Description of Fences フェンスの説明 / Description Des Obstacles

Total Page:16

File Type:pdf, Size:1020Kb

Description of Fences フェンスの説明 / Description Des Obstacles Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Eventing Individual 総合馬術個人 / Concours complet individuel MON 2 AUG 2021 Jumping Qualifier 障害予選 / Saut d'obstacles - épreuve qualificative Description of Fences フェンスの説明 / Description des obstacles Fence 1 - The Great Wave off Kanagawa. Hokusai. Author: (Katsushika Hokusai) Original Title: (Kanagawa-oki nami ura) Year: 1829 – 1832 Base/stand: Colour-engraved upon a wooden block. Japanese ukiyo-e master. The Great Wave is the most recognized piece by Japanese painter Katsushika Hokusai, who specializes in ukiyo-e. Published between 1830 and 1833 during the Edo period, it forms part of the collection “Thirty-six views of Mount Fuji”, even though Mount Fuji is the smallest element. The wave references the relentless force of nature, the sea, and the importance this event has in Japan’s economy and its cultural development, given the country is formed by 4 islands. EQUOEVEN INDV---------- JMPQ000100--_03B 1 Report Created MON 2 AUG 2021 13:35 Page 1/12 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Eventing Individual 総合馬術個人 / Concours complet individuel MON 2 AUG 2021 Jumping Qualifier 障害予選 / Saut d'obstacles - épreuve qualificative Fence 2 - Kanto Matsuri. Akita Festival. The Kanto Matsuri (竿燈まつり, "pole lantern festival") is a is a Tanabata related celebration in Akita City, held every year from the 3rd to the 6th of August. From out all the different actions which take place at the Akita festival, the most fascinating one, is how all the participants are able to keep the Kanto (long poles made out of bamboo with a paper lantern on the top) in equilibrium. These poles can reach a length of 12 metres and a weight of approximately 50 kilograms. They can have up to 46 paper lamps with lit candles inside them. Once the drums, flutes and songs start to sound (“Dokkoisho”, “Dokkoisho”), each kanto is pulled up by only one person, which using different techniques makes it keep on equilibrium. Gradually, more extensions are added until the pole reaches its maximum height. The main event of this festival are the night-time parades where different groups participate and there are approximately 250 kantos. This event takes place along Chuo Dori street in Akita. EQUOEVEN INDV---------- JMPQ000100--_03B 1 Report Created MON 2 AUG 2021 13:35 Page 2/12 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Eventing Individual 総合馬術個人 / Concours complet individuel MON 2 AUG 2021 Jumping Qualifier 障害予選 / Saut d'obstacles - épreuve qualificative Fence 3 - FEI. 100 YEARS. EQUOEVEN INDV---------- JMPQ000100--_03B 1 Report Created MON 2 AUG 2021 13:35 Page 3/12 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Eventing Individual 総合馬術個人 / Concours complet individuel MON 2 AUG 2021 Jumping Qualifier 障害予選 / Saut d'obstacles - épreuve qualificative Fence 4 - Nihonbashi Bridge. Tokyo. Nihonbashi, (literally: Japanese bridge), is the name of a business neighbourhood which belongs to the district of Chuō in Tokyo (Japan). In this neighbourhood we can find the famous bridge that bears same name. It is considered as one of the most important level steps of the Tōkkaidō of the Edo period. It was the most important commercial point in the country as it was the starting point of five of the busiest routes of the time. The bridge has been destroyed by earthquakes and wars on several occasions. At present, the Nihonbashi Bridge is crossed by an elevated expressway. The bridge is said to have been built in 1603 under the order of Tokugawa Ieyasu. The next year, the starting point of Gokaido, or five major roads, was made and became the symbol of the prosperous city of Edo, the centre of Japan. The current twin arch bridge made of stone was