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Turner's London
FITZROVIA FARRINGDON BoE Museum MARYLEBONE Free to visit 6 8 4 12 7 2 CITY OF MAYFAIR 1 3 LONDON COVENT 11 RIVER THAME GARDEN S The artist JMW Turner (1775-1851), whose self-portrait SOUTHWARK appears on the new £20, was born in Covent Garden and lived most of his life in London. Use this map to explore where he lived and worked. WESTMINSTER 9 KEW FULHAM LAMBETH BATTERSEA 10 Issue date: 20 February 2020 RICHMOND 1 Turner’s Birthplace 2 St Paul’s Church 3 Royal Academy 4 Bank of England 5 Turner’s House 6 Turner’s Gallery 5 Covent Garden Covent Garden Somerset House, Strand Threadneedle Street Sandycombe Lodge, & Studio TWICKENHAM Turner was born in 1775 at Turner’s parents were married Turner showed his work here Turner began investing his Twickenham Marylebone 21 Maiden Lane. The house is at St Paul’s, and Turner was for the first time when he was money here aged 18, making Turner lived here between Turner had an art gallery and no longer there, but the site baptised here in 1775. 15. The Royal Academy was at many more investments 1813 and 1826. He designed studio here at 47 Queen Anne is marked by a green plaque. Somerset House at that time. throughout his career. the country house himself. Street. 7 Thomas Malton’s House 8 Sir John Soane’s House 9 Houses of Parliament 10 Tate Britain 11 National Gallery 12 St Paul’s Cathedral Conduit Street Lincoln’s Inn Fields Westminster Millbank Trafalgar Square Ludgate Hill Turner studied under Thomas Turner made several paintings The Houses of Parliament Turner left many of his works Some of Turner’s most important When he died in December thenew20.co.uk Malton, learning architectural for his friend, the architect burned down in 1834. -
Catalogue of the Mediaeval Ivories Enamels Jewellery
\5^ i ^*> FITZWILLIAM MUSEUM MCCLEAN BEQUEST CAMBRIDGE UNIVERSITY PRESS ILonDon: FETTER LANE, E.G. C. F. CLAY, Manackr u *[ .«...r^^ GFUinturgJ) : loo, PRINCES STREET Btrlin: A. ASHER AND CO. 1Lfip>ig: F. A. BROCKHAUS i^tiu Sork: G. P. PUTNAM'S SONS iSombaB Bnti ffalnittn : MACMILLAN AND CO.. Ltd. All rights reservai FITZWILLIAM MUSEUM MACLEAN BEQUEST CATALOGUE OF THE MEDIAEVAL IVORIES, ENAMELS, JEWELLERY, GEMS AND MISCELLANEOUS OBJECTS BEQUEATHED TO THE MUSEUM BY FRANK MCCLEAN, M.A., F.R.S. BY O. M. DALTON, M.A. Cambridge : at the University Press 1912 M Camiriirgf : PRINTED BY JOHN CLAY, M.A. AT THE UNIVERSITY PRESS PREFACE " I ""HE present catalogue, though limited in extent, is concerned -^ with of a kind difficulties I objects presenting peculiar ; cannot claim to have surmounted all of these or to have avoided all the errors besetting the classification of similar works of art. In the Introduction I have tried to summarize our present knowledge, and to provide such references to the literature of each subject as will enable the reader to consult original sources of information. I wish to express my great indebtedness to Dr Montague James and Mr S. C. Cockerell for kind assistance rendered at various times during the preparation of the work, and in an especial degree to Dr C. H. Read of the British Museum, who has examined the collection with me and placed his wide knowledge freely at my disposal. The descriptions of nos. io8— 109 and of the Egyptian, Assyrian and Babylonian objects, nos. 119— 143, have been supplied by Mr F, W. -
Wikimedia with Liam Wyatt
Video Transcript 1 Liam Wyatt Wikimedia Lecture May 24, 2011 2:30 pm David Ferriero: Good afternoon. Thank you. I’m David Ferriero, I’m the Archivist of the United States and it is a great pleasure to welcome you to my house this afternoon. According to Alexa.com, the internet traffic ranking company, there are only six websites that internet users worldwide visit more often than Wikipedia: Google, Facebook, YouTube, Yahoo!, Blogger.com, and Baidu.com (the leading Chinese language search engine). In the States, it ranks sixth behind Amazon.com. Over the past few years, the National Archives has worked with many of these groups to make our holdings increasingly findable and accessible, our goal being to meet the people where they are. This past fall, we took the first step toward building a relationship with the “online encyclopedia that anyone can edit.” When we first began exploring the idea of a National Archives-Wikipedia relationship, Liam Wyatt was one of, was the one who pointed us in the right direction and put us in touch with the local DC-area Wikipedian community. Early in our correspondence, we were encouraged and inspired when Liam wrote that he could quote “quite confidently say that the potential for collaboration between NARA and the Wikimedia projects are both myriad and hugely valuable - in both directions.” I couldn’t agree more. Though many of us have been enthusiastic users of the Free Encyclopedia for years, this was our first foray into turning that enthusiasm into an ongoing relationship. As Kristen Albrittain and Jill James of the National Archives Social Media staff met with the DC Wikipedians, they explained the Archives’ commitment to the Open Government principles of transparency, participation, and collaboration and the ways in which projects like the Wikipedian in Residence could exemplify those values. -
