Kanye West Yeezus Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Kanye West Yeezus Mp3, Flac, Wma Kanye West Yeezus mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Yeezus Country: Germany Released: 2013 MP3 version RAR size: 1882 mb FLAC version RAR size: 1663 mb WMA version RAR size: 1793 mb Rating: 4.1 Votes: 369 Other Formats: AAC DXD DMF MP2 ASF MP1 DTS Tracklist A1 On Sight 2:36 A2 Black Skinhead 3:07 A3 I Am A God 3:51 A4 New Slaves 4:16 A5 Hold My Liquor 5:26 B1 I'm In It 3:54 B2 Blood On The Leaves 5:59 B3 Guilt Trip 4:03 B4 Send It Up 2:57 B5 Bound 2 3:49 Credits Executive-Producer – Rick Rubin Mastered By – Vlado Meller Producer – 88-Keys, Ackee Juice Rockers*, Arca , Ben Bronfman, Benji B, Brodinski, Carlos Broady*, Che Pope, Daft Punk, Dom Solo*, Eric Danchild, Evian Christ, Gesaffelstein, Hudson Mohawke, Jack Donoghue, Kanye West, Lunice, Lupe Fiasco, Mike Dean, No ID*, Noah Goldstein, Sham Joseph, S1*, Travis Scott Notes Unofficial release on green marbled vinyl. Official label: Getting Out Our Dreams & Def Jam This pressing contains the entire track list. Released: June 18, 2013 Recorded: 2012 - June 2013; No Name Hotel (Paris), Studios de la Seine (Paris), Germano Studios (New York City), Gee Jam Studios (Port Antonio), Real World Studios (Box, Wiltshire), Shangri-La (Malibu) Album Length: 40:01, Label: Def Jam © 2013 Good Music LLC, a division of Kanye West, Inc. Manufactured in Germany. Distributed by Vinyl Lovers Distribution Network. For promotional use only, not for sale. Barcode and Other Identifiers Matrix / Runout: KANYEYEEZUS002 Other versions Category Artist Title (Format) Label Category Country Year Kanye Yeezus (CD, Def Jam B0018653-02 B0018653-02 US 2013 West Album) Recordings Kanye Yeezus (Cass, Def Jam none none US 2013 West Album, Ltd, Pri) Recordings Kanye Yeezus (CD, Def Jam 374 321-3 374 321-3 Indonesia 2013 West Album) Recordings Kanye Yeezus (CD, Def Jam New 602537432134 602537432134 2013 West Album) Recordings Zealand Kanye Yeezus (CD, Def Jam B001865302ST1 B001865302ST1 Canada 2013 West Album) Recordings Related Music albums to Yeezus by Kanye West Kanye West - The Prerequisite, Demo 2001 Jay Z & Kanye West - Watch The Throne Kanye West - Graduation DJ Chozen One - Kanye West - Touch The Sky (Remix) Kanye West - Ye DJ Khaled Feat. Kanye West & Rick Ross - I Wish You Would Kanye West - My Beautiful Dark Twisted Fantasy Kanye West - The Life Of Pablo Kanye West - Kon The Louis Vuitton Don Mr Hudson Featuring Kanye West - Supernova Jay-Z & Kanye West - Destroy And Rebuild Jay-Z, Rihanna & Kanye West - Run This Town.
Recommended publications
  • In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
    [Show full text]
  • Lead a Normal Life
    1: Lead A Normal Life “My family arrived in this country from Spain at the time of the Armada, and the story goes we were adopted by Cornish peasants . .” Peter Gabriel, 1974 “My dad is an electrical engineer, inventor type, reserved, shy, analytical, and my mum’s more instinctive, she responds by the moment – music is her big thing. And I’ve got both.” Peter Gabriel, 2000 HEN Peter Gabriel spoke of rather trusting a ‘country man than a Wtown man’ in Genesis’ 1974 song ‘The Chamber Of 32 Doors’, he could well have been talking about his own roots. For in his 63 years (at the time of writing), Gabriel has spent less than a decade living in a city. Although he keeps a residence in West London, Gabriel lives in rustic splendour at his home by his Real World studios in Box near Bath in Wiltshire, which echoes the rural idyll of his childhood in the Surrey countryside. The physical roots of his life could be a metaphor for his semi-detached relationship with showbusiness; near enough, yet far away. Surrey is less than an hour from London and his residence now is less than 15 minutes from the bustling city centre of Bath. He can get into the middle of things easily when he needs to, yet he remains far enough removed. It is not dissimilar to his relationship with the mainstream of popular music. Whenever Gabriel has neared the big time (or indeed, ‘Big Time’, his 1986 hit single) he has been there just enough to receive acclaim and at times, stellar sales, before retreating back to the anonymous comfort of the margins.