completed in 1911. The kirin statue under the bridge light in the centre of the bridge depicts the prosperity of the city of Tokyo when it was made, and the shishi statues at the four corners depict protection. The Nihonbashi was designated as an Important Cultural Property of Japan. EQUOEVEN INDV---------- JMPQ000100--_03B 1 Report Created MON 2 AUG 2021 13:35 Page 4/12 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Eventing Individual 総合馬術個人 / Concours complet individuel MON 2 AUG 2021 Jumping Qualifier 障害予選 / Saut d'obstacles - épreuve qualificative Fence 5ABC - Red thread legend. According to this myth, everyone is tied by the little finger with an invisible red thread that will lead them to another person which who they will make history. The two people connected by this thread will have an important history, no matter the place, the time or the circumstances. The red thread can be tangled, collapsed and stretched, as surely often happens, but it can never be broken. The ulnar artery connects the heart to the little finger. This thin vein that goes from the heart to the hand extends through the invisible world to finish its course in someone else's heart. Unlike other legends, the Japanese is not limited to the couple, or to a single person we are destined to find. It speaks of a sort of arterial ramification that arises from a finger towards all those with whom we will make history and all those we help in one way or another. The Red Thread myth is a way to understand our relationships with other people as a default plot where all the little stories of which, in one way or another we are part of, and how they are not casual but part of a network of red threads that are there from the beginning. According to this legend, there is an old man who lives on the moon and leaves every night seeking among the spirits those akin to gather on earth, who have something to teach each other, and when he finds them he ties a red thread to find their way. So, our red threads end up in someone else. EQUOEVEN INDV---------- JMPQ000100--_03B 1 Report Created MON 2 AUG 2021 13:35 Page 5/12 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Eventing Individual 総合馬術個人 / Concours complet individuel MON 2 AUG 2021 Jumping Qualifier 障害予選 / Saut d'obstacles - épreuve qualificative Fence 6 - Japanese Seigaiha Symbol. The Seigaiha or wave is a patter of layered concentric circles creating arches, symbolic of waves or water and representing surges of good luck. It can also signify power and resilience. EQUOEVEN INDV---------- JMPQ000100--_03B 1 Report Created MON 2 AUG 2021 13:35 Page 6/12 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Eventing Individual 総合馬術個人 / Concours complet individuel MON 2 AUG 2021 Jumping Qualifier 障害予選 / Saut d'obstacles - épreuve qualificative Fence 7 - Shinkyo bridge. The Nikko mausoleum. Nikko Bridge Shinkyo (神橋, Shinkyō) is located at the entrance before reaching the temple and shrines area of Nikko, surrounded by a spectacular nature. It belongs to the Futarasan Shrine (二荒山神社) is a beautiful and ancient shrine that can be found in Nikko. This bridge is listed as one of the three most beautiful bridges in Japan next to the Kintaikyo Bridge of Iwakuni and the Saruhashi of Yamanashi prefecture. The Shinkyo bridge that can be seen at present was built in the year 1636 but until 1973 was not open to the public. EQUOEVEN INDV---------- JMPQ000100--_03B 1 Report Created MON 2 AUG 2021 13:35 Page 7/12 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Eventing Individual 総合馬術個人 / Concours complet individuel MON 2 AUG 2021 Jumping Qualifier 障害予選 / Saut d'obstacles - épreuve qualificative Fence 8 - Kokeshi dolls. The Kokeshi are the traditional Japanese dolls. Originally crafted in Tokohu, a region in the North of Japan, an area most commonly known for its spas and thermal waters. Those considered to be