DOCSLIB.ORG

Medusa Kindle

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Medusa Kindle MEDUSA PDF, EPUB, EBOOK Torkil Damhaug,Robert Ferguson | 352 pages | 10 Nov 2015 | Headline Publishing Group | 9781472206831 | English | London, United Kingdom Medusa PDF Book Some classical references refer to three Gorgons; Harrison considered that the tripling of Medusa into a trio of sisters was a secondary feature in the myth:. Perseus Receives Gifts from the Gods Perseus, who was the son of Zeus, had help from the gods on his quest to find and behead Medusa. Medusa: Solving the Mystery of the Gorgon. Pegasus is the majestic flying horse found in Greek mythology. In her book Literature and Fascination , Sibylle Baumbach argues that the myth has endured thanks in part to our growing appetite for grand narratives of fascination, which often revolve around dangerous female seduction. Ceremonial French military uniform belt of World War I. Medusa's visage has since been adopted by many women as a symbol of female rage; one of the first publications to express this idea was a feminist journal called Women: A Journal of Liberation in their issue one, volume six for In particular, the designer Versace 's symbol is reflected through the Medusa-head symbol. As King Polydectes ordered the near-impossible task that Perseus bring him the head of Medusa, Perseus dedicated himself to fulfilling the demand to save his mother. The animal, awake, has no fictional escape from the Real because he has no imagination. Perseus used the head of Medusa to turn Phineus into stone. Pegasus emerges from the body of Medusa. The father of Pegasus is said to be the god of the sea, Adventures of Perseus. A beautiful mortal, Medusa was the exception in the family, until she incurred the wrath of Athena , either due to her boastfulness or because of an ill-fated love affair with Poseidon. Mythology portal Ancient Greece portal Myths portal. On his way home, Perseus came upon Andromeda, a beautiful woman embedded into a rock on the shore. But her tragic beauty was even more inspiring. Anyone who locked gaze with Medusa was turned into stone. Pegasus , Chrysaor. Medusa Writer Amaze World wrote on 13 February, - Permalink. But he had several other exciting events before returning to the island. Geographic Names Information System. The blood of Medusa also spawned the Amphisbaena a horned dragon-like creature with a snake-headed tail. Their genealogy is shared with other sisters, the Graeae , as in Aeschylus 's Prometheus Bound , which places both trinities of sisters far off "on Kisthene's dreadful plain":. Perseus used the head of Medusa to turn Polydectes into stone. Medusa had 2 children: Pegasus and Chrysaor. Namespaces Article Talk. He would become one of the great heroes in Greek mythology because of his ability to behead the monster, Medusa. Perseus slew the monster and rescued Andromeda from the rock. Medieval Icelanders were fascinated by genealogy, not only because, as emigrants. According to the design house, it was chosen because she represents beauty, art, and philosophy. The story of a powerful woman raped, demonized, then slain by a patriarchal society? Some classical references refer to three Gorgons; Harrison considered that the tripling of Medusa into a trio of sisters was a secondary feature in the myth:. The bravery and courage of Perseus are shown as he beheads Medusa, as well as his defeat of Phineus and Polydectes. In fact, one can argue that the most peculiar fragments of her biography are all posthumous. The racial makeup of the CDP was Poets claimed that she had a great boar-like tusk and tongue lolling between her fanged teeth. Medusa by Carravagio, The 2nd-century BC novelist Dionysios Skytobrachion puts her somewhere in Libya , where Herodotus had said the Berbers originated her myth, as part of their religion. Pindar, a great Ancient Greek poet, says that upon hearing their gloomy lament, Athena was so touched that she modeled after it the mournful music of the double pipe, the aulos. In ancient Greek mythology, Medusa is the most famous of three monstrous sisters known as the Gorgons. By bringing together top experts and authors, this archaeology website explores lost civilizations, examines sacred writings, tours ancient places, investigates ancient discoveries and questions mysterious happenings. As pointed out in scholar Elizabeth Johnston's November Atlantic essay, "The Original 'Nasty Woman'" , the way Medusa has resurfaced in recent election cycles also points to the pervasiveness of misogyny: Angela Merkel, Theresa May, and Hillary Clinton have all received the Medusa treatment lately, their features superimposed onto bloody, severed heads. Via Wikimedia Commons. Since Ancient Greece, the snake-haired Gorgon has been a sexualized symbol of women's rage. Medusa Article Media Additional Info. Medusa