 1798, oil on canvas, 29” x 23”, Tate Gallery, London Turner painted only two self-portraits and exhibited neither. This portrait, painted at age 23, shows him in a more flattering appearance than anyone elseʼs portraits of him. Turner was already successful and thus he portrayed himself in all the finery of a young English gentleman. Visually he emerges from the darkened space, shining like a bright light, looking into the future. This treatment of light foreshadows Turnerʼs career, where it was a driving force in his romantic depiction of dramatic scenes. The eyes are the emphasized feature; they gaze directly at the viewer and yet beyond. Note the contrast of the artistʼs face, hair and cravat against the dark, negative background. Turner is setting the mood and expressing his feelings Where are the areas of about his artistic standing at the time. He achieves this through contrasts of greatest contrast? color, value and shape. 2. Fishermen at Sea 1796, oil on canvas, 36” x 48”, Tate Gallery, London By the age of 21, Turner had already exhibited at the Royal Academy for seven years, but this was his first oil painting. It attracted critical notice as “proof of an original mind” because the seascape was quite unconventional. The eerily moonlit scene contains three different kinds of light: moonlight through the clouds (here we see his inexperience in oils, the clouds seem to continue behind the moon), moonlight reflected off a stormy sea (Turner frequently returned to the theme of nature in one of its violent moods), and the glow of the shipsʼ lanterns, which reflects the men What do you call a painting in the boat struggling to escape the darkness that surrounds them.
    [Show full text]
  • Mr. Turner 2014
    'MR. TURNER' An Original Screenplay by Mike Leigh Sunset. A windmill by a stream. TWO WOMEN pass by, chattering cheerfully in Dutch. A MAN stands on the horizon. He is sketching. This is J.M.W. TURNER. ... TITLES ... A busy London street in the mid-1820’s. TURNER goes on his way, carrying his bags. Arriving at his house, Turner lets himself in with his key. In the hall, he hangs up his hat. TURNER Oi! He encounters a young woman, HANNAH. Aye, aye, me damsel. HANNAH Welcome home, Mr. Billy. We've been worried to death about you. TURNER For why? HANNAH On account of that explosion. TURNER What was that? HANNAH At Ostend. 2. TURNER Oh, yes. I heard tell of that at Antwerp. Dreadful. Dirty linen. He gives her one of his bags. HANNAH Mr. William's been getting in a stew about it. TURNER Is he out and about his business? HANNAH That he is. Turner enters his dark studio. He starts to open the shutters. Light streams into the room. Hannah brings him a small glass of sherry, which he drinks. She helps him to open the shutters and to move a work table. TURNER You faring well? HANNAH Thank you. How was your journey home? TURNER It was execrable. HANNAH Oh. Mm. You in need of anything else? TURNER Tea. He has sat down. She hovers by him. He feels her breast. Then he briefly lays his had on her crutch. She scuttles out. ... WILLIAM TURNER SNR comes round the corner of a busy street, carrying a large shopping basket.
    [Show full text]
  • Candidate No………………
    London Blue Badge - Paper 3 – 9 February 2012 Candidate No……………… LONDON BLUE BADGE TOURIST GUIDE REGISTRATION EXAMINATIONS Thursday, 9th February 2012 at 1400 hours PAPER THREE Time allowed: TWO HOURS (120 MINUTES) This paper is in THREE sections: SECTION A Comprises 150 questions, ALL of which should be answered. (Recommended time: 70 minutes) This section is worth 60% SECTION B Answer ONE question from a choice of two, in note form. (Recommended time: 25 minutes) This section is worth 20% SECTION C Answer ONE question from a choice of three, in note form. (Recommended time: 25 minutes) This section is worth 20% Notes 1. Please write your candidate number at the top of this page and at the top right hand corner of all separate sheets (the invigilator has your number). 2. SECTION A: The answers should be written on the question paper. SECTION B and C: The answers should be written on the lined paper provided. i. Please use only one side of the paper ii. Please start each question on a new page 3. Please write legibly in pen. 1 London Blue Badge - Paper 3 – 9 February 2012 SECTION A – 60% HISTORY 1 What was the Roman name for London? 2 Which English King restored London’s city walls in the ninth century? 3 What was the name of the Norwegian King who helped the English to pull down London Bridge in 1014? 4 Which King had Westminster Hall built in the eleventh century? 5 Which medieval churchman became London’s second patron saint? 6 Where are John Bunyan, Daniel Defoe and William Blake all buried? 7 Where is Benjamin Franklin’s only surviving home in London? 8 Which institution formerly occupied the building which now houses the Imperial War Museum? 2 London Blue Badge - Paper 3 – 9 February 2012 9 Who was a preacher at St.