the most traditional are called Naruko, and they are crafted in Miyagi. Its origin dates back to the 17th century, halfway down through the Edo period. They are handmade and crafted in wood from either the dark cherry or the lighter mizuki tree. The original kokeshi dolls were crafted following a simple design and had an elongated shape mixed with subtle colours. As years have passed, more designs have appeared, always keeping one main characteristic in common, the lack of arms and legs. The body is usually decorated with floral motifs or with the appearance of a kimono, despite this, there are many different kinds, with different sizes and patterns. They are considered to be both decorative and good luck amulets. As the wood with which they are carved, the Mizuki, has a high resistance to fire, they are often bought to protect the house from fires. There are two types of kokeshi, traditional and creative or "Sosaku". The latter are relatively new, often so extraordinary in their expression that they have a high artistic value. EQUOEVEN INDV---------- JMPQ000100--_03B 1 Report Created MON 2 AUG 2021 13:35 Page 8/12 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Eventing Individual 総合馬術個人 / Concours complet individuel MON 2 AUG 2021 Jumping Qualifier 障害予選 / Saut d'obstacles - épreuve qualificative Fence 9AB - Good luck charm. Daruma. Daruma (達磨) “Japanese amulet” Ritual Ceremony: Daruma Kuyo (だるま供養) Shorinzan Daruma Temple in Takasaki Every year, during the month of January (6th & 7th) more than 400.000 Japanese reach the temple in search of a daruma for the incoming year. The Daruma is considered a motivational amulet. It is considered to be motivational because it motivates us and gives us strength so that we can achieve what we propose. The daruma is a representation of the objective that we have self-imposed, a way to remember, a motivation, so that we do not feel weak during the process.
Recommended publications
  • Japanese Woodblock Prints at the Museum of Fine Arts Boston Hokusai Exhibit 2015 Tokugawa Ieyasu Tokugawa Clan Rules 1615- 1850
    From the Streets to the Galleries: Japanese Woodblock Prints at the Museum of Fine Arts Boston Hokusai Exhibit 2015 Tokugawa Ieyasu Tokugawa Clan Rules 1615- 1850 Kabuki theater Utamaro: Moon at Shinagawa (detail), 1788–1790 Brothel City Fashions UTAGAWA KUNIYOSHI, TAKEOUT SUSHI SUGGESTING ATAKA, ABOUT 1844 A Young Man Dallying with a Courtesan about 1680 attributed to Hishikawa Moronobu Book of Prints – Pinnacle of traditional woodblock print making Driving Rain at Shono, Station 46, from the Fifty-three Stations of the Tokkaido Road, 1833, Ando Hiroshige Actor Kawarazaki Gonjuro I as Danshichi 1860, Artist: Kunisada The In Demand Type from the series Thirty Two Physiognomic Types in the Modern World Artist: Utagawa Kunisada 1820s The Mansion of the Plates, From the Series One Hundred Ghost Stories, about 1831, Artist Katsushika Hokusai Taira no Tadanori, from the Series Warriors as Six Poetic Immortals Artist Yashima Gakutei, About 1827, Surimono Meiji Restoration. Forecast for the Year 1890, 1883, Ogata Gekko Young Ladies Looking at Japanese objects, 1869 by James Tissot La Japonaise (Camille Monet in Japanese costume) Claude Monet, 1876 The Fish, Stained glass Window, 1890, John La Farge Academics and Adventurers: Edward S. Morse, Okakura Kakuzo, Ernest Fenollosa, William Sturgis Bigelow New Age Japanese woman, About 1930s Edward Sylvester Morse Whaleback Shell Midden in Damariscotta, Maine Brachiopod Shell Brachiopod worm William Sturgis Bigelow Ernest Fenollosa Okakura Kakuzo Charles T. Spaulding https://www.mfa.org/collections /asia/tour/spaulding-collection Stepping Stones in the Afternoon, Hiratsuka Un’ichi, 1960 Azechi Umetaro, 1954 Reike Iwami, Morning Waves. 1978 Museum of Fine Arts Toulouse Lautrec and the Stars of Paris April 7-August 4 Uniqlo t-shirt.