Reviews Perseus beheads Medusa: that is, the Hellenes overran the goddess's chief shrines, stripped her priestesses of their Gorgon masks, and took possession of the sacred horses—an early representation of the goddess with a Gorgon's head and a mare's body has been found in Boeotia. Paul Getty Museum, Los Angeles. Retrieved from Google Books July 1, The Gorgon Medusa Medusa was born a beautiful mortal woman with long flowing hair. About 4. Danae was the daughter of King Acrisius. The terror of Medusa is thus a terror of castration that is linked to the sight of something. A large part of his work is an attempt to connect nature, art and society. From Medusa-Truth he makes an appeal to Maya-Lie. Carroll wrote on 28 April, - Permalink. Main article: Cultural depictions of Medusa and Gorgons. A Study of Greek and Roman Mythology. Help Learn to edit Community portal Recent changes Upload file. Albany Cohoes Watervliet. The triple form is not primitive, it is merely an instance of a general tendency The Medusa story has also been interpreted in contemporary art as a classic case of rape-victim blaming, by the Goddess Athena. A 2,year-old marble head of Medusa was found not too long ago at a former Roman commercial center in Turkey as well. Herodotus the historian said her home was Libya. Medusa had 3 siblings: Graeae , Echidna and Ladon. Archived from the original on From then on, similarly to Euryale and Stheno, her older Gorgon sisters, Medusa was depicted with bronze hands and wings of gold. The Atlantic. By using ThoughtCo, you accept our. Ancient Places. Medusa Read Online Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. DeTraci Regula is a freelance writer who has specialized in Greek travel and tours for 18 years. United States Geological Survey. Professor Hainmond assigns the historical King Perseus of Mycenae to a date c. That is to say, there occurred in the early thirteenth century B. The fisherman was the brother of King Polydectes, who was a malicious king. New York portal United States portal. The first to properly explore her origin story in literature was the Roman poet Ovid, who detailed her transformation in the Metamorphoses circa 8 A. For other uses, see Medusa disambiguation. Perseus beheads Medusa: that is, the Hellenes overran the goddess's chief shrines, stripped her priestesses of their Gorgon masks, and took possession of the sacred horses—an early representation of the goddess with a Gorgon's head and a mare's body has been found in Boeotia. Medusa by Carravagio, Jane Harrison has pointed out Prolegomena to the Study of Greek Religion that Medusa was once the goddess herself, hiding behind a prophylactic Gorgon mask: a hideous face intended to warn the profane against trespassing on her Mysteries. Legend states that Medusa was once a beautiful, avowed priestess of Athena who was cursed for breaking her vow of celibacy. By signing up, you agree to our Privacy Notice. Medusa is one of the more unusual divine figures of ancient Greece mythology. The hero was able to accomplish this feat The legend of Perseus beheading Medusa means, specifically, that "the Hellenes overran the goddess's chief shrines" and "stripped her priestesses of their Gorgon masks", the latter being apotropaic faces worn to frighten away the profane. Articles from Britannica Encyclopedias for elementary and high school students. The parents of Medusa were Phorcys and Keto. There are no recorded instances of Medusa turning a woman to stone. OED revision, s. Pegasus emerges from the body of Medusa. A beautiful mortal, Medusa was the exception in the family, until she incurred the wrath of Athena, either due to her boastfulness or because of an ill-fated love affair with Poseidon. Danae was the daughter of King Acrisius. But the hero escaped by using the Cap of Invisibility. While ancient Greek vase-painters and relief carvers imagined Medusa and her sisters as having monstrous form, sculptors and vase-painters of the fifth century began to envisage her as being beautiful as well as terrifying. She was usually represented as a winged female creature having a head of hair consisting of snakes; unlike the Gorgons, she was sometimes represented as very beautiful. Main article: Cultural depictions of Medusa and Gorgons. April 9, , pm. Census U. Dating back 11, years - with a coded message left by ancient man from the Mesolithic Age - the Shigir Idol is almost three times as old as the Egyptian pyramids. Tauris, In most versions of the story, she was beheaded by the hero Perseus , who was sent to fetch her head by King Polydectes of Seriphus because Polydectes wanted to marry Perseus's mother. Bellerophon is a well- known hero in Greek mythology. The triple form is not primitive, it is merely an instance of a general tendency She remained a priestess to Athena after her death and was risen with fresh hair.
