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In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
View Entire Issue As
muSicaL PReVIEW A look at what’s on the performance calendar of the state’s classical ensembles this season. See Page 22 The Voice of progRess foR WiSconsiN’S LgBT commuNiTy September 22, 2011 | Vol. 2, No. 23 falliNg foR The SceNeRy Tourists spent nearly $3 billion in Wisconsin last fall in pursuit of nature’s gold. Wig visits door county, one of the state’s favorite fall destinations, to check in with some of the gay business owners who’ve helped make the area a world-class destination (page 12). Wig also reports from Bayfield, where fall’s transformation begins its colorful journey southward (page 27). PHOTO: DOORC ount y. com /D oor C ount y V isitor B ureau This celebrations follow end of ‘don’t ask’ By Lisa Neff founder of Servicemembers Congress, Clinton agreed to issue Staff writer United and a veteran dis- a compromise that did not foR The RecoRd inside and online at “Don’t ask, don’t tell” offi- charged under the policy. end but rather codified the “My thoughts, today, are with all those gay men and wisconsingazette.com cially ended at 12:01 a.m. on DADT was enacted ban. DADT barred military lesbians who suffered directly or indirectly because of Sept. 20, a date greeted like almost 18 years ago. It was officers from asking about a discriminatory policies in our military. The injustice they News a holiday by the politicians a hard-fought loss for Bill recruit’s or servicemember’s endured is not undone by today’s events. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Sju Women's Basketball Hall of Fame
HISTORY Year-By-Year Records YEARLY RESULTS YEARLY A-10 RESULTS Season W L Pct. Captain(s) Coach Postseason Season W L Place 1973-74 9 2 .818 Martino, Ritchie Ellen Ryan 1974-75 9 2 .818 Martino, Ritchie Theresa Grentz 1973-74 –– –– –– 1975-76 18 3 .857 Maley, O’Brien Theresa Grentz AIAW 1974-75 –– –– –– 1975-76 –– –– –– 1976-77 23 5 .821 Maley, O’Brien Rene Portland AIAW 1976-77 –– –– –– 1977-78 24 4 .857 Garrity, Langley Rene Portland AIAW 1977-78 –– –– –– 1978-79 16 9 .640 Burke Jim Foster AIAW 1978-79 –– –– –– 1979-80 11 15 .423 Ridge Jim Foster 1979-80 –– –– –– 1980-81 14 11 .560 Dunne, Gentry Jim Foster 1980-81 –– –– –– 1981-82 16 12 .571 Dunne Jim Foster 1981-82 –– –– –– 1982-83 15 13 .536 Foy Jim Foster 1982-83 –– –– –– 1983-84 17 10 .630 Dunne, O’Brien Jim Foster 1983-84 3 5 T-6th 1984-85 25 5 .833 Brown, Dunne, Fonda Jim Foster NCAA 1984-85 7 1 T-1st 1985-86 22 7 .759 Clark, Mohr Jim Foster NCAA 1985-86 12 4 T-2nd 1986-87 23 9 .719 Carmichael, Clark, Rooney Jim Foster NCAA 1986-87 14 4 3rd 1987-88 16 2 2nd 1987-88 24 8 .750 Black, Foley, Hughes Jim Foster NCAA 1988-89 16 2 T-1st 1988-89 23 8 .742 Foley, Shields Jim Foster NCAA 1989-90 16 2 T-1st 1989-90 24 7 .744 Anderson, Reynolds, Shields Jim Foster NCAA 1990-91 10 8 T-5th 1990-91 18 12 .600 Anderson Jim Foster 1991-92 11 5 T-2nd 1991-92 17 12 .586 Anderson, Curry Stephanie Gaitley 1992-93 10 4 3rd 1992-93 21 8 .724 Bostick, Curry, Mallon Stephanie Gaitley 1993-94 11 5 3rd 1993-94 19 9 .679 Bostick Stephanie Gaitley NCAA 1994-95 11 5 T-3rd 1994-95 20 9 .690 Jakubowicz, Moore, Wenger Stephanie Gaitley NCAA 1995-96 9 7 3rd-East 1995-96 16 12 .571 Jones, Sullivan Stephanie Gaitley 1996-97 15 1 1st-East 1996-97 26 5 .839 M. -
Yazoo Discography
Yazoo discography This discography was created on basis of web resources (special thanks to Eugenio Lopez at www.yazoo.org.uk and Matti Särngren at hem.spray.se/lillemej) and my own collection (marked *). Whenever there is doubt whether a certain release exists, this is indicated. The list is definitely not complete. Many more editions must exist in European countries. Also, there must be a myriad of promo’s out there. I have only included those and other variations (such as red vinyl releases) if I have at least one well documented source. Also, the list of covers is far from complete and I would really appreciate any input. There are four sections: 1. Albums, official releases 2. Singles, official releases 3. Live, bootlegs, mixes and samples 4. Covers (Christian Jongeneel 