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Jean-Paul Naturi Karmyn Sala Tanzeel Kristi Willa Lute Joan-Marie Jolyn Milburn Yoon Lacey Tovah Cid Tomasina Shekinah Sharmila Khalia Nondumiso Jermaine Pio Mekenzie Marie-France Vince Rolf Jamet Joyce Nealla Marlene Vinnie Danyel Fiana Tee Weslie Rozanne Floyd Shayna Lispet Soren Odis Schuyler Cayla Mitch Stacey Imani Henri Andra Liesel Kellyn Jasmin Armi Beata Rie Ka-Ling Dakin Joanne Kaleigh Ilan Mariko Kaitlin Danni Kalie Lynne-Marie Dierk Jeb Arleen Shanti Becky Bett Kathe J Paul Matisha Lynnie Lanell Parnell Elizabeth Root Chesley Frances Rumi Kacy-Earl Imari Sherri Oneika Angelica-Lee Euan Elliott Sarah Cinti Aliya Courter Ula Vilma Kaye Kem Lisa-Gabrielle Rebekah Blanche Armin Woodie Arielle Sahirah Myrna Barbi Osceola Daryll Laurelyn Justine Alva Amira Jessa Hillery Gillian Susan-Jane Shayla Toba Andie Kimberlee Melania Maite Walker Sheri Jaymie Jannie Jeanene Austene Gwendolyn Ingrid Dorene Rolando Nadine Sigrunn Tiler Khanisha Lija Tome Halden Jarvis Tatiana Darius Adrianne Kepani Vance Grayce Judd Kasota Kilty Hethyr Bernice Monica Marnee Aisha Jaden Safiya Jenny J.S. 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Cassandra JT DeMarius Lyralen Otts Phyre Joniece Chasen Prentice Auden Corrieanne Kura Ta'Rea Kathie Dea Yury Maybin Christina-Avis Riva DarajSTRONG Josiane Tyrena A C Thayne Phillipa Saverio Lily Carlyle Leanora Cressida MaryLee Herndon Hollye Brianna Kaydence TV Pauline Conrad Hamish Poonam Treat Janetta Cortes Naomi Baylen Randall Neil Nica Rush Wendiana Martina L Mason Shaullanda Marie Renay Margaux Abbott Demaree Timothy Nate Oliver Liev Denmo Sal Julio Marjory Jimmy Marja Arian Jon-Mark Baraka November Chan Myk Yanira Dihlon Nada Nancianne Tawny Santiago Garrison Laquayva Bryn Jud Rose-Yvonne Kjerstine Suz Omari Modesto Kalani Eleonore Nichole Shua Mysti Tiffany Najla LaTonya Caroleen Deah Court Maximillian Adolphus LeeAnn P.J. Erek Marley Heather Bob Kerriann Solange Alda Brynne DaRon Nisi J. Richey Jay Nicci Aldo Timotha Rondell Annabel Puja Darline Jasond Danika Nicol JC Kiarri Alfie Manao Eastern Brant Eleasha Diahanna Sydni Amielynn Robyn Lenise Kit Cortlandt Tirzah Patrice Kristopher Jobari Mavis Nesba Huey Tuomas Anecia Thomas-David Nyla Meme Shellie Deborah Queen Sigourney Omri Tanalee Dmitrious Darlesia Trieu Dink Paige Ikuma Donica Charlie Terra Ciaran Pia Cortland Stephenie Stef Adaeze' Maude Dell Chryssie Reva Maisha Ashton Einar Damron Charlo Cheri Dael Bus Telly Kristiann Kurtwood Collins Marian Sam Jaycie Drigan Cynde Lateefah Annemaria German Evangeline Paul Sharita Caileigh Cy Judah Siler Marcel Thay Mc Neely Lisel Eymard Ronny Jee Crista Pennell Salma Marcus Emmanuel Faigy Darcy Brocton Delissa Margay Chauncey Annalyse Dawne O.V. Millicent Cigdem Dalila Morse Lenni Con Rhoda Deadra Cale Marcos Myles Charly Maleta Gavino Ayme Dayton Hansel Mike Rennard Akron Roslyn Corliss Kali Newton Dian Duane Fabian Clarice Jeris Otoja Alexio Shan Leovina Debralee Maulik Moti Nixon Pearl Sheree Moses Elain Lev Vichet Skyler Eden Myra DeLanna Coleman Jimmie Tiana Keziah Shaleah Yasha Harvy Heaven Lelia Tad Kalean Katherine Lilli Flora Sharina Samip Marijane Madylon Dominic Masha Elasea Jessiee Donnie Alexia Dessa Kacey Dalane Iresol Susanne Jewel Gwynne Marek Harriett Cody Bree Kehan Tasso Kevan Jillie Christen Paola Casi Kyrsten Dee Marita Kittson Wendy Geneiva Ginnifer Carter Ty Malia Alta Soara-Joye Jsu Yeauxlanda Brittain Hoban Lynna Rohana Zacchaeus Aleque Laurent Jeannine Dewayne Olwen Raja Celeste BW Chase Denisha Tahra Satiar Thai Ebon Kassandra Tamberla Ruthe Robinson Harry Sabrina Adela Caleb Niketa Christophe Ya Regi B.D. John-Kenneth Jacqi Kuniko Ada Mika Jeremie Dottie Aime Anjali Jennica Beans Aly Courtney-Anne Tsadok Rieka Kai Yasmeen Rosena Saige Booth Murray Abby LaVon Arisa Julietta Bellina Tituss Zachariah Jayscott Matt Cyndi Sergei Patryce Etienne Kianne Vasthy Takayo Monalisa Mylinda Strawn Burl Gwyneth Aprill Skie Lizzi Osh Renzo Kendra Cara Stephan Alonzo Ariana Germaine Presley Lenny Teshi Yurel Tamrin Quincy Roxann Francheska Sabah Afton Quinto Kelli Karesa Alphonse La Toya Malcolm Helena-Joyce Armina Lauralyn C.C. Shane Lin Jeslyn Cristin Joven Chelsie Malkia Bubby Didi Punam Aeron Sy Jimonn Dinah Calvin Maurica Francisco Oakes Colm Nadia Elica Chilina Seth Stuart Taryn Elissa Dearbhla Bambi Akwesi Merv Emir Jessi Jhailyn Mace Aled Anika Seneka Neerja Katierose Elfriede Silva Elan Tamu MaameYaa Rif Cady Maxwel Rande Eriko Allye Mackie Malika Bryan-Kirk Russ Gaetano MK Marybeth Nic Fredi Wrenn Miller Debbee Wil Kathy Hechter Giulia Kara Tienne Mikeah Reshma Leila Ty-Ranne Francis Traci Kamal Devere Teya Larray Irungu Haas Mariangela Jovanna Ceci Lorie Margo Suzanne Mishi Allison Jacy Ellyn Debargo Diego Shon Roya Rania Brilane Wilkie Corinna Zac Saxon Nancy Kimothy Saffron Tyce Mary-Lynn Jolynn Ree Lavonne Dina Sade` Liam Sedly Barnaby Dick Keoni Corby Gerald Bubba French Raoul Tavia Zanny Lary Henny Kathlyn Arye Rafe Lyndsey Ntombikhona Marianne Katharine Leandra Keira K.J. Lyndy Dodie Fredric M.W. Dan Ritu Wolfgang Tisola Ally Kaline Ashanti Taran Joelle Naama Delight Cassi Arya Pallavi Pasquale Leandro Philipe Ricci Hollie E.E. Teana Peri Jeffra Jacqueline Otha Rami Kenman Shereen Lisaun Nevin Elodie Assunta Amanda Dominique Joby Tobin Ruperto Morry J. Tripp Dorcas Karlee Gregoire Ixchel Basil Almeria Jacklyn Leonie Shanah Mil Bryant Marjo-Riikka Terron Luoyong Beau Jaclynn Alynne Michaela Kofi Catalina Tessa Ronobir Lee Anne Rosie Janan Amadeo Stefanie Miriam Kiara Kathleen Inger Mireya Betia Marianna Donald Ruby Lynn Dustienne Una Siho Robbie Bennett Patrika Chelsea Loresa Clemmie Breon Tygar Aloysius Chudney Marlana Donya Carlina Sunshine Shaheen Amyia Sybil Buffy Ella Katelynn Del Morrow Maduka Jerzy McKey Faust Wayne Tori Aditi Hillary JessAnn Answorth Kylie Tianna Patric Jeannie-Marie Aimee Kimm Maryssa K'Lynn Nancy-Elizabeth Laurie Phillipe Aubrey Dermot Cathey Kerstin Lonny Wally Jeanette Berwick Ngozi Charity Kenard Gaye Jerome Albert Daria Meegan Leanne Dominick Johna Bianca Tamilla Mozhan J.R. Micci Ramin Jovis Kayliane John Monte Uriel Newell Kaia Angie Destin Blayne Jamie Leeanna Missy Kaddy Daoud Robbin Suzen Gino Holli Rhyn Kalynn Ansa Saro Qarie Ciro Ash Luna T Stefani Luka Jovon Danusia Alexsei Cian Mikala Norberto Ann Marie Allysa Deidra Angi Luzma Cristiana Zuzanna Lisa Kori Karina A.C. Tracey Biz Mikel Nam Craig Eliza Seph Althea Ashlee Jeremiah Kenne Taisha Ariel Ekello Bing Ray Laurinda Purva Hosea Stamatia Ricky Adrienne Troi Filup Montaja Ericka DeSean Luigi Janellen Mic Seret Anja C. Randall Drew Willi Prescott Keean Hollace McKinley Clint W. Deanne Rosa Abbi Lolita Samantha Sanaa Jade-Ashlee Levi Kern Edrie Derric Ryland Tomas Zarah Krisha Jonathon Pepe Ova Mac Andreane Culver G.Dewey MarkAnthony Sulekha Savoy Laara Kena Vigthor Brooklyn Beth Curly Conn Jacqee Prudence Mahira F.J. Lorilyn Azizah Yolonda Elsbeth Vernon Dossy Chester Kyron Nyck Linda-Jo Berklea Ester Donny Mabel Jensen Dean Persephone Carmel Trevon Loren Darrin Melora Johnna Daston Nike Terren Mandarin Ramiz Rebekkah Sandie McCaela Anissa Brandis Darcie Ellana Abbe Robert-Bruce Carlease Kiplan Yetti Carlos Fiely Nikhil Armistead Louie Kelley Chriselle Les Marcelo Shuko Evans Elic Rivka Justiin Andre Brett-Marco Midori Peter-Michael Carrie Ann Shay Sharen Garrett Gregory Suzannah Stephane Raye Orson D.C. Dereks Gabriella Augustin Rufus Jamie-Lynn Cheo Tari Jamaica Magdalyn Arlyn Bella Damien Frederick Samone Myron Chauncy Isaac Bert Katya Rachid Price Nan Tammi Kyle Welker Kellen Haylee Melliss Cindy Haskell Jarde Ragini Margot Kerrie Karim Deedee Carshenah Tai Kristienne Lanie Nya Keithon Orlagh Robyne Siria Harolyn Mariel Christie Lila Kimberly Erich Hazel Anne Valisia Dawnn R.F. Buck Kellyanne Samme Logan Dario Sheldon Reathel Caliaf Stephanie Prentiss Koni CaroleAnne Mary-Beth Joilet Kait Kieleil Rommel Lameece Gwil Rashada Robb Thia Brandii Caety Kandis Elenna Valerie Jesse Glynis Sandra Voltaire Liora Millard Jaquez Ano Ruthie Akira Juri Kaaron Jomar Keri Elester Giampiero Garth Maedell Miranda Neka Adale Ejay Christiania Judy Ann Isabell Ariella Marchand Jonno Peppy Loraine Serge Joan Brantley John-Frederick Shelaagh Georgi Alain Felicity Emily Karrie Shelia Miles Theis Vickers Soledad Ardis Dona Loris Alexis Mariellen Rylyn Rueben Nimrod Csaba Jessika Reggie Karolina Landon Soon-Teck Babs Danny Mendy Donna Fulvia Brick Doris Binah Montae Loretto Nestor Corinn Clare Garrit Dafydd Nichola Raisa Juliet Virl Kajuana Austen Jae Edwin Winnie Wilam Kenric Burt Laxmi Enrique Emile Tahira Kila Sirlouis Kristian Liane Gideon Chita Sigali Marge Wylie Elya Kassie Nompumelelo Kellye Sean Andrus Ahanti Bump Francesca Sabra Genny Giselle Christopher Olga Tenealle Ato Kaylin Brittni Piter Noel Enoch Margi Kareem Sky Alanna Vi Jacquelynne Graciela Panchali Coryn Yehuda C.A. Bette Alessa La Paree Erinn Karli C Nikole Shana Corrina Nedra Wyni Ambere Kenna Wilma Mat Vicki Bobby Cerris Amandina Scoop Giancarlo Shina Merle Alison Gibby Starletta Stewart Stockard Kafi De'Adre Gershon Gayle Teale Cleve Tiffany-Marie Jessica Svea Piper Elma Laoisa Laura Jobe Rosy Nami Anne Marie Bria Alec Kaily Susi Julie Giovanni Miata Dewane Adriana Jeramiah Karly Corina Guy Afra Nonie Marcella Betina Sheilae Kevyn Devynn Aline Talene Woody Adinah Von Rae Renae Amol Danae Breanna Charlaine Genna Ames Brandyn Birgit Ma-Anne Sonya Gill Yosefa Tammis Darrill Stas' Milly Dorry Li Yan Soontaree Timm Braxton Julienne Junah Treva Andhy Seanjohn Haven Valeri Lorey Dionna Mahri Napiera Cherise Anneliese Nili Kateri Worth Din Blythe Semina Marva Danielle Darilyn Tenney Lynmarie Horatio Antonia Tootie Adeola Ilya Adina Kaitlyn Olympia Sylvie Lynorris Johary Ora Michi Adrianna Claro Chrystal Davyd Violette Claudette Pierce Shena Maitely Vasili Jason Arwen Maryellen Whitney Suli Bowman Nickayla Benim Cornel Mattilyn Radmar Dru Nona Mar Keely Cambria Nannette Lynnanne Koi Neva Derrick Jung Beatriz Tony Lilli-Anne Lakin DeQuina Sadrina Darrel Caitlin Arianne Tyee Fiona Crystal Caryl Jesus Katelyn Rosario Oyoyo Thallis Seda Britian Charise Tobias Mauro Rafael Ruslan Bridgit MarLee Di Ana Gerry Malaiyka Hillel Lorne Celli Lynnae Epiphany Kurtis Amina Dewey Yannis Violeta Yelena Thadd LC Lew Kjersti Tonilyn Fleur Lance Tejay Dustin Lurie Foster Keren Q. Sas Em Deya Brette Lizanne Timatha Doreen Hywel Muhammad Shanara Myorah Wright Herschel Jedadiah Randyl Kwaku Widdi Valentine Marissa Margie Lowell LoriAnn Sacha Babakayode Anthea Aron Daphne Megan Tala Cheryl Blue Jens Ricki Hall Gabriel Berly Louis Geisha Marietta Cooki Charleene Torri Jo Flores Viet Tym Gildart Demetrio Jo Anne Nick Celise Alice Sylvester Sarita Wendi Rita Leilani Maranda Marketta Reynaldo Arlo France Nikolas Eneil Nikkieli Celine Rich Jameal Elainey Dana Declan Harrison Stacie Kyli Honey Judi Ilona Avery Manuel Alley Johnnie Philip Earlene Kalimi Marko Tsilala Colte Barclay Felecia Tarin Devan Rik Margarett Hyosun Linden Eleni Rondrell Dreama Diany Cohlie Jules Conner Martita Glenne Rahmel Zenzi Henrietta Zechariah Terrence Mardy Saidah Bridie Mollie Uzo Laurel Hubert Walter Nambi Phill Philana Roumel Zipporah Esai Corey Leisah Danette Cheaza Luce Linsey D'vorah Lyle Buzz Reilly Myriam Mervyn Marckenson Curt G. Volt Julianne Hari Neal Anastasia Felton D.Timothy Glory Vinson Spero Nanique Marshel Azudi Turner Shelly Romelda Trudi Amaya Saycon Tarell Kenneth Jorge De Andre Armelia Dallyn Azalee Krissy Shahar Malik Sami Lesli Zenon Janeen Fern-Marie Gowrie Lourds Bronwyn Jeanine Braun Eve Gabrielle Izell Brannon Curtiss Kendrick Chike Ci Zainab Shonnese Marlette Suzette Markita Myke Shalanda Candy Caris Starr Marly Elis Laila Nandita Tonye Sheff Schyler MaConnia Sunneva Deno Zehra Somer Talia Mary-Pat C.S. Ah-Niyah Danton Rebeca Cal Marbry Nhlanhla Fletcher Jerri Cyndii Matte Justice Helmar Lyonel Ashlie Cherice Ricardo Maryanne Jia Chelsee Bentley Stefano Ten Eyck Antoine Sturgis Erin Jinay Ziska P. Rotimi Tanya Esperanza Phil Reyna Cathan Jacque Demetri Gregor Hewitt Brady Alastair Christeena Davy Tarah Victoria Trazana Jamen Trena D'Andra Cliffton Jenelle Markus Vianna Iliana Rosal Collin Dakota Stu Sherisse Julie Ann Satomi Colin Rhona Andel Kenita Kolleen Sherylynn Marvin Shelli Leajato Mukelisiwe Grace JY Doyle Happy Kaley Anatol R. Westley Enid John-Michael Caesar Auggie Dyllon Lettie Keewa Alicia Anne-Liese Lar- eine JoBeth Raili Orion Yadin Gerre Leigh Seamus Lamis Merrick Sheree-Monique Kersten Jolie Odette Thea-Ruth Dillon Geraldine Colecta Bernita Arnott Dawn-Lyen Dayla DaVonda Roxanne Irene Rudi Jahi Wynonna Lei Chance Coy McKayla L.R. Brock Baruch Hugo Dore Fisher Sahr Muriel Xander Ellee Johnny Camryn Meghann Mauricio Ginifer Taeler Mubarak Gigi Bello Naz Vladimir Toshiji Q Jerilyn Alem Claybourne Charlene Nidia Rayshun Felicia Leland Marq Bijou Sincee Gary Samatha Olgia Brittanie Maddy Anjee Katelin Tyrees Shel Sonny Deena Tamiko Kacie Jerrika Bates Jude Kina Geddeth Alana Ishitta Tarra Aral Chavez Zelda Sasha Tally Kavin XiaoChuan Lyndsay Brandee Annette Lorinne Nereida Tadeusz Sonja Fredericka Evonne Shayne Tiger Boris Darien Ven Kaci Lizz Jon Zaire Cristofer Demaris Riette Rocio Mirar Lisa-Marie Edna Dion Daydrie Dondre Dougald Abdullah Jeana Erick Suzi Trip Yugo Socorro Tif Molleigh Reg Nakeisha Reena Cori Tudi Keisha Hill Jarret Cristine Mathieu Noemi Austin Trina Ritz M.X. Patton Diaan Teren Orlando Antuan Barrett Nickolas Anya Terita Rinabeth Socrates Avi Gardner Chandra Catherine Shaelynn Jawan V. Kieren Maeve Yensin Davon Marie-Antoinette Nowani Brooke Randle Mellie Alaina Gentry Gemma Leesa Da'Vine Jock Carmine Lian-Marie Claudia Reed Merriann Britney Chinai Kholby Arash Susann Tyrick Delina Blaze Kenajuan Fiama Hogan Charl Marilyn LaMae Misha Fanny Patia Gaelen Zarina Ayo Alyce Timur Jey Manfred Jo Ela Ken Karole Marylou Ava-Riley Paris Pegah J.D. Cassady Capathia Melva Greer Cybele Greta Jillayne Geraint John-Paul Indira Briel Stan Delious Kelechi Marinda Pim Carl Roo Yuki Wyn Micah-Shane Charlotte Lauren Bayla Vida Nyasha Ruth Joule Margretha Taavon Kirstin Carey Lise Roma Laurine Mary Kristina Ketsia Andreanna Cristina D.L. Shira Nathaniel Josh Taye Alessio Raquel Shoshana Kytt Willie Sumie Eugenio Serena Richelle Judee Talaura Clarke Bud Phylicia Angelique Alexzandra Betty Jaysen Cazimir Mena Tab Marsha Yvette Celestina Marshall Margalit Gerri Shona Abdul Dawson Randal Tyler Javen Yosvany Danya Gerard Donte Morlan Francine Noellia Michaeljon KeLeen Ashby Christian Bruno Kasi Ila Brionna Natalie Meri Geralyn Zurin Americus Senuwell Nurit Jarreau Parvene Staci Katrina Parris Theodore Horace Wydetta Jamairais Chuma Margarette Begonya Chadwick Mary-Jane Cricket Shinah Jalise Fantasia Iona Tia Lorraine Alika Nickie Jewell Nikki Ayse Jicky Janelle Ernie Mary-Margaret Weston Flemming Qurrat Briana Danelle D.Paul MunroSpring Ms. Jessica |Harriet Volume Harley Cat Corrie 101 Alecia |Kelcy Issue Holiday Stacia 3 Barb Watkins Jameson Nehemiah Alma Adi Clancy Roblyn Destinee Meryl Selina Jesmille Ciara Dexter Jo-Ann Braunwyn Mahalia Hanley Chadd Maxx Lindsie Karine Momoko Sheffia Brent Marne Jenean Lenard Kecia Roberto Willia-Noel Satya Derek-George Tannis J.T. Genni Erik Thandazile Lili-Anne Norah Ginna Candyce Bryna Vickilyn Edouard Sachiko Enver Gamze Dylis Michiko Shiloh Chauntee A. Mansoor Nichalas Leon Sevrin Maiesha Chioma Buddy D. Annunziata Amentha Shannan Amie Irving Julian Charliese Jeena Torrence Lyssandra Terria Rashawn Kira McKenna Renee-Marie Dwandra Markelle Hunter Faren Hisa Rockford Shalin Petronia Christin Sherman Ameerah Amyliz Dacyl Francile Ivory Libya Margery Lillias Jacinthe Alpha Rainbow Lacy Layla Tonea Nneoma Deonna Sipiwe Becka Vyto Marchant K.C. Mikey Mary Jane Mickey Jeigh Jacob Skipp Eleanor Matilda Rance Hank Chubby Arion Lorely Lola Mauryne Kristen-Lynn Colette Christia Gavin Stace Deloris Allie Maddie S.A. Maja Filipe Jenette Magarin Greggory Milan Daniela Carly Harlan Wendee Joaquin Gita Vonnie Mandy Leighton Alka Cinny Babette Alvin Jose Tonya Alessandra Alston Joicie Twinkle Evangelia Trevor Candi Sejal Reba Kerrigan Jon-Erik Mikael Shaina Lindsay Luane Hernando Herbert Duncan D.W. Cotton Patsy Leisha Maria-Christina Rosalinda Bain Taela Natalija Charlyn Jolene Alle-Faye Darin Ryah Bart Aan Saylor Regina Cadden Nilan Rutherford Domenica Freedome Kelie Kelleia Sienna Sergi H Scotti Soniya Sullivan Aurianna Cecelia Caliph Armando Starla Marey Hardhi Carolina Roseanne Chris Ahvi Mirela English Kaipo J. Otis Laurie-Beth Penelope Clem Amma Antoinette Judy Julien Juliette Marci Uyoata Annabella Arsene Rasool Jerielle Marykate Kemiyondo Leta Si Paden Meryn Raissa K.B. Mandi Haynes Parvesh Garfield Hugh Autumn Joe Conan Kana J. Elaine Leonid Ame Marvette Moira Gerri-Ann Cathleen Zack Tiffan Channie Mack Ashley Yaakov Shaylan Tiiu Abra Tristan Helen Forest Karley Jamard Tabitha Jermel Kei Rasheeda Gioia Shavanna Troy Merredith Mishaela Erikamari Maitzi Tim Tryphena Anderson Judianny Meridith Damali Audre Thad Jindra Kiplee Nellesa Kurt Silinea Jayde Christianne Krysta Susy Sharon Sameerah Sammie Krystelle Penny Ann-Ngaire Spiro Nadja Ford Josip Shawn Brad Teagle Rajesh Tzahi Michael-Demby Osi Cuba Halle Austyn Dared Alfonso Patty Razor Antony Divina Brandi Tess Malachy Imelda Taneisha Earl Liana Khan Bjarne Marj Georgiana Carrie Trudy Edward J.K. Pamala Genevieve Marleah Scott Montgomery Amra-Faye Sebastian Waldemar Winslow Brigitt Salem Owen Yael Kryztov Jaselyn Gretchen Arthur Kimi Oren Patte Hannah Mathis Fanchon Caitie Suzan Annapurna Emmy Rocky Karla Addison Claude Terri Ann Rory Kiira Tanairi Morocco Ananda Maurizio Gerti Carrie-Ann Alia Zal Sammy Elaine Mandela Claudine Alejandro Robby Sabian Zishan Fern Manon Shakira Tazewell W.J. Kourtni Wheaton Varin Nicoletta Carlita Alysia Lora Jodi Odalys A.T. Cairo Jenson Owiso Kenya Oberon Kelsie Chet Morgan Sainty Larimore Sanjiv Cherita JoHannah Donata E.B. Coty Christiana Stepfanie Christofer Cortnie Darlene Kayre Emjoy Golda Wells Tami Anthoula Larisa Vera Danna Bridget BJ Zeke Brockman Tommie Kalli Aurelia Charnette Britta I. Manny Taso Mahmoud Ryder Sekou Bostin Blane Hazel Leslee Chairman Roses Wenzel T Sahara Lionel Cailin Amaree DB Patrick P Fay Ugo Polly Solomon Richard MaryJo Markeisha MiG Antwaun T.J. Shawneen Sioux Eric Freddi Annie April Jonathan-Barlow Mamie Jeanfranco Joris Alyssa Evander Jeffery Lolly Aidan Ildi Hani Chrystyna Lisa Ann Brandt Geeta Monette Michael-Anthony Sue Ewan Aalan Roscoe Barrie Kylend Amaris Donan Alene Mietta Ferrell Lucien Benai Vinette William Meliki Asta Kyler Gae Zach Tramaine Kathi Jacqui Klarissa Peter Zee Count Raine Deb Heath June Kirby Sarajane Sundia Bennyroyce Lena Analise Feodor Behzad Jen Ronan Lora Lee Dain Geneva Zan Dimitri Vikki Terri-Marie Aleka Kathrin Ric Eileen Waymon J. Austin Syndee Mardee J. Michael Tam Arienne Izzie Lana Loni Aleisha Maggi-Meg Lowe Tshidi Demosthenes Crashonda Mario Lue Donavin Sophina Mindee Montel Barzin McCaleb Moya Chrissi Brion Dirk Wilson Arbender Vincent Karmen Demi Adolpho T. Juliane Ephraim Thann Stephawn Bernadette Wabei Brough Melis Melisa Enzo Baby Jamibeth Cordis Tyshawna Garret Rosalie Natti Etai Carol-Marie Blaine Cheech Fanni Indika Jeffry Rema Velma Kenn Kama Clifton Bina Melina Andree Martica Deric Keelin Motique Zell Kacee Arjun Galway Garris Misty McCoy Kalafatic Kaili Teri Sally-Jane Irvin Marialena Kellee Cajai Nana Merideth Genesis Kanoa Sharva Page Callan Scotty Athol Cyrille Mathias Hobson Field Kaela Kam Kas Trecia Shaylin Oge Zofia Chesney Keir Brittany Dagmara Alet Lyndsy Ruthann Phoebe Vangeli Shernita Cora G Judge Jon-Alex Fraser Clay Bekah Rick Kalyn Stephen Phyl Joyee Randee Vlad Tawni Reeve Sunita Chaitania Rebecca Gilmer Granville Paula Viola Jarred Dwayne Daisuke Daryl Hsin-Ping Paull Madeline Thesa Lindiwe Tamra Aliza Geany Paulo Orville Diahann J C Lauriel Marilu Della Clifford Rodrick Abdoulaye Puy Kareema Yuka Aubin Nako Isabel Minglie Grey D. Michael Ian Sumayah Shelle Le Jarel Mare Miki Apryl Will Mousa Ralynne Idara Silvia Christo Kendal Carra Arianna Arliss T.D. Coree Sheilagh Morag Gian-Murray Leigh'Ann Vito Edie Ashlea Chelsey Sumayya E.J. Lorca Be Sharlet Matteo Ronalda Natane Shelley Angel Jonah Siobhan Samia Kimbre Salvatore Kaylee Dellalyn Rajika Nameer Tyrell Vic Kortney Pei Pei Mary-Justyne Darrian Adair Rosina Valda Bonne Christi-Anne Marishka Esme Geoffrey Rima Daniil Madonna Valora Talya Susana Aurora Giacinta Eisa Curtis Reza Lulu Chil Sriram Tay Spence Lilyana Mattie Eliezer Debra Ntare Mo Meighan Karri Nastasha Britt Vernel Sayjal Sherrill Etain Ajene Walt Marwa Ritt Zilah Hayes Remo Raena Ro Chester-Castillo Jocelyn Ginger Nansi Mark Zoaunne Gladys Paco Jerry Drae Clarence Bhavesh Liliana Brighid Demetria Dabney Cleon Anslem Jeanie Clete Rona Prema Bhama Donegal Grayson Alysha Wanda Khalil Siri Nirayl Sharonlee Mduduzi Tarry Almarie Adrien Tree Aisling Nich Nik Katlan Vicky Ho-Kwan Aiko Amro Bethany Stanley Geoff Kierstyn Hassan Franz Ezra Dora Liesl Kevin-Michael Cathy Tovi Caley Nico Connor Gendell Herb Franny Germain Colby Erika Erryn Crissy Pernell Estevan Raleigh Kaliswa Susan Dereck Lauri Bernie Burke Rafi Judson Stephon Shamikah Madi Kenway Michelangelo Kimee Kevaughn R Carlotta Donovan Colene Jarrod Onalea Willem Hailey Genia Conni Belita Karyn Ismael Lino Margaret Natsuko Pete Tucker Vernice Kristin Dawn Bev Risa Boise Che Jurian Devon Pippa Riley Ayla Delores Okieriete Delta Rondi Dreya Viktoria Morena Doc Chiquita Franc-Anton Elle Maggie Jean-Marc Maximilien Caryn Beckett DeWanda Nikkole Rider Juney Rhys Dashi' Lynnette Annika Lilly Talitha Dorothy Linette Perri Bridgette Shara Nyambi Tanesha Doran Parker Gergana Arie Miodrag Kenned Elsa Lea Auston Zakiya Marlyn Kathylee Brook Romi Lucile Robin Malcolm-Ali Matty Zola Mc Elowyn Anita Talicia Nyk K.K. Kati Sugaray Shaundra Anibal Segun Cliff Edwina Bi Carolyne Sai Hannah-Jean Gabor G.R. Eiji Kanova Roetta Jai Beryl Georgine Ani Desi Brandon Kiera Merrill Kelby Danita Jamila Shami Minda Jolly Ayumi Marqui Jelani Alban Glenn Sayiga Dyneil Jon-Eric Leonora Bobak Charin Cade Ayeje Talisa Yves Eugene Chryssa Akiko Franca Mandie Yahya Anne-Lynn Jeanne Anna-Lee Dustyn Valente Maxinne Laraine Thierry Veanna Mathenee Neville Idina Raynelle Ronee Vetza Licia Reverie Demene Julius Artie Katey Munson Actors’Kamala Stoney Cleo Laiona Equity Zane Kristal Annmarie Association Mae Buff Madelyn Ereni Stefanee Barlow Cisse Hilary Naimah Desiree Alaine Ismenia Dianna Gibson Annalisa Lexi LaTanya Lowrey Ramsey Conleth Mariclare Tade Yoko Olie Illana Farai Janina Karilyn Genette Jerold Khemali Clarinda Ming LaVonda Jeannie Richarda Rosemary Tai-Kristin Tregoney Lela Aaron Shaun AyannaEquity Usman Rom Teresa Douglass Krishen Gonzalo Ellora Cezar Reiko Terence McKenzie Clive Omar Laurrinda Anasa Colleen Lanise VP Murphy Denee Steeve Carlye Virenia Valeka Rickie Ilyse Dev Inda Lizzy Benny Jadi Henson IsabelleNEWS Welcome to Your BRAND NEWEQUITY NEWS Happy Spring! What a great way to greet the blooming of a new season with this — the blooming of our new magazine! It’s a new era, friends. As you can see, we’ve completely overhauled and updated the look of Equity News, and we’ve done it in a way that we believe reflects the creative nature of who, and what, we are and represent. With the goal of diversifying our communication to you in a more appealing way, our Equity News Advisory Committee and dedicated staff have worked for nearly eight years toward what we’re rolling out today — and I couldn’t be more proud of the results. In endeavoring to discover what would make our national publication strongly resonate in the 21st century, we started with finding out what you, the membership, were eager to read about. We paid close attention to three different surveys that were done. The information was consistent: You want feature articles about craft, how to get a job, what Equity is doing for you, contracts, interviews and pieces that highlight members’ voices from across the country, including some tough subjects that we haven’t broached before. With our now quarterly format, the magazine will center on our members, the industry and the union – telling your stories in a new light and in a new way. In addition, and very importantly, we will be disseminating any and all breaking news in the Member Portal’s Equity News Center. You will be able to read additional feature articles and time sensitive news items that may not fit into the magazine. I’d like to give a special shout out to the village of people it’s taken to get us here: Executive Director Mary McColl, our National Equity News Advisory Committee (made up of both Councillors and rank-and-file members who have been working diligently with staff to make this dream into a reality): Kevin McMahon (Vice Chair, hailing from the Western Region), Nancy Daly (Western), Diane Dorsey (Central), Nicole Flender (Eastern), Bruce Alan Johnson (Eastern), Liz Pazik (Central), Barbara Roberts (Western), Melissa Robinette (Eastern) and Buzz Roddy (Eastern), all of our current and former Councillors who have weighed in during this process (including my former co-chair Jean-Paul Richard), and so many current and former staff members including Anne Fortuno, Stephanie Masucci, David Lotz (former Di- rector of Communications) and Helaine Feldman (former editor). We have been especially fortunate to have our incredible new editor, Josh Austin, and our wonderful longtime Director of Communications, Maria Somma, at the helm to guide and inspire us. As always, if you have any ideas about what you’d like to read more about, please contact Josh at [email protected]. We’re listening. In solidarity, Christine Toy Johnson National Chair, Equity News Advisory Committee