Load more

Recommended publications
  • Golden Gorgon-Medousa Artwork in Ancient Hellenic World
    SCIENTIFIC CULTURE, Vol. 5, No. 1, (2019), pp. 1-14 Open Access. Online & Print DOI: 10.5281/zenodo.1451898 GOLDEN GORGON-MEDOUSA ARTWORK IN ANCIENT HELLENIC WORLD Lazarou, Anna University of Peloponnese, Dept of History, Archaeology and Cultural Resources Management Palaeo Stratopedo, 24100 Kalamata, Greece ([email protected]; [email protected]) Received: 15/06/2018 Accepted: 25/07/2018 ABSTRACT The purpose of this research is to highlight some characteristic examples of the golden works depicting the gorgoneio and Gorgon. These works are part of the wider chronological and geographical context of the ancient Greek world. Twenty six artifacts in total, mainly jewelry, as well as plates, discs, golden bust, coins, pendant and a vial are being examined. Their age dates back to the 6th century. B.C. until the 3rd century A.D. The discussion is about making a symbol of the deceased persist for long in the antiquity and showing the evolution of this form. The earliest forms of the Gorgo of the Archaic period depict a monster demon-like bellows, with feathers, snakes in the head, tongue protruding from the mouth and tusks. Then, in classical times, the gorgonian form appears with human characteristics, while the protruded tusks and the tongue remain. Towards Hellenistic times and until late antiquity, the gorgoneion has characteristics of a beautiful woman. Snakes are the predominant element of this gorgon, which either composes the gargoyle's hairstyle or is plundered like a jewel under its chin. This female figure with the snakes is interwoven with Gorgo- Medusa and the Perseus myth that had a wide reflection throughout the ancient times.
    [Show full text]
  • OVID Metamorphoses
    Metamorphoses Ovid, Joseph D. Reed, Rolfe Humphries Published by Indiana University Press Ovid, et al. Metamorphoses: The New, Annotated Edition. Indiana University Press, 2018. Project MUSE. muse.jhu.edu/book/58757. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/58757 [ Access provided at 20 May 2021 05:17 GMT from University of Washington @ Seattle ] book FIve The Fighting of Perseus* So Perseus told his story, and the halls Buzzed loud, not with the cheery noise that rings From floor to rafter at a wedding-party. No; this meant trouble. It was like the riot When sudden squalls lash peaceful waves to surges. Phineus was the reckless one to start it, That warfare, brandishing his spear of ash With sharp bronze point. “Look at me! Here I am,” He cried, “Avenger of my stolen bride! No wings will save you from me, and no god Turned into lying gold.”* He poised the spear, As Cepheus shouted: “Are you crazy, brother? What are you doing? Is this our gratitude, This our repayment for a maiden saved? If truth is what you want, it was not Perseus Who took her from you, but the Nereids Whose power is terrible, it was hornèd Ammon, It was that horrible monster from the ocean Who had to feed on my own flesh and blood, And that was when you really lost her, brother; 107 lines 20–47 She would have died—can your heart be so cruel To wish it so, to heal its grief by causing Grief in my heart? It was not enough, I take it, For you to see her bound and never help her, Never so much as lift a little finger, And you her uncle and her promised husband! So now you grieve that someone else did save her, You covet his reward, a prize so precious, It seems, you could not force yourself to take it From the rocks where it was bound.
