DOCSLIB.ORG

A Guide to Art in the MTA Network

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

en ArtA Guide to Art in the MTA Network Rute East 105th Street, NYC Transit subway Michael Ingui Contents Page The founders of the New York City subway believed that every design element in the lines 3 – 4 system should show respect for our customers and enhance their experience of travel. 1 23 2 5 lines 5 As the century-old transportation network is restored and renewed, decorative elements 4 5 6 lines 6 – 7 of the past are preserved and protected even as contemporary art and design are intro- 7 ‡ line 8 duced. Old and new happily coexist. A C Elines 9 – 10 As you travel through the Metropolitan Transportation Authority network, you experience B D F V lines 11 – 12 a first-rate art museum of mosaic, terra cotta, bronze, glass, and mixed-media sculpture. J M Z lines 13 – 14 We invite you to discover and enjoy this diverse and beautiful collection of commissioned L line 15 public artwork installed throughout the region over the past two and a half decades. »0- ®0-∑0-lines 16 œ0line 17 Use this guide and its maps to discover the location of the art contained in this vast S42nd Street Shuttle 18 – 19 collection of work in the subway system of MTA New York City Transit, at many stations of SFranklin Avenue Shuttle 20 MTA Long Island Rail Road and MTA Metro-North Railroad, and at one site at MTA Bridges and MTA Long Island Rail Road 21 – 22 Tunnels. As you visit New York, or as part of your daily commute, stop and visit your MTA Metro-North Railroad 23 – 24 favorite Art en Route. MTA Bridges and Tunnels 25 MTA Subway Map 26 MTA Railroad Map 27 Cover: Times Square-42nd Street, NYC Transit subway Roy Lichtenstein, © Estate of Roy Lichtenstein 1 Since the 1980s, MTA Arts for Transit has commissioned public art that touches the lives of hundreds of thousands of city dwellers as well as national and international visitors. As the MTA rehabilitates the subway and commuter rail stations in New York City and its suburbs through its Capital Programs, it uses a portion of the funds for the installation of permanent works of art. Arts for Transit’s projects create visually unique links to neighborhoods with art that echoes the architectural history and design context of the individual stations. Both well-established and emerging artists contribute to a constantly growing collection of works that use the materials of the system–mosaic, ceramic, tile, bronze, steel, and glass. In addition to permanent art, the program encompasses Music Under New York, a Transit Poster Program, and the Lightbox Project, a series of photography exhibits. To learn more about Arts for Transit projects, visit http://www.mta.info/mta/aft. About This Guide Art en Route helps you view art throughout the MTA system. The sections are organ- ized by subway line, commuter rail stations, and MTA Bridges and Tunnels. This guide is updated periodically as new installations are completed. An asterisk * indicates that the project was not yet installed at the time of printing. (Up-to-date project information is always available on our website http://www.mta.info/mta/aft.) Art en Route includes a fold-out subway and railroad map with a comprehensive listing of all stations with artwork, located at the back of the guide. Enjoy! Above: 233rd