21-03-2016) 1 1 Albums Upstairs at Eric’s Yazoo 1982 (some 1983) A: Don’t go (3:06) B: Only you (3:12) Too pieces (3:12) Goodbye seventies (2:35) Bad connection (3:17) Tuesday (3:20) I before e except after c (4:38) Winter kills (4:02) Midnight (4:18) Bring your love down (didn’t I) (4:40) In my room (3:50) LP UK Mute STUMM 7 LP France Vogue 540037 * LP Germany Intercord INT 146.803 LP Spain RCA Victor SPL 1-7366 Lyrics on separate sheet ‘Arriba donde Eric’ * LP Spain RCA Victor SPL 1-7366 White label promo LP Spain Sanni Records STUMM 7 Reissue, 1990 * LP Sweden Mute STUMM 7 Marked NCB on label LP Greece Polygram/Mute 4502 Lyrics on separate sheet * LP Japan Sire P-11257 Lyrics on separate sheets (english & japanese) * LP Australia Mute POW 6044 Gatefold sleeve LP Yugoslavia RTL LL 0839 * Cass UK Mute C STUMM 7 * Cass Germany Intercord INT 446.803 Cass France Vogue 740037 Cass Spain RCA Victor SPK1 7366 Reissue, 1990 Cass Spain Sanni Records CSTUMM 7 Different case sleeve Cass India Mute C-STUMM 7 Cass Japan Sire PKF-5356 Cass Czech Rep. -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves. -
UNIVERSITY of CALIFORNIA Los Angeles Rice and Rap: Hip Hop
UNIVERSITY OF CALIFORNIA Los Angeles Rice and Rap: Hip Hop Music, Black/Asian American Racialization, and the Role of the U.S. Multicultural Neoliberal State A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Asian American Studies by Michelle Mihwa Chang 2015 © Copyright by Michelle Mihwa Chang 2015 ABSTRACT OF THE THESIS Rice and Rap: Hip Hop Music, Black/Asian American Racialization, and the Role of the U.S. Multicultural Neoliberal State by Michelle Mihwa Chang Master of Arts in Asian American Studies University of California, Los Angeles, 2015 Professor Kyungwon Hong, Chair This paper explores Black and Asian American racialization within the multicultural neoliberal state. Looking at Los Angeles in the 1980s and early 1990s, I examine the rise of multiculturalism and neoliberalism within the US as it parallels the rise and commercialization of hip hop music sub-genre, gangsta rap. By examining the multicultural neoliberal state, and its consequences for communities of color, I look at the ways in which Black/Asian American racialization occurred through the tropes of the gangster and the model minority, respectively. Moreover, I contend that the multicultural neoliberal state relied on popular constructions of Asianness and Blackness in order to maintain whiteness, conceal state-violences, and define its national borders of inclusion and exclusion, and gangsta rap provided an ideal space for this. My project also explores progressive rap and the ways in which it ii manifested from the same conditions of gangsta rap, yet managed to produce itself differently. Lastly, I conclude with a close examination of the hip hop duo Blue Scholars (featuring Asian American emcee Prometheus Brown) and their song, “Morning of America,” which addresses and challenges this particular moment of the 1980s through the lens of the colonized subject and racialized other. -
San Francisco Pride Announces Additional Entertainment and Special Guests for Official Pride 50 Online Celebration
Media Contacts: Julie Richter | [email protected] Peter Lawrence Kane | [email protected] SAN FRANCISCO PRIDE ANNOUNCES ADDITIONAL ENTERTAINMENT AND SPECIAL GUESTS FOR OFFICIAL PRIDE 50 ONLINE CELEBRATION JUNE 27–28, 2020 SAN FRANCISCO (June 18, 2020) — Today, the Board of Directors of San Francisco Pride announced additional entertainment and special Guests participatinG in the official Pride 50 online celebration takinG place Saturday, June 27 and Sunday, June 28, 2020. To celebrate the milestone anniversary, San Francisco leGendary draG icons Heklina, Honey Mahogany, Landa Lakes, Madd Dogg 20/20, Peaches Christ, and Sister Roma will come toGether for Decades of Drag, a conversation where they reflect on decades of activism, struGGles, and victories. JoininG the previously announced artists, the tribute to LGBTQ+ luminaries and Queer solidarity includes performances by Madame Gandhi, VINCINT, Elena Rose, Krystle Warren, La Doña, and LadyRyan, presented by SF Queer NiGhtlife. The weekend