    [Show full text]
  • Greek Myths - Creatures/Monsters Bingo Myfreebingocards.Com
    Greek Myths - Creatures/Monsters Bingo myfreebingocards.com Safety First! Before you print all your bingo cards, please print a test page to check they come out the right size and color. Your bingo cards start on Page 3 of this PDF. If your bingo cards have words then please check the spelling carefully. If you need to make any changes go to mfbc.us/e/xs25j Play Once you've checked they are printing correctly, print off your bingo cards and start playing! On the next page you will find the "Bingo Caller's Card" - this is used to call the bingo and keep track of which words have been called. Your bingo cards start on Page 3. Virtual Bingo Please do not try to split this PDF into individual bingo cards to send out to players. We have tools on our site to send out links to individual bingo cards. For help go to myfreebingocards.com/virtual-bingo. Help If you're having trouble printing your bingo cards or using the bingo card generator then please go to https://myfreebingocards.com/faq where you will find solutions to most common problems. Share Pin these bingo cards on Pinterest, share on Facebook, or post this link: mfbc.us/s/xs25j Edit and Create To add more words or make changes to this set of bingo cards go to mfbc.us/e/xs25j Go to myfreebingocards.com/bingo-card-generator to create a new set of bingo cards. Legal The terms of use for these printable bingo cards can be found at myfreebingocards.com/terms.
    [Show full text]
  • Winter Constellations Orion
    Night Sky 101: Winter Constellations Orion Orion is possibly the most well-known constellation, apart from The Big and Little Dipper. Easily recognizable by the three bright stars that form the “belt of Orion,” the constellation is, in reality, much larger. The two brightest stars in Orion are called Betelgeuse and Rigel. Betelgeuse has a distinct red tint, which makes it easy to tell them apart. Betelgeuse may soon go completely supernova. Astronomers suspect that this supernova will not affect the Earth, but may cause a double shadow to be cast on the Earth’s surface for up to two weeks. Orion is identified as the hunter by the Greeks. According to the myth, Orion was the son of the god Posiedon and Euryale, queen of the Amazons. Orion inherited his mothers talents and became the greatest hunter in the whole world. However, he boasted about this repeatedly, and was killed by a small scorpion (Scorpius), who stung him on the ankle. Canis Major and Canis Minor According to Greek mythology, Canis Major and Minor represent Orion’s faithful hunting companions. Canis Major appears to be chasing the rabbit constellation, Lepus, in the night sky. Canis Major is home to the sky’s brightest star, Sirius, also called “The Dog Star.” Sirius is a blue star, but appears to be many different colors and has been repeatedly mistaken as a UFO. One of the most unique celestial objects in Canis Major is the colliding spiral galaxies, NGC 2207 and IC 2163. The larger galaxy is in the process of pulling stars and remaining material from the smaller galaxy.
    [Show full text]
  • Hesiod Theogony.Pdf
    Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.
    [Show full text]
  • MYTHOLOGY – ALL LEVELS Ohio Junior Classical League – 2012 1
    MYTHOLOGY – ALL LEVELS Ohio Junior Classical League – 2012 1. This son of Zeus was the builder of the palaces on Mt. Olympus and the maker of Achilles’ armor. a. Apollo b. Dionysus c. Hephaestus d. Hermes 2. She was the first wife of Heracles; unfortunately, she was killed by Heracles in a fit of madness. a. Aethra b. Evadne c. Megara d. Penelope 3. He grew up as a fisherman and won fame for himself by slaying Medusa. a. Amphitryon b. Electryon c. Heracles d. Perseus 4. This girl was transformed into a sunflower after she was rejected by the Sun god. a. Arachne b. Clytie c. Leucothoe d. Myrrha 5. According to Hesiod, he was NOT a son of Cronus and Rhea. a. Brontes b. Hades c. Poseidon d. Zeus 6. He chose to die young but with great glory as opposed to dying in old age with no glory. a. Achilles b. Heracles c. Jason d. Perseus 7. This queen of the gods is often depicted as a jealous wife. a. Demeter b. Hera c. Hestia d. Thetis 8. This ruler of the Underworld had the least extra-marital affairs among the three brothers. a. Aeacus b. Hades c. Minos d. Rhadamanthys 9. He imprisoned his daughter because a prophesy said that her son would become his killer. a. Acrisius b. Heracles c. Perseus d. Theseus 10. He fled burning Troy on the shoulder of his son. a. Anchises b. Dardanus c. Laomedon d. Priam 11. He poked his eyes out after learning that he had married his own mother.