Street, NYC Transit subway Skowmon Hastanan Left: Broadway, Long Island Rail Road Jean Shin 2 Eastern Parkway-Brooklyn Museum 66th Street-Lincoln Center Arts for Transit Collaborative Nancy Spero 1 23 lines Nevins Street 2 3 4 5 Christopher Street-Sheridan 72nd Street 1 2 3 Anton van Dalen Square 1 Robert Hickman Crown Heights-Utica Avenue Work & Nature, 1997 Lee Brozgol and students from Laced Canopy, 2002 3 4 Porcelain enamel frieze on P.S. 41 Mosaic glass skylight in north Hugo Consuegra mezzanine walls The Greenwich Village control house Good Morning and Good Murals, 1994 Night, 2004 Clark Street 2 3 Ceramic mosaic on platform 86th Street1 Ceramic tiles on platform Ray Ring walls Grosvenor Neighborhood Clark Street Passage, 1987 House student muralists with walls, bronze medallions 34th Street-Penn Station in gates Terrazzo floor in lower Nitza Tufiño passageway 1 2 3 Westside Views, 1989 Eastern Parkway-Brooklyn Elizabeth Grajales Ceramic tile on platform walls Museum 2 3 South Ferry 1 When the animals speak..., 1998 Arts for Transit Collaborative Doug & Mike Starn Ceramic mosaic on 3 platform 96th Street 1 2 3 New York City Architectural See it split, see it change, 2008 walls; handmade ceramic relief Sigi Moeslinger and Artifacts from the Collection of Glass, stone mosaic, and stain- tiles on 1 2 platform walls Masamichi Udagawa less steel on mezzanine walls (Antenna Design New York) the Brooklyn Museum, 2004 50th Street Terra cotta artifacts and glass 1 The Veil of Bloomingdale* Wall Street 2 3 mosaic on mezzanine and Liliana Porter Stainless steel sculpture stairway walls Harry Roseman Alice: The Way Out, 1994 suspended from control Subway Wall, 1990 Glass mosaic on platform walls house ceiling Grand Army Plaza 2 3 Bronze relief on wall in passageway to 60 Wall Street, 66th Street-Lincoln Central Park North 231st Street Felipe Galindo Jane Greengold Center Wings for the IRT: The sponsored by J.P. Morgan 1 (110th Street) 2 3 Irresistible Romance Nancy Spero Maren Hassinger Houston Street 1 of Travel, 1995 Artemis, Acrobats, Divas, Message from Malcolm, 1998 Bronze and terra cotta plaques Deborah Brown and Dancers, 2001 Glass mosaic on stairway walls on mezzanine walls Platform Diving, 1994 Glass and ceramic mosaic on and platform Glass mosaic on platform walls platform walls *to be installed 3 116th Street 2 3 135th Street 2 3 Vincent Smith Willie Birch Minton’s Playhouse (uptown), Harlem Timeline, 1995 The Movers and Shakers Glass mosaic on platform walls (downtown), 1999 Glass mosaic on 137th Street-City College 1 platform walls Steve Wood Fossils, 1988 116th Street-Columbia Bronze relief on platform walls Nevins Street Anton van Dalen University 1 Michelle Greene 191st Street 1 Railrider’s Throne, 1991 Raúl Colón 72nd Street Robert Hickman 135th Street Willie Birch Steel chair on downtown Primavera, 2003 platform Glass mosaic and faceted glass on stairway wall 125th Street 2 3 Faith Ringgold assisted by Dyckman Street 1 Tim Tait Designs Wopo Holup Flying Home: Harlem Heroes Flight, 1991 and Heroines (Downtown and Ceramic relief on Uptown), 1996 mezzanine walls Glass mosaic on 231st Street platform walls 1 Felipe Galindo Magic Realism in Kingsbridge, 2008 Faceted glass in platform Above: South Ferry windscreens Doug & Mike Starn 4 2 5 lines Jackson Avenue 2 5 Freeman Street 2 5 