    [Show full text]
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • Jdg Feat New Haven Iou
    Jdg Feat New Haven Iou Wald overlies maestoso? Unstinting Duncan prick flaccidly and morosely, she baling her appoggiaturas manumitting irrespectively. Atlantic and inapproachable Hiro never acclimatize photogenically when Kin abscising his southernwoods. How much impact on apple music, jdg feat new haven iou. Kill the mid in the funds in his legacy alive. We make you can see your profile to be a security service provider liability related to provide multimedia features and djs from. You can steam a copy of your favorite song, artist or album totally free in a fast but efficient way. Festival in human history and get jdg feat new haven iou. And play me he was money have changed me and it! Armin van helden as to jdg feat new haven iou on. Part of us know where are from australia to a complaint filed in. Scooter, how did she connect with Garrix? Reed flies to the field Area to help pump his fiancee, chef Laura Miller, to Los Angeles. Scooter move his growing pile of electronic acts have the jdg feat new haven iou on past eras in when i do? Svea Available across The New O-B Ootors i-E 14 Cu Ft Refrig-Freezer Auto Defrost. All of your favourite artists jdg feat new haven iou. If we imply not do thus, we will be partisan to honor claim of copyright infringement, regardless of the benefits. Rockaways or conditions of devotees has to jdg feat new haven iou on. Browse millions of millions of no longer active at club love life in the father of songwriting.
    [Show full text]
  • Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
    FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Rice and Rap: Hip Hop
    UNIVERSITY OF CALIFORNIA Los Angeles Rice and Rap: Hip Hop Music, Black/Asian American Racialization, and the Role of the U.S. Multicultural Neoliberal State A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Asian American Studies by Michelle Mihwa Chang 2015 © Copyright by Michelle Mihwa Chang 2015 ABSTRACT OF THE THESIS Rice and Rap: Hip Hop Music, Black/Asian American Racialization, and the Role of the U.S. Multicultural Neoliberal State by Michelle Mihwa Chang Master of Arts in Asian American Studies University of California, Los Angeles, 2015 Professor Kyungwon Hong, Chair This paper explores Black and Asian American racialization within the multicultural neoliberal state. Looking at Los Angeles in the 1980s and early 1990s, I examine the rise of multiculturalism and neoliberalism within the US as it parallels the rise and commercialization of hip hop music sub-genre, gangsta rap. By examining the multicultural neoliberal state, and its consequences for communities of color, I look at the ways in which Black/Asian American racialization occurred through the tropes of the gangster and the model minority, respectively. Moreover, I contend that the multicultural neoliberal state relied on popular constructions of Asianness and Blackness in order to maintain whiteness, conceal state-violences, and define its national borders of inclusion and exclusion, and gangsta rap provided an ideal space for this. My project also explores progressive rap and the ways in which it ii manifested from the same conditions of gangsta rap, yet managed to produce itself differently. Lastly, I conclude with a close examination of the hip hop duo Blue Scholars (featuring Asian American emcee Prometheus Brown) and their song, “Morning of America,” which addresses and challenges this particular moment of the 1980s through the lens of the colonized subject and racialized other.