    [Show full text]
  • Oshiage Yoshikatsu URL
    Sumida ☎ 03-3829-6468 Oshiage Yoshikatsu URL http://www.hotpepper.jp/strJ000104266/ 5-10-2 Narihira, Sumida-ku 12 Mon.- Sun. 9 3 6 and Holidays 17:00 – 24:00 (Closing time: 22:30) Lunch only on Sundays and Holidays 11:30 – 14:00 (Open for dinner on Sundays and Holidays by reservation only) Irregular 4 min. walk from Oshiage Station Exit B1 on each line Signature menu とうきょう "Tsubaki," a snack set brimming Green Monjayaki (Ashitabaスカイツリー駅 Monja served with baguettes) with Tokyo ingredients OshiageOshiage Available Year-round Available Year-round Edo Tokyo vegetables, Tokyo milk, fi shes Yanagikubo wheat (Higashikurume), fl our (Ome), cabbages Ingredients Ingredients 北十間川 from Tokyo Islands, Sakura eggs, soybeans (produced in Tokyo), Ashitaba (from Tokyo Islands), ★ used used (from Hinode and Ome), TOKYO X Pork TOKYO X Pork sausage, Oshima butter (Izu Oshima Island) *Regarding seasoning, we use Tokyo produced seasonings in general, including Hingya salt. Tokyo Shamo Chicken Restaurant Sumida ☎ 03-6658-8208 Nezu Torihana〈Ryogoku Edo NOREN〉 URL http://www.tokyoshamo.com/ 1-3-20 Yokoami, Sumida-ku 12 9 3 6 Lunch 11:00 – 14:00 Dinner 17:00 – 21:30 Mondays (Tuesday if Monday is a holiday) Edo NOREN can be accessed directly via JR Ryogoku Station West Exit. Signature menu Tokyo Shamo Chicken Tokyo Shamo Chicken Course Meal Oyakodon Available Year-round Available Year-round ★ Ingredients Ingredients Tokyo Shamo Chicken Tokyo Shamo Chicken RyogokuRyogoku used used *Business hours and days when restaurants are closed may change. Please check the latest information on the store’s website, etc. 30 ☎ 03-3637-1533 Koto Kameido Masumoto Honten URL https://masumoto.co.jp/ 4-18-9 Kameido, Koto-ku 12 9 3 6 Mon-Fri 11:30 – 14:30/17:00 – 21:00 Weekends and Holidays 11:00 – 14:30/17:00 – 21:00 * Last Call: 19:30 Lunch last order: 14:00 Mondays or Tuesdays if a national holiday falls on Monday.
    [Show full text]
  • Local Dishes Loved by the Nation
    Sapporo 1 Hakodate 2 Japan 5 3 Niigata 6 4 Kanazawa 15 7 Sendai Kyoto 17 16 Kobe 10 9 18 20 31 11 8 ocal dishes Hiroshima 32 21 33 28 26 19 13 Fukuoka 34 25 12 35 23 22 14 40 37 27 24 29 Tokyo loved by 41 38 36 Nagoya 42 44 39 30 Shizuoka Yokohama 43 45 Osaka Nagasaki 46 Kochi the nation Kumamoto ■ Hokkaido ■ Tohoku Kagoshima L ■ Kanto ■ Chubu ■ Kansai 47 ■ Chugoku ■ Shikoku Naha ■ Kyushu ■ Okinawa 1 Hokkaido 17 Ishikawa Prefecture 33 Okayama Prefecture 2 Aomori Prefecture 18 Fukui Prefecture 34 Hiroshima Prefecture 3 Iwate Prefecture 19 Yamanashi Prefecture 35 Yamaguchi Prefecture 4 Miyagi Prefecture 20 Nagano Prefecture 36 Tokushima Prefecture 5 Akita Prefecture 21 Gifu Prefecture 37 Kagawa Prefecture 6 Yamagata Prefecture 22 Shizuoka Prefecture 38 Ehime Prefecture 7 Fukushima Prefecture 23 Aichi Prefecture 39 Kochi Prefecture 8 Ibaraki Prefecture 24 Mie Prefecture 40 Fukuoka Prefecture 9 Tochigi Prefecture 25 Shiga Prefecture 41 Saga Prefecture 10 Gunma Prefecture 26 Kyoto Prefecture 42 Nagasaki Prefecture 11 Saitama Prefecture 27 Osaka Prefecture 43 Kumamoto Prefecture 12 Chiba Prefecture 28 Hyogo Prefecture 44 Oita Prefecture 13 Tokyo 29 Nara Prefecture 45 Miyazaki Prefecture 14 Kanagawa Prefecture 30 Wakayama Prefecture 46 Kagoshima Prefecture 15 Niigata Prefecture 31 Tottori Prefecture 47 Okinawa Prefecture 16 Toyama Prefecture 32 Shimane Prefecture Local dishes loved by the nation Hokkaido Map No.1 Northern delights Iwate Map No.3 Cool noodles Hokkaido Rice bowl with Tohoku Uni-ikura-don sea urchin and Morioka Reimen Chilled noodles
    [Show full text]
  • Hydrogen and Fuel Cells in Japan