EquityNews

Editor Heather Lee Josh Austin Kevin McMahon Liz Pazik Advisory Committee Barbara Roberts Christine Toy Johnson Melissa Robinette (Chair) Buzz Roddy Joann Yeoman Nancy Daly Diane Dorsey Got a question or Nicole Flender comment? Email Bruce Alan Johnson [email protected] THISISSUE Spring | Volume 101 | Issue 3 #EQUITY In House EQUITY Read all about it Read the many ways in which The union launches the all-new EquityWorks for its members NEWS Equity News Center WORKS CENTER 06 08

HIGMEC Main Feature Member Danny Burstein shares Combating harassment his Equity journey in the workplace

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Cue & A Spotlight Combined, two members have Chicago Shakespeare Theater worked over 182 Shake- talks the Bard’s 400th speare-related contracts

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Scene Around Awards Equity welcomes four SPTs to The 2016 Kathryn V. Kansas City Lamkey presented

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EquityNews FRONT of HOUSE From the President Evolution elcome to the brand new, In the months to come, look for new and interest- Wall grown up, shiny, fancy ing features within these pages. A significant portion Equity News! of Equity News has always been — and will continue When I was elected last May, to be — devoted to informing our members about what one of my top priorities was to has already happened. The new format will give us a evolve the ways in which Ac- long-awaited ability to explore what could happen. What tors’ Equity communicates with do our members really want to talk about? How can we our members. Thanks to some amazing work from our increase our reach, engage actors and stage managers communications staff and the Equity News committee, across the country and educate them as to where the this long-gestating project has finally come to fruition. In business is, where it is going and how Equity is helping addition to bringing our union publication in line with it to get there? What are the unique challenges facing most of our sister unions and guilds, this new format — a performers’ unions, as opposed to the things we have in quarterly glossy is actually cheaper to produce and dis- common with the broader labor movement? What about tribute than a monthly newspaper — will save the union issues like diversity in casting, or opportunities for per- money. And it’s pretty. formers with disabilities? These are the types of topics we Mostly, I am thrilled because for the first time, we will be able to explore, in a forward-facing manner, in the will have the space to delve more deeply into things that new incarnation of this publication. concern and involve our members. This first issue, for Additionally, we’re going to be rolling out all kinds of example, shines a light on the critically important topic of content, across several formats and delivery platforms. sexual harassment in our industry. And we need to have All of it is aimed at making Equity a better-connected, that conversation for so many reasons. Because we live, reliable source of news and information for our members. work and interact with our colleagues in far more inti- We have amped up our social media game, which you’ll mate and personal ways than most employees. Because see if you follow @ActorsEquity and @AskIfItsEquity on our business usually and uniquely lacks standard cor- Twitter (while you’re at it, take a minute to follow me at porate HR oversight. Because the criteria by which we @AEAPresident on Twitter and the nascent @ActorsE- are hired are almost entirely subjective. Because in more quityPresident on Instagram). We are aiming for a more ways than perhaps any other industry, we have to expand inclusive union, especially for those who live outside our thinking about this topic. I am every bit as concerned office cities; if you couldn’t attend our recent tax seminar, about young chorus boys right out of college, for example, for example, you can pull a lot of the tax tips from our live being sexually harassed or pressured into some kind of tweets. quid pro quo. The myth of sexual harassment is that it is Over on the website, you’ll soon notice the Equity only a women’s issue. We cannot afford to think of it that News Center, which will supplement Equity News with way. an RSS feed, an assortment of blogs, and real-time infor- There are all sorts of ways in which a few bad apples mational updates. We’re overhauling Casting Call, which can convince actors that their careers will benefit from ei- is a necessary precursor to our upcoming launch of online ther tolerating sexual harassment or standing by and not ECC (followed by EPA) signups. And in the not-too-dis- reporting what they observe in the workplace. And it’s tant future, we plan to add video and audio content to a small enough industry that, if our members don’t have both the site and Equity’s heretofore underused YouTube the tools to stand up for themselves and their colleagues, channel. It’s an exciting time to explore the possibilities it’s very easy to gain a reputation — fairly or unfair- of digital communication, and it’s time for Equity to use ly — that makes them targets for ongoing harassment every tool that is available to us. on future jobs. I very much want Actors’ Equity to take I could not be more thrilled for Equity News, which a leadership role in these kinds of big-picture industry for the union’s first century has been a fixture of the discussions, and the additional real estate within this new distribution of information, to become a tool with which format will provide us with more opportunities to do so. Actors’ Equity can lead. Enjoy.

4 | Equity News @actorsequity From the Executive Director Welcome to 2016 - We’re Just Getting Started elcome to the inaugural issue of Equity News Association. The decisions made at Wmagazine. This is my first column and I’m excit- the plenary will help us to remain ed to have another way to communicate directly with relevant and build a strong and you. Through my column I will have the opportunity to lasting future for the union and our address topics that you may not otherwise hear about and members. make sure you are up-to-date on what the staff and I are This is a busy year for negotia- concentrating on. tions. We’ve got six negotiations In this issue we take a closer look at a problem many coming up, including the Short Engagement Touring members have faced in their careers — workplace harass- Agreement (where quality of life issues will be front and ment. Harassment can take many forms and can happen center), ANTC and Off-Broadway. In the fall we will start to anyone, regardless of gender, at any time. It also is preparing for LORT negotiations. That contract expires prevalent in all areas of our industry, as our industry is a after the New Year. As in every negotiation, our goal is microcosm of the society in which we live. to improve the terms and conditions in the contract and You may know, after I stopped performing, I began to ensure that contributions our members make to the work as an arts administrator/manager. I sought a pro- production are recognized. motion to be the director of operations at the perform- This wonderful new quarterly magazine will bring you ing arts center that I had worked for since it opened. I stories about members, written in the members’ voic- fought and fought for that job, being told on more than es. The cover of the magazine really says it all; a union’s one occasion that there were “plenty of men applying for greatest strength and resource — the real core of any the position.” Finally, after months of proving I had the union — is its membership. qualifications to do the job, the board chair for the center As a complement to the magazine, we’ve created the told me, “OK, I’ll go along with your silly idea…you’ve got new Equity News Center in the Member Portal. There, great legs and will make a great lobby ornament.” you’ll find the news, features, event listings, photos and We do unusual work in an unusual environment — one more, available in real time to keep you up-to-date. We’re that is creative and tells stories. But we know in the mo- adding an RSS feed so the information can go directly to ment when something is wrong, instead of letting it pass, your mobile device. we have to dig deep, find the courage and say something. We’ve also expanded our social media to include This column is the first time I have publicly told my story. important news like Do Not Work notices, examples of I have been blessed that my career hasn’t been impacted Equity success stories, and we’ve launched fun events by ongoing harassment and discrimination because of my like the highly successful National Swing Day and Shake- gender. I do, however, understand how hard it is to say speare quizzes. And we’ll focus on touring with “Toursday something in the moment when harassment, discrimina- Thursdays.” During tax season, we offered “Tax Tip Tues- tion or even abuse is taking place. I felt I was alone when day,” with very helpful information from Secretary-Trea- I was fighting for that promotion. You shouldn’t feel surer Sandra Karas. alone if situations in the workplace confront you, because Recently, the National Membership Education Com- your union is here to help. mittee held a tax seminar, presented by Sandra that was In our coverage of this topic, we discuss the forms video-conferenced in New York, Chicago and Los Ange- harassment takes and how to address it (see page 10). If les. It was a first for us, and we didn’t stop there — we the situation arises in the rehearsal hall or in the theatre, filmed the conference and made it available through our call Equity. We are here to stand by you. And because we YouTube channel. We’ll be doing more of those videos so know that harassment in its many forms can take place that our members in every city can access the seminars outside of the work place we also provide a list of resourc- and workshops held in the office cities. es available nationwide (see page 13). One of the best is It’s an exciting time for Actors’ Equity Association. The Actors Fund. There is much more in store for us in 2016 — we’re going This year will be filled with benchmark opportunities to make it a great year. Enjoy this first edition of the new for Equity. In April, Council will convene in New York Equity News quarterly magazine. for a plenary session where they will set priorities for the actorsequity.org Spring 2016 | 5 #Equity In House Works Theatre News & Notes quity assisted the American National Standards Per Performance Agreement to a weekly CAT Agreement, EInstitute in shaping two recently approved workplace adding workweeks and securing health weeks for mem- standards: bers working on the Solo Series. • The first document provides guidance to protect those at risk of falling from a stage or any type of raised Crystal Lake, IL — The Williams Street Repertory performance platform [ANSI E1.46-2016]. Theatre has come on board as a new CAT Tier N Phase • The second document is a standard that has been One theatre. Their Phase One Season, which started in created for performer flying systems. The purpose of March 2016, will provide an additional 95 workweeks. this guided protocol is to achieve the adequate strength, reliability and safety of these systems to ensure safety of Dallas, TX — Uptown Players, operating on a two-year the performer, other production personnel and audiences LOA/LORT Agreement, will have a 4% salary increase per [ANSI E1.43-2016]. season and an increase of four actor contracts over two years In 2014, the Central Region reported that about 2,600 workweeks were organized. The goal for 2015 was to sur- Dillon, CO — The Lake Dillon Theatre Company pass that total. The staff achieved that goal by organizing renewed its Small Professional Theatre Agreement for the 3,080 workweeks. 2016 season with 17 actor contracts, six stage manager and one assistant stage manager contract. Additionally, Boulder, CO — Boulder Ensemble Theatre Compa- this is the first year the company will use the EMC pro- ny’s production of Cyrano at the Lone Tree Arts Center gram. in Colorado will be produced on an LOA/Midsize Tier 1 Agreement with five actors, one stage manager and one Dublin, OH – Equity welcomes Tantrum Theater to assistant stage manager on contract. the family! The new URTA company is affiliated with Ohio University and will produce a three-show summer Chicago, IL – After finalizing a touring addendum for a season, adding between 75 to 100 workweeks pending regional theatre company, staff believes that it will result casting. in over 500 new workweeks for members in the following year. Las Vegas, NV — A new Special Agreement Contract with The Smith Center for Idaho! The Comedy Musical will Chicago, IL — The Chicago Theatre Workshop, a new have 20 union contracts and earn 101 workweeks. Equity CAT Tier 2 theatre, will also be the Resident Equi- ty Theatre in the brand new (and stunning) 120-seat Edge Las Vegas, NV — For the Record: Baz, a new open-ended Theatre located in the Edgewater Community. production at Las Vegas’ Mandalay Bay, will boast 15 union contracts on the Casino Agreement. Chicago, IL – The Chicago Commercial Collective and ARLA Productions’ A Splintered Soul created 51 Lexington, KY – The Lexington Theatre Company new workweeks in the region. The Collective is currently will be on an LOA to COST Agreement for its summer working on a production that will generate another 30 musical, resulting in approximately 12 workweeks for workweeks. members.