    [Show full text]
  • Painting As Event: Performance and Gesture in Late Turner
    Interfaces Image Texte Language 40 | 2018 Gestures and Transmission Painting as Event: Performance and gesture in late Turner Hélène Ibata Electronic version URL: http://journals.openedition.org/interfaces/599 DOI: 10.4000/interfaces.599 ISSN: 2647-6754 Publisher: Université de Bourgogne, Université de Paris, College of the Holy Cross Printed version Date of publication: 21 December 2018 Number of pages: 11-27 ISSN: 1164-6225 Electronic reference Hélène Ibata, “Painting as Event: Performance and gesture in late Turner”, Interfaces [Online], 40 | 2018, Online since 21 December 2018, connection on 07 January 2021. URL: http:// journals.openedition.org/interfaces/599 ; DOI: https://doi.org/10.4000/interfaces.599 Les contenus de la revue Interfaces sont mis à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. 11 PAINTING AS EVENT: PERFORMANCE AND GESTURE IN LATE TURNER Hélène Ibata EA SEARCH, Université de Strasbourg Abstract: In the last decades of his long career, J.M.W. Turner became increasingly prone to display his work on exhibition canvases, making the most of the varnishing days of the Royal Academy of Arts and British Institution to finish his paintings in public. These performative displays may be connected to the increasingly gestural nature of his production, to his quest for a form of adequation between his own emotional involvement in the process of painting and the dynamic motions of nature, but also to his new awareness of the process of pictorial creation as a lived or kinaesthetic experience in which vision and movement are fused. While romantic theories of expression may shed light on such an evolution, this article argues that Turner’s work seems to articulate a number of issues raised by phenomenological accounts of pictorial creation.
    [Show full text]
  • Save Webquest As
    Turner's masterpieces WebQuest Description: This Web Quest is designed to promote an understanding of the painter Joseph Mallord William Turner Grade Level: 9-12 Curriculum: Art / Music Keywords: Joseph Mallord William Turner, Romantic landscape painter, sublime Published On: Last Modified: 2020-04-07 19:40:54 WebQuest URL: http://zunal.com/webquest.php?w=433308 J.M.W. Turner, in full Joseph Mallord William Turner, (born April 23, 1775, London, England—died December 19, 1851, London), was one of the most important English Romantic landscape painter of the 18th century. His expressionistic studies of light, colour, and atmosphere were unmatched in their range and sublimity.Bibliography: https://www.britannica.com/biography/J-M-W-Turner/Later-life- and-works Being a tour guide is a very important job. You are a guide in the late Tuner's paintings exhibition in London. Prepare a brief speech explaining one among the most famous paintings of the exhibition. You can use the scheme below in the page or a page of Quizlet( https://quizlet.com ), for helping people to understand the most important concepts. 1.Snow Storm: Hannibal and his Army Crossing the Alps, 1912, Tate Galleryhttps://en.wikipedia.org/wiki/Snow_Storm:_Hannibal_and_his_Army_Crossing_the_Alpshttps://joyofmuseums.com/museums/u nited-kingdom-museums/london-museums/tate-britain/snow-storm-hannibal-and-his-army-crossing-the-alps-by-j-m-w-turner/2.Dido Building Carthage, 1815, British Museumhttps://www.nationalgallery.org.uk/paintings/learn-about-art/clive-head- turnerhttps://www.nationalgallery.org.uk/paintings/joseph-mallord-william-turner-dido-building-carthage3.The Burning of the Houses of Lords and Commons, 1835, Cleveland Museum of art, and Philadelphia museum of Art, Tate GalleryThere are three different versions of this painting.
    [Show full text]
  • 2014 Loans to the National Gallery April 2013 – March 2014
    the national gallery 1 review of the year 2013– 2014 loans to the national gallery april 2013 – march 2014 The following pictures were on loan British (?) The Fourvière Hill at Lyon Fleury View in the Villa Borghese: to the National Gallery between April 2013 (currently on loan to the Ashmolean The Casino del Muro Torto and the and March 2014 Museum, Oxford) Aqueduct of Acqua Felice (currently on *Pictures returned Bürkel Distant View of Rome with the loan to the Ashmolean Museum, Oxford) Baths of Caracalla in the Foreground French The Temple of Vesta at Tivoli (currently on loan to the Ashmolean seen from the Gorge Royal Collection Trust / Museum, Oxford) French (?) Excavation of the Roman Her Majesty The Queen Buttura A Road in the Roman Campagna Theatre, Orange, France (currently on Fra Angelico Blessing Redeemer (currently on loan to the Ashmolean loan to the Ashmolean Museum, Oxford) Gentile da Fabriano The Madonna Museum, Oxford) French (?) View looking into the Val and Child with Angels (The Quaratesi Camuccini Ariccia de Villé in the Vosges, France Madonna) Camuccini A Fallen Tree Trunk German A Rustic House by the Sea Gossaert Adam and Eve Camuccini Landscape with Trees and Rocks Giroux Ruins on the Palatine (currently on Leighton Cimabue’s Celebrated Cels Sky Study with Birds loan to the Ashmolean Museum, Oxford) Madonna is carried in Procession Closson Antique Ruins (the Baths of Gourlier Acqua Acetosa through the Streets of Florence Caracalla?) (currently on loan to the Attributed to Granet View of the Falls Pesellino Saints
    [Show full text]