    HYDROGEN AND FUEL CELLS IN JAPAN JONATHAN ARIAS Tokyo, October 2019 EU-Japan Centre for Industrial Cooperation ABOUT THE AUTHOR Jonathan Arias is a Mining Engineer (Energy and Combustibles) with an Executive Master in Renewable Energies and a Master in Occupational Health and Safety Management. He has fourteen years of international work experience in the energy field, with several publications, and more than a year working in Japan as an energy consultant. He is passionate about renewable energies, energy transition technologies, electric and fuel cell vehicles, and sustainability. He also published a report about “Solar Energy, Energy Storage and Virtual Power Plants in Japan” that can be considered the first part of this document and is available in https://lnkd.in/ff8Fc3S. He can be reached on LinkedIn and at [email protected]. ABOUT THE EU-JAPAN CENTRE FOR INDUSTRIAL COOPERATION The EU-Japan Centre for Industrial Cooperation (http://www.eu-japan.eu/) is a unique venture between the European Commission and the Japanese Government. It is a non-profit organisation established as an affiliate of the Institute of International Studies and Training (https://www.iist.or.jp/en/). It aims at promoting all forms of industrial, trade and investment cooperation between the EU and Japan and at improving EU and Japanese companies’ competitiveness and cooperation by facilitating exchanges of experience and know-how between EU and Japanese businesses. (c) Iwatani Corporation kindly allowed the use of the image on the title page in this document. Table of Contents Table of Contents ......................................................................................................................... I List of Figures ............................................................................................................................ III List of Tables ..............................................................................................................................
    [Show full text]
  • Nature and Culture in Visual Communication: Japanese Variations on Ludus Naturae
    Semiotica 2016; aop Massimo Leone* Nature and culture in visual communication: Japanese variations on Ludus Naturae DOI 10.1515/sem-2015-0145 Abstract: The neurophysiology of vision and cognition shapes the way in which human beings visually “read” the environment. A biological instinct, probably selected as adaptive through evolution, pushes them to recognize coherent shapes in chaotic visual patterns and to impute the creation of these shapes to an anthropomorphic agency. In the west as in the east, in Italy as in Japan, human beings have identified faces, bodies, and landscapes in the bizarre chromatic, eidetic, and topologic configurations of stones, clouds, and other natural elements, as though invisible painters and sculptors had depicted the former in the latter. However, culture-specific visual ideologies immediately and deeply mold such cross-cultural instinct of pattern recognition and agency attribution. Giants and mythical monsters are seen in clouds in the west as in the east; both the Italian seventeenth-century naturalist and the Japanese seventeenth-century painter identify figures of animals and plants in stones. And yet, the ways in which they articulate the semantics of this visual recogni- tion, identify its icons, determine its agency, and categorize it in relation to an ontological framework diverge profoundly, according to such exquisitely paths of differentiation that only the study of culture, together with that of nature, can account for. Keywords: semiotics, visual communication, visual signification, pareidolia, Japanese aesthetics, agency Quapropter cum has convenientias quas dicis infidelibus quasi quasdam picturas rei gestae obtendimus, quoniam non rem gestam, sed figmentum arbitrantur esse, quod credimus quasi super nubem pingere nos existimant… (Anselm of Aosta, Cur Deus Homo,I,4) *Corresponding author: Massimo Leone, University of Turin, Department of Philosophy, Via S.