Allerton Avenue 2 5 225th Street2 5 George Crespo Daniel Hauben Michele Brody Nicky Enright Brooklyn College-Flatbush Latin American Stories* The El, 2007 Allerton Mandalas, 2006 Universal City, 2006 Avenue 2 5 Faceted glass in Faceted glass in platform Faceted glass in platform Faceted glass in platform Muriel Castanis platform windscreens windscreens windscreens windscreens Flatbush Floogies, 1996 Bronze reliefs in entrance Prospect Avenue 2 5 174th Street 2 5 Burke Avenue 2 5 233rd Street 2 5 and on platform walls Marina Tsesarskaya Daniel Del Valle Béatrice Coron Skowmon Hastanan Bronx. Four Seasons., 2008 A Trip Up the Bronx River, 2004 Bronx Literature, 2006 Secret Garden: No Place Like Church Avenue 2 5 Faceted glass in Faceted glass in platform Faceted glass in platform Home, 2006 Louis Delsarte platform windscreens windscreens and in window niches windscreen Faceted glass in platform Transitions, 2001 windscreens and mezzanine Glass mosaic on Intervale Avenue 2 5 West Farms Square-East Gun Hill Road 2 5 windows platform walls Michael Kelly Williams Tremont Avenue 2 5 Andrea Arroyo El 2 and El 5, 1992 Naomi Campbell My Sun (Mi Sol), My Planet Nereid Avenue (238th Street) Third Avenue-149th Street Glass mosaic on Animal Tracks, 2005 (Mi Planeta) and My City 2 5 2 5 mezzanine walls Faceted glass in platform (Mi Ciudad), 2006 Noel Copeland José Ortega windscreens Faceted glass in platform Leaf of Life, 2006 Una Raza, Un Mundo, Simpson Street 2 5 windscreen Faceted glass in platform wind- Universo (One Race, One Lisa Amowitz Bronx Park East 2 5 screens World, One Universe), 1996 Urban Renewal, 2008 Candida Alvarez 219th Street 2 Ceramic mosaic on Faceted glass in platform B Is for Birds in the Bronx, 2006 Joseph D’Alesandro Wakefield-241st Street 2 platform walls windscreens Faceted glass in platform Homage, 2006 Alfredo Ceibal windscreens Faceted glass in platform Permanent Residents and windscreens Visitors* Above, top left: Freeman Street Daniel Hauben Pelham Parkway 2 5 Faceted glass in platform Above, top right: Pelham Parkway Tomie Arai Tomie Arai windscreens Above, left to right: 233rd Street Skowmon Hastanan, Back to the Garden, 2007 225th Street Nicky Enright, Nereid Avenue (238th Street) Noel Copeland, Faceted glass in platform 219th Street Joseph D’Alesandro windscreens *to be installed 5 14th Street-Union Square Mary Miss 59th Street Elizabeth Murray 4 5 6 lines Frederick Dana Marsh Astor Place 6 51st Street 6 Lexington 96th Street 6 (1879-1961) Milton Glaser Avenue-53rd Street E V Laura Bradley Atlantic Avenue Marine Grill Murals, ca. 1913; Untitled, 1986 Nina Yankowitz City Suite, 1994 2 3 4 5 B D M N Q R installed 2000 Porcelain enamel on platform Tunnel Vision, 1988 Marble mosaic on platform George Trakas in collaboration Glazed terra cotta murals and walls Ceramic tile in lower walls, ceramic signage, with di Domenico + Partners painted cast iron gates created passageway railings, cut floor tile Hook (Archean Reach), Line for the McAlpin Hotel in 1913; 14th Street-Union Square (Sea House), and Sinker (Mined installed in passageway between 4 5 6 N R Q L W 59th Street 4 5 6 103rd Street 6 Swell), 2004 A C and 4 5 stations.
Recommended publications
  • The Hyporheic Handbook a Handbook on the Groundwater–Surface Water Interface and Hyporheic Zone for Environment Managers