Chicago, IL – The Gift Theatre will celebrate its 15th Long Beach, CA – Musical Theatre West added nine anniversary season this year. Additionally, staff nego- contracts, resulting in an additional 45 workweeks for tiated an extension for its production of Good for Otto, members. adding 56 workweeks to the 2015 season. Los Angeles, CA —The Latino Theatre Company will Chicago, IL – Equity welcomes the production of New begin using a Small Professional Theatre Agreement. Country to the region under the CAT Agreement. The show is a one-off commercial production at the Den Los Angeles, CA — Equity proudly welcomes the Jewish Theatre, adding 61 workweeks for members. Women’s Theatre to the family! The company will operate on the new Los Angeles 99-Seat Agreement. Chicago, IL – Central Regional staff moved the Solo Performance Series at Silk Road Rising from the CAT Los Angeles, CA — Operating on an LOA to LORT Agree-

6 | Equity News @actorsequity A listing of AEA’s success stories, good news, In House

milestones, new theatres, payments won and upgraded contracts all for you, the members! ment, Cornerstone Theater Company’s production resulting in more workweeks for members. of Urban Rez will feature four actors, one stage manager and one assistant stage manager on contract. New York, NY— Staff in the Eastern Region were able to secure Guest Artist contracts for members employed in Los Angeles, CA — The show Louis and Keely ‘Live’ at the inaugural BroadwayCon. This relationship will lead the Sahara playing at both The Geffen and Laguna to further contracts for the annual event. Playhouses will boast seven LORT contracts, garnering 66 workweeks. Peoria, AZ — Theater Works has begun to transition to a Small Professional Theatre Agreement from Special Los Angeles, CA — The Actors’ Gang is using a LORT Appearance. Contract for its upcoming one-week out-of-town engagement of The Exonerated. Sullivan, IL – Little Theatre on the Square placed its holiday revue, Jingle Bell Jive, on an Equity contract, Los Angeles, CA — Native Voices at the Autry’s resulting in 10 workweeks. production of They Don’t Talk Back has seven HAT contracts, totaling an additional 42 (or more) workweeks. Waterbury, CT — The Seven Angels Theatre is celebrating its 25th Equity anniversary. Los Angeles, CA — Playing at The Montalbán Theater, I Only Have Eyes For You will have 17 union contracts, resulting in 188 workweeks for members. Tracking What You’re Owed Staff in the Eastern Region noticed that members on a Louisville, KY – The Actors Theatre of Louisville’s union tour were paid incorrectly during an international production of The Glory of the World travelled to New engagement. Staff brought the error to management’s York’s Brooklyn Academy of Music, resulting in 120 attention and accrued an extra, total payout of $12,000 workweeks for members. for the members.

Minneapolis, MN – Dark and Stormy Productions Eastern Region staff discovered that members working will be moving from an SPT N to an SPT 1, which will on four TYA contracts had been paid incorrectly for a result in an additional two or more contracts per produc- pro-rated week. Once brought to the attention of pro- tion. ducers, the total amount paid to all four casts was $907. Additionally, staff discovered underpayments for chorus Minneapolis, MN – Children’s Theatre Company will increment parts for five members working at a LORT perform under a residency agreement at Seattle Chil- theatre. Staff was able to achieve a retroactive payment dren’s Theatre, resulting in 54 workweeks. totaling over $550 for the members. New Harmony, IL – Two LOA to LORT theatres, New Harmony Theatre and the Michigan Shakespeare Theatre in Canton, MI, have renewed their agreements, (Continued on page 19)

#EquityWorks: Equity Inks Historic Deal with Cirque Du Soleil Theatrical After a successful campaign that combined a tradi- As part of this new relationship, the first Broad- tional organizing approach way-bound production, with the immediacy of social Paramour, will be under a media, Equity and Cirque special one-time agreement du Soleil Theatrical have that contains many of the entered into an agreement same terms and conditions for all future Cirque du as the Production Con- Soleil Theatrical productions tract, including minimum on Broadway (as well as Broadway salary and safety pre-Broadway engagements rules. Because Paramour and pre-Broadway tours) to be produced entirely under contains many traditional elements that are part of Equity agreements. This is a milestone agreement and Cirque du Soleil’s trademark productions, this one-time the first major producer to enter the Equity Broadway agreement was created. This special agreement will and touring market since Disney Theatricals made its cover the actors, singers, dancers and stage managers of bow in the 1990s. the company. actorsequity.org Spring 2016 | 7 EXTRA! EXTRA! EXTRA! READ ALL ABOUT IT

Introducing the brand spanking new In House EQUITY NEWS CENTER Equity News Goes Digital t’s time to change up your morning routine. Whether place. The union will offer more announcements that Iit’s sipping coffee with your favorite paper, zipping concern and benefit members. through the “best of” headlines on the way to rehearsal or And it comes complete with an RSS Feed. waiting for that ECC or EPA in one of Equity’s Audition An RSS, or rich site summary, Feed, simply, is a way Centers, you can add checking in on the union’s latest to get notified of regularly updated content within your dish from its news site with ease. browser. Many websites, including news and entertain- Located within the Member Portal, the Equity News ment-based sites, utilize RSS to alert readers of breaking Center is the newest channel for the union to easily, news or any fresh stories. The benefit of subscribing to effectively communicate and interact with its 50,000 plus the RSS Feed is that it allows members to easily stay in- members all over the country. A way to supplement the formed and receive the latest information and announce- former rendition of Equity News, this center will allow ments from Equity. for even more — timely — information, announcements Even better, an RSS Feed is ideal for those members and stories. who don’t surf the web or frequent Equity’s website for “The Member Portal is a community site, and bring- information on a daily basis. By subscribing to the feed, ing union-related news into that community feels like a those members will get updates automatically once on- natural evolution,” said Doug Beebe, Equity’s National line, enabling them to stay informed. Director of Information Technology. “After all, the Portal “We realize our members are on-the-go more often should be a complete member experience. Pay your dues, than not,” Beebe said. “Why not let technology help them update your profile, signup for an ECC — and now — read get the latest news. We’re introducing technology that the news.” helps our members, not slow them down. RSS Feeds are As a way to deliver timely and important news as it a great solution for those working within this industry.” happens across the county, the Center will post stories, The Center will host stories, profiles and features columns and messages consistently. Stories that come throughout the year that wouldn’t have had the opportu- from liaison cities will be available for the entire Equity nity to fit into the old rendition or even into the current community shortly after the meetings and events take magazine. With a digital spine, space is limitless.

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8 | Equity News @actorsequity Members

grew up in New York City and dreamt of making Ia living as an actor for as long as I can remember. When I was 14 years old, I was lucky enough to have HOW I been accepted into the famed High School of Perform- ing Arts to study acting. It was there that I learned what it actually took to be a professional actor. Oh, how I longed to be one. During my high school years, I did lots of community theatre and even did non-union GOT MY summer stock in Keene, New Hampshire, where I made — and this is the truth — $200 for the entire summer. We figured it out: We were making about 8 cents an hour! But it was all valuable groundwork and, for me, solidified the fact that if I was willing to do all of that, I EQUITY was in it for the long haul. I signed my first Equity contract (a bright pink chorus contract) in 1984 when I was 19. I was going CARD to Queens College and my musical theatre professor was the brilliant Edward M. Greenberg. Ed became my mentor and great friend. He was the Executive Director of the MUNY in St. Louis and offered me a contract to spend the entire summer of 1984 performing in three shows: The Music Man with Jim Dale and Pam Daw- ber, Funny Girl with Juliet Prowse and Larry Kert and the premiere of a new version of Sleeping Beauty. It was at the MUNY that I first got a taste of the benefits Equity had to offer me. I felt protected, respected and was happy to be well compensated for all my hard Danny work. I remember distinctly thinking that it would be nice to start saving for my pension at such a young age. (I’m not so young anymore and am quite grateful I got such an early start.) Burstein I learned so much that summer and made many great friends. Friendships that continue to this day. I went back to the MUNY for several summers after and eventually grew into character roles. One of those later summers, I worked with Tony Randall, who eventually offered me my first Broadway contract. We’d had a great time working together, and one day he mentioned his National Actors Theatre Compa- An Equity ny to me. I said, “Well, if you ever get it up and member running, give me a call.” He said, “I’ll do that.” Cut to a few years later, he calls me — out of the since 1984, blue — with a job offer to be a company member Burstein in his new Broadway troupe. The MUNY was a magical place for me. A shares his home away from home. I owe Ed Greenberg a “HIGMEC” huge debt of gratitude for taking a chance on a gawky, teenaged, theatre nerd who was so story. terribly green. He gave me the confidence to fly. Thank you, Ed, wherever you are. I miss you. And thank you, Equity, for looking out for me and always insuring I will be properly taken care of. I’m so honored to be a part of such a great union.

Danny Burstein, an award-winning performer, is currently starring

“This Issue” photo by Joan Marcus as Tevye in the Broadway revival of Fiddler on the Roof. Other Broadway credits include Cabaret, South Pacific, Follies, Women on the Verge of a Nervous Breakdown and The Drowsy Chaperone, among others. The actor has worked across the nation at several regional houses, including La Jolla Playhouse and The Old Globe.

actorsequity.org Spring 2016 | 9 COMBATING HARASSMENT IN THE WORKPLACE

Immediately following the 11 o’clock number, the two star-crossed characters finally kiss for the first time. It’s passionate and sincere — enough to elicit a visceral reaction from the audience. That romantic gesture is the highpoint of the show. All that’s left is the finale and, in this case, the traditional happily-ever-after ending. Until tomorrow.

For one of the actors, that stage kiss is crushing. It represents months of harassment he or she has been receiving from that other performer. Inappropriate remarks, unwanted touching and crude language.

The theatre industry is a hard place to imagine workplace harassment – sexual or otherwise. A creative environment, theatre tends to sway left and right, straddling the line between conser- vative and provocative. But that by no means is an excuse for bad behavior. Equity members work in a fast-paced, open and creative atmosphere. As actors and stage managers, the hours are long and often spent in close, physical quarters, where significant relationships are quickly formed with colleagues.

Anyone working on a show might find themselves in an uncomfortable situation onstage, backstage or in a different setting altogether. The effects of harassment can be devastating to individuals and can lead to damaging effects for performances and careers.

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COURAGEBE LOUD PROUDHAVE A VOICEINDIVIDUAL SPEAK OUT STAND UPSTAY TOUGHREPORTBRAVERYTALKPROTECTION BE HEARDDEFEND STAND STRONGDIGNITYTAKE ACTION

“Equity is here to help our members when harass- the harassed party defines what is unwelcome, unwanted, ment occurs in the workplace,” said Equity’s Executive offensive, intimidating or hostile. Director Mary McColl. “The moment it occurs — in It is the law and the right of any employee to expect whatever form it takes — can be paralyzing to the indi- employers to provide a workplace free of harassment. And vidual. But silence can make it worse. That’s why I want that right — protecting members in the workplace — has to assure our members Equity is here for them.” always been a serious issue and concern for Actors’ Equity It is illegal for any person to harass or discriminate Association. A union that doesn’t take such matters light- on the basis of a “protected class,” meaning a person’s ly, Equity has historically stood up and spoken out against race or ethnicity, color, creed, national origin, alien harassment in any form. The union, in every agreement, has or citizenship status, age, gender, disability, sexual steadfast rules against such behavior and actions toward any orientation, gender identity and/or expression, marital one of Equity’s members. The union will assist any member status, familial status or other beliefs. who has been subjected to workplace harassment and will Harassment takes several guises: derogatory or investigate claims under the union’s collective bargaining demeaning comments, bullying, insulting or abusive agreements. actions, biased behavior and stereotyping, having prej- “Equity members have the right under federal, state and udice, discrimination, humiliation, retaliatory behavior local law to work in an environment that’s free from harass- and denying opportunities. ment and discrimination,” said Thomas Carpenter, Eastern There are two forms of sexual harassment. The first Regional Director/General Counsel. “And, Equity stands is referred to as “Hostile Work Environment,” where ready to protect its members whenever they face harass- due to the behavior of another, one is made to feel ment of any kind in the workplace.” uncomfortable through jokes, visual images, language The first step: speak out.

The moment it occurs — in whatever form it takes — can be paralyzing to the “individual. But silence can make it worse. That’s why I want to assure our members Equity is here for them. ” - Mary McColl, Executive Director and gestures of a sexual nature. This “hostile work en- The Actors Fund, a nonprofit human services organiza- vironment” can also stem from persistent, unwelcomed tion assisting all members of the entertainment industry, attention. The second form, “Quid Pro Quo,” includes highlights the “3 Rs.” Respond: Firmly, but respectfully. In- the suggestion of preferential treatment if someone form the offending person(s) that his/her behavior is unwel- agrees to sexual activities, or in the opposite instance, comed and must stop. Record: If the behavior is repeated, losing out on an opportunity for refusal to engage in note the incident (include date, place and any witnesses). these actions. Report: Don’t be afraid to tell your deputy and your Equity These actions aren’t always concealed inside a dress- representative. ing room or alone in a rehearsal studio. Offensive jokes, Though it goes without saying, there are several ways to walking in on performers changing or even telling a ensure a harassment and bullying-free workplace. Respect- risqué story aloud can be construed as harassment — ing co-workers and their diversity; be aware of language and and with good cause. The effects of harassment can be communication style; keep emotions in check; avoid provoc- devastating. What someone views as a harmless joke ative jokes, pranks, teasing and confrontation; and avoid or even any form of unwelcomed action could drasti- racial, ethnic and gender-based humor. cally hurt someone — personally and professionally. In addition to Equity, there are resources across the Not only is there potential for a bad reputation, but country that can help assist those affected by harassment in someone might be less productive at work or even lose the workplace. Most importantly, however, you are your first out on a possible opportunity. Low morale, low self-es- and best advocate for safety. teem, professional and familial stress and the chance “Find the courage to step up and step forward,” said of financial costs and legal battles could all stem from McColl, “for yourself and for those who follow you into that unwelcomed attention. And according to the courts, rehearsal hall and that theatre.”

12 | Equity News @actorsequity INDIVIDUAL CONFIDENCE ADVOCATE RESPONDDEMAND SAFETY PROTECTIONSPEAK OUT RESPECT INSTINCTSCONCERNBELIEVE ACT FAST ACT PERSERVERANCECAREER SUPPORT STEADFAST WORTH

What is The Actors Fund? The Actors Fund is a national human services RESOURCES FOR YOU organization that assists everyone working in quity always recommends that you first address performing arts and entertainment. With of- Eany harassment issues directly with your em- fices in New York, Chicago and Los Angeles, ployer and the union. There are also other resources The Actors Fund provides a safety net and available if you want to know more or speak with offers a variety of ongoing programs to meet professionals.

the needs of professional artists. GET TOKNOWACTORS THE FUND The Actors Fund How can The Actors Fund help me if I The Actors Fund offers Actors’ Equity members a am being harassed? free, safe and confidential place to come for advice These situations can be especially confusing and support concerning harassment and other and stressful. The Actors Fund offers Actors’ workplace issues. You can speak privately with a Equity members a free, safe and confidential licensed professional who will help you to better un- place to come for advice and support involv- derstand your experience and explore your options. ing harassment and other workplace issues. Call The Actors Fund nearest you: You can speak privately with a licensed New York: 800.221.7303 | Los Angeles: professional who will help you to better un- 888.825.0911| Chicago: 312.372.0989. derstand what happened and to explore your options. Other Resources:

Should I contact my union or company Equal Employment Opportunity Commis- management before I call The Actors sion: File a complaint and find your State office Fund? 1.800.669.4000 | eeoc.gov If you experience something that makes you feel uncomfortable and that you believe con- Equal Rights Advocates: stitutes harassment, you should report it to Confidential counseling line a union official such as your stage manager, 415.621.0672 | 800.839.4372 Equity Deputy or your business representa- 24-hour line: 415.621.0505 tive. Your employer (company management) is responsible for addressing workplace National Center for Victims of Crime: issues, including harassment and discrimina- Resource and advocacy organization for victims tion, so you are always encouraged to bring 1.800.FYI-CALL | 202.467.8700 it to their attention. But sometimes, you may not be clear if it is harassment or may not be New York Division of Human Rights: comfortable talking to others in the work- File a complaint place. You can contact The Actors Fund at dhr.ny.gov any point – before, after or at the same time. The Feminist Majority Foundation: What if I am not located near an Actors A directory of sexual harassment state resources Fund office? feminist.org The Actors Fund has a toll free number and they can talk with you over the phone or even Volunteer Lawyers for the Arts: by Skype. If they feel that you would benefit Offer mediation — which is a voluntary, confidential from seeing a counselor in your community, alternative dispute resolution to litigation — where a they will help you find the right one. neutral third party assists parties in conflict to find a resolution to their differences or disagreements. Will The Actors Fund refer me to an vlany.org/mediateart-faqs/ attorney if one is required? They will help you determine if you need an There are many community counseling organi- attorney and discuss how to choose one, but zations that can provide help in determining how they don’t refer to individual legal practices. to manage possible harassment situations. Check your local directory or speak with The Actors Fund HOW TO ADDRESS WORKPLACE ADDRESS HARASSMENT WORKPLACE TO HOW They can give you information on nonprofit legal service organizations. for more assistance.

actorsequity.org Spring 2016 | 13 Celebrating the 400-year legacy of he Bard remains one of the most pro- Cue & A Tduced playwrights — and with good reason. Shakespeare’s words, rich with intellectual drama, full of suspense and dripping with biting humor, have provided Equity members with opportunities across the nation. Equi- ty News spoke with the two members who have worked on the greatest number of Shakespearean productions on Equity contracts over the past 10 years. Both stage manager Cindy Kearns (with 80 contracts) and actor Troy Willis (62 contracts), have made careers of the Bard while working at the Atlanta Shakespeare Company in Georgia.

Equity News: Why has Shakespeare remained so prominent in theatre? Cindy Kearns: Because he understood, perfectly, the human condition. Troy Willis: He had a unique insight into

the heart of the human experience that s n r a touches the soul and keeps people coming e K back. y nd Ci EN: What is your favorite play of the Bard and what’s your favorite line he’s written? CK: Hamlet. And, I have two from that play: “When sorrows come, they come not single spies, but in battal- ions,” and “What a piece of work is man.” TW: The Tragedy of King Lear. As I have gotten older, I have grown to love one of his most mature plays with a complex web of themes. My favorite line: “Love all, trust few, do wrong to none,” from All's Well that Ends Well (Act I, Scene 1). Words to live by.