    [Show full text]
  • Tokyo Skytree
    ENGLISH 英語 Let’s collect! TOKYO SKYTREE Tembo Galleria (Floor 445, 450) Visit Commemoration Stamp Tembo Galleria Floor 445-450 A sloped 110-meter “air walk” The height of TOKYO SKYTREE is★★★m from Floor 445 up to Floor 450. With audio eects that The tallest tower in the world, SKYTREE! How many meters high is it? change with the season and Let’s start to our journey and nd out the hidden answer with weather. Sorakara-chan and other ocial characters of TOKYO SKYTREE! e Tembo Ga ytre lleri Sk a yo Sorakara Point Commemorative Photography (Floor 445) ok TOKYO SKYTREE T “Sorakara-chan”, descended from the sky The highest point at 451.2 meters above the Memorial photo at the highest point of ① Traditional Techniques and ground. Visitors can enjoy seasonal limited the TOKYO SKYTREE! out of curiosity to TOKYO SKYTREE. events or other services. Opening hours 8:00-21:30 “Teppenpen”, a girl who has a weakness Forefront Technologies from Japan for fads and fashions. Floor 450 “Sukoburuburu”, an old dog bred in shitamachi, the Tokyo traditional town SKYTREE TERRACE TOURS (Outdoor guided tour) area. Three of them are looking forward to meeting visitors from all over the world here at SKYTREE! In addition to Tembo Deck and Tembo Galleria, a special new oor has been revealed. Enjoy the kyo Skytree T panoramic view seen To emb TOKYO SKYTREE Tembo Deck (Floor 350, 345, 340) ② o D through the SKYTREE’s Tembo Shuttle ec Floor 155 dynamic steel frameworks. (See-through elevator) k Feel the open-air breeze, SKYTREE® Post Floor 345 light and sounds of Tokyo.
    [Show full text]
  • The Jomon Clay Figurines of the Kaminabe Site, Kyushu, Japan By
    The Jomon Clay Figurines of the Kaminabe Site, Kyushu, Japan by Minako Togawa Department of Anthropology McGill University, Montreal June 2003 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts © Minako Togawa 2003 InoGi!' Ur-v Bi \ * / ^f V ABSTRACT This study considers the phenomenon of the sudden and brief appearance of clay figurines in west-central Kyushu towards the end of the Jomon Period (13,000-2,300 C years BP). The baked clay figurines representing humans were made throughout the Jomon Period, but mostly in central and northern Honshu. Following a review of previous interpretations of the Jomon clay figurines in general, the study focuses on the case of the numerous figurines recovered at the Kaminabe (ca. 2,800 14C years BP) site in Kyushu. Data on lithic assemblages and plant remains at Kaminabe and the sites in the surrounding area during the period under consideration indicate that small-scale cultivation was being practiced in the region. It is suggested here that the Kaminabe figurines represent the females who played important role in production of plant resources. 11 RESUME Cette etude examine le phenomene de la soudaine et breve apparition de figurines d'argile dans le centre sud de Kyushu vers la fin de l'epoque Jomon (13,000-2,300 l4C annees BP). Des figurines de terre cuite representant des humains ont ete fabriquees tout au long de la periode Jomon, mais essentiellement dans le centre et le nord de Honshu. Apres avoir passe en revue les interpretations precedentes concernant ces figurines, cette etude se penche sur le cas des nombreuses figurines trouvees a Kaminabe (ca.