    The Hyporheic Handbook a Handbook on the Groundwater–Surface Water Interface and Hyporheic Zone for Environment Managers

    The Hyporheic Handbook A handbook on the groundwater–surface water interface and hyporheic zone for environment managers Integrated catchment science programme Science report: SC050070 The Environment Agency is the leading public body protecting and improving the environment in England and Wales. It’s our job to make sure that air, land and water are looked after by everyone in today’s society, so that tomorrow’s generations inherit a cleaner, healthier world. Our work includes tackling flooding and pollution incidents, reducing industry’s impacts on the environment, cleaning up rivers, coastal waters and contaminated land, and improving wildlife habitats. This report is the result of research funded by NERC and supported by the Environment Agency’s Science Programme. Published by: Dissemination Status: Environment Agency, Rio House, Waterside Drive, Released to all regions Aztec West, Almondsbury, Bristol, BS32 4UD Publicly available Tel: 01454 624400 Fax: 01454 624409 www.environment-agency.gov.uk Keywords: hyporheic zone, groundwater-surface water ISBN: 978-1-84911-131-7 interactions © Environment Agency – October, 2009 Environment Agency’s Project Manager: Joanne Briddock, Yorkshire and North East Region All rights reserved. This document may be reproduced with prior permission of the Environment Agency. Science Project Number: SC050070 The views and statements expressed in this report are those of the author alone. The views or statements Product Code: expressed in this publication do not necessarily SCHO1009BRDX-E-P represent the views of the Environment Agency and the Environment Agency cannot accept any responsibility for such views or statements. This report is printed on Cyclus Print, a 100% recycled stock, which is 100% post consumer waste and is totally chlorine free.
  • My Back Pages #13 Rich Lynch

    My Back Pages #13 Rich Lynch

    My Back Pages #13 Rich Lynch My Back Pages #13 articles and essays by Rich Lynch I’m resigned that this 13th issue will inevitably lead me to the topic of triskaidekaphobia, so I might as well get it over with now. The number 13 as a bad omen dates all the back to the time of the Vikings where the mischievous Loki was the 13th god in the Norse pantheon and even before that, back to the time of the Roman Empire when the disciple Judas was the 13th person to sit at the table of The Last Supper. Throughout the ages the number 13 has been associated with all kinds of terrible events. Relatively recent cases in point are the 13th Apollo mission to the moon in 1970 which nearly met disaster, and the death of Princess Diana in 1997 in a car crash at the 13th pillar of the Pont de l’Alma tunnel in Paris. And for a brief time in 2004, it was believed that the newly-discovered asteroid Apophis had a very real chance of smashing into the Earth in 2029 on the 13th of April. I can assure you there’s nothing nearly so ominous about this #13, but what I’m really leading up to is that the number 13 being a portent is mostly a western civilization phenomenon. As you will see in the first essay of this issue, on a trip to Korea earlier this year I was surprised to learn that a different number is considered a cultural bane.
  • Design a Subway Station Mosaic That Reflects Their Home Or School Neighborhood and Draw It

    Design a Subway Station Mosaic That Reflects Their Home Or School Neighborhood and Draw It

    MILES OF TILES MILES OF TILES BACKGROUND INFORMATION FOR TEACHERS “Design and aesthetics have been a part of the subway from the original stations of 1904 to the latest work in 2018. But nothing in New York stands still – certainly not the subway - and the approach to subway style has evolved, reflecting the major stages of the system’s construction during the early 1900s, the teens, and the late 20s and early 30s and the renovations and redesigns of later years. The earliest parts of the system still convey the flowery, genteel flavor of a smaller, older city. Later sections, by contrast, show a conscious turn toward the modern, including open admiration for the system’s raw structural power. The evolution of subway design follows the trajectory of the world of art and architecture as these came to terms with the Industrial revolution, and the tug-of-war between a traditional deference to European models and a modernist ideology demanding an honest expression of contemporary industrial technology.” —Subway style: 100 years of Architecture & Design in the New York City Subway New York City, in the late nineteenth and early twentieth centuries, was an industrial hub attracting many Americans from rural communities looking for work, and immigrants looking for better lives. It was, however, blighted by impoverished neighborhoods of broken down tenements and social injustice. The city lacked a plan for how it should look, where structures should be built, or how services should be distributed. It was described as a ‘ragged pincushion of towers’ with no government regulation over the urban landscape.
  • Living with Karst Booklet and Poster

