TV As a Creative Medium

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TV As a Creative Medium Howard Kline RockNames .doc Events, Institutions, Projects, Centers, Festivals, Foundations Research Agencies, Conferences, Competitions, Institutes, Theaters, Alliances, Endowments, Workshops, Councils, Screenings, Names, Titles, Places from Howard Klein Article !Heimskringla! D.A. Pennebaker "Expanded Educationfor the Dan Sandin Paper-Less Society. " Dance Works "Paperback Television" Daniel Del Solar WNET (New York), David Loxton "What's Happening Mr. Silver?" David Ross A For Art Don Foresta Alan and Susan Raymond Don Hallock Alan Jacobs Douglas Davis Alberta Arthurs Downtown Community Television Allan Kaprow Center American Center in Paris Ed Emshwiller Amy Greenfield Eliot Feld Ballet Ant Farm Ellen Buchwalter Anthology Film Archives Ellen Stewart Arthur Ginsberg Elliot Carter Avant-Garde Festival in New York Eugene Katt of CPB Awards in the Visual Arts Everson Museum Barbara London Flexner Report Bay Area Video Coalition (BAVC) Fluxus Bill and Esti Galili Marpet Ford Foundation Bill Etra Francene Keery Bill Viola Frank Gillette Black Filmmaker Foundation Frank Stanton Bob Kotlowitz Fred Barzyk Bonnie Engel Frederick T. Gates Boston Film/Video Foundation Gall Waldron Boulder, CO Gary Hill Boyd Compton Global Village Brice Howard Good Morning, Mr. Orwell (1984) Brooklyn Academy of Music Gregory Buttock Brooks Johnson Guadacanal Requiem (1977) Brown University Hermine Freed Bye, Bye Kipling (1986) Howard Klein Cable Arts Foundation Independent Documentary Fund Carol Brandenburg Independent Television Makers Center for Music Experiments Ingrid and Bob Wiegand Channel A International American Charles Olson Music Competition Chloe Aaron of PBS International Network for the Arts Chris Hegedus International Public Television CIRCOM (International Cooperative Screening Conference (INPUT) for Action and Research in Jackie Cassen Communications) James Day Con Edison Jay Iselin Contemporary Art Television (CAT) Joan Jonas Fund Johanna Gill Corporation for Public Broadcasting (CPB) John Cage Curtis Davis John D. Rockefeller III Howard Kline 2 RockNames .doc John D. Rockefeller Sr. Public Communications Policy John Hanhardt Public Eye John Knowles Re: Soundings (1981) John Reilly Rhode Island School of Design John Sanborn Richard Bellak Jon Alpert Richard Lyman Jose (!) Limon Rick Hauser Juan Downey Robert Ashley Judith Williams Robert Creeley Karole Armitage Robert Haller Keiko Tsuno Robert Redford Kit Fitzgerald Robert Sifton KQED (San Francisco) Robert Wilson La Mama Experimental Theater Robert Zagone Lake Minnewaska, NY Rockaby (1981) Lincoln Center New York City Rockefeller Foundation Long Beach Museum of Art Rockefeller Institute of Medical Research Louise Etra Rockefeller University Lynn Szwaja Ron Hays Marin Community Video Ros Barron Marita Sturken Running with the bulls (1977) Medium is the Medium (1969) Russell Connor Meet the Composer Samuel Beckett Ministry of Education and Cultural Affairs San Francisco in the Solomon Islands San Francisco Bay Area Mitchell Kriegman SCETV (South Carolina Museum of Modern Art Educational Television) Nam June Paik Sergio Borelli Nancy Mason Shakespeare National Alliance of Media Arts Centers Shigeko Kubota (NAMAC) Shuya Abe National Center for Experiments in Skip Blumberg Television (NCET) Southern Illinois University at National Center for Experiments in Edwardsville Television (NCET) at KQED Southern Methodist University in Dallas (San Francisco) Stan VanDerBeek National Endowment for the Arts (NEA) Stanford University New Television Workshop State University of New York at New Television Workshop at Stony Brook WGBH (Boston) Steina Vasulka New World Records Stephen Beck New York State Council on the Arts Steve Reich (NYSCA) Steven Lavine New York Times Sundance Institute for Film