Book 4 NORTHERN EUROPE Revolution & Evolution Art and Life
ARTY STORIES Book 4 NORTHERN EUROPE Revolution & Evolution Art and life across the centuries Ian Matsuda, FCA, BA (Hons) for Noko Copyright Ian Matsuda, FCA, BA (Hons), 2017 All rights reserved. No part of this publication may be reproduced, stored in retrieval system, transmitted or utilised in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without written permission from the publisher or licence holder https://www.artystories.org email: [email protected] Liberty leading the battle, 1830 Eugene Delacroix, Louvre, Paris The Fighting Temeraire, tugged to last berth, Turner, 1839, National gallery, London ‘ARTY STORIES’ Art & Life across the centuries This series of six books tells the stories of events and lives and the influence of art that reflects these societies. Designed specifically for younger students to create an interest for complementary studies in both art and history they provide an easy and accessible introduction to the myriad lives and wonderful art over the centuries. Together they provide a sweeping framework in which to follow and understand the struggles and triumphs of people in the evolving changes through peace and war from 3,000Bc until today. By taking this holistic approach this book contributes to the UK Educational targets of Key Stage 3, ages 11-14 ‘know how art and design both reflect and contribute to the culture, creativity and wealth of our nation’. This also contributes to the educational debates in the USA on the benefits of art to the health of society. Supported by the Arts Council, England as: ‘creative and engaging for young people’ - ‘the opportunities to stimulate young people’s interest and imagination are evident’. -
Reverend David Railton M.C. Exhibition the Unknown Soldier
St Eanswythe Patron Saint of Folkestone Reverend The Parish Church is unique in the UK as it contains the bones of Eanswythe, patron saint of Folkestone. David Railton M.C. She was a member of an Anglo-Saxon regal dynasty: granddaughter of Ethelbert, the first English king to Exhibition convert to Christianity under Augustine. Fri Oct 30th to Thurs Dec 24th She is believed to have been abbess of the first at Folkestone Museum, nunnery established in England, about AD 660 on the 1-2 Guildhall St, Folkestone CT20 1DY Bayle These are thought to be the earliest verified remains of an English saint. St Eanswythe died in her late teens or early 20s; the cause of her death was unknown. Her relics soon became a focus of pilgrimage, and, in 1138, were installed in the present church. They were hidden in 1534 and were only uncovered 350 years later. St Mary and St Eanswythe Parish Church In the very centre of Folkestone between the shops The Unknown Soldier and The Bayle lies the beautiful Parish Church. A priory was originally built on the site in the 12th The Friends of St Mary and St Eanswythe are Century but that building was destroyed and rebuilt in delighted to welcome you to this exhibition which the 13th Century includes private letters. Membership is open to all and we welcome friends At the west end of the Nave of Westminster Abbey locally and throughout the world. is this grave of the Unknown Warrior, whose body was brought from France to be buried here on http://friendsofstmaryandsteanswythe.org.uk/ 11th November 1920. -
Collecting the World
Large print text Collecting the World Please do not remove from this display Collecting the World Founded in 1753, the British Museum opened its doors to visitors in 1759. The Museum tells the story of human cultural achievement through a collection of collections. This room celebrates some of the collectors who, in different ways, have shaped the Museum over four centuries, along with individuals and organisations who continue to shape its future. The adjoining galleries also explore aspects of collecting. Room 1: Enlightenment tells the story of how, in the early Museum, objects and knowledge were gathered and classified. Room 2a: The Waddesdon Bequest, displays the collection of Renaissance and Baroque masterpieces left to the British Museum by Baron Ferdinand Rothschild MP at his death in 1898. Gallery plan 2 Expanding Horizons Room 1 Enlightenment Bequest Waddesdon The Room 2a 1 3 The Age Changing of Curiosity Continuity 4 Today and Tomorrow Grenville shop 4 Collecting the World page Section 1 6 The Age of Curiosity, 18th century Section 2 2 5 Expanding Horizons, 19th century Section 3 80 Changing Continuity, 20th century Section 4 110 Today and Tomorrow, 21st century Portraits at balcony level 156 5 Section 1 The Age of Curiosity, 18th century Gallery plan 2 Expanding Horizons 1 3 The Age Changing of Curiosity Continuity 4 Today and Tomorrow 6 18th century The Age of Curiosity The Age of Curiosity The British Museum was founded in 1753 as a place of recreation ‘for all studious and curious persons’. Its founding collection belonged to the physician Sir Hans Sloane (1660–1753). -