    Living with Karst Booklet and Poster

    Publishing Partners AGI gratefully acknowledges the following organizations’ support for the Living with Karst booklet and poster. To order, contact AGI at www.agiweb.org or (703) 379-2480. National Speleological Society (with support from the National Speleological Foundation and the Richmond Area Speleological Society) American Cave Conservation Association (with support from the Charles Stewart Mott Foundation and a Section 319(h) Nonpoint Source Grant from the U.S. Environmental Protection Agency through the Kentucky Division of Water) Illinois Basin Consortium (Illinois, Indiana and Kentucky State Geological Surveys) National Park Service U.S. Bureau of Land Management USDA Forest Service U.S. Fish and Wildlife Service U.S. Geological Survey AGI Environmental Awareness Series, 4 A Fragile Foundation George Veni Harvey DuChene With a Foreword by Nicholas C. Crawford Philip E. LaMoreaux Christopher G. Groves George N. Huppert Ernst H. Kastning Rick Olson Betty J. Wheeler American Geological Institute in cooperation with National Speleological Society and American Cave Conservation Association, Illinois Basin Consortium National Park Service, U.S. Bureau of Land Management, USDA Forest Service U.S. Fish and Wildlife Service, U.S. Geological Survey ABOUT THE AUTHORS George Veni is a hydrogeologist and the owner of George Veni and Associates in San Antonio, TX. He has studied karst internationally for 25 years, serves as an adjunct professor at The University of Ernst H. Kastning is a professor of geology at Texas and Western Kentucky University, and chairs Radford University in Radford, VA. As a hydrogeolo- the Texas Speleological Survey and the National gist and geomorphologist, he has been actively Speleological Society’s Section of Cave Geology studying karst processes and cavern development for and Geography over 30 years in geographically diverse settings with an emphasis on structural control of groundwater Harvey R.
  • Meeting Planner's Guide 2019

    Meeting Planner's Guide 2019

    AN ADVERTISING SUPPLEMENT TO CRAin’S NEW YORK BUSINESS MEETING Planner’S GUIDE 2019 YOUR RESOURCE FOR SUCCESSFUL MEETINGS AND EVENTS IF YOU ARE A MEETING or event hotels in the New York City area. than other channels. A lot of that a trend toward “bleisure,” the walk the line between creating planner you are part of an elite, Our goal is to keep you ahead value comes from networking in combining of business travel and experiences that resonate with multi-talented group. Being a of the curve and one up on the person. One-on-one meetings leisure. Today’s event attendees the whole audience, as well as planner calls for a wide range of competition in 2019. have become a hot commodity; expect event planners to be equal with individual attendees. expert skills and qualifications, To that end, here are some research has shown that, after parts manager and travel agent. such as managing, budgeting and of the meeting and event trends content, networking is the sec- Everything from programming to GIVE THEM execution, knowledge of tech- to consider when planning ond biggest motivator for event catering is likely to reference the A SHOW nology, creative talent—not to this year: attendees today. And the term locality and culture of the desti- 2019 also sees a trend for the mention leadership, adaptability, “networking” covers everything nation both on-site and off. “festivalization” of meetings and people skills, patience and energy IN YOUR FACE from spontaneous conversations events. A growing number of (to name just a few). When you “Face time” is the buzzword to huddle rooms and meet-and- TAKE IT PERSONAlly gatherings are adding perfor- possess all of these qualities you in meetings and events for greets.
  • Departmentof Parks