EN: You have made a career of working on Shakespearean productions. What training did you go through to get here? CK: No formal training. I trained on the job with Artistic Director Jeffrey Watkins. I tell people that I am the only graduate of the Jef-

s i l frey Watkins School of Stage Management. il W TW: The majority of my training has come oy Tr from doing. Shakespeare's company would do a different play every day. The Atlanta Shakespeare Company doesn't go quite that far — we only do 12 to 16 plays a year.

EN: Which Shakespeare show have you worked on the most? CK: I am currently working on my 19th production of

The greatest star-crossed lovers? Your fave updated take? Othello & Desdemona - 13% The Boys from Syracuse - 0% Romeo & Juliet - 60% Kiss Me, Kate - 11% Troilus & Cressida - 5% West Side Story - 54% Hamlet & Ophelia - 22% The Lion King - 35% Cue & A Celebrating the 400-year legacy of William Shakespeare Romeo and Juliet. TW: Romeo and Juliet. I have been in over a dozen productions of it and have played a number of the male roles except Romeo, Mercutio and Tybalt.

EN: Having repeated the same show several times, how do you keep it fresh? CK: By working with a different director and a new cast, “The play’s the thing…” which always gives me a different perspective on the play. I also play mind games with myself; like what if the Friar’s Though he’s been gone for four centuries, letter to Romeo had gotten through or what if the Nurse the Bard’s sharp-tongued dialogue and so- was delayed on her way to meet Romeo or what if the sleep- liloquies remain. Equity members across the ing potion just didn’t work. country continue to breathe life into the his- TW: It's about being a reACTOR instead of an ACTOR. If I am living in the moment and reacting it will be new every torically dramatic scenes and hilarious char- time. acters of the late 16th century. Below is a list, in order, of the ten most performed classic EN: What have you participated in that has been an Shakespearean shows Equity members have interesting take on one of the Bard’s plays? worked on between 2005 and 2015. CK: At the Shakespeare Tavern Playhouse, we have a performance style that we call “original practice,” where we perform the plays as close to the way we believe they A Midsummer’s Night Dream - 255 were performed in Shakespeare’s day. We did have two cross-dressing characters in one production of The Mer- Romeo and Juliet - 243 chant of Venice, however. TW: Each production is a process that begins with the way Hamlet and Macbeth - 217 the play was originally staged in its own time and ends with a modern audience experiencing the play in a manner The Tempest - 213 consistent with its creator's original intent no matter the playwright. Twelfth Night – 188

EN: What are the differences of stage managing a Much Ado About Nothing – 185 Shakespearean play versus a contemporary As You Like It – 174 drama? CK: I don’t believe there is any difference between the two. The Taming of the Shrew – 143 For me, every production is a series of steps and I have to do all of the same steps for every show, whether it is Shake- Othello – 142 speare or modern day. I have done a handful of musicals and I find those to be a different animal altogether.

EN: When prepping for a role, how do you relate to one of the Bard’s cherished characters? TW: Not to cherish them, but hold them in high regard. I have played over a hundred of Shakespeare's characters and have only two plays left to complete my acting canon “This Issue” photo by Jeff Watkins. Troy Willis as “Cymbeline” in Atlanta — Titus Andronicus and Twelfth Night. The greatness of Shakespeare Company’s 2011 Shakespeare is his ability to put the human struggle in each production of King Henry VIII. of his characters that makes it easy to relate to them.

(Continued on page 19)

Who would throw more shade at the Bard? Who is Shakespeare’s evilest villain? J. Thomas Looney - 4% Iago - 48% George Bernard Shaw - 45% Lady Macbeth - 25% Ira Glass - 9% Richard III - 23% Charles Darwin - 42% Claudius - 4% TheatreSpotlight

Spotlight Chicago Shakespeare Theater We asked the Chicago Shakespeare Theater to tell us about the 400 Chicago will engage more than 500,000 Chicagoans company. This is what they had to say: and visitors with events spanning theatre, opera, music, dance, cuisine, exhibitions and workshops. ruly “all the world’s a stage” in 2016. This April marks Over 60 Chicago institutions have come together in an 400 years of William Shakespeare’s enduring legacy T unprecedented partnership, including the Art Institute of since his death in 1616, and artists and theatres from all Chicago, Chicago Mariachi Project, Chicago Park District, around the world are commemorating the playwright. Chicago Public Schools, Chicago Symphony Orchestra, Chicago will host the largest of these celebrations — Harris Theater for Music and Dance, Illinois Humanities, Shakespeare 400 Chicago, spearheaded by Chicago Joffrey Ballet, Logan Center for the Arts, Lyric Opera of Shakespeare Theater (CST). This year-long international Chicago, Museum of Contemporary Art and the Newberry arts and cultural festival brings together the city’s resi- Library. dent world-class institutions across disciplines and wel- Shakespeare 400 Chicago will also bring international comes leading artists from around the globe to celebrate, artists from Australia, Belarus, Belgium, China, Germa- interpret and reimagine Shakespeare’s work. ny, India, Mexico, Poland, Russia, the United Kingdom “The poetry of Shakespeare’s words and his brilliant and beyond. Festival-goers can expect highlights from characters from all walks of life weave universal stories, Shanghai Peking Opera, the Hamburg Ballet, the Compa- speaking to artists across continents, cultures and centu- ny Theatre of Mumbai, Shakespeare’s Globe and Poland’s ries,” remarked the Theater’s founder and Artistic Direc- Song of the Goat, among others. tor Barbara Gaines. “Shakespeare’s words move artists in “Chicago Shakespeare has been honored to serve as a every creative medium.” cultural ambassador for our city — importing astonishing The festival began in January with Measure for work from around the world and exporting our work to Measure from the United Kingdom’s Cheek by Jowl and leading international festivals,” reflected CST Executive Russia’s Pushkin Theatre at Chicago Shakespeare. This Director Criss Henderson. “Shakespeare 400 Chicago production, along with Belarus Free Theatre’s King Lear, deepens our role as a global theatre reflective of our glob- both garnered four stars from the Chicago Tribune in a al city — and demonstrates how Shakespeare’s timeless highly praised beginning to the festivities. Shakespeare words continue to inspire artists across disciplines and across cultures.” With over 1,000 artists, 850 events and 120 locations throughout the city, the celebration impacts much more than the theatre community of the Windy City. The City’s rich culinary tradition joins in with Culinary Complete Works, as 38 of Chicago’s most venerated chefs including Rick Bayless (Topolobampo) and Tony Mantuano (Spiaggia) create new dishes inspired by Shakespeare’s 38 works. North Coast Brewing Company is releasing a special Shakespeare 400 Chicago edition of their popular beer, Puck. The free Chicago Shakespeare in the Parks brings Twelfth Night to neighborhood parks on the south, north and west sides of the city. Three hundred high school students and teachers from 50 public, private and parochial schools city-wide will participate in the “Battle of the Bard” — developed in partnership with Chicago Youth Shakespeare — in which students will perform Photo by Liz Lauren scenes plus their own creative mash-ups from the canon Othello (James Vincent Meredith, at in a slam-style arena. Throughout the year, City Desk 400 right) delights in his good fortune, as correspondents from ten of Chicago’s universities will the duplicitous Iago (Michael Milligan) respond online to the artistic work of the festival. This plots his next move in Chicago Shake- unprecedented celebration is made possible by leading speare Theater’s production of Othello. support from the John D. and Catherine T. MacArthur Foundation and Pritzker Military Museum and Library. “This Issue” photo by Manuel Harlan. Pictured: Equity member Jonathan Pryce in Shakespeare’s It’s a celebration 400 years in the making — a bold un- Globe production of The Merchant of Venice. dertaking, true to the spirit of the global city of Chicago.

16 | Equity News @actorsequity Scene Around T R E N D I N G {IN KANSAS CITY} ladys Fritts of the musical Radio to work and receive health insur- a niche for everybody and enough GGals was one of the first char- ance right from the start. To become people that have interest in live the- acters Licia Watson took on as a an Equity house, for Grayman, is atre that we can all make a go of it.” performer at the Chestnut Fine Arts coming full circle for himself and his Zimmerman started his company Center in Olathe, Kansas. union. after freelancing as a music direc- She wasn’t yet an Equity member. “Being Equity is always what we tor for several years. Wanting to do Ten years later, Watson performed wanted to do,” Grayman said. “The something different and in his own as “Gladys” once more. This time, thought of being able to employ space, he found an old house and working on a Special Appearance members of our union and offer turned it into a 102-seat theatre (he Agreement, or a contract that allows them their weeks has always made us lives upstairs). Using the Special an Equity performer to work in a feel so incredibly good. And, it just Appearance and Guest Artist Agree- non-union theatre, at the company. feels so much better to be an Equity ments, he found that after talking And now that the Center is utilizing company.” with Business Representative David the Small Professional Theatre (SPT) After the regionally-cherished Kolen, transitioning to an SPT was Agreement, designating it an Equity American Heartland Theatre went the next logical step. house, Watson is ready to do the role dark in 2013, Watson said a creative And a lot less paperwork. again, this time as an Equity member void had been left in the theatrical “These four new theatres will only in an actual Equity theatre. community. It’s her hope, as well further enhance the already thriving “It’s exciting to see a theatre go as the Kansas City community, that Equity community in Kansas City,” through the same arc that a per- these new theatres fill that vacancy. said Central Regional Director, Sean former goes through,” said Watson, And, Watson believes that the oppor- F. Taylor. “Our members continue to putting an Equity-esque metaphor tunities these new companies create see opportunities thanks to the hard on the transition from non-union to will lead to an even stronger cultural work of the staff, liaison committee union for both actors and theatres. landscape in the city. and the Kansas City theatres them- “Now I’m able to go back this fall and “The Kansas City arts scene? In selves. Members are able to live in the work my first full Equity contract one word: vibrant,” she said. “There’s communities they call home and earn with Chestnut, as it’s now an SPT.” everything: a living as an actor.” In Kansas City, MO, Equity seems There’s a to be trending. With the addition of breadth to the four new SPT theatres, the region arts communi- continues to grow into an artistic ty and a lot of hub for union members. Joining the depth to it.” Equity family are the Spinning Tree With several Theatre, The Living Room Theatre, theatres in and Musical Theater Heritage and the around the Chestnut Fine Arts Center. area, satura- Michael Grayman, Artistic Di- tion doesn’t rector of Spinning Tree, moved to worry any of the area with his partner, Managing the leadership. Director Andrew Parkhurst, six years Believing that ago to fulfill a dream of opening a each theatre theatre. “We knew that Kansas City works in in- was a great up-and-coming city spired tan- Photo by Julie Denesha that was really supporting the arts,” dem, Chestnut’s Spinning Tree co-founders he said. “We’re having a blast and Executive Director Brad Zimmerman and Equity members Andrew there’s so much talent here; it’s easy said each company has found its own Parkhurst (Managing Director) to just work here.” niche. and Michael Grayman (Artistic From the moment the couple “The region has a lot of patrons,” Director). opened the company, they began he said. “We are a medium-sized “This Issue” photo by Manon utilizing the Special Appearance market, and we have an awful lot of Halliburton. Pictured: Robert Agreement. Equity members for over theatre in Kansas City. The compa- Gibby Brand and Katie Kalahur- 20 years, the duo wanted to be able nies that have been successful have ka in the 2014 production of to give union members the chance found a niche, and there seems to be Ghost-Writer. actorsequity.org Spring 2016 | 17

Chicago Theatre Leaders Receive Equity’s 2016

Awards Kathryn V. Lamkey Award Story | Luther Goins and Clare Kosinski theatre companies, producers and organizations that provide ongoing opportunities for members of color in the he 13th annual Spirit, A Celebration of Diversity — an Central Region. Spirit took place on Monday, March 7, Tevent presented yearly by the National Equal Employ- 2016, at the award-winning Chicago Shakespeare Theater ment Opportunity (EEO) Committee — honors individuals, on Navy Pier. This celebration of spirit, pride and accomplishment included the presentation of the Kathryn V. Lamkey Award. Named after former longtime Central Regional Director, this special honor is awarded to an individual and/or organization that helps to maintain and enforce Equity’s goals of diversity and inclusion. The four incredible recipients included Chicago Shakespeare The- ater Founder and Artistic Director Barbara Gaines and Executive Director Criss Henderson; Goodman Theatre Resident Director Chuck Smith; and Goodman Theatre Resident Artistic Associate Henry Godinez. EEO Committee Members and event Co-Chairs Chris- tine Bunuan and Sandra Delgado organized and hosted the celebration, and Central Regional Vice President Dev Kennedy and Central Regional Director Sean F. Taylor gave welcoming remarks. National EEO Committee Vice- Chair E. Faye Butler gave a brief history of the Spirit celebration and praised Central Region producers for their ongoing commitment to Actors’ Equity members. From left ro right: Christine Toy Johnson (National EEO Spirit continues to highlight the strong relationship Committee Chair); Dev Kennedy (Central Regional Vice between Actors’ Equity and Central Region producers President); Chuck Smith (Goodman Theatre Resident Direc- and theatres. tor); Henry Godinez (Goodman Theatre Resident Artistic Associate); Sean F. Taylor (Assistant Executive Director/ Central Regional Director); Barbara Gaines (Chicago Shake- Editor’s Note: As was announced at Spirit 2016, Business Rep- speare Theater Founder and Artistic Director); Criss Hen- resentative Luther Goins is retiring this year and was present- derson (Chicago Shakespeare Theater Executive Director); ed a proclamation in recognition of his many years of service and E. Faye Butler (National EEO Committee Vice-Chair). and dedication to Actors’ Equity. HAVE YOU HEARD?

GET with CASTING CALL IS CHANGING!

SOCIAL ONLINE SIGNUPS ARE COMING. EQUITY JUNE 2016 For more information, visit the Equity News Center. @actorsequity #EquityWorks members.actorsequity.org/EquityNews/

18 | Equity News @actorsequity #EquityWorks, News Center, Continued from page 7 Continued from page 8

In reviewing weekly reports for a LORT theatre, Eastern The best part? Archives. The Center offers an archiving Region staff noticed that the theatre did not make the system that will allow members to sift through stories. health contributions for a member who had a buyout. In Any article pertaining to a certain liaison city, specific working with the theatre, staff was able to achieve a total contract, special feature, etc. will be tagged and readily of $680 in health contributions for that member. searchable. “Our membership is diverse in their interests and pri- It was learned that an Off-Broadway show had incorrectly orities, so tagging news articles and blogs is another way categorized five members of the cast. Once put on the ap- to help members find exactly what they’re looking for,” propriate contracts, the members received a total of $533 Beebe said. for chorus parts and understudy increments per week. More than just a news-centric site, though, The Equity A theatre operating on an ANTC Special Agreement did News Center will be a resource for members. Blogs offer- not stipulate terms regarding costume or tech bump ing advice and tips within the industry are under develop- increments. With members’ assistance, staff was able to ment. The President’s Column along with a blog dedicat- get both costume rental and tech bump payments for the ed to tax tips (by the one and only Sandra Karas, Director members. of the VITA Program) will be available and backlogged for members’ benefit. Eastern Region staff members found that an NYC Transi- So, subscribe to the RSS Feed and add checking the tion Company had not met its Equity ratio. Working with Equity News Center to your routine. the producer, staff made certain that an actor was put on contract retroactively to the first rehearsal. That actor is now applying to join the union. Shakespeare, Central Region staff recovered two weeks of salary, health Continued from page 15 and pension payments for a member after a show closed before an announced extension. (The actor had signed a EN: Throughout your career, which has the been contract for the extension only.) the most complex production of Shakespeare you have worked on? Or, what has been that one role $3,600 in underpayments from a dinner theatre in the you have spent the most time preparing? Central Region were recovered after discovering that the CK: I would say the most complex production that I have company made a mistake in pro-rating a holiday week. done was “The History Project,” which consisted of Rich- Additionally, staff secured $1,600 in unpaid vacation pay ard II; Henry IV, Part 1; Henry IV, Part 2; and Henry V. at a regional dinner theatre. We opened one a week over four weeks, and then the fifth week we did one performance of each in chronological Central Region staff recovered $400 for two days of ASM order. pre-production pay. Staff also recovered four days of SM TW: Two come to mind. King Henry VIII because we pre-production pay, totaling $600 in salary and an addi- did it in rep with Maxwell Anderson's masterfully writ- tional health week. ten play, Anne of the Thousand Days. The role would be the 'Earl of Gloucester' in King Lear. I decided that Western Region staff collected missing media payments for members working on a TYA contract; a total of $1,725 after his eyes were gouged out to do the rest of the show was collected. with my eyes closed and bandages wrapped around my head. (Why fake it when you don't have to?) I could have On behalf of members in the Western Region, $105 was opened my eyes if I ever felt I was in danger, but I trusted recovered for chorus and parts payments for WCLO my fellow actors to guide me. Agreements; $221 was received for a member working on a LORT Agreement; and $7,300 recovered in salary and EN: How can we get students to appreciate the increments from LORT Agreements. Bard? CK: By performing it for them. These plays were written Also, $2,116 was collected in vacation payouts for mem- to be performed, not read in a classroom. bers in the Western Region who had worked on SPT TW: Instead of the necessary, but incomplete experience Agreements. Additionally, $5,837 was collected in pen- of reading Shakespeare in a book, it is important to let sion and health payments on SPT Agreements. students be active and engage fully with each other by speaking the words aloud. For members who had worked on the Western Region Guest Artist Contract, $950 was recovered in overdue travel reimbursements, and $2,168 was collected in over- To read the entire Q&A, please visit the Equity News due overtime payments. Center in the Member Portal. actorsequity.org Spring 2016 | 19 “Were I to die and go to heaven and find it populated by actors, I would not be unhappy.” In Memoriam - Playwright Ben Hecht

Mitchell Agruss Robert Dahdah Richard Libertini Robert Parnell Billie Allen Wayne Pare Daniels Robert J. Loggia Randy Phillips * Steeve Arlen Betsy Ann Dickerson Marjorie Lord Mark Rabin Stewart Ballinger Bairbre P. Dowling Edmund Lyndeck Paul Renault John Barrett William Patrick Dunne Will Mac Millan Alan Rickman Brian Bedford Corey Elias Valerie Mamches Jay Stephens Rodriguez David Beyer Patricia Elliott Warren Manzi Wayne Rogers Helena Bliss Patricia Fay Carole Marget Bette Rogge John W. Bottoms Carol Fijan David Margulies Bing Russell David Bowie Sylvia Gassel Ethel Martin Vanna Salviati Herbert Braha George Gaynes Norman Matlock J. Jay Saunders Ruth Brandeis Russell Graves Belle Mc Donald Isaac H. Schambelan William J. Brooke Betty Anne Grove Roger Mc Intyre Jose Simon Donald Brooks Margaret Hall Edwin J. McDonough Brad Thomason Martin Brooks Pat Harrington Deann Mears Joyce Tomanec David Canary Ann Hegira Al Molinaro Hollie Vale Myra Carter James Hook R. Joseph Mooney Abe Vigoda Jane Cecil J. R. Horne Susan Elizabeth Mowrer James Van Wart Irwin Charone Ronald House Priscilla Murray Betsy Von Furstenberg Jo Flores Chase Patricia Grace Kennedy Sha Newman Arthur Wagner David Coleman Kyle Kulish Jay Oker Nan Withers Jeffrey Cornell Karen Landry Frank Ottiwell Michael Cripe Jean Lee Bruce M. Paine *Denotes Equity Councillor

Reported between 11-17-2015 and 02-29-2016 Letters to the Editor In Remembrance Sylvia Gassell passed away on Feb. 24, 2016. Born worked Off-Broadway, in regional theatre and did a num- in NYC on July 1, 1923, she was a wonderful performer ber of national tours, including A View from the Bridge and writer and a strong union advocate having worked with Luther Adler, A Streetcar Named Desire with Diana on a number of AEA Committees. She served on the Barrymore and My Fair Lady with John Neville. Council for five years. As a writer, she co-authored a number of articles on Along with her husband, Joel Friedman, Sylvia was Greek Theatre with Joel. a founding member of the New York Shakespeare Fes- Sylvia was a brilliant performer; a charming, witty tival, and their contribution to the development of the companion; and a very generous and much loved friend, theatre was acknowledged by Joseph Papp in Free for and will be sadly missed by all who knew her. All. She made her Broadway debut in The Time of the Cuckoo with Shirley Booth. Over her long career, she - Marie Bridget Dundon

20 | Equity News @actorsequity Back of

My friend, Michael Shelle, died on Feb. 14, 2016. It was Valentine’s Day. I mentionHOUSE this day of love because Michael never waited for just Valentine’s Day. Every day of his life was full of love. Love for his family, his wife of 54 years, Peggy, his children and grandchildren and great-grandchildren. Love for his friends and fellow actors. I could tell you about his many credits and accomplishments as a talented performer and singer, but instead I’d like to share the continuing gifts he gave to me. Whenever I or any of his friends got cast in a show, Michael’s joy and excitement for our success was unconditional. It was never about him, never a competition. Just pure joy. Pure love. A rare quality to find in a friend, especially one who is also an actor. In this day and age of self-promotion and “me, me, me,” it’s easy to lose sight of what is truly important in life. Michael taught me never to forget that. And I will never forget him. - Ken Krugman

Letters received from paid-up members on subjects of concern to Equity members will be considered for publication in Equity News, provided that they are no greater than 175 words in length. Letters selected for publication may be edited for space requirements. Actors’ Equity Associ- ation reserves the right to decline to publish letters at its sole discretion. When multiple letters on the same topic are submitted, the Editor may decide to select a smaller number of representative letters for publication. Letters must be signed and must provide preferred contact information for verification purposes, but names may be withheld from publication in certain limited circumstances, at a member’s request. Opinions expressed in Letters to the Editor are not necessarily those of Actors’ Equity Association.