proGram also features a spotliGht on Openhouse and the livinG leGacy of Black Queer and transgender activism; National Center for Lesbian RiGhts Exeutive Director Imani Rupert-Gordon discussinG Black Lives Justice; and a deep dive into the history of the LGBTQ+ community in music with Kim Petras. Additional special appearances include Bay Area American Indian TwoSpirits, body positive warrior Harnaam Kaur, AlPhabet Rockers, Cheer SF (celebratinG forty years!), a conversation on the intersection of Black and Gay issues between Dear White People creator Justin Simien and cast member Griffin Matthews, and best-of performances from San Francisco’s oldest Queer bar The Stud. Previously announced entertainment includes hosts Honey Mahogany, Per Sia, Sister Roma, and Yves Saint Croissant, as well as New Orleans-born Queen of Bounce, Big Freedia as the Saturday headliner. -
Council Decides Not to Outsource Functions at Coral Oaks
THREE DAYS A WEEK POST COMMENTS AT CAPE-CORAL-DAILY-BREEZE.COM Bulldogs CAPE CORAL win Ida Baker edges visiting Estero BREEZE — SPORTS EARLY-WEEK EDITION WEATHER: Chance of Showers • Tonight: Partly Cloudy • Wednesday: Chance of Showers — 2A cape-coral-daily-breeze.com Vol. 50, No. 116 Tuesday, September 27, 2011 50 cents Council decides not to outsource functions at Coral Oaks By DREW WINCHESTER course’s debt and make the city continue to have the city subsi- Councilmember Bill Deile felt the Golf Course Advisory Board [email protected] additional funds. dize the course,” the mayor said. the flat fee $3 per round is a good on adjusting the various fees, Cape Coral City Council Mayor John Sullivan suggest- Parks and Recreation Director idea, but there might be other where applicable. decided to abandon plans that ed charging an additional $3 in Steve Pohlman said the added $3 ways to adjust fees to make Chulakes-Leetz universally would have outsourced some, or greens fees per round. greens fees per round would earn money other than simply focusing praised the maintenance staff at all, functions of the Coral Oaks Sullivan said there are far too the city $100,000 - $140,000 a on the charges per round. Coral Oaks, but hopes the Golf Course but will likely look many people in the city hurting year. “Rather than a broad brush course’s management staff can to increase fees in the future. financially to continue to pay for Pohlman added 61,500 approach, I’d like to fine tune it,” come up with additional ways to Increasing fees — which the golf course. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Residents Rally to Oppose Cooper Rd. Project
Serving Westfield, Scotch Plains and Fanwood Friday. December 24,2004 50 cents Residents rally to oppose Cooper Rd. project The rally was prompted by a develop- Resident Ed Davis said the island is er's plan to construct a single-family home symbolic of the uniqueness of his neigh- THE RECORD-PRESS on a privately owned lot that occupies the borhood. SCOTCH PLAINS — Buttressed by 50 western end of the island. The plan The house is going to sit in the middle or more sympathetic neighbors, opponents requires a variance from the Board of of an open area, and it's going to dominate of a south side building plan gathered on Adjustment, which will hear the case Jan. the view coming up here," Davis said. "It an island in the middle of Cooper Road 6. The building lot is 660 square feet shy of just seems crass." Saturday to draw attention to their cause. the 40,000 square foot minimum estab- With much of northern New Jersey At the rally, neighbors discussed the lished by the local land use ordinance. slated to be ofT-Iimits to development history of Cooper Road and brainstormed Neighbors lament the steadily increas- under new state regulations, many legal strategies for controlling new devel- ing level of traffic on a street that was builders are turning their attention to opment while their children sat cross- once a farm road, and was chosen by many communities like Scotch Plains, which has legged in the grass, inking slogans onto for its pastoral setting, quiet, and abun- an abundance of large lots and open space BROOKS CRANDALL/COflRESPONDENT handmade cardboard signs.