and Next Wave Festival Television Norman Lloyd Susan Dowling Open Eye Television Laboratory at Opera America WNET/Thirteen Paik/Abe Video Synthesizer Television Laboratory at Paris a la Carte (1978) WNET/Thirteen Patricia Kerr Ross (New York City) Paul Foster Ten Cities Project of Global Village Paul Kaufman The Bellagio Conference Bellagio, Italy Peter Campus The Corporation for Public Philip Glass Broadcasting (CPB) Prix Italia The Neo-Dada movement in 1965 Howard Kline 3 RockNames .doc The New Television Workshop Video: State of the Art The Rockefeller Foundation Vietnam: Picking Up the Pieces (1978) The West (1984) Visa series "Peace Correspondent, " To Siena With Love (1978) Warren Weaver Tom O'Horgan Wendy Clarke Trisha Brown WGBH (Boston) United States Information Agency Whitney Museum of American Art (USIA) Willard Rosenquist University of California at Berkeley William Gwin University of California in San Diego William Roarty Video Curriculum Development Project You Can't Lick Stamps in China (1978) through the Kansas City Art Institute Video Free America More Howard Wise - Names Marita Sturken Howard Wise Gallery of Present DayPainting An Interview with John Hanhardt and Sculpture New York State Council on the Arts Media Leo Castelli Program Milton Resnick George McNeil Whitney Museum Yaacov Agam Afterimage Len Lye An Interview with George Stoney Jean Tinguely Marshall McLuhan Amsterdam's Stedelijk Museum Howard Wise Pontus Hulton Frank Gillette Bauhaus Davidson Gigliotti Laszlo Moholy-Nagy TV as a Creative Medium Thomas Wilfred, Lumia Howard Wise Clavilux New York State Council on the Arts Marcel Duchamp Rockefeller Foundation Alexander Calder National Endowment for the Arts Douglas MacAgy Howard Wise Gallery Group Zero New York City Dusseldorf Painting the Groupe de Recherche d'Art Visual Film making Julio Le Parc nuclear physics Ivan Chermayeff avant-garde George Rickey music and performance Takis kinetic and light sculpture Heinz Mack new art form Otto Piene social tool Gunther Uecker Electronic Arts Intermix (EAI) Willoughby Sharp Davidson Gigliotti Center for Advanced Visual Studies Willoughby Sharp Massachusetts Institute of Technology Stainless Steel Fountain, by Len Lye kineticism Nam June Paik Wen-Ying Tsai Mottk Weissman Cybernetic Sculpture Howard Jones Jackie Cassen Wise Article Names 4 File :Howard Names.doc Rudi Stern Shigeko Kubota Earl Reiback Vasulka Video Thomas Tadlock Perception Nam June Paik Avant-Garde Festival David Shirey wrote in Newsweek the Midnight Opera Company Serge Boutourline Artists Videotape Distribution Service Aldo Tambellini Downtown Community Television (DCTV) New York Times, Hilton Kramer Open Circuits Bela Julesz Television Laboratory at WNET-TV Michael Noll EAI's Editing/Post Production Facility Paul Ryan Castelli-Sonnabend Ira Schneider Museum of Modem Art Marshall McLuhan American Federation for the Arts Eric Siegel Video Data Bank in Chicago Levine University Community Video in Minneapolis Michael Shamberg Media Project in Portland Moorman-Paik Whitney Museum John Gruen Ed Emshwiller Joseph Schwartz Stan Van DerBeek Stephanie Harringtone the Vasulkas Armory Exhibit Bill Viola Richard Kostelanetz Ant Farm Charlotte Moorman . KQED, WGBH, and VVNET John Serry Lori Zippay Archetron Barbara Buckner Boutourline and Wynn Chamberlain Skip Blumberg Bell Laboratories Peter D'Agostino Jud Yalkut DCTV Oskar Fischinger Kit Fitzgerald Raindance) Shalom Gorewitz Barbara Rose Gary Hill Michael Shamberg John Sanborn Russell Connor Dan Sandin Steina Vasulka Edin Velez NYSCA MIT's Center for Advanced Visual Studies WGBH NEA Allan Kaprow Erik Barnouw's James Seawright Japan Broadcasting Association John Margolies Frederick Kiesler (NHK) . Juan Downey, Kinesthetics Videofreex David Bermant Global Village Dates from David Cort People's Video Theater Howard Klein the Kitchen Steina and Woody