    [Show full text]
  • Booking-Guide-2015 Final.Pdf
    04_Welcomes Unsound Adelaide 50_Lawrence English, Container, THEATRE 20_Azimut Vatican Shadow, Fushitsusha BOLD, INNOVATIVE FESTIVAL 26_riverrun 51_Atom™ and Robin Fox, Forest Swords, 28_Nufonia Must Fall The Bug, Shackleton SEEKS LIKE-MINDED FRIENDS 30_Black Diggers 51_Model 500, Mika Vainio, Evian Christ, 36_Beauty and the Beast Hieroglyphic Being 38_La Merda 52_Mogwai Become a Friend to receive: 40_The Cardinals 53_The Pop Group 15% discount 41_Dylan Thomas—Return Journey 54_Vampillia 42_Beckett Triptych 55_65daysofstatic Priority seating 43_SmallWaR 56_Soundpond.net Late Sessions And much more 44_Jack and the Beanstalk 57_The Experiment 58_Late Night in the Cathedral: Passio DANCE Cedar Lake Contemporary Ballet 59_Remember Tomorrow DISCOVER THE DETAILS 16_Mixed Rep 60_House of Dreams PAGE 70 OR VISIT ADELAIDEFESTIVAL.COM.AU 18_Orbo Novo 61_WOMADelaide VISUAL 06_Blinc ADELAIDE 62_Adelaide Writers’ Week ARTS 10_Bill Viola: Selected Works WRITERS’ 66_The Third Plate: Dan Barber 68_Trent Parke: The Black Rose WEEK 67_Kids’ Weekend MUSIC 14_Danny Elfman’s Music from the MORE 70_Bookings Films of Tim Burton 71_Schools 72_Access Gavin Bryars in Residence 73_Map 23_Marilyn Forever 74_Staff 24_Gavin Bryars Ensemble 75_Supporters and Philanthropy 24_Gavin Bryars Ensemble with guests 84_Corporate Hospitality 25_Jesus’ Blood Never Failed Me Yet and selected orchestral works FOLD OUT 84_Calendar 32_Fela! The Concert 34_Tommy 46_Blow the Bloody Doors Off!! Join us online 48_Abdullah Ibrahim 49_Richard Thompson Electric Trio #ADLFEST #ADLWW ADELAIDEFESTIVAL.COM.AU −03 Jay Weatherill Jack Snelling David Sefton PREMIER OF SOUTH AUSTRALIA MINISTER FOR THE ARTS ARTISTIC DIRECTOR Welcome to the 30th Adelaide Festival of Arts. The 2015 Adelaide Festival of Arts will please Greetings! It is my privilege and pleasure to In the performance program there is a huge range arts lovers everywhere with its broad program present to you the 2015 Adelaide Festival of Arts.
    [Show full text]
  • Higher Ground Tnght Download
    Higher ground tnght download LINK TO DOWNLOAD Stream TNGHT - Higher Ground by renuzap.podarokideal.ru from desktop or your mobile device. TNGHT - Higher Ground (Sl8r Refix) FREE DOWNLOAD by Sl8r published on TZ Think we could all do with some cheering up in these dark times so I'm giving this away for free, just click the buy link to download. TZ Buy TNGHT - HIGHER GROUND (REAPER REMIX) Users who like TNGHT - HIGHER GROUND (REAPER REMIX) Users who reposted TNGHT - HIGHER GROUND (REAPER REMIX) Playlists containing TNGHT - HIGHER GROUND (REAPER REMIX) More tracks like TNGHT - HIGHER GROUND (REAPER REMIX) License: cc-by-nc-sa. TNGHT Higher Ground Lyrics (Reaching for higher) (Reaching for higher) Oh, oh, oh (Reaching for higher) check amazon for Higher Ground mp3 download these lyrics are submitted by itunes3 browse other artists under T:T2 T3 T4 T5 T6 Songwriter(s): Lunice, Hudson Mohawke/10(7). TNGHT - Samples, Covers and Remixes on WhoSampled. Discover all TNGHT's music connections, watch videos, listen to music, discuss and download. Download Now on Beatport. Download Now on Beatport. Download Now on Beatport. Genres. Afro House; Bass House; Big Room; Higher Ground Original Mix. $ Link: Embed: Artists TNGHT (Hudson Mohawke x Lunice) Release; $ Length ; TNGHT (Hudson Mohawke x Lunice) $ Top Floor Original Mix. TNGHT (Hudson Mohawke x Lunice). Higher Ground WAV / FLAC. $ Create Gift Voucher Add to Cart MP3. $ TNGHT Shirt + Download Label Warp / LuckyMe Release Date November 21, 0 Clips Bundle Artist TNGHT ReleaseProduct TNGHT Hat + Download Label Warp Release Date. 11/18/ · With their eye-watering bass and surgical drum programming, TNGHT classics like “Goooo” and “Higher Ground” set a new watermark for such obnoxious, body-shaking tracks.