    Departmentof Parks

    ANNUAL REPORT OF THE DEPARTMENTOF PARKS BOROUGH OF THE BRONX CITY OF NEW YORK JOSEPH P. HENNESSY, Commissioner HERALD SQUARE PRESS NEW YORK DEPARTMENT OF PARKS BOROUGH OF 'I'HE BRONX January 30, 1922. Hon. John F. Hylan, Mayor, City of New York. Sir : I submit herewith annual report of the Department of Parks, Borough of The Bronx, for 1921. Respect fully, ANNUAL REPORT-1921 In submitting to your Honor the report of the operations of this depart- ment for 1921, the last year of the first term of your administration, it will . not be out of place to review or refer briefly to some of the most important things accomplished by this department, or that this department was asso- ciated with during the past 4 years. The very first problem presented involved matters connected with the appropriation for temporary use to the Navy Department of 225 acres in Pelham Bay Park for a Naval Station for war purposes, in addition to the 235 acres for which a permit was given late in 1917. A total of 481 one- story buildings of various kinds were erected during 1918, equipped with heating and lighting systems. This camp contained at one time as many as 20,000 men, who came and went constantly. AH roads leading to the camp were park roads and in view of the heavy trucking had to be constantly under inspection and repair. The Navy De- partment took over the pedestrian walk from City Island Bridge to City Island Road, but constructed another cement walk 12 feet wide and 5,500 feet long, at the request of this department, at an expenditure of $20,000.
  • Biography [PDF]

    Biography [PDF]

    NICELLE BEAUCHENE GALLERY RICHARD BOSMAN (b. 1944, Madras, India) Lives and works in Esopus, New York EDUCATION 1971 The New York Studio School, New York, NY 1970 Skowhegan School of Painting and Sculpture, Skowhegan, ME 1969 The Byam Shaw School of Painting and Drawing, London, UK SELECTED SOLO EXHIBITIONS 2019 High Anxiety, Nicelle Beauchene Gallery, New York, NY 2018 Doors, Freddy Gallery, Harris, NY Crazy Cats, Elizabeth Harris Gallery, New York, NY 2015 The Antipodes, William Mora Galleries, Melbourne, Australia Raw Cuts, Cross Contemporary Art, Saugerties, NY 2014 Death and The Sea, Owen James Gallery, Brooklyn, NY Paintings of Modern Life, Carroll and Sons, Boston, MA Some Stories, Elizabeth Harris Gallery, New York, NY 2012 Art History: Fact and Fiction, Carroll and Sons, Boston, MA 2011 Art History: Fact and Fiction, Byrdcliffe Guild, Woodstock, NY 2007 Rough Terrain, Elizabeth Harris Gallery, New York, NY 2005 New Paintings, Bernard Toale Gallery, Boston, MA 2004 Richard Bosman, Elizabeth Harris Gallery, New York, NY Richard Bosman, Mark Moore Gallery, Santa Monica, CA 2003 Richard Bosman, Elizabeth Harris Gallery, New York, NY Just Below the Surface: Current and Early Relief Prints, Solo Impression Inc, New York, NY 1996 Prints by Richard Bosman From the Collection of Wilson Nolen, The Century Association, New York, NY Close to the Surface - The Expressionist Prints of Eduard Munch and Richard Bosman, The Columbus Museum, Columbus, GA 1995 Prints by Richard Bosman, Quartet Editions, Chicago, IL 1994 Richard Bosman: Fragments,
  • Donald Lipski/Oral History

    Donald Lipski/Oral History

    Donald Lipski/Oral History Southeastern Center for Contemporary Art January 22—April 17, 1994 Galerie Leiong May—June, 1994 In earlier times, whole communi- Donald Lipski's "Oral History" is the first exhibition in SECCA's pilot project, ties worked to produce the crop, Artist and the Community Conceived as an ongoing series, Artist and the and the farmer's entire family Community is a residency program that will result in the creation of new works actively participated in growing, to be exhibited at SECCA and elsewhere in the community. Participating curing, and preparing the tobacco artists will focus on specific aspects of life in Winston-Salem, from industry to for market. The intense commit- education and social welfare. ment demanded by the crop strengthened the bonds of family By structuring an interactive relationship with the resident artists. Artist and the and community Community aims to involve community members in the creative process, thus expanding SECCA's outreach in the community, and strengthening SECCA's ties with other local cultural, educational, and civic organizations. Upcoming projects for 1994 are Tim Rollins and K.O.S., who will work with the public school system to create a mural based on Stephen Crane's The Red Badge of Courage; and Fred Wilson, who will work with Winston-Salem's historical orga- nizations to interpret and trace the history of Winston-Salem's African- Americans, including his own ancestors. In 1995 Hope Sandrow and Willie Birch will be residents, working, respectively, with local college women and public school children. Donald Lipski began the first segment of Artist and the Community with a three-week residency in spring 1993.
  • 2011-08-5 11Pasatiempo(Santa Fe,NM).Pdf