Loans in And
the national gallery 1 review of the year 2014– 2015 loans to the national gallery april 2014 – march 2015 The following pictures were on loan Probably by Bidauld Buildings by a Weir in Dunouy Panoramic View of the Bay to the National Gallery between April 2014 a Mountainous Valley (currently on loan of Naples (currently on loan to the and March 2015 to the Ashmolean Museum, Oxford) Ashmolean Museum, Oxford) *Pictures returned Blechen The Capuchin Convent at Amalfi Fearnley Coast Scene, possibly Capri Böcklin A Cliff Face Fleury View in the Villa Borghese: Boldini In the Garden (currently on loan The Casino del Muro Torto and the Royal Collection Trust / Her Majesty to the Ashmolean Museum, Oxford) Aqueduct of Acqua Felice (currently on the Queen British (?) The Fourvière Hill at Lyon loan to the Ashmolean Museum, Oxford) Fra Angelico Blessing Redeemer (currently on loan to the Ashmolean French The Temple of Vesta at Tivoli seen Gentile da Fabriano The Madonna Museum, Oxford) from the Gorge and Child with Angels Bürkel Distant View of Rome with the French (?) Excavation of the Roman (The Quaratesi Madonna) Baths of Caracalla in the Foreground Theatre, Orange, France (currently on Leighton Cimabue’s Celebrated (currently on loan to the Ashmolean loan to the Ashmolean Museum, Oxford) Madonna is carried in Procession Museum, Oxford) French (?) View looking into the Val de through the Streets of Florence Buttura A Road in the Roman Campagna Villé in the Vosges, France Pesellino Saints Mamas and James (currently on loan to the Ashmolean German -
JMW Turner to Appear on the Next £20 Banknote
Press Office Threadneedle Street London EC2R 8AH T 020 7601 4411 F 020 7601 5460 [email protected] www.bankofengland.co.uk 22 April 2016 J.M.W. Turner to appear on the next £20 banknote Today, Bank of England Governor, Mark Carney, announced that J.M.W. Turner will appear on the next £20 banknote due to be issued by 2020. At the announcement at Turner Contemporary in Margate, the Governor revealed the image of Turner that will be used on the note. The selection of Turner is the first time the Bank of England has used the more open and transparent character selection process announced in December 2013. The process began in early 2015 with the formation of the Banknote Character Advisory Committee which as its first act selected the visual arts field. This was followed by a two month nomination period in summer 2015 during which members of the public could suggest a figure from the visual arts. The Bank received 29,701 nominations covering 590 eligible characters. The Committee, with input from public focus groups, then produced a shortlist which it discussed in detail with the Governor who made the final decision. Commenting on the decision, the Governor said: “I am delighted to announce that J.M.W. Turner has been chosen to appear on the next £20 note. Turner is perhaps the single most influential British artist of all time. His work was transformative, bridging the classical and modern worlds. His influence spanned his lifetime and is still apparent today. Turner bequeathed this painting to the nation, an example of his important contribution to British society. -
Chapter 12—The Age of Revolution
Chapter 12—The Age of Revolution Paul Revere’s engraving, The Bloody Massacre, added to the fuel of revolution in America. Paul Revere The Bloody Massacre 1770 Storming of the Bastille also took place in Paris in 1789. The American and French Revolutions Trumbull The Declaration of Independence The Declaration of the Rights of Man and of the Citizen August 26, 1789 The Third Estate set up a National Assembly as pictured by David The Tennis Court Oath 1789-1791. A march to Versailles was a march of women for bread…they got the king and queen. Jacques-Louis David was the essence of Neoclassical in France. His painting seemed like he painted statues instead of people. Rationality drove his artwork. David The Oath of the Horatii (1784) David The Death of Marat (1793) David Napoleon at the Saint- Bernard Pass (1801) Napoleon’s Empire Neoclassicism in America The US was founded on the Neoclassic model… it was called Federal style. Slavery had been an issue in America from the beginning when the colonies could not trade in anything including slaves. The Declaration of Independence didn’t address the issue at all in the final version…half the signers were from the South and had slaves. ROMANTICISM • Expression of personal subjectivism • Self-Analysis—positive and in particular more negative aspects, dreams, etc. • Not for the masses but for the artist, which cuts into the profit margin • Internal wallowing in self • Love of the fantastic and exotic • Interest in nature ROMANTIC AGE • Time of philosophical ferment: Darwin, Hegel, and Marx • Radical changes in society: railroads became the Roman roads • Science: Darwin, Mendel • Social unrest due to the Industrial Revolution • Individualism/liberalism in art, politics, and in life (carried over from Renaissance and Reformation) ROMANTIC AGE cont. -