Vasulka Andres Mannik 1913 Mercer Arts Center in 1910 Andy Mann in the 1930s Beryl Korot born in 1931 Douglas Davis Ken Dominick in 1931 Ralph Hocking 1952 Wise Article Names 5 File:Howard Names.doc 1959-1973 annually during the 1970s in 1971 60************** In 1971 in the late 1960s from 1971 until his In the late 1960s In 1972 in the early 1960s 1972 in the 1960s from 1972 to 1976 During the 1960s from 1972 to 1984 in the mid-1960s in 1973 mid-1960s during 1973 late 1960s 1973 the 1960s from 1973 to 1983 throughout the 1960s in late 1974 from the late 1960s until 1974 From 1962 to 1967 since 1974 1963 in 1975 until 1963 In 1975 1964 1975 from 1965 to 1967 in 1976 since 1965 In 1976 Aug. 26,1965 1976 in 1965 begun in 1976 1965 1976 in 1965 From 1976 through between 1976 and (?) in 1966 in 1977 in 1967 in May 1977 1967 In 1978 from 1967 through from 1978 and 1981(?) from 1967 to 1986 1978 until 1969 between 1978 and 1969 in 1979 in 1969 listed under 1979 allocated in 1979 70************** In 1979 until the mid-1970s in 1979 By the mid-1970s death in 1979 before the mid-1970s from 1979 to 1983 during the 1970s 80************** in the 1970s from the perspective 1970s of the 1980s In 1970 the 1980s in the early 1970s By the early 1980s Throughout the 1970s in the 1980s In the late 1970s In early 1980 the late 1970s in the early 1980s The 1970s until 1981 Wise Article Names 6 File:Howard Names.doc 1981 as late as 1981 In 1981 until 1981 in 1981 from the 1981 1982 through 1982 until 1983 in 1983 from 1983 to 1986 1984 In 1985 October 1985 1986 in 1986 In 1986 In the summer of 1986 1986 March 1986 April 1986 June 1986 October 1986 November 1986 1986 1987 January 87 © 1987 for the next 20 years 50 years ahead.
Recommended publications
  • The Artist's Voice Since 1981 Bombsite
    THE ARTIST’S VOICE SINCE 1981 BOMBSITE Peter Campus by John Hanhardt BOMB 68/Summer 1999, ART Peter Campus. Shadow Projection, 1974, video installation. Courtesy Paula Cooper Gallery. My visit with Peter Campus was partially motivated by my desire to see his new work, a set of videotapes entitled Video Ergo Sum that includes Dreams, Steps and Karneval und Jude. These new works proved to be an extraordinary extension of Peter’s earlier engagement with video and marked his renewed commitment to the medium. Along with Vito Acconci, Dara Birnbaum, Gary Hill, Joan Jonas, Bruce Nauman, Nam June Paik, Steina and Woody Vasulka, and Bill Viola, Peter is one of the central artists in the history of the transformation of video into an art form. He holds a distinctive place in contemporary American art through a body of work distinguished by its articulation of a sophisticated poetics of image making dialectically linked to an incisive and subtle exploration of the properties of different media—videotape, video installations, photography, photographic slide installations and digital photography. The video installations and videotapes he created between 1971 and 1978 considered the fashioning of the self through the artist’s and spectator’s relationship to image making. Campus’s investigations into the apparatus of the video system and the relationship of the 1 of 16 camera to the space it occupied were elaborated in a series of installations. In mem [1975], the artist turned the camera onto the body of the specator and then projected the resulting image at an angle onto the gallery wall.
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  • Paul Robeson Galleries
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  • FIGURE 7.1. Demonstration/Performance by The
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  • Campus' Closed-Circuit Slavko Kacunko Slavko Kacunko
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  • Arts and Cultural Programs on Radio and Television. Research Division Report No
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