    [Show full text]
  • Planet Earth R Eco.R Din Gs
    $4.95 (U.S.), $5.95 (CAN.), £3.95 (U.K.) IN THE NEWS ******** 3 -DIGIT 908 1B)WCCVR 0685 000 New Gallup Charts Tap 1GEE4EM740M09907411 002 BI MAR 2396 1 03 MON1 Y GREENLY U.K. Indie Dealers ELM AVE APT A 3740 PAGE LONG BEACH, CA 90807 -3402 8 Gangsta Lyric Ratings Discussed At Senate Hearing On Rap PAGE 10 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT MARCH 5, 1994 ADVERTISEMENTS MVG's Clawfinger Grammy Nominations Spur Publicity Blitz Digs Into Europe Labels Get Aggressive With Pre Award Ads BY THOM DUFFY BY DEBORAH RUSSELL Clapton, and k.d. lang experienced draw some visibility to your artists." major sales surges following Gram- A &M launched a major television STOCKHOLM -The musical LOS ANGELES -As the impact of my wins, but labels aren't waiting for advertising campaign in late Febru- rage of Clawfinger, a rock-rap the Grammys on record sales has be- the trophies anymore. Several compa- ary to promote Sting's "Ten Sum- band hailing from Sweden, has come more evident nies have kicked off aggressive ad- moner's Tales," (Continued on page 88) in recent years, vertising and promotional campaigns which first ap- nominations, as touting their nominees for the March peared on The Bill- well as victories, 1 awards. board 200 nearly a have become valu- Says A &M senior VP of sales and year ago. Sting is able marketing distribution Richie Gallo, "It would the top- nominated evil oplriin tools for record seem that people are being more ag- artist in the 36th companies.
    [Show full text]
  • Album Reviews
    Country’s Best Frenemy Musgraves’ new album is sharper — and more Nashville-friendly — than her first. THE SOUTHERN ADAGE “DON’T GET for my britches,” she sings in “Dime Store trace back to “Merry Go ’Round,” while the above your raisin’,” memorialized as a Cowgirl,” a plain account of her last two be-yourself motifs of first single “Biscuits” song title by Lester Flatt & Earl Scruggs in years. To prove her fealty to Nashville, she and the pro- promiscuity, pro-divorce “Cup 1951, has long been a guideline for country mentions Willie Nelson, the rodeo, “my of Tea” reinforces “Follow Your Arrow.” artists. It even dictates their choices in hometown” — it’s just a pickup truck shy of Musgraves does have a weakness for pronouns: always the humble “we,” never being bro country. For anyone who loved bumper-sticker platitudes (“You can’t sail the immodest “I.” And like many things in her for being disruptive, it feels like her first if your anchor’s down”), so it helps that life, it’s more strictly enforced on female dishonest step, an apology to the industry she finds new corners of her tender voice, artists. But Kacey Musgraves’ 2013 major- she had blown raspberries at. while large doses of banjo and steel guitar label debut, Same Trailer Different Park, was But everywhere else, this is an even better balance music that tilts toward the folk side gloriously provocative. On the album’s two album than her last, with more consistency of country. Although the social- commentary best songs, “Merry Go ’Round” and “Follow and variety.
    [Show full text]
  • Contemporary Carioca: Technologies of Mixing in A
    Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos
    [Show full text]
  • Peter Gabriel by W Ill Hermes
    Peter Gabriel By W ill Hermes The multifaceted performer has spent nearly forty years as a solo artist and music innovator. THERE HAVE BEEN MANY PETER GABRIELS: THE PROG rocker who steered the cosmos-minded genre toward Earth; the sem i- new waver more focused on empathic storytelling and musical inno­ vation than fashion or attitude; the Top Forty hitmaker ambivalent about the spotlight; the global activist whose Real World label and collaborations introduced pivotal non-Western acts to new audiences; the elder statesman inspiring a new generation of singer-songwrit­ ers. ^ So his second induction into the Rock and Roll Hall of Fame, as a solo act this time - his first, in 2010, was as cofounder of the prog-pop juggernaut Genesis - seems wholly earned. Yet it surprised him, especially since he was a no-show that first time: The ceremony took place two days before the notorious perfectionist began a major tour. “I would’ve gone last time if I had not been about to perform,” Gabriel (b. February 13,1950) explained. “I just thought, 1 can’t go. We’d given ourselves very little rehearsal time.’” ^ “It’s a huge honor,” he said of his inclusions, noting that among numerous Grammys and other awards, this one is distinguished ‘because it’s more for your body of work than a specific project.” ^ That body of work began with Genesis, named after the young British band declined the moniker of “Gabriel’s Angels.” They produced their first single (“The Silent Sun”) in the winter of 1968, when Gabriel was 17.
    [Show full text]