    2011-08-5 11Pasatiempo(Santa Fe,NM).Pdf

    Michael Abatemarco I FQr The New Me)(ican STES EE NG The work of Nancy Holt --OP-- here IS no single critical essay followed by a seTies of plates m Nancy Hoil: Sfglulincs, puhlished by Unh<ersity of California PrcS5, it IS not a tYPical anist monograph. It is the kind of book you ca n open at any pO l!\l1O mar,·c! 31 the images orlhe artwork or absorb the text from any of a number of the book's contributors. There arc mull1plc ]X'rspcCI1\"e5 all Holt 's career here, olTered by editor Alcnaj. Williams. an hislOrians Lucy R. Uppard and Pamela M. Lee , artist Ines Schaber, and Mauhew Coolidge, direclOr of the Cemer fOT Land Usc Interpretation, Their observations create a well-rounded picture of Holt and her work. Further contributions include an [nlervicw with Emory University professor James Meyer and a detailed chronology of 11011'5 life by Humboldt Stale University professor Julia Alderson. Williams, a Columbia Universit)' doctoral (andid:ue, eontributes the preface, Introduction, and an esS3y, Siglll/incs a(wmpanics a traveling exhibit of the same name that started at Columbi~'s Wallach Art Gallery and wellt on to Gennan),. "Next it goes to Chicago." Hoh told PCUaficlII/X'. "thcn 01110 Boston, at Tufts University. [t goes to a few plates that arc associated wilh me one way or another, like Tufts is where I went to mllegc - they now ha~'e a rather large art gallcry. After that it comes to thc Santa Fc Art Institute next spring. and then onto Salt Lake City.
  • Nancy Holt, Sun Tunnels .Pdf

    Nancy Holt, Sun Tunnels .Pdf

    Nancy Holt Sun Tunnels, 1973–76 Internationally recognized as a pioneering work of Land art, Nancy Holt’s “The idea for Sun Tunnels became clear to me while I was in the desert watching notes Sun Tunnels (1973–76) is situated within a 40-acre plot in the Great Basin the sun rising and setting, keeping the time of the earth. Sun Tunnels can exist 1. Nancy Holt, “Sun Tunnels,” Artforum 15, no. 8 (April 1977), p. 37. 2. Ibid., p. 35. Desert in northwestern Utah. Composed of four concrete cylinders that are only in that particular place—the work evolved out of its site,” said Holt in a 3. Ibid. 18 feet in length and 9 feet in diameter, Sun Tunnels is arranged on the desert personal essay on the work, which was published in Artforum in 1977.1 She floor in an “x” pattern. During the summer and winter solstices, the four tunnels began working on Sun Tunnels in 1973 while in Amarillo, Texas. As her ideas Nancy Holt was born in 1938 in Worcester, Massachusetts, and was raised align with the angles of the rising and setting sun. Each tunnel has a different for the work developed, Holt began to search for a site in Arizona, New Mexico, in New Jersey. In 1960 she graduated from Tufts University in Medford, configuration of holes, corresponding to stars in the constellations Capricorn, and Utah. She was specifically looking for a flat desert surrounded by low Massachusetts. Shortly after, she moved to New York City and worked as an Columba, Draco, and Perseus.
  • From Museums to Film Studios, the Creative Sector Is One of New York City’S Most Important Economic Assets

    From Museums to Film Studios, the Creative Sector Is One of New York City’S Most Important Economic Assets