COMING SOON: #TOURSDAY Are you on an Equity tour? Getting familiar with the local haunts of Cleveland, playing I SPY on Highway 1 or just getting to know the backstage of a new theatre? We want to hear from you! Show your Equity pride: Tell us your stories and send us your selfies (we know you have them) and photos of you and your castmates as you take your show and Equity across the country. Don’t have any? Snap a selfie, involve your cast, and send it to [email protected]. Make sure to participate on #Toursday (every Thursday — get it?) and demonstrate the importance of Equity on the road.

actorsequity.org Spring 2016 | 21

BOH CRB Non-Councillor Election Area Liaison As per the By-Laws of Actors’ Equity Association, the Central Region will be Hotline System electing eight non-Councillors for the Central Regional Board for the 2016 Election. Only members living in the Central Region are eligible to run and to vote for these positions. Call 877-AEA-1913 Equity has a national toll-free The following two-year non-Councillor seats are available: four principal, hotline system for members who live one chorus, and one stage manager. There are also two one-year terms up in area liaison and office cities. The for election: one chorus seat and one stage manager seat. All candidates number is 877-AEA-1913 (honoring must meet the same eligibility requirements in their category as Coun- the year of Equity’s founding). cillors in their category. If you wish to be considered for any of the above seats, please submit your candidacy according to the schedule found on the Each Area Liaison city has its own Member Portal. All information will be posted in the election section of the extension, where members can Member Portal in late May. access news and information in their For any questions or a CRB non-Councillor candidate packet, contact Eman- region. uel Rios at [email protected] or 312-641-0393 ext. 240. (1) Dial 877-AEA-1913 Want to Join a Committee? (2) Dial your area extension: What’s one of the best ways to make a difference for you and your fellow 810 Albany members? Simple: join a committee. At Equity, member involvement is cru- 811 Atlanta cial when it comes to maintaining and improving the lives of our members, 812 Austin/San Antonio the importance of our art and the prominence of this Association. With committees that range from member education to equal employment opportuni- 813 Boston ties, there are ways for you to get active. To join a committee in your region, 814 Buffalo/Rochester call the Governance Department at 212-869-8530, ext. 327. 815 Chicago 816 Cincinnati/Louisville 817 Cleveland MAKE YOUR VOICE HEARD! 818 Dallas/Fort Worth 819 Denver Attend the Annual Membership Meeting 820 Detroit Equity’s Annual Membership Meeting is Friday, April 8, 2016, in all Regions. 821 Florida – Central 822 Florida – South The Eastern, Central and Western Regions will be connected for the April 823 Houston 8, 2016, Annual Meeting so that members in all regions may be able to hear statements of candidates running for Council. The national portion of the 824 Kansas City meeting will begin at 2:30 p.m. EST, 1:30 p.m. CST and 11:30 a.m. PST. 825 Las Vegas 826 Los Angeles The meeting in the Eastern Region will convene at 2 p.m. EST in the 827 Milwaukee/Madison Council Room on the 14th floor of the Equity building at 165 West 46th 828 Minneapolis/St. Paul Street, New York City, NY. 829 Nashville The meeting in the Central Region will convene at 1 p.m. CST in the Con- 830 New Orleans ference Room on the 3rd Floor of the Equity Building, 557 West Randolph 831 New York Street, Chicago, IL. 832 Philadelphia 833 Phoenix/Tucson The meeting in the Western Region will convene at 11 a.m. PST at the 834 Pittsburgh I.A.T.S.E. Local 80 Meeting Hall, 2520 West Olive Avenue, in Burbank, CA. 835 San Diego 836 San Francisco EQUITY NEWS (ISSN: 00924520) is published quarterly by Actors’ Equity Association, 165 West 46th Street, New York, NY 10036. Telephone: (212) 869- 837 Seattle 8530. Periodicals postage paid at New York, NY. And additional mailing offices. 838 St. Louis Copyright 2016, Actors’ Equity Association. Postmaster: Send address changes to 839 Washington D.C./Baltimore Equity News, 165 West 46th St., New York, NY 10036.

22 | Equity News @actorsequity

BOH

Create your own out-of-the-box work experiences on an easy-to-use Equity contract

The Business Theatre and Events Memorandum of Under- standing can be used for product industrials, stage managing fashion shows, medical and legal training exercises and more. It’s a big name for a simple idea.