    [Show full text]
  • Katsushika Hokusai Born in 1760 and Died in 1849 in Edo, Japan
    1 Excerpted from Kathleen Krull, Lives of the Artists, 1995, 32 – 35. OLD MAN MAD ABOUT DRAWING KATSUSHIKA HOKUSAI BORN IN 1760 AND DIED IN 1849 IN EDO, JAPAN Japanese painter and printmaker, known for his enormous influence on both Eastern and Western art THE MAN HISTORY knows as Katsushika Hokusai was born in the Year of the Dragon in the bustling city now known as Tokyo. After working for eight stormy years in the studio of a popular artist who resented the boy's greater skill, Hokusai was finally thrown out. At first he earned his daily bowl of rice as a street peddler, selling red peppers and ducking if he saw his old teacher coming. Soon he was illustrating comic books, then turning out banners, made-to-order greeting cards for the rich, artwork for novels full of murders and ghosts, and drawings of scenes throughout his beloved Edo. Changing one's name was a Japanese custom, but Hokusai carried it to an extreme—he changed his more than thirty times. No one knows why. Perhaps he craved variety, or was self-centered (thinking that every change in his art style required a new identity), or merely liked being eccentric. One name he kept longer than most was Hokusai, meaning "Star of the Northern Constellation," in honor of a Buddhist god he especially revered. He did like variety in dwellings. Notorious for never cleaning his studio, he took the easy way out whenever the place became too disgustingly dirty: he moved. Hokusai moved a total of ninety-three times—putting a burden on his family and creating a new set of neighbors for himself at least once a year.
    [Show full text]
  • Utagawa Hiroshige
    Utagawa Hiroshige Contemporary Landscapes Utagawa Hiroshige (Japanese: 歌川 広重), also Andō Hiroshige (Japanese: 安藤 広重; 1797 – 12 October 1858) was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his landscapes, such as the series The Fifty-three Stations of the Tōkaidō and The Sixty-nine Stations of the Kiso Kaidō; and for his depictions of birds and flowers. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular Thirty-six Views of Mount Fuji series by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. For scholars and collectors, Hiroshige's death marked the beginning of a rapid decline in the ukiyo-e genre, especially in the face of the westernization that followed the Meiji Restoration of 1868. Hiroshige's work came to have a marked influence on Western painting towards the close of the 19th century as a part of the trend in Japonism. Western artists closely studied Hiroshige's compositions, and some, such as van Gogh, painted copies of Hiroshige's prints. Hiroshige was born in 1797 in the Yayosu Quay section of the Yaesu area in Edo (modern Tokyo).[1] He was of a samurai background,[1] and was the great-grandson of Tanaka Tokuemon, who held a position of power under the Tsugaru clan in the northern province of Mutsu.
    [Show full text]
  • Famous People of Japan: Katsushika HOKUSAI
    Famous People of Japan: Katsushika HOKUSAI Purpose: To become familiar with famous Japanese people. Target Grade Levels: 4-12 Essential Questions: *Who was Katsushika HOKUSAI? *How did his art impact the world? Rationale: Students will learn about HOKUSAI’s art technique and how it influenced the art world. In addition to learning about the art techniques HOKUSAI used his life story can inspire others to persevere as he did to achieve his ultimate goal of being an accomplished artist. Materials: 1. Copies of data sheet on Katsushika HOKUSAI. 2. Copies of Amid a Waterfall on the Kiso Road http://www.spectacle.berkeley.edu 3. Copies Art Teacher Toolbox Activity http://classes.seattleu.edu/masters_in_teaching/teed521/ professor/Art/Lessons/History/hokusai.html 4. Copies of Great Wave at Kanagawa picture http://www.artchive.com/artchive/H/hokusai/grt_wave.jpg.html 5. Copies of Surimono Greeting Activity http://www.kidsart.com/store/bring/hokusai.html 6. Prints of HOKUSAI to show class – good source is calendars but li- braries often have books and prints of his as well 7. Assessment 8. Rubric 9. Bibliography Activities: Day One 1. Introduce the lesson by asking students to identify some famous people in the United States. Ask them “Why are these people famous?” After discuss- ing their answers inform them that there are also famous people in Japan and they are about to study one of them. Learning AboutLessons Our Worldabout Japan - 47 Famous People of Japan: Katsushika HOKUSAI 2. Teacher presents: Teacher will introduce HOKUSAI and divide students into teams of 3-4, distribute copies of data sheets and Amid a Waterfall on the Kiso Road.