    CREATIVE NEW YORK From museums to film studios, the creative sector is one of New York City’s most important economic assets. But the city’s working artists, nonprofit arts groups and for-profit creative firms face a growing number of challenges. June 2015 www.nycfuture.org CREATIVE NEW YORK Written by Adam Forman and edited by David Giles, Jon- CONTENTS athan Bowles and Gail Robinson. Additional research support from from Xiaomeng Li, Travis Palladino, Nicho- las Schafran, Ryan MacLeod, Chirag Bhatt, Amanda INTRODUCTION 3 Gold and Martin Yim. Cover photo by Ari Moore. Cover design by Amy ParKer. Interior design by Ahmad Dowla. A DECADE OF CHANGE 17 Neighborhood changes, rising rents and technology spark This report was made possible by generous support anxiety and excitement from New York Community Trust, Robert Sterling Clark Foundation, Laurie M. Tisch Illumination Fund, Rock- SOURCES OF STRENGTH 27 efeller Brothers Fund and Edelman. Talent, money and media make New York a global creative capital CENTER FOR AN URBAN FUTURE CREATIVE VOICES FROM AROUND THE WORLD 33 120 Wall St., Fl. 20 New YorK, NY 10005 Immigrants enrich New York’s creative sector www.nycfuture.org THE AFFORDABILITY CRISIS 36 Center for an Urban Future is a results-oriented New Exorbitant rents, a shortage of space and high costs York City-based think tank that shines a light on the most critical challenges and opportunities facing New ADDITIONAL CHALLENGES 36 YorK, with a focus on expanding economic opportunity, New York City’s chief barriers to variety and diversity creating jobs and improving the lives of New York’s most vulnerable residents.
  • ニューヨーク地下鉄路線図 Nereid Avenue Eastchester-Dyre Avenue 2018年10月13日更新 233 Street Baychester Avenue 225 Street

    ニューヨーク地下鉄路線図 Nereid Avenue Eastchester-Dyre Avenue 2018年10月13日更新 233 Street Baychester Avenue 225 Street

    Wakefield-241 Street ニューヨーク地下鉄路線図 Nereid Avenue Eastchester-Dyre Avenue 2018年10月13日更新 233 Street Baychester Avenue 225 Street Van Cortlandt Park-242 Street 219 Street Pelham Bay Park Woodlawn 238 Street Gun Hill Road Gun Hill Road Buhre Avenue Mosholu Parkway Norwood 205 Street 231 Street Burke Avenue Middletown Road Bedford Park Boulevard Bedford Park Boulevard Lehman College Westchester Square- Marble Hill-225 Street Allerton Avenue Pelham Parkway East Tremont Avenue Kingsbridge Road Kingsbridge Road Pelham Parkway Morris Park Zerega Avenue Fordham Road Fordham Road 215 Street Bronx Park East Castle Hill Avenue Inwood-207 Street 183 Street 182-183 Streets 207 Street East 180 Street Parkchester Dyckman Street Burnside Avenue West Farms Square- Dyckman Street Tremont Avenue Saint Lawrence Avenue E Tremont Avenue Morrison- 190 Street 176 Street Sound View Avenues 191 Street 174-175 Streets 174 Street 181 Street Mt Eden Avenue 181 Street Elder Avenue 175 Street 170 Street 170 Street Freeman Street Whitlock Avenue 168 Street- 167 Street 167 Street Simpson Street Washington Heights 163 Street- Intervale Avenue Hunts Point Avenue Amsterdam Avenue 161 Street- Yankee Stadium 157 Street 3 Avenue-149 Prospect Avenue Longwood Avenue 155 Street 155 Street 149 Street-Grand Concourse Street Flushing-Main Street East 149 Street 145 Street 145 Street Harlem-148 145 Street Street East 143 Street - 149 Street-Grand Concourse Jackson Avenue Cypress Mets-Willets Point 137 Street-City Saint Mary's Street Avenue College 135 Street 135 Street 3 Avenue- Brook