Intrigued? Contact Maria Cameron (Eastern Region) at [email protected]; David Kolen (Central Region) at [email protected]; and Christa Jackson (Western Region) at [email protected] for more information. How Equity’s Bonding Policy Helps You One of the most important provisions of an Equity con- ter of Agreement, to name a few, the bond is based on the tract, the bonding policy, was established decades ago highest number of active contracts in a two-week period. in order to protect union members when working under If Equity receives more contracts than the bond protects, contract. the union will immediately demand additional bond be posted. If, for some reason, the producer fails to increase This policy helps ensure that you receive at least the the bond, actors will have the option to cancel their con- minimum guarantee of contractual salary and benefits tract without any further obligation to the employer. (including pension and health credits) in a timely manner should an employer default on its obligations to you or If a single-unit production defaults, members will receive Equity. The union ensures that members are always paid the minimum contractual obligation out of the bond. If first out of the bond. However, it’s important to note that employed at a seasonal theatre that defaults, you may filing your contract once it is signed – no later than the receive only the portion of the contract guarantee that is first rehearsal – helps Equity guarantee the agreement is available in the bond. But Equity will pursue the default- properly bonded. ing employer in an effort to secure the full obligation due to the members. For single-unit productions, the amount of the bond is based on the number of Equity contracts issued for the The Equity bond is just another example of how the show. For seasonal theater, such as Stock, LORT and Let- union is standing up for its members. #EquityWorks actorsequity.org Spring 2016 | 23 Gwen Lael Glen Aldona James Gayton Ryan-James Tamika Zolan Carmen JeNie Dena Micah Donnetta Ariela Jebbel Jessalyn Garry Kay Rodger Vonessa Katarina Gannon Sharyn Tanner Jamyl Rhianna Amitria Anastacia Kolina Vinie Clarissa Mana Meg Chivas Melodie Pawnee Anne Ansley Marlon Ami Abbie Taina Elia Deen Milica Marlo Rose-Mary Trudie Castulo Eilis Brik M. Stacy Susie Tamara Ronna Peder Lusia Sung Yun Lesleh Delius Triste Lois Allyn Shondra Thor Salome Dixie Ratziel Josiah Renato Quinn Elliot Hollis Eddie M.J. Maestro Arleigh Aleta Gena Holter Petrina Ilana Nhadya Sheila Mychelle Rainey Quester Mujahid Anamer Dionne Reamy Olithea Peggity Akosua Jaimi Pierre Ann-Marie Anisha Becca Demetrios Silvana Vanjah Rihana Reece Rasa Sabina Bernardine Dezur Clinton Naren Calista Mary-Jo Roni Veraalba Elyssa Kennl Emy Francois Chiara Emmanuelle Tricia TJ Cyrus Nyjah Tania Se- an-Maurice Bradford Morgana Shannon Art Conly Jalena Wende Laural Jozsef Brennyn Luverne Aleks Olive Shawtane Lilinda Joli Finn Jonna Nisa Walton Gianna Arturo Willow Ryan Sundy Lewis Shirin Mick Leese Pomme Sharrod Joline Hiromi Conor Makenzie Sheilah Gardiner Omoze Tonja Pun Temar Lyrica Wade Fredrick Florrie Tanea Demond Alicen Isabella Jing Devanand Jarid Jerine Waliek Ax Chopper Sandy Kathryn Karack Kingsley Maya Mueen Terasa Erina Tareena Jenifer Viki Melanie Jayy Robynn Conal Brett Gizel Thommie Brandye Lisanne Martha Venise Swaine Meaghan Sherie Heidi-Marie Alayna Sanford Elka Biko Quin Lol Careena Dorea Bernardo Rocco Kierian Mel Alphonso Tommaso Yamil Nyree Hana Cajardo John-Charles Steven Giulietta Tressa Felix Monish Marilee Augustus Garrick Harter Jerrica Giuseppe Clara Anne-Elise Earll Shirlene Quinlan Ellis Durand Chantel Jody Oscar Marnye Marielys Roxy Caralyn Merete Chucho Maida Vivienne Gloria Cullen Santino Benja Daiva Cinnamon Ylana Frantz W. Thomas Burnadair J.J. Benj Gray Torian Chondra Meyer Laury Tommy Anette Lourelene Annaliese Dan'yelle Charls Padraic Flo Elish Carlton Matthew Aneesh Maureen Bingo Rosebud Sindee Cusi Fawn Cami Edda Lesslie Daamen Liann Myvanwy Ramy Danica Marya Agnes Jasper Dulcy Namir Vitta Coco Godfrey Kerrianne Fabio Kwana Pe- terson Kelvin G.W. Victoire Chante' Hadley Cobey Xavier Alexander Lorry Nikka Donal Graham Lanene Jamison Bjorn Patreshettarlin Ritchard Romy Creed Paloma Roderick August Tory Liliane Constance Adriene Janee Diao Juan Charissa Allen Irwin Leanna Leighann Marta Britton D.J. Eowyn Josephine Mya Syndi Zoie Malynda Geri Ellen T Robert Don Jon-Michael Marisol Everett Leasen Joell Manu Madilyn Tyne Irma Johann Suzyn Virgil Dusty Michelan Vanessa Chala Sparky Juson Mitchel Vivian Zara Marisa Wai Kohler Reno Natascia Saluda Lisbeth Kiki Goldie Judith-Marie Lesley Hend Jun Nelson Seven Aijia Hiram Glenda Joaquina Bara Rachelle Kelly Magaly Tyson Lawson Yaegel Grantham Mary-Linda Rin Guilford Hally Rashad Rosalee Flor De Liz Josef LaShawn Dwight Jerusha Ruthanne Jevon Topher Sheelagh Milfordean Andrea Thursday Tyla Lorna Mariah Misa Bryon Katerina Sue-Yenn Kahyun Kirt Julane Pamela Carleton Janna Phillip Birgitta Naznin Danyon Sadie Maritxell Reese Mari Yassmin Alessandro Tru Whit Amalisha John-Andrew Oni J.C. Bronson Marlyne Kale Galen Mayumi Rolland Tina Hayley Jory Mercedes ZhenJun Josey Sarab Ogie Alexendra Ann Marina Braddon Jean Norb Tsulan P.M. Poundo Laura Lynne Noshir Otis Cayte Delmar Malinda Nalina Leslie Arden Manson Concetta K.O. Tracie Chantal Jet Caden Pablo Ronnie Nael Peggy Karmine Artemis ShonicaEquity Darby Maxime Hiwa RonitNews Earlye Paty Tal Tacey Idella Michal Chandler Chante Heide Jackson Neno B Sibusiso Tanisha Weyman Tiye Conny Rafay Braeden Manna Tonna Caitlan Jezabel Esau Shani Zuleyma Toks Joane Jacquelyn Mary Ellen L.B. Fyvush Armond LaShonda Rawleigh Todrick Molly Krystal Halili Nino Lancer Kolton Joely Gil Eamon Shinnerrie Adria Venny Eli Tova Aasif Ariyan Rand Guerin Khori Abram Cailene Steffanie Marquis Geffrimaya Tatjana Patch Martha- Vivia Pascale Antonette Charis Kirsta Clodagh Dodds Dougfred Gates Stark Elysia Zoey Aaryn Sarahjayne Dee Dee Loria Steel Mariana Melanna Sallie Pam Hans Avia Jamar Troian Chazz Teodorina Regenna Julia Waldo Deon Frederic Skip Barbie Venida F. Saccha Donavon Raymond Razz Wynn Dormeshia Sherz Pjay Yolande Deegee Shonna Hayden Gail Amy Miho Jess Christina Carisa Elvy Baye Kristyne Alyson Pamela-Beth Jack Linnea Emmett Eva Neda Karianne Ivy Marilia Marjan Thos Tyrone Amalia Suzzanne Hope Watson Cindi Tunisia Dori Gretha Mordecai Madhur Ivonne Elijah Ritamarie Azumi Rachel Afemo Delroy Nina Aidy Cynthia Diz Aedin Hamilton Jaz Ramon Luchy Denice Nikol Pilita Gus W Denna Vern Bliss Brandy Dudley Adriano Kumi Melvin Emilio Desmin Athene Eboni Israel Abigail Brinie Mariann Laurissa Jazmine Brayshawna Sid Alee Freeman Eldric Jee Young Jocelyne165 JoWest Jani Taylore 46th Camilla St. Nissa Mary-Ellen Farah Vanita Shoshanna Laura-Love Desmond Braeson Marliss Amos Johnathan Tuck Cherry Prue Corinne Aileen Bonifacio Billie Terrance Carine Antyon Darice Haerry Kendall Jessilyn Cecilie Melle Kamella MaryGrace Algin Edi Sendhil Lucia Carlyn Waltrudis Aphrodite Chaz Sally Brance Sab Kristen-Alexzander Bari Shellen Jevetta Cristy Toby Mea Brian-Alwyn Memory Noelle Halley Katie Mirron Elise Niles Funda Trenell La Donna DeMoya Linnette Beret Yevgeniya Elan-E Maribel Sean-Michael Jo-Anne Lillie Emi Quetta Elke Jillann Merlin Ellany Nairoby Kennen Jaygee Erwin Julana Leela Katy Jacki Debbra Phebe Young Grasan Arley Callie Kennya Dani Leicester Kasono Kim Lanny Shameika Shawna Kerri Shuler Shoshanah Hope-Lynne Xanthe Job Monna Rosanne Inuka Tanis Renata Tosin Zena Gerrit Kristofer Tanika D.H. Lani Theresa Tristine Jada Mahlon GeorgaNew Lucio Trutti York, Genai GlenngoNY 10036 Robbi Shauntay Caskey KG Georgette Ana Elyse Tanja Blake Alok Scot Annaleigh Danforth Elayn Mirla Dyanne Carmelita Zoran Kenney Sadieh Annemette Anna Sheriden Kamille Ahmad JoAnn Kyra Kiley Ron Jono Michele Cote Tegan Gin Eydie Kim-Scott Ritter Reily Suzanna Radomir Arija Thea Nita Rodica Donell Jeree Tasha Antwan Marcie Werner Kathel Micaela Brit Tallia Madeleine Tug Charmaine Wes Jenavene Bethanie Osborn Jessy Shey Desire Dep Amaker Arne Paule Lethia Noalen Javin Abdiel Chinaza Evelyn Doria Ariane Lori Maurice Lauran Park Miquel Seana Terance Dendrie Shyla Dane Pedro Illeana Cecily Nicki Bergin Cally Neema Royer Jan Chrissy Coby Rainee Cait Taylor Debbie Malcolm-Jamal Kadee MacLeod Taamu Carl-Michael Randy Kimiye Romar Maud Aldrin Carmela Helena Susanna Lindsey Sara Bret Carolyn Nehassaiu Emilee Mona- han Shashi Jennafer Javier Jennylind Oksana Jahaan LeeAnne Shyko Hakim Irma-Estel Darnell Alfredo Jackie Katlyn Zabryna Grover Zak lark Billi Amirh Marion Rodrigo Nathanael Cristi Toshi Ivan Fairly Priscilla Davidson Candice Leigh-Allyn Ronald Phumzile Giacomo Georgina Stella Tempe Ptosha Anthony Lukas Alix Stasha Chloe Asante Aubyn Mykelti Alli Keara Tiernan Leda Hettie Dante Raffeal Dude Krisy Warren Rianne Char Norrice Freddie Noam Lu Jace Brigid Peyton Dede Ava LaQuet Daxton Meetu Ito Nellie Leeds Powers DeMario Nanine Rhiannon Whoopi Cleavant Synthia Shad Patti Stormi Aristotle Elinore Rodney Rayanne Elly Ean Emma-Jayne Jade Beatie Googy Geno Nicholas Rahmein Yaniv Libi Layan Metushaleme Chaya Chrysten Gabi Milena Kory Earle Felipe Choppy Dathan Cooper Elisabeth Karron Roger Alfre Shoba Monroe Maechi Gab Jalynn Frankie Carmit Shiva Lamby Barbara Jalee- sa Edgard Gilbert Drucie Sayra Maribeth Kia Vivien Justina Miss Aymee Philomena Ricarda Stina Alvon Tichina Apollo Aja Daisy Quentin Alexandria Kiebpoli Macintyre Bronwen Angus Moriah Jeanna Gamalia Scarlett Brice Kieran Shain Sarayu Adante Rovin Angelo Purdie Iris Ida Cheryse Caren Genie Mary Stuart Lenora Oakley Gabriele Yul Joy Bebe Cotter Neela Jemma Sonora Cassey Denis Jordan Zackary Franc Holley Nickella Asha Angeline Moni Dallas Norman VeroniqueAddress Paolo Bertila Services Baz Kestutis Requested Jenn R.A. 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Bill Makeda Chandon Toneey Robertson Brenda Shelby KC Bard Rohan Flori Nela Trey Portia Carlie Jye Roddy Alie Sol Adele Hector Damion Nesha Raviv Sheryl KT Zuanna Nkrumah Kincaid Keona Johmaalya Prince Inga Tamiyka Sirena Yesenia Lissette Cole Kelsey Dayci Julianna Milda Nastasia Shari Channing Khalifa Nesbitt Kasey Healy Sydney Chaunice Igor George Nadya Nicky Amiee Nique Chris-Ian Blair Kristy Esther Borden M'Lisa Leenya Lissa Rebecka Barry Ranjit Laurence Aysan Skye Perry Vickie Benton Ayisha Talie Belinda Wi-Moto Darren Griffyn Lia C L Deep Therisa Magnus Claywood Esco Jabari Lowry Chamblee Paten Mariette N'Jameh Arabella Alberta Setsuko Ethan Marten De'Lon Preston Summerisa Dottye Lai-Si Ramone F. William Noreen Margaret-Ellen Lucille Sundra Shirine Rozlyn Teagan Sanjit Venessa Jelena KJ Minna Simone Gustave Rosaleen Camille Carla Alessia Shaw Roslyne Ryohei JJ Yasmine Athena Lina Kerby Mona Thuli Randie Constantine Ileane Normand Spruce Manya Ching Maxim Sharika Harvey Shirley Rajeev Twyla Jordana Roxana R J Arlene Drea Donn Hortensia Juliana Adriel Herbie Maree Sunny Valarie Cornelius Malin Valentina Tulis Sylva Halcyone Paul-Douglas Merissa Carla-Marie Darel Emme Wyatt Alxander Sutton Salli Heidi Layon Katrinka Stanton Cybill Roy Garett Bahni Bryce Kiirstin Janine Glady Angelynn Sue-Ann Richardson Niffer Alexandra Royana Jodie Wolf General Ethelyn Brendon Erica Dieterich Reitumetse-Rita Rachna Nora Kalen Sabine Armen Joseph My-Ishia Janette Wynne Van Fionnula Meghan Mallauri Baleigh Carsey Mia Barbra Allegra Sindisiwe Iriemimen Suann Forrest Dunsten Tertia Franchelle Jaye Amelia Shannondoah Mearle J.A. Marnie Kahlil Celina Eyal B.J. Zonya Bradlee Ronn Lejla Nafeesa Drake Corwin Kinsland Vaishnavi Lorinda Gordana Tesiana Keone Lizan Jacquiline Anto Shavonna Augie Cam Evan Kami Sir Todd Nomsa Libbie Wendie Connie Kambi Case Monika Marlow Adam Laureen Mamoudou K.A. Justin Carver Rychard KenYatta Nicolas Michael LaTrea Gussie Angela Seton Jarrett York Marilynn Mikayla Jed Roxane Emil Dule Jayme Kiersten Liisa Karel Chelcie Shammen Bea Keala Vaneik MiRi Ren Quanda Ursula Moeisha Sorsha Debby Lordan Rudy Lisette Jamal Richert Keliher Niani Tamar Uma Sofia Khetanya Dahlia Nanette Sylver Luca Woof Sondra Hardy Bruce Colman Taprena Macleish Lenore Seelye Neelam Bunny Marisel Rena Alton C.J. Cheyenne Hy Daya Carie Anney Jos Russell Leah Brenna Josie Bobbi Tamlyn Machele Duyen Cameron Leif Kristiana Toya Gerritt Jonee Neimah Orestes Tariq Courteney Daveed Kamilah Chetana Nev Aiden Drakeford Benita Shinelle Savannah Samm Catesby Canedy Rock Marin Keven Fiddle Elena Nehal JD Jereme Jojo Soraya Faline Jiehae Jarett Henry Kate Lianne Jarion Krysten Denea Khnemu Tynan Deandre Irina Marie-Pierre Tamala Davron Remi Yuval Milcha Lamkin Gillien Inrikwe Ylva Joti Roone Earnest Zachary Bashore Liv Sarah-Jane Raife Dara Leone Lilia Benedick Ellie Cortez Carola Michail Carianne Jamaal Raul Landree Sunnia Kersti Vandit Pammie Kenny Abbey Joseph Gerard Fumi Janice Braden K. Alida Jeff Baron Kande Shabazz Adilah Von Norbert Katharyn Rohn Royce Camden Deonte Jaclyn Shizuko Domenique Alivia Hermine Michelle Novella Carole Maxwell Tye Curran D Atsuhisa Karnell Amber Jakie Branden Shivani Jamieson Christa Alvaro Allyce Ondina Sandi Isaiah Thadeus Terilyn Nathalie Ginny J.E. Jayne Jaxon Tracee Randye Jeremy Gameela Sheria Ashley-Rose Korey Tiffani Jonalyn Derdriu Kiefer Jeanmarie Thomasin Karlene Shigeko Kenni Reid Keegan Bonita Wilbur Roe Shauna Karenssa Sochi Rommy Renita Lizette Eunice Richie Enrico Earnestine Trish Marquise Milton J.W. Derek Khail Andi Celestine Lynelle Rise Claire J. Nicole Gaten Emelise Chera Keegan-Michael Roseann Karon Dolores Obba Cecil Konrad Linzi Cassidy Jamela B'Jai Klea Mercy Dayle Liz B. Lane Charles Dimiter Tauren Adia Dalton Sakina Isadore Ernesto Lon Shelean Ricco Fabiola Oriada Netanel Santina Jalene Dolly Booker JP Sheena Beverly Badge Kristine Saul Bobbie Noni Warner Sile Nilanjana Shawne Mary Jo Mercita Cadence Nile Kraig Breane Sonia Conwell Nathaly Melissa Delphine Marti Kane Alena Christopheren Brigitte Zdenko Sterling Khanh Ceasar Devyn Nitya Pauletta Kyla Stephie Carolanne Mary Lou Lennie Aspen Manoel Ruben Cordell Bethel Jinn Sun Missi Doug Richel Phran Gilles Phylis Katja LaVance Jered Pennie Helene Myla Kathia Mindy Soneka Damani Kirk LaTonia Jim Elmarie Nathan Ambre Nat Bettina Maura Sathya Melanye Postell Emerson R.J. Dann Maegan Candace Karin Rutina Jennifer Navarre Suzy Tait Maceo RayMartell Annemarie Tyley Liala Ashleigh Triney Linedy Opal Meagen Marlena Alayha Bertha Lauryn Huck Mirjana Jairus Anil Jenni P J Lenka Fahnlohnee Haley Sarajean Stefan CB Svetlana Whitton Lucas Francie Asmeret Rhea Brandie Tatianna Jared Mykal Rendon Vishal Joni Getchie Jett Bryan Junior Aislinn Tabb Wiley Hattie Chip Tammy Marni Turna Holland Betsy Nteliseng Shydel Jamey Jaimie Kailie Jeanai Jara Vayu Beto Anise Derick Jovial Tera-Lee Sheniqua Riddick Lilah India Lynne Rainard Rosalyn Ruby Deanna Kuros Rana Bern Len Saralynne Gha'il Tedra Mc Kenna Gabriela Betsi Courtnay Milicent Chanda Cayman Veanne Susyn Laurabeth Sallyanne Mariand Mateo Maire-Rose Raynor Rose Marie Darian Frimalee Reji Trinity Jennlee Raven Luba Jazmyn Carin Maximo Minami Pilin Jinny Ilene Chanon Lynette Lynsey Nika Amari Margret Scottish Shai Rudolph Dawnnie Carolan Henrique Ara Eevin Yusef RL Hanlon Melynee Hoshin Laralu Audra Oran Satu Sierra Karen Jose-Luis Marija Jeri Larry Mhari Cosima Jo Ann Wallace John-Patrick Burton Kinzy Elvira Bones Romney Raushanah Niki Electra Jeannette Dagmar Shorey Meredith Ryun Candler Diana Julee Graeme Janet Rufio Carson Sandahl Emerald Cecile West Laurena Aria R.T. Marisha Roman Ronni Gayla Alexa Clayton Harold Kirsti Dorie Kimber Nachesca Abe Vinessa Peg Kohl Amick Gregorio Effie Harris Eduardo Fumiko Matthias TaRon CJ Wilton Ilia Violet Ephie Virlana Domenick Ritchie Johanna Katheryn Ada-Marie Deidrea Amin Corie Yolibet Lars Cho Young Sharisa Misaki Terpsie Sorab J.P. Meleeke Lily-Lee Barth Victor Floryn Hadi Montego Ed. Bo Jennine Skeeter Sophia Asher Veralyn Kashanna Jacquie Gerardo Nell Bailey Cressa Abena Cedric Kerann Gaylea Philippe Larkin Joel Graig WM. 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Jacinto Sharahn Wendell Dierdre Chasten Margit Edgar Erica-Anne Jerad Gabra Sari Saum Nova Hudson Selah Kent Mardra Loretta Emilie Time Joshua Lenne Christy Glenna Andres Gustavo Elinor Denzel Anne-Marie Elisa MichaelJohn Shamicka Ronete Sidney Tobie Kario Reginald Brielle Willard Judith Damon Pepper Donis Sarrah Afi Daniella Caroline Joanna Tom Feiga Colyn Natale Colton Carleigh Nicolette Marcia Cris Maha Yetta Rhonnie Tener Latrisa Trista Marthe Vickielee Tera Shamika Ernestine Anjelica Mihaela Shavey Izzy Ralph Franklin Loukas Alyse Holly Frenie Titus Dashiell Ahren Richmond Pedram Jacey Kittra Cass Raif Bess Mariam Krystel Tommar Debora Joanie Lee Doan Natalia Bravita Brae Raegan Eryn Dolan Casandera Freda Lavinia Mardi Ajay Rengin Rosanna Luisa Luther Thami Beatrice Niccole Napoleon Lamont Barbera Pheonix Lawren Therese Ben Major Laith Armand Sian Sekiya Alycia Fatima Cycerli Beada Teddi Geena Geoffery Cathie Jeorge Adobuere Sergio Anish Alon Me'Lisa La-Rose Edmund Jahana Eadie Chen Gedde Merilee Madelon Fredrc Deidre Steffen Elaina ManolyYOUR Dohn Theodora Nadhege January Verna Lin-Manuel Rozz Jimmi Aleah Delali Corbitt Damian Leatha Ledlie Fredena Rudd Annamarie Mykel Luann Mierka Graciany D.T. 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Tarina Fannie Rizwan Natacha Mitzie Terace Brendt Jill Pharah Bennet Sophie Nolan Imogen Loanne Denni Louise Marquetta Brinley Anna Maria Mavourneen Denise Sharlene Miche Satori Astrid Tate Velina Emma Ming-An Milissa Rainn Madison Su Hap Lara Fabi Joie Lorree Chas Leyla Caity Tpoche Lud- mila Isai Tarantino Kres Harsh Ilysia Velda Willy Lynn Isiah Gavyn Edelen Louella Gracyn Jewl Anwar Chevy Graydon Ruibo Gay Alejandra Maria Silas Alina Edwardyne Shanon Kathryne Maxon Freia Maren Brittney Saundra E. Najah Yolanda SethJohn Randi NV Merrie Pattie Alfred Sandia Ned Shaie Bettyann Kushtrim CG Tro Maurya Becki Avan Delphi Gina Branch Alissa Marcellis Mim Sevasty Justyn Stas Sheyenne Kehinde Rozi Rosita Keiana Abdur-Rahim Martin T'Keyah Gerit Belle Anson Fergus Angelina Vernee Glynn Shohreh Rodni Timothee Teressa Cornelia Swoosie Wysandria Sherry Vusi Alisa Rosharra Kimmy Pearce Tedd Atim Lovlee Tashiana Lonnie Martie Daver Coralie ZZ LinDel Carol Kermit Honor Marjorie Avrom Renaldy A.P. 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Elaine Leonid Ame Marvette Moira Gerri-Ann Cathleen Zack Tiffan Channie Mack Ashley Yaakov Shaylan Tiiu Abra Tristan Helen Forest Karley Jamard Tabitha Jermel Kei Rasheeda Gioia Shavanna Troy Merredith Mishaela Erikamari Maitzi Tim Tryphena Anderson Judianny Meridith Damali Audre Thad Jindra Kiplee Nellesa Kurt Silinea Jayde Christianne Krysta Susy Sharon Sameerah Sammie Krystelle Penny Ann-Ngaire Spiro Nadja Ford Josip Shawn Brad Teagle Rajesh Tzahi Michael-Demby Osi Cuba Halle Austyn Dared Alfonso Patty Razor Antony Divina Brandi Tess Malachy Imelda Taneisha Earl Liana Khan Bjarne Marj Georgiana Carrie Trudy Edward J.K. Pamala Genevieve Marleah Scott Montgomery Amra-Faye Sebastian Waldemar Winslow Brigitt Salem Owen Yael Kryztov Jaselyn Gretchen Arthur Kimi Oren Patte Hannah Mathis Fanchon Caitie Suzan Annapurna Emmy Rocky Karla Addison Claude Terri Ann Rory Kiira Tanairi Morocco Ananda Maurizio Gerti Carrie-Ann Alia Zal Sammy Elaine Mandela Claudine Alejandro Robby Sabian Zishan Fern Manon Shakira Tazewell W.J. Kourtni Wheaton Varin Nicoletta Carlita Alysia Lora Jodi Odalys A.T. Cairo Jenson Owiso Kenya Oberon Kelsie Chet Morgan Sainty Larimore Sanjiv Cherita JoHannah Donata E.B. Coty Christiana Stepfanie Christofer Cortnie Darlene Kayre Emjoy Golda Wells Tami Anthoula Larisa Vera Danna Bridget BJ Zeke Brockman Tommie Kalli Aurelia Charnette Britta I. Manny Taso Mahmoud Ryder Sekou Bostin Blane Hazel Leslee Chairman Roses Wenzel T Sahara Lionel Cailin Amaree DB Patrick P Fay Ugo Polly Solomon Richard MaryJo Markeisha MiG Antwaun T.J. Shawneen Sioux Eric Freddi Annie April Jonathan-Barlow Mamie Jeanfranco Joris Alyssa Evander Jeffery Lolly Aidan Ildi Hani Chrystyna Lisa Ann Brandt Geeta Monette Michael-Anthony Sue Ewan Aalan Roscoe Barrie Kylend Amaris Donan Alene Mietta Ferrell Lucien Benai Vinette William Meliki Asta Kyler Gae Zach Tramaine Kathi Jacqui Klarissa Peter Zee Count Raine Deb Heath June Kirby Sarajane Sundia Bennyroyce Lena Analise Feodor Behzad Jen Ronan Lora Lee Dain Geneva Zan Dimitri Vikki Terri-Marie Aleka Kathrin Ric Eileen Waymon J. Austin Syndee Mardee J. Michael Tam Arienne Izzie Lana Loni Aleisha Maggi-Meg Lowe Tshidi Demosthenes Crashonda Mario Lue Donavin Sophina Mindee Montel Barzin McCaleb Moya Chrissi Brion Dirk Wilson Arbender Vincent Karmen Demi Adolpho T. Juliane Ephraim Thann Stephawn Bernadette Wabei Brough Melis Melisa Enzo Baby Jamibeth Cordis Tyshawna Garret Rosalie Natti Etai Carol-Marie Blaine Cheech Fanni Indika Jeffry Rema Velma Kenn Kama Clifton Bina Melina Andree Martica Deric Keelin Motique Zell Kacee Arjun Galway Garris Misty McCoy Kalafatic Kaili Teri Sally-Jane Irvin Marialena Kellee Cajai Nana Merideth Genesis Kanoa Sharva Page Callan Scotty Athol Cyrille Mathias Hobson Field Kaela Kam Kas Trecia Shaylin Oge Zofia Chesney Keir Brittany Dagmara Alet Lyndsy Ruthann Phoebe Vangeli Shernita Cora G Judge Jon-Alex Fraser Clay Bekah Rick Kalyn Stephen Phyl Joyee Randee Vlad Tawni Reeve Sunita Chaitania Rebecca Gilmer Granville Paula Viola Jarred Dwayne Daisuke Daryl Hsin-Ping Paull Madeline Thesa Lindiwe Tamra Aliza Geany Paulo Orville Diahann J C Lauriel Marilu Della Clifford Rodrick Abdoulaye Puy Kareema Yuka Aubin Nako Isabel Minglie Grey D. Michael Ian Sumayah Shelle Le Jarel Mare Miki Apryl Will Mousa Ralynne Idara Silvia Christo Kendal Carra Arianna Arliss T.D. Coree Sheilagh Morag Gian-Murray Leigh'Ann Vito Edie Ashlea Chelsey Sumayya E.J. Lorca Be Sharlet Matteo Ronalda Natane Shelley Angel Jonah Siobhan Samia Kimbre Salvatore Kaylee Dellalyn Rajika Nameer Tyrell Vic Kortney Pei Pei Mary-Justyne Darrian Adair Rosina Valda Bonne Christi-Anne Marishka Esme Geoffrey Rima Daniil Madonna Valora Talya Susana Aurora Giacinta Eisa Curtis Reza Lulu Chil Sriram Tay Spence Lilyana Mattie Eliezer Debra Ntare Mo Meighan Karri Nastasha Britt Vernel Sayjal Sherrill Etain Ajene Walt Marwa Ritt Zilah Hayes Remo Raena Ro Chester-Castillo Jocelyn Ginger Nansi Mark Zoaunne Gladys Paco Jerry Drae Clarence Bhavesh Liliana Brighid Demetria Dabney Cleon Anslem Jeanie Clete Rona Prema Bhama Donegal Grayson Alysha Wanda Khalil Siri Nirayl Sharonlee Mduduzi Tarry Almarie Adrien Tree Aisling Nich Nik Katlan Vicky Ho-Kwan Aiko Amro Bethany Stanley Geoff Kierstyn Hassan Franz Ezra Dora Liesl Kevin-Michael Cathy Tovi Caley Nico Connor Gendell Herb Franny Germain Colby Erika Erryn Crissy Pernell Estevan Raleigh Kaliswa Susan Dereck Lauri Bernie Burke Rafi Judson Stephon Shamikah Madi Kenway Michelangelo Kimee Kevaughn R Carlotta Donovan Colene Jarrod Onalea Willem Hailey Genia Conni Belita Karyn Ismael Lino Margaret Natsuko Pete Tucker Vernice Kristin Dawn Bev Risa Boise Che Jurian Devon Pippa Riley Ayla Delores Okieriete Delta Rondi Dreya Viktoria Morena Doc Chiquita Franc-Anton Elle Maggie Jean-Marc Maximilien Caryn Beckett DeWanda Nikkole Rider Juney Rhys Dashi' Lynnette Annika Lilly Talitha Dorothy Linette Perri Bridgette Shara Nyambi Tanesha Doran Parker Gergana Arie Miodrag Kenned Elsa Lea Auston Zakiya Marlyn Kathylee Brook Romi Lucile Robin Malcolm-Ali Matty Zola Mc Elowyn Anita Talicia Nyk K.K. Kati Sugaray Shaundra Anibal Segun Cliff Edwina Bi Carolyne Sai Hannah-Jean Gabor G.R. Eiji Kanova Roetta Jai Beryl Georgine Ani Desi Brandon Kiera Merrill Kelby Danita Jamila Shami Minda Jolly Ayumi Marqui Jelani Alban Glenn Sayiga Dyneil Jon-Eric Leonora Bobak Charin Cade Ayeje Talisa Yves Eugene Chryssa Akiko Franca Mandie Yahya Anne-Lynn Jeanne Anna-Lee Dustyn Valente Maxinne Laraine Thierry Veanna Mathenee Neville Idina Raynelle Ronee Vetza Licia Reverie Demene Julius Artie Katey Munson Kamala Stoney Cleo Laiona Zane Kristal Annmarie Mae Buff Madelyn Ereni Stefanee Barlow Cisse Hilary Naimah Desiree Alaine Ismenia Dianna Gibson Annalisa Lexi LaTanya Lowrey Ramsey Conleth Mariclare Tade Yoko Olie Illana Farai Janina Karilyn Genette Jerold Khemali Clarinda Ming LaVonda Jeannie Richarda Rosemary Tai-Kristin Tregoney Lela Aaron Shaun AyannaEquity Usman Rom Teresa Douglass Krishen Gonzalo Ellora Cezar Reiko Terence McKenzie Clive Omar Laurrinda Anasa Colleen Lanise VP Murphy Denee Steeve Carlye Virenia Valeka Rickie Ilyse Dev Inda Lizzy Benny Jadi Henson Isabelle HOW TO VOTE Actors’ Equity Association’s 2016 Paperless Balloting: If you registered for E-Vot- Election is about to get underway. ing prior to Friday, March 18, 2016, at approximate- On Monday, April 11, 2016, ballots ly 11:59 p.m. EST on April 11, 2016, you will receive will be distributed by Global Elec- an email from Global Election Services with instruc- tion Services to all paid-up members. tions for voting online. Make sure that this message doesn’t get caught in your email provider’s spam filter. The email will come from actorsequityhelp@ electionservicescorp.com. You will not receive a There are three ways to vote: paper ballot. 2016 Paper Ballot: Paper ballots will be mailed out on April 11, 2016. Fill out Online Voting: Even if you did not pre-register for National your paper ballot and return it per E-Voting, you can still vote online. When you re- the instructions provided. If you vote ceive your paper ballot, go to https://www.esc-vote. by mail, you must tear off the top com/ae2016 and find the link for online voting. En- portion of the ballot. Your ballot will ter your personal internet login number (from your E be void if you do not tear off the top paper ballot) and your member ID number (printed portion of the ballot. on the front of your membership card) and follow online voting instructions. L Note: All ballots must be received by 5 p.m. EST on Wednesday, May 18, 2016. E CALENDAR

Friday, April 8, 2016 Annual National Membership Meeting C (all regions via video conference) Candidate Speeches

Monday, April 11, 2016 T Distribution of Ballots (from balloting company) Tuesday, May, 10, 2016 Deadline to request replacement paper ballot from balloting company I Wednesday, May 18, 2016 Deadline for Receipt of Ballots to the balloting company

Thursday, May 19, 2016 O Tabulation Day Thursday, June 2, 2016 N Deadline to submit any election protests