Southwark Clergy Rebuke 'Partisan' Bishop
THE ORIGINAL CHURCH NEWSPAPER. ESTABLISHED IN 1828 Alice’s THE experience scares us CHURCHOF all ENGLAND P15 Learning Newspaper from the Café Church, P9 NOW AVAILABLE ON NEWSSTAND FRIDAY, MARCH 13, 2015 No: 6270 Black and Southwark clergy Asian rebuke ‘partisan’ bishop contribution to Church is By George Conger ONE IN 10 of the Diocese of South- The Rt Rev Christopher Chessun wark’s stipendiary clergy have signed a celebrated private letter to their bishop, the Rt Rev Christopher Chessun, rebuking him for his partisan management of the diocese. Delivered last week, the letter is under- stood to take issue with the bishop’s pref- erence of clergy living in same-sex civil partnerships to senior posts within the diocese, while marginalising traditional- ists. The letter, accompanied a public state- ment endorsed by 60 priests and nine parish councils, affirms the doctrinal principleS of the Church of England, which also urged the bishop to ensure that clergy he has appointed to high office conform to these teachings. The “Southwark Declaration” and pri- vate letter comes amidst a sharp financial contraction and declining church atten- dance in Southwark, coupled with the appointment of clergy living in same-sex civil partnerships to the posts of cathe- By Ashley Prevo dral dean, diocesan director of ordinands and canon chancellor. PARLIAMENT was the venue for a Complaints of bias in Southwark reception celebrating Black and Asian prompted evangelicals in 2012 to form him our concerns” including the appoint- warm welcoming meeting to him as soon enrichment of the Church of England. the Southwark Ministry Trust to divert ment of a new Canon Chancellor, who as he was consecrated. -
Roundup-History
Year 9 History - Remembering the First World War Centenary of the Arrival of the Unknown Warrior at Victoria Station – 10 November 2020 Every year on 10 November, the Western Front Association holds a service of remembrance at Victoria Station to commemorate the arrival, in 1920, of the Unknown Warrior on his journey to Westminster Abbey. Because this year is the centenary of this happening, the Western Front Association is asking Year 9 students to write a letter to the Unknown Warrior. You can write as yourself, a young person in 2020, looking back on the First World War or you could pretend to be someone living in 1920 who has lost someone important to you in the war: a brother, a father or a friend perhaps. If you would like to take part in this commemoration then you need to write a letter of no more than 500 words and email it to your class teacher by November 1st, 2020. The Association will publish the most interesting and thoughtful letters on their website and in their magazine and offer some small prizes. The Story When the First World War ended in 1918, about 800,000 British and colonial troops had died and another 200,000 were “missing”. Some of these were prisoners but most were dead: either they could not be identified or they were never found. The men and women who died abroad in the war were buried there and many had “no known grave” so that families in Britain were rarely able to visit a grave to mourn for the people that had lost. -
York Minster Conservation Management Plan 2021
CONSERVATION MANAGEMENT PLAN VOL. 2 GAZETTEERS DRAFT APRIL 2021 Alan Baxter YORK MINSTER CONSERVATION MANAGEMENT PLAN VOL. 2 GAZETTEERS PREPARED FOR THE CHAPTER OF YORK DRAFT APRIL 2021 HOW TO USE THIS DOCUMENT This document is designed to be viewed digitally using a number of interactive features to aid navigation. These features include bookmarks (in the left-hand panel), hyperlinks (identified by blue text) to cross reference between sections, and interactive plans at the beginning of Vol III, the Gazetteers, which areAPRIL used to locate individual 2021 gazetteer entries. DRAFT It can be useful to load a ‘previous view’ button in the pdf reader software in order to retrace steps having followed a hyperlink. To load the previous view button in Adobe Acrobat X go to View/Show/ Hide/Toolbar Items/Page Navigation/Show All Page Navigation Tools. The ‘previous view’ button is a blue circle with a white arrow pointing left. York Minster CMP / April 2021 DRAFT Alan Baxter CONTENTS CONTENTS Introduction to the Gazetteers ................................................................................................ i Exterior .................................................................................................................................... 1 01: West Towers and West Front ................................................................................. 1 02: Nave north elevation ............................................................................................... 7 03: North Transept elevations....................................................................................