    [Show full text]
  • Sumida Walking SUMIDA CITY Map 2018 Edition
    Discovery on foot! The charm of Sumida TSUNAGARU Sumida Walking SUMIDA CITY Map 2018 Edition SUMIDA CITY How to Read the Map Walking Short Memo Edited by: Renaissance Inc. Walking Course ■ Greet Others Bathroom Let’s make sure to greet each other when passing by others, when taking short breaks, etc. Greetings have garnered AED attention for their effectiveness in improving security at the local Museum/Gallery level. ■ Be sure to stay hydrated Food Spot Liquids are necessary because your body sweats to regulate Vegetable-related its temperature as you exercise. As you walk, frequently take in Healthy Spot (spot ) liquids in 15-20 minute intervals, even before you get thirsty. Power Spot (spot flowing with mystical power) *Water, barley tea, and sports drinks are recommended. Look around Exercise Spot ■ Broaden your field of view and also be careful of differences Spot Offering a View under your feet and so on. Also, when people grow tired, they tend to face downwards. Pay careful attention to traffic lights, Flower Viewing Spot and walk sidewalks giving plenty of care to cars and bicycles. ※Each course lists the duration, distance, number of steps, and calories burned. Calculations are based on the following. ※If you have a medical Stride: 70 cm; Speed: 4 km/h; Calories burned: 10 min. of walking = 30 kcal for a 60 kg male condition, please consult Durations and so on are only estimates. They may differ depending on individual differences and traffic your family doctor before conditions. you begin. ※Facilities and shops listed on each course may not be available depending on the period and time frame.
    [Show full text]
  • Seismotectonic Modeling of the Repeating M 7-Class Disastrous Odawara Earthquake in the Izu Collision Zone, Central Japan
    Earth Planets Space, 56, 843–858, 2004 Seismotectonic modeling of the repeating M 7-class disastrous Odawara earthquake in the Izu collision zone, central Japan Katsuhiko Ishibashi Research Center for Urban Safety and Security/Department of Earth and Planetary Sciences, Kobe University, Kobe 657-8501, Japan (Received February 16, 2004; Revised July 15, 2004; Accepted July 21, 2004) Odawara City in central Japan, in the northernmost margin of the Philippine Sea (PHS) plate, suffered from severe earthquake disasters five times during the last 400 years with a mean repeat time of 73 years; in 1633, 1703, 1782, 1853 and 1923. In this region, non-volcanic Izu outer arc (IOA), the easternmost part of the PHS plate, has been subducted beneath Honshu (Japanese main island), and volcanic Izu inner arc (IIA) on the west of IOA has made multiple collision against Honshu. I hypothesize ‘West-Sagami-Bay Fracture’ (WSBF) beneath Odawara, a north-south striking tear fault within the PHS plate that has separated the descending IOA crust from the buoyant IIA crust, through examinations of multiple collision process and the PHS plate configuration. WSBF is considered a blind causative fault of the 1633, 1782 and 1853 M 7 Odawara earthquakes, and is inferred to have ruptured also during the 1703 and 1923 great Kanto earthquakes simultaneously with the interplate main fault. A presumable asperity on WSBF just beneath Odawara seems to control the temporal regularity of earthquake occurrence. Though WSBF has not yet been detected directly, it is considered an essential tectonic element in this region, which might be a fracture zone with a few or several kilometer thickness actually.
    [Show full text]