Candidate *Make sure to check members.actorsequity.org for any updates. Statements the Monitor Sub-Committee, I helped establish standards Eastern Region and procedures for EPA’s and I’ve worked to guarantee Local Principal Four-Year Term Auditions. When Monitors were engaged as Staff, I was one (Vote for no more than six) of two people asked to create their training program. I am currently part of the small working group helping to guide the new online sign-up program. I have also served on several WALLY DUNN (Residence: New York, NY) negotiating teams, to improve salaries and working conditions Contracts worked: Production, LORT, for our Actors. I care deeply about enhancing the benefits and NEAT, ANTC, LOA, SPT, Casino, Pro- opportunities for my fellow members, whether or not they’re duction Tier, Special Agreement, COST, presently working and wherever they’re working. So, it disturbs CORST, LOA-NYC me when I see signs of exclusion in Council, in the service of factionalism and/or streamlining our governmental structure. A Open, direct, unambiguous commu- union’s strength is its collective respect and care for the entire mem- nication is a necessity. I firmly believe bership. I pledge to keep the voice of the Membership rank and we, the membership, are Equity's best file strong and present on your Council. I ask for your support resource. in continuing to do so! We are smart, highly motivated people who bring vitality, passion and experience to bear on our problems. When we are invited to participate in the the debates that directly affect SCOTT MCGOWAN our livelihood and artistry we are at our strongest. (Residence: Maplewood, NJ) Contracts worked: LORT, COST, I believe Equity's mission is to negotiate, administer and CORST, Dinner Theatre, Guest Artist, enforce contracts that compensate us justly, recognize our Cabaret, TYA, SPT, LOA, Special Appear- artistic contributions to developing works, provide a safe work ance environment and ensure our pension/401k and health plans are sufficiently funded. I became a member of AEA over 25 Also part of the mission, AEA must foster and promote years ago, and have been a councilor for live theatre by helping young theatres to grow, organize new numerous years. Over the years, the employers to provide more jobs, educate and develop our au- climate has changed in our theatre world, as well as in my own diences so they understand what Equity stands for, provide ca- life. Keeping pace with technology and using social media to reer development opportunities to its members and endorse remain relevant and accessible is key to our future. As a father non-political legislation that promotes diversity, tax fairness, and home-owner, I have grown even more aware of the need non-discrimination, workplace safety and social equality. for such basics as fair wages, health insurance and pension -- I ask for your vote because I have the proven experience things people in other professions take for granted. to get things done in Council and I am a dogged advocate I have been the chair of the TYA committee, and vice chair for all members - your vote for me will send to Council an of the Developing Theatres, Cabaret, Guest Artist and Mem- engaged, working, experienced advocate who will listen to you, bership Education committees. I care deeply about finding speak for you in Council, act on your behalf and be account- ways to support smaller theatres in building relationships with able to you. To that end, I support and pledge to join those AEA, which is vital to our efforts to find jobs for our members Councillors who publish their voting record and rationale on not living in the three major office cities. As an active member Member resolutions. wally4aea.com of the New Jersey theatre scene, I’m familiar with issues that arise in smaller regions and with developing theatres across the country. Membership Education is designed to help young- BOB KNAPP er members learn about our union, grow in our craft and get (Residence: New York, NY) Contracts worked: Guest Artist, Special connected to valuable resources. My belief in the importance Appearance, Mini, Dinner Theatre, LOA, of these areas is what first prompted me to join council. I will SPT, TYA, NYMF, Showcase continue to advance these agendas so that all members can feel confident and proud of the union that represents us. I’m very proud to have worked for Please allow me to fight for what I believe is best for our almost twenty years on AEA’s Council. future. It has allowed me the honor of achieving Don’t forget the Shoe Fund. several tangible improvements for the our membership. I was instrumental in establishing EPA’s for all LORT Theatres, including show-specific auditions for “LORT on Broadway” theatres. I spearheaded the creation of the Agent Access Auditions. As a Vice-Chair of the Developing Theatre Committee I nurtured many SPT and LOA Theatres, and con- tributed to the creation of the NEAT contract. As Vice Chair of the Auditions Committee and Chair of BRIAN MYERS COOPER mittees more accessible; I proposed that new members be (Residence: New York, NY) provided with a handbook and will be assisting in its design for Contracts worked: Production, LORT, the committees. Off-Broadway, LOA-COST, Guest Artist, I hope to increase transparency, making information Special Appearance, Dinner Theatre, Mini. Codes: Showcase (seasonal and NYMTF), more available, to improve communication between staff and 29-hour Reading members. Questions should be welcomed, growth experiences celebrated, and activity—be it auditioning or attending a So, this is what’s been troubling me… meeting—applauded! Together, we can maintain consistency The working-class theatre actor is nearly for audition protocol and procedures and improve overall extinct. Every year our wages buy less, while institutions across member experience. the country build multi-million dollar buildings to showcase I’m proud to be a member and want to see us advance and elaborate productions, and pay the actors on their stages less grow. As someone on the audition lines with you, I’d like to than a good babysitter. Theatre as we know it doesn’t exist attend meetings on your behalf—representing your voice, your without us, and yet we aren’t paid accordingly. opinions, your needs. In my twelve years on Council, I’ve seen this over and over. I’ve led negotiations with not-for-profit theatres and heard their cries of poverty and how they don’t know if they’ll be JEFF APPLEGATE able to keep their doors open. A few short years later, as I (Residence: Cranbury, NJ) Contracts worked: SETA, LORT, URTA, walk through their sparkling new lobbies, I realized that when COST, SPT, Business Theatre they really want something, the money gets found. The problem is, Actors aren’t the thing they’re willing to find that money I believe a good Councillor needs to for. sympathize, synthesize, problem-solve… The business model of actors subsidizing institutions with and understand the process (and art!) of well-established audience and philanthropic bases is unsus- getting things accomplished. Great ideas tainable. It is unacceptable for an actor to walk through a only become reality by making them so $40-million lobby to net less than they would on unemploy- in a complex system. ment. Institutions that reap the rewards of productions that I’ve lived the ‘mixed blessing’ that is the SET agreement, go on to mega-success need to put some of that money back and I continue working to improve it and find ways to further in the pockets of the artists who subsidized its development increase work-weeks without dragging other work down- with their credit cards while they barely lived on not-for-profit ward. I’ve lived unemployment spells, with daunting EPA lines salaries. and frustration with audition material being unavailable or Box office is not the driving economic force in the not-for- ridiculously excessive. And I share frustrations with Equity’s profit world–fundraising is. What happens if, instead of selling communication and technological shortfalls. donors on shiny new capital projects, theatres create Artist Most importantly I understand the process of carving a path Endowments and pay the artists a living wage? toward improvement, through a system that can seem arcane and unmanageable. I have a government degree from Cornell. MORGAN PAIGE FLUSS I currently serve on five Equity committees and observe two (Residence: New York, NY) others (plus the P&H Caucus). I’ve worked on contract negoti- Contracts worked: TYA, LORT, SPT ations and served as a grievance panelist. I know that achieving solutions requires breaking down the core of a goal—and Committees: Dev’T, Membership its obstacles—to their essence and then working within the Education, EPA, TYA process to surmount, remove, or redefine those obstacles until As a fourth-generation union mem- you get as close as humanly possible to that goal. ber and active committee member There are a lot of great candidates for Council this year. currently on the audition battlefield, I’ve There are a lot of great ideas, and no shortage of passion. But I been honored to work on proposal selections committees humbly submit that when choosing your votes, the skill and ex- and work through contract language with staff. I’ve been an perience to make those ideas and passion come together and advocate, developing and obtaining TYA contracts, during a actually happen is critical. I believe that’s what I have to offer to time when art education cuts are forcing AEA to lose work move our Union forward. weeks. As a voting committee member, I’ve gained confidence JeffApplegateAEA.weebly.com. to speak out over the years and want to see new members feel free to engage at meetings—there’s much to be gained by listening to each other. It should be easier for members to understand of the processes and functions of the organization; no one should feel uncomfortable about trying to learn and become more active. For example, joining a committee can be confusing, and challenging to navigate once approved. I’d like to make com- NICK WYMAN fit into a narrow view bound by bottom lines. (Residence: Yonkers, NY) Three: I’m Experienced. I’ve forged relationships with local, Contracts worked: Production (Broad- state and national elected officials. I’ll advocate for Members, way, National Tour, Bus and Truck), for health insurance, for sensible tax laws, to build opportuni- Special Production, LORT, COST, WCLO, Off-Broadway, ANTC, Cabaret, Busi- ties for theatre all across the country. Together we can fulfill ness Theatre, Special Agreement, LOA, the mandate of our Constitution: “…to advance, promote, Workshop, Mini, Showcase Code, Staged foster and benefit all those connected with the art of the Reading (Two-Week & 29-Hour) theatre.” Let’s move forward together, towards a more inclusive I have spent most of the past year working on plays in Association, a more representative Union, a more informed LORT theaters away from my home. Each time I have made Membership, seeking real Equity for ALL. I ask for your sup- a point to speak to the leadership and board members not port: Vote for Peter Davies for Eastern Principal Councillor. only of the theater where I am working but also of the other https://www.facebook.com/Peter-Davies-for-AEA-Eastern-Prin- local SPT and LORT theaters, to advocate for Live Theatre and cipal-Councillor-688051658003734 particularly for improving the opportunities and conditions for Equity actors and stage managers. JOE ZALOOM Wherever I live or work, I have always been a voice for the (Residence: New York, NY) under-represented actors --those actors who choose not to Contracts worked: Production, LORT, live in New York and who struggle to find even modest-paying Off-Broadway, Stock, SPT, Dinner Theatre work in SPT and other theaters. I have had the privilege and honor of representing the A proud and active Equity Member members of Actors' Equity for most of my adult life: 20 years since 1968. I’ve worked in our National as a Councilor and 5 years as President. I have learned a lot regions as Actor, ASM, and Deputy. A -- from working in both plays and musicals under most of our Committed Advocate on behalf of our contracts all across our country, from visiting every single one Members, I have been a VITA Volunteer of our liaison cities and listening to members there, from the for 16 years. wisdom and knowledge of both elected representatives and COMMITTEES: LORT (Chair of most recent negotiations), paid staff, from meeting with union leaders who represent ERB, Developing Theatres, EEOC, Membership Education, actors in other countries and union leaders who represent Young Performers and International Actors. other workers in our country, and from my own actions, both As Councillor and Advocate for Member Inclusion, Com- the triumphs and the missteps. munication, Leadership Transparency and a working Partner- I want to put that experience and that intellectual capital ship with Leaders and Employers, I promise that You Will be to work for you, to increase both the quantity and quality of Heard, You Will be Listened To and You Will be Answered, Equity work opportunities. I ask for your vote. establishing Trust between Membership and Leadership. “The power to fix lies with you”. With Trust, Respect and Understanding, a Unified National Membership can find equi- PETER DAVIES table solutions to all issues dividing us. It’s time to begin the (Residence: New York, NY) Contracts worked: Production, Conversation. Off-Broadway, LORT, URTA, SPT, Show- I will propose National Town Halls to provide an opportu- case Code, LA 99-Seat Theatre Plan nity for Member Issues to get a Full Hearing. I will continue to work and fight for: Proud Equity Member for nearly 40 - A Leadership more responsive to Members. years. I ask for your support in my run - AEA’s search for alternative Member Health Care. for Eastern Principal Councillor, so I - Advance Stronger Contracts with Pension and Health. can represent you, the Members of our - Improving Work and Safety Conditions. Association. We have a broad slate of talented and committed - Reclaiming and Expanding the Equity Tour Market. candidates, so why me? - Technological Access to Auditions, Member Education, One: I’m Effective. Over the past year I’ve observed our Governance and Communication. Council at nearly every Eastern meeting. I’ve worked suc- I take the duties and responsibilities of Council very se- cessfully to bring about a meeting between Members and riously and was honored to have served. I hope that you will our Health Trustees. More needs to be done to assure open consider my candidacy. Stand Up! Speak Up! VOTE! #10Kfo- modern communication within Equity. Barriers need to be rAEA lifted, so we all can talk, strategize and work together to make [email protected] FB Joe Zaloom for Equity Council a stronger Union. Two: I’m Committed. I’m fearless and won’t hesitate to challenge those who represent, employ and serve Members. I’ll be a voice for our diverse Membership nationwide, especially the underserved: Members with disabilities, Members outside of New York, Pro99, Members with creative visions that don’t TIMOTHY OLIVER REID PERNELL WALKER (Residence: Brooklyn, NY) (Residence: Bronx,NY) Contracts worked: LOA,Showcase I have been a proud member of Other union affiliation: SAG-AFTRA Actor’s Equity Association since 1996…. when i was but a wee child actor. Over I am a Bronx born actress who my years as AEA member, i’ve been joined equity in 2011. I worked under fortunate to work on many contracts LOA contracts with Classical Theater of and have also served as Deputy on many Harlem and Hip-Hop Theater Festival in occasions. Like many other members, I’ve often given my two the Off-Broadway production of SEED. I have also worked un- cents about any and every issue that has aggravated and bene- der the showcase contract with award winning Fire This Time fited me, thanks to the work of our leaders. Festival. I produced a reading series Hear It Out! in which I At some point, those who show leadership qualities have to worked closely with Equity's Theater Authority to secure per- step up to the plate and do their part. I am offering up myself mission to use equity actors for this reading series. I am grate- for candidacy as Principal Councillor. ful to be apart of a union that is continually standing up for its My aim is not to waltz in and “shake things up” but to be a members. I want to be an advocate who voices and addresses new voice to work alongside those council members who have the concerns of union members. New York is an amazing place given of their time and experience over the years. My experi- of opportunity for Theater Artists and performers. For an ences will be different than some. Artist continually in pursuit of their dreams, making a living in More Transparency and communication… Making informa- New York can be very difficult financially. The cost of living in tion as easy as possible for all members to access. Whether New York continues to rise significantly. Our members deserve regarding contract negotiations, questions about contracts stronger salaries, conditions and terms.I am committed to currently working under or issues with auditioning work hard as Councillor to be present in meetings, listen and Diversity Every sector of entertainment seems to have learn as much as possible to ensure that our members have a their own version of a diversity task force but few are working stronger, effective union behind them. With your support, I can together. I’d love to see changes including a diversity task force be that new voice to advocate for you. with members of AEA, SAG-Aftra, CSA, SDC and Producers taking a clear look at where we are and what we can do to BENJAMIN MAPP make our stages and other venues look like the world we see (Residence: New York, NY) daily. Contracts worked: LORT, Cabaret, Service Simply put, i’d like to be of service to my union and COST, MSUA, LOA, Midsize my As members of Actors Equity we all want to make a living and to be com- JEFF BLUMENKRANTZ (Residence: New York, NY) pensated fairly. The specific issues that Contracts worked: Production, have ignited my desire to run for Equity Off-Broadway, LORT, Workshop, Business Council are: Touring Contracts, Work- Theatre, Stock, Dinner Theatre, URTA, shops vs Labs and Health Insurance. I find myself in constant Cabaret, Special Agreement debate over these issues with my Equity peers. I can no longer sit on the sidelines and am eager to fight for our members. I This year marks my 30th anniversary want to get directly involved so we can strengthen our union. as an AEA member, and as I prepare to I have been a member of Actors’ Equity for eight years and I open in my sixth Broadway show (Bright am very passionate about the work that we do. It is a thrilling Star), I’m more present than ever to my love for what we do time to be in the theatre. I would love to bring my voice to and my desire to protect and support the health and vibrancy the table so we can progress as a union and live and flourish as of the American theatre and its practitioners. working actors. I’m heartened by the recent appearance of the Actors’ Equity Discussion group on Facebook – harnessing the power JAY PARANADA of the internet to make communication between members and (Residence: New York, NY) leadership easier and more effective. Contracts worked: Special Appearance, Each year brings new and pressing issues for our member- Showcase, NYMF Reading, 29-hour ship: contract negotiations, health/pension, work safety, open Staged Reading, TYA, Theatre Authority call conditions, digitalization, competition from sister unions, non-union productions, etc. I’d be lying if I said I championed I am an advocate of diversity. any one issue over another. Please know that they’re all equally Being a minority, I believe that I offer important to me, they’re all worth going to the mat for, and a unique perspective on the challenges that’s what I’d like to do, that’s why I’m running. many of our members face in this busi- It would be an honor to represent you. ness. For the past 10 years, I have experienced what it feels like to be one of the only people of color standing on line at an (Continued on next page) EPA, as many *may* have chosen to only attend auditions that MARY GUTZI specifically call for their ethnicity. With all this media attention (Residence: Rego Park, NY) on diversity, it's time to talk further about these challenges and Contracts worked: Production, how to bring our union deeper into the fold. Off-Broadway, LORT, LOA, Guest Artist, COST One inherent challenge of enacting an all-inclusive diversity model is that members need to feel that they are being rep- I'm a proud Union member and resented on all levels of leadership, especially in Equity gover- have been for close to 40 years. Having nance. If elected to council, I hope to act as a conduit for our worked under a variety of contracts and members to express issues related to diversity and inclusion being bi-coastal (working and living in that they may experience. NY and LA), I can offer a unique perspective to Council repre- I am keenly aware that change doesn’t happen without senting membership across the country. the help of a village, and I hope to reimagine programming Communication is the key. We can only serve the needs and conversation that will ensure that our voices are heard. of our membership if we understand them. We must keep in My goal is to collectively find ways in which we, as a union, mind the changing times , the changing economy but stay the can encourage more diversity in casting, especially for women course, protecting the rights of our membership, quality and and ethnic minorities. Ultimately, if we are united in spirit and safe working conditions and competitive salary that meets the action, we will in turn cultivate an environment in which our cost of living. Plus maintaining health and pension contributions members feel enfranchised to speak their truths about how to and allowing our membership to work proudly, make a living make the union work better. I’d love to represent you - let’s and perhaps raise a family. talk! I want to see us get the "road "back- not the multi level #JAYforAEA facebook.com/JAYforAEA tinyurl.com/JAYfo- contracts but the Production contract that has long allowed rAEA us to be compensated for being out of town. We must stay strong- we must respect our needs as much as we do the FRANCIS JUE producers by negotiating compromise with mutual respect, (Residence: New York, NY) Contracts worked: Production, Pro- improving the dialogue between the Union and the producers- duction Tour, LORT, Off-Broadway, LOA, not just at contract times. SPT, MSUA, COST, Guest Artist, ANTC, We all deserve to work. There is a responsibility to being a WCLO, Dinner Theatre, Business The- Union member. Get involved! WE are the Union! Know your atre, TYA rights and also your responsibility. We must strive for solidarity and support each other and our common goals. Committees served: Production, I will be strong. I will listen. I will stay the course. Thank you LORT, Agency, New Media and Technolo- for your vote. gy, Organizing, Public Policy, Health, Member Education, Execu- tive, Advisory Committee on Chorus Affairs, Equity Caucus of the Equity-League Pension, Health and 401(k) Funds. Buzz Roddy (Residence: Bronx, NY) As your Councilor, I have focused on finding practical solu- Contracts worked: Off-Broadway, LORT, tions, always keeping in mind the real impact of decisions on COST, CORST, URTA, SPT, Guest Artist, membership and our union in the long term. Dinner Theatre, Special Appearance, TYA I believe that all sectors of our industry deserve dignity. I have happily served on several negotiating teams and many As an AEA member for over 3 de- committees, to advance salary and benefit improvements, safer cades I can tell you - this ain’t my first work conditions, and inclusion. rodeo. Always an advocate for the rank Building consensus requires advocating for Equity values. I and file member I continue to serve would like to continue to improve communications, promote on several committees – the engine of our union. I helped union identification, and increase Equity’s capacity for services establish the media payments in our contracts that are now and organizing. the industry standard. Member education is vitally important I love being an Actor. I love being a member of Actors’ Eq- for union strength: Perhaps you’ve been to one of my unem- uity and standing strong for our rights as artists and workers. I ployment insurance or website building seminars or maybe I am proud to represent a wide range of experience, as a New met you at a New Member Reception. I’ve been a Councillor. Yorker raised in San Francisco, who has worked all over the (2008-2013) During and since my term, I’ve shown up and country on many different kinds of contracts. I ask for your done the work. I know contracts. I’ve negotiated them with vote. EquityWorks. EquityVotes. producers. I usually volunteer as the deputy. Buzz knows unions. I’ve been delegate to the NYC Central Labor Council and the NYS AFL-CIO convention and lobbied on AEA’s behalf at the State and Federal levels. Members get JOBS from EPA/ ECCs. I’m working ever to improve that system. Many of the greatest actors and Stage Managers live and work nowhere near NYC, CHI or LA. Their input and experience are crucial to our being a truly national union. Diversity is a strategy - members. I’ve worked across this nation. Every region needs not just a feel-good notion. I serve at SAG-AFTRA too, and work opportunities and better communication so that we can for years have been helping to bridge that gap. I’m grateful to take advantage of all possibilities. make my living in this profession. Questions? Comments? buzz- We each have a voice. If we understand the contracts we [email protected] & www.buzzforcouncil.com work, we can help strengthen these contracts for the future. This starts at show level, through committee and Council in- MARK RICHARD TAYLOR volvement, and contract negotiations. Let’s keep our contracts (Residence: Orlando, FL) strong and maintain rights for our members on Showcase and Festival codes. BAGS OF CRAP! Now that I have I Love our Union. My motto: Educate and Motivate! Let’s not your attention- I have been an active complain, let’s find solutions to our challenges! Please vote for Equity member since 1995, and I have me and I will continue to fight for all of us. Feel free to reach worked in theaters inside and outside of out to me via Facebook. New York. It is that distinction that I can bring to the table. I am someone who TODD BUONOPANE has worked under various Equity con- (Residence: New York, NY) tracts (including Walt Disney World) and it is this variety that Contracts worked: Production, SETA, helps me understand and appreciate the varying voices within LORT, Off-Broadway, Workshop, WCLO, our membership. We always mention and strive for diversity COST, LOA, TYA, Reading, Showcase as a union, I believe it's just as important for us to strive for diversity of region. We must bring more voices outside of New Hey Theatre Nerds! I’m Todd. I’m York proper into The Council. It's time. I would be honored to always Deputy. I serve on many commit- be that voice. tees (Production, SETA, LORT & Devel- I have been Chair for The Central Florida Liaison Commit- oping Theater). And I would like to be tee for last several years, served on The Organizing Commit- your next Principal Councillor. tee, and the committee to restructure The Members Project A few of my ideas: Code and Fringe Code. I have also served on varying years • TAKE BACK THE WORKSHOP. Labs and Readings are being of negotiating committees for The Walt Disney World Con- abused. We, actors & SMs, are happy to help you create your tract. I Have always been a big proponent of the arts and The new show, but we should be compensated for it. performers that inhabit them. I would like to bring my diverse • STRENGTHEN SETA. SETA is up for renegotiation this year. experience to the many issues that present themselves before I have done my time on a SETA contract. This contract was an the membership. I believe in this Union , I believe in its mem- important step in regaining “the road”, BUT we need higher bers , and I believe in exercising my voice to help Actors Equity minimums, better housing options and greater compensation continue to grow. when tours go International • ONLINE AUDITION SIGN-UP. If I can use my phone to order dinner, schedule my Mark Fisher class and find a date, I NANCY SLUSSER (Residence: New York, NY) should be able to use it to sign up for an EPA. Contracts worked: Off-Broadway, LORT, • SAFE & SANITARY. Many NYC theaters are beautiful, his- LOA-Referenced to LORT, Dinner The- toric...and disgusting. We should not worry that our place of atre, Guest Artist, URTA, TYA, Mid-Size, business will make us sick. Menopause Special Agreement, Memo- • HIGHER QUOTAS. We need Higher Equity Ratios for our randum of Understanding, Staged Read- ing & Showcase including NYMF Festival theaters in the regions. (And for that matter, we need to do everything we can to make sure that our female members are I’ve been a proud AEA member for hired equally. ) 27 years. It’s been my privilege to serve our membership for • As Always: HIGHER MINIMUMS! We should not break the the past 10 years as a Principal Councillor. My Committees: back of any theater, but when an Artistic Director is allowed to Off-Broadway, Chair Off-Off Broadway, 1st VC Midsize, 3rd VC become a millionaire, we should be able to pay our bills! TYA, Membership Education, LORT, Media and New Technol- I would be honored to serve you! Please reach out to me ogy, Election Procedures, Parents, Young Performers, three at [email protected] or on twitter @ToddBuonopane Nominating & Joint Officers Committees and 14 contract negotiating teams (3rd VC Off-Broadway and 2nd VC SETA). I’ve been a VITA Volunteer in both Chicago and NYC, worked as a Principal, Chorus member, Understudy, Dance Captain and Deputy on numerous productions. I am a mom, a wife and an AEA Actress! I believe ALL of us should be able to live FULL lives while pursuing our art. I will continue to fight for strong contracts, help bridge communication between producers, AEA staff nationwide and our JAMES LUDWIG (Residence: New York, NY) Eastern Region Contracts worked: Production, LORT, Chorus Four-Year Term Off-Broadway, Casino, Guest Artist, Workshop, Business Theatre, ANTC (Vote for no more than two)

My Equity Sisters and Brothers: STAS KMIEC I want to continue the work I have (Residence: New York, NY) started on Council, work that we’re succeeding with: And I’m asking for your KIRSTEN WYATT support. (Residence: New York, NY) Contracts worked: Production (Broad- I have been leading a team that has concentrated on getting way & Tour), SETA, LORT, COST, MSUA, Members paid for their involvement in New Media: As Chair of SPT, Special Agreement, Workshop, the Media committee (and founder of New Technology) I have Off-Broadway helped put New Media rules in place across our contracts, and designed new models for full broadcast of stage produc- I’ve been an Equity member since tions, from LORT to PBS to full Cinecasts of Broadway shows 1997. In that time I’ve realized the - these are models that are getting Actors paid, money that responsibility to strengthen our union didn’t exist before on these contracts; while still fostering a lies solely on us – the members. I’ve proudly served as deputy landscape that allows new content to be produced. I have been on the many contracts I’ve worked, but it wasn’t until I had a creative, and because of that, we’ve been successful. bad run-in with a SETA contract that I decided it was time to Media is a small part of the larger picture that is strong get involved in a more proactive way. To date, I actively serve Unionism for our Membership. There is no doubt about it: on four committees: ACCA, Production, LORT, and SETA. Now We’re living in an anti-Union world, one more hostile to I feel the need to take my passion for our union to the front collective bargaining since perhaps the very beginning of the lines. I have worked as a principal, an ensemble member, un- Union movement; and every minute of every day, new tests derstudy, swing and standby and feel I’m in the unique position present themselves. I challenge myself to ‘think outside of the to tenaciously represent the chorus – the backbone of any box’ in response, and (and I know they can speak to this) I production. challenge my fellow Councilors to do the same. My goals for our Union: It has been my great honor to serve you - and there is so • Strengthening and enforcing our existing contracts. much more to do. Please, let me continue to challenge, both in • Continuing our fight to take back the road. the Council room and out in our Community. Let me continue • Getting online signups for EPAs and ECCs…because it’s to be your asset 2016. • Working to improve ratios in regional theaters – espe- CAMILLE SAVIOLA cially for the ensemble. (Residence: West NY, NJ) • Being on the forefront of our next big issue – devel- Contracts worked: Production, LORT, opment rights for our actors when they participate in Workshop, Stock new works. This includes revisiting the use of the LAB contract which stripped our members of any right of My name is Camille Saviola and I first refusal and remunerative payment. want to represent you as your Principals I will always listen and fiercely advocate for the best inter- Councilor. Am I out of my mind? Isn’t ests of my union sisters and brothers. that a thankless job? The answers are yes, This is OUR union and together we can make a difference. I am, and, I don’t know, we’ll find out. I Questions? Comments? Email me: [email protected] understand, first hand, the challenges and struggles a theater artist faces. Representing you is my way of RASHAAN JAMES II giving back to young professionals and seasoned veterans who (Residence: New York, NY) need fairness, support and protection. I bring many years of Contracts worked: Production Tour Tier theatrical experience to the table, I’m interested in wages that D, Production Tour Tier C, MSUA, COST, keep up with the rate of inflation, equal opportunity, and fair Reading, LORT resolution of grievances. I’m a Bronx girl, born and raised, and I swear I planned my career while I was an unfertilized egg in my Hello fellow members, I am a working mama’s womb. I started young and followed my dream. and auditioning actor and proud member I wish that for all of you. It takes desire, intelligence, will, of Actors’ Equity Association. I joined as passion, determination, imagination, a great sense of humor, the an Equity member in 2006 in the chorus heart of a lion, skin thick as a rhino, a curious nature, and love. of Aida at Westchester Broadway. Here in 2016, I am running It’s a full time job. I know you want the promise that the future for Council as the Chorus Councilors’ seat. I am running to holds for you, to be fulfilled. ensure strong future of our union for current members and I’m with you! And it would be my privilege to serve you future members alike. and to help you to achieve your goals. Thanks. Our union was founded to advocate for our rights as performers. Since then, we are over 50,000 members strong and Eastern Region we continue to grow stronger each year. With an increasing Stage Manager Four-Year Term membership and footprint, the issues facing our members are (Vote for no more than one) evolving rapidly. As the political landscape in our country is changing, JASON A. QUINN our members are facing new challenges across our country. (Residence: New York, NY) Government at all levels has considered legislation that could Contracts worked: Production, Special be utilized to discriminate which directly affects our actors in Production (tour), Workshop, Devel- these areas. Our union must take bold action so that mem- opmental Lab, LORT Rep & Non Rep, bers are protected from anything from, contractual violations COST, Off-Broadway, Cabaret, SPT, Mini, Transition, NYC LOA, NYMF (code & to discrimination that occurs on the road. Some of which I’ve contract), Fringe, Showcase, Staged Read- directly encountered while touring recently. ing (code & contract) To this end, I propose the creation of a nationally elected Councilor of Diversity to advance, promote, and advocate I have a strong personal investment in our contracts and issues of diversity. Equity has a strong commitment to diversity, protections. I’m lucky to have built my career as a stage man- and the creation of this position would put our Council on the ager working in every area Actors Equity has jurisdiction: plays, forefront. While our union’s virtual presence has immensely musicals, and events, in NYC and regionally, across the gamut improved, we must continue our work on finding new and of our theaters and agreements, from full scale Broadway innovative ways that allow our members access to union houses to developing new works from the ground up; it’s that resources so that we can all be experience and my understanding of both the scope of our industry and the nuance it requires, partnered with the desire RONALD L. BROWN to improve our conditions are what led me to run for Council (Residence: New York, NY) the first time. Contracts worked: Production (National Since then, we’ve seen significant improvements and faced Tour), SETA, LORT, COST, CORST, SPT, some great challenges and there remains work to be done: Dinner Theatre, Guest Artist, URTA, Business Theatre, LOA, Special Agree- the ongoing process of improving communication; organiz- ment ing non-Equity tours; fostering and creating new access and opportunities; bringing our smaller contracts up to the cost Committees: ACCA, SETA, LORT, EPA of living; continuing to move Equity forward to keep up with (Auditions), Developing Theatre, Mem- evolving technology to serve the members in a digital era; bership Education, Dinner Theatre, Media. pushing and lobbying for the critical arts funding to keep our I’m proud and honored to have served on council for the theatres thriving. past five years, especially as advocate for the chorus. Current- As councilors our job is not to always be right but to do ly engaged on my second SETA tour in three years, I’ll be par- right. To do right for our union and for our members. As a ticipating in the upcoming SETA negotiations. Members have stage manager I work for the best interests and safety of our made it clear that ‘Quality of Life’ issues are their foremost membership daily; as a member of several negotiating teams I concern. Housing, travel and transportation, health mainte- work to strengthen our contracts; and as a councilor I work nance, and especially Per Diem have to be corrected. The towards the betterment of our union as a whole. ‘economics of the road’ may influence salary levels on tours, It is an honor to continue my service. but our members’ quality of life should never be negotiated Thank you. into tiers. As a former AEA auditions monitor and frequent audition- er, I strive to maintain a strong voice on council advocating for Central Region our auditions, from improving accessibility to assuring effi- Principal Four-Year Term cient and fair procedures. As a member of the Online Signup (Vote for no more than one) Workgroup, I’m excited for the upcoming roll-out of the Equity online signup site. It’s taking time, but our goal is doing it right. I believe members will appreciate what has gone into Mark David Kaplan (Residence: Chicago, IL) the making of an effective program to handle the needs and Contracts worked: Production, LORT, expectations of a diverse membership. CAT (1-6), COST, Dinner Theatre, RMTA, Improving wages and benefits, organizing more work, safe Business Theatre, TYA (Weekly and PP), and sanitary conditions, artistic protections, and other issues Off-Broadway, Cabaret, URTA, SPT, Guest are continuing challenges. Conversations with members Artist, LOA, Staged Reading, Showcase across the country to better understand their concerns are extremely important to me. We must continue to advance the I am a grateful, working actor cel- communication lines between council and membership. ebrating my 30th year in AEA, nearly Please exercise your right to vote. half of that time spent in proud service to our membership. (Continued on next page) My committee work includes: Vice Chairs of Production and International Actor’s, CAT, EEO, EFA, Dinner Theatre, Member- Western Region ship Ed, and more. I’ve negotiated Production, Dinner Theatre, Principal Four-Year Term CAT, U/RTA, CORST, TYA and MSUA contracts. As a member (Vote for no more than one) of a recent sub-group of actors and stage managers focusing on quality of life on the road, we shared pertinent information with the League, giving needed attention to the constant chal- BARBARA CALLANDER (Residence: Seattle, WA) lenges of that existence. It was invigorating to be a part of an Contracts worked: LORT, LOA, SPT, unrestricted communication - an empowering experience. TYA, Guest Artist, Special Appearance, That sort of communication is what we need across our Periodic Performance, Umbrella Agree- membership. It has no regional or contract boundaries. We ment, NY Showcase Code, Members’ must continue to embrace the technology that adds transpar- Project Code ency to our work. With that knowledge we will be a stronger, healthier body. Based in Seattle, I was one of the I’m currently developing an event forum with EEO in Chi- first Councillors elected from outside cago, which will give credence and inclusion to our LGBTQIA an office city, and served three terms. I recently returned to membership. Unchartered, necessary steps, toward greater Seattle, and ask for your support in returning me to Council. respect for all of us. I have served on numerous committees, including: Devel- Though I reside in Chicago, I’ve toured extensively, and oping Theatre, TYA (also Negotiating Teams), WCLO, Seattle still seek work across the country. I know many of you. I look and Washington/Baltimore Area Liaison Committees, and the forward to meeting more of you. Throughout these 17 years committee-of-three that developed the National Representa- on the Central Board, 5 as councillor, I continue to be inspired tion Plan. by your experiences and talent. I’m proud to represent you, The diversity of our membership is one of Equity’s great- and I’d be honored to continue forward. You have my voice. est strengths. We must continue to build a strong, cohesive, [email protected] #MDKforAEA national Union that is also flexible enough to be responsive to the needs of all our members. To do this, it is essential that we have Councillors who live throughout the country. KELLEY FAULKNER (Residence: Milwaukee, WI) Organizing and Developing are areas of particular concern Contracts worked: LORT, SPT, Dinner to me. We must find new and innovative ways of creating Theatre, 29 Hour Reading more and better jobs for us all – encouraging theatres to grow, organizing non-union producers, identifying new areas to An Equity member since 2002, I organize. am grateful for the protections I have I am also very interested in health insurance issues – I’ve been afforded, and it's time for me to been an Observer to the P&H Trustees – and in member edu- give back and get my hands dirty. I have cation and outreach. been a professional actor since child- I have lived and worked in NYC, as well as regional cities hood, and have been based in NYC, Philadelphia, and currently, on both coasts. I am committed to solving problems of con- Milwaukee. Having served as principal and chorus deputy on cern to you, wherever you may live. numerous productions, I feel that we can all be more involved, I will listen with an open mind, and use my varied experi- whether that means joining a committee, or even simply ences, perspectives and creativity to help find the best solu- attending membership meetings. Let's make it easier and tions possible. more appealing. I want our leadership to be more accessible I look forward to the opportunity to serve you on Council. and transparent, and more conscious of the image we project Thank you. publicly. Improving technology is also something that I know is important to all of us, as is continuing our efforts to take back LEO MARKS the road. I am committed to engaging with all members on any (Residence: Glendale, CA) topic, and will make those conversations a priority. Navigating Contracts worked: Off-Broadway, LORT, change and dissent can be difficult, but it's not impossible, and SPT, LOA, Workshop, Showcase it doesn't have to be ugly. The 99-seat situation in LA exposed some major issues of communication and differences in philos- I’m an Obie-winning actor who’s ophy, but it also continues to prove the amazing resolve that lived in NYC and LA, and worked Equity we ALL possess as artists and laborers. I have much to offer: a contracts in a dozen cities. fresh perspective, a passion for justice, and the energy to get As a proud Equity member since things done. With over 50,000 dynamic and talented members, 1999, I’m concerned that right now too many of our members I am confident that we can continue to evolve in a meaningful don’t feel heard. Having worked all over the country, I contin- way. I thank you for your vote, and for your involvement in our ually hear the same issues: a lack of flexibility and responsive- union. ness to regional differences and questions of inclusion. We need greater communication, transparency, inclusiveness, and flexibility to specific concerns in specific markets, because we are a national union without locals. between leadership and members at large; concerns that I With that in mind, last year I introduced a pair of amend- believe resonate in regions all over the country. If elected, here ments to the Equity By-Laws, focused on creating genuine dia- are some issues I am fired up about, and hope to dig into: logue—between membership and Council, and dialogue among • EMPOWERING MEMBERS members. I’m running now to build on that foundation. We can empower members at large by demystifying the We need to expand opportunities for our richly diverse union policies and procedures and by being more inclu membership, solve non-union touring issues, modernize and sive in the decision-making process. expand our digital presence, improve audition access and pro- • USHERING AEA INTO THE 21ST CENTURY cedures, and offer small theaters viable paths to succeed and Members want more access - for example we need an hopefully create more contracts. AEA app that allows members to login and sign up for I’ve managed successful political campaigns and worked as EPA’s, view up dates and news as a feed, and send mes a communications consultant for Fortune 500 companies. So sages to the body at large. I think I bring passion, a broad perspective and an informed • BRINGING MORE NATIONAL AND REGIONAL AUDITIONS conviction that one size does not fit all. TO LA Ultimately, I believe the animating principle of our union We have a beautiful new AEA facility; let's bring in more must be that we are workers and artists. That duality creates work opportunities to the LA Community. complexity, but it’s a complexity that must be embraced for • CURBING NON-UNION TOURS our diverse needs to be served. The #AskifitsEquity campaign has started the conversa I’d be honored to have your support. Let me know your tion. We need to go further by sitting down with IATSE concerns at: https://www.facebook.com/LeoMarksforCoun- and AFM to see what our combined unions can do to cil2016/ address this most disturbing trend. • GIVING VOICE TO THE UNDER-REPRESENTED CHARLAYNE WOODARD I will be an advocate within our council for women, (Residence: Los Angeles, CA) minorities, people with disabilities, etc, and encourage Contracts worked: Production (Broad- more accountability in producing and casting decisions. way, Bus and Truck), Off-Broadway, LORT, www.facebook.com/troshaw4AEAcouncillor Workshop, 99-Seat KIM HUBER For more than forty years, I have (Residence: Sherman Oaks, CA) been a member in good standing of Contracts worked: Production (Broad- Actor's Equity Association. My union way, National Tour), LORT A-D, COST, has been good to me and it is high time URTA, WCLO, RMTA, LOA, Guest Artist, I give back. I look forward to being a sounding board for our TYA, Dinner Theatre, HAT, SPT, 29 hour Staged Reading Code, 99 Seat Code members - ready and willing to listen to members' concerns, frustrations and grand ideas. My goal is to be proactive with Committees: EEO, ACCA, WCLO, Devel- the Council and AEA leadership, as well as rank and file mem- oping Theatres bers. This means keeping avenues of communication open and easy to access. For me, it is not about complaining any longer. A proud member of 23 years, I am honored to have served It is time to join in and help bring about change that benefits on the National Council as an interim replacement since July. us all. Having spent the first half of my career working out of college and on Broadway (primarily on the Chorus contract), and Western Region this past half as a working mom, regionally in and out of LA; I have lived many stages of membership, and have spent con- Chorus Four-Year Term siderable time in our liaison cities. I want to ensure that our (Vote for no more than one) union membership is of best value to everyone. How can we come together in true solidarity? I am motivated and hopeful to find solutions to our internal and external challenges. TRO SHAW (Residence: Los Angeles) I am passionate about gender parity. The average 60/40 Contracts worked: Production (Broad- ratio of AEA men to women on American stages should no way), LORT, COST, MSUA, WCLO, Show- longer be considered the norm nor acceptable. As a member case, 99 Seat Agreement, Guest Artist of the EEO committee I am committed to pushing the boundaries of what our union can do to help women members, as I have been a proud member of well as ensuring that our stages reflect the diversity of our Actors’ Equity since 2008. I've worked membership. There is so much more to do. on both coasts - from Broadway to 99- My brief term has been illuminating. Issues facing our union Seat Theatre - in musicals and plays alike, are complex and filled with nuance. Our membership deserves and a significant part of that work has been under a chorus a greater understanding of decisions made by council. We can contract. Since moving to LA, I’ve become passionate about do better disseminating information to our members and ex- encouraging transparency, communication, and inclusiveness ploring more effective options for members to be heard; creating a dialogue that moves us forward. I’ve just gotten started! I’d be honored for your vote. lifeblood of any society. Open, meaningful dialogue with and Western Region accessibility to our elected officials is the only way to ensure Stage Manager Four-Year Term that we can move forward as a unified whole to protect and (Vote for no more than two) further our rights as artists. As a professional stage manager my job is to listen, plan and implement the best strategy for a successful, productive and positive environment. I am the facil- PAT LOEB itator, the mediator and the Devil’s advocate. I see each piece (Residence: Los Angeles, CA) Contracts worked: SPT, HAT, LORT, BAT, of the puzzle and how it fits into the bigger picture. I want to WCLO, TYA, URTA, GA, SA, PP, Staged bring these skills to our Equity council for you and our fellow Readings members everywhere. I want to hear from you and help you find your place in the bigger picture; because you and I are the With 40+ years running the gamut only ones who know what is best for us. Please feel free to of large and small productions, including reach out: https://www.facebook.com/LaraNall4AEACouncil/ a handful of tours, I work most often with smaller companies whose existence JOHN M. GALO depends on compromise. In a time of tremendous challenge (Residence: Studio City, CA) and overwhelming contradictions, we need to help those who Contracts worked: Full Production, want to make a living while not squashing innovation. Long Production Tier D, SETA, LORT, WCLO, before being elected to Council, I joined many contract and Dinner Theatre, Stock, URTA, Special service committees, leading events for membership education Agreement, TYA and EEO (National Vice Chair), proposing practical ideas for contracts — all with the goal of engaging current and future I’m a lucky guy! I make a living in a members, providing knowledge, increasing participation, and profession that I dearly love – the the- generating better working conditions. I was taught to listen to ater. For this I am grateful and thankful and represent everyone’s voice. that I belong to a union. Actors’ Equity has ensured that I am I stand for those reluctant to speak or who feel unheard. compensated for my work, I am treated fairly and with respect, I show up. I follow through. I am not afraid to be the minority I am kept safe and protected in the work place, and it works voice, to make sure all are represented, and even when we to provide for my future through both the pension plan and initially disagree, I listen and am willing to change my mind. 401k. My specific causes: generate more contract work; energize The union is strong and has made great advances for us and link local members with local and national funding, espe- as actors and stage managers. Does this mean that there isn’t cially in endangered venues; create more and broader inclusion room for improvement? For example, Equity is currently nego- and diversity; and generate greater member participation. We tiating the SETA touring contract. Some areas that I feel could need to create mutual support with sister unions; make it use improvement include: Fair compensation for the talents easier for more members to accrue health benefits; and clearly we provide, per diem reflecting the realities of life on the road, brand our work. choice of housing and restricting multiple week stops without They say it takes a term to learn to be a Councillor. I want additional compensation. a second term to make a difference by implementing what I’ve As a stage manager of national tours under a variety of learned. contracts and for various producers and general managers, I I humbly request your vote, and thank you for your consid- feel that my experience and communication skills will be an eration. invaluable asset to the union. Yes Actors’ Equity has been good to me and I want it to continue to be...for me and for you! It’s time for me to give LARA E. NALL back. With your vote, I can gratefully and proudly serve on the (Residence: Sacramento, CA) Governing Council! Thank you for your time and consider- Contracts worked: LOA, SPT, HAT, 99- ation. Please vote so your voice can be heard! Seat

My name is Lara and it’s nice to meet you. When I joined AEA in 2008, I had very little idea of what it meant to be a member of a union. I always saw it as something beyond, out of reach, something that only “they” who knew more and had more experience than me could fully understand. Since then I’ve come to realize that there is no “they”; there is only you, and I. That we, every member in every region and every city in that region are equal. Our voices are equally important. Different voices and opinions that are truly heard are the