    [Show full text]
  • Stories and Essays on Persephone and Medusa Isabelle George Rosett Scripps College
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2017 Voices of Ancient Women: Stories and Essays on Persephone and Medusa Isabelle George Rosett Scripps College Recommended Citation Rosett, Isabelle George, "Voices of Ancient Women: Stories and Essays on Persephone and Medusa" (2017). Scripps Senior Theses. 1008. http://scholarship.claremont.edu/scripps_theses/1008 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. VOICES OF ANCIENT WOMEN: STORIES AND ESSAYS ON PERSEPHONE AND MEDUSA by ISABELLE GEORGE ROSETT SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR NOVY PROFESSOR BERENFELD APRIL 21, 2017 1 2 Dedicated: To Max, Leo, and Eli, for teaching me about surviving the things that scare me and changing the things that I can’t survive. To three generations of Heuston women and my honorary sisters Krissy and Madly, for teaching me about the ways I can be strong, for valuing me exactly as I am, and for the endless excellent desserts. To my mother, for absolutely everything (but especially for fielding literally dozens of phone calls as I struggled through this thesis). To Sam, for being the voice of reason that I happily ignore, for showing up with Gatorade the day after New Year’s shenanigans, and for the tax breaks. To my father (in spite of how utterly terrible he is at carrying on a phone conversation), for the hikes and the ski days, for quoting Yeats and Blake at the dinner table, and for telling me that every single essay I’ve ever asked him to edit “looks good” even when it was a blatant lie.
    [Show full text]
  • The Petrifying Gaze of Medusa: Ambivalence, Ekplexis, and the Sublime
    Volume 8, Issue 2 (Summer 2016) The Petrifying Gaze of Medusa: Ambivalence, Ekplexis, and the Sublime Caroline van Eck [email protected] Recommended Citation: Caroline van Eck, “The Sublime and the “The Petrifying Gaze of Medusa: Ambivalence, Ekplexis, and the Sublime,” JHNA 8:2 (Summer 2016), DOI: 10.5092/jhna.2016.8.2.3 Available at https://jhna.org/articles/petrifying-gaze-medusa-ambivalence-explexis-sublime/ Published by Historians of Netherlandish Art: https://hnanews.org/ Republication Guidelines: https://jhna.org/republication-guidelines/ Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 JHNA 7:2 (Summer 2015) 1 THE PETRIFYING GAZE OF MEDUSA: AMBIVALENCE, EKPLEXIS, AND THE SUBLIME Caroline van Eck The Dutch art theorists Junius and van Hoogstraten describe the sublime, much more explicitly and insistently than in Longinus’s text, as the power of images to petrify the viewer and to stay fixed in their memory. This effect can be related to Longinus’s distinction between poetry and prose. Prose employs the strategy of enargeia; poetry that of ekplexis, or shattering the listener or reader. This essay traces the notion of ekplexis in Greek rhetoric, particularly in Hermogenes, and shows the connections in etymology, myth, and pictorial traditions, between the petrifying powers of art and the myth of Medusa. DOI: 10.5092/jhna.2016.8.2.3 Introduction Fig. 1 Peter Paul Rubens (1577–1640), Medusa, ca.
    [Show full text]
  • THE ORION CONSTELLATION the Great Hunter Orion Constellation Lies in the Northern Sky, on the Celestial Equator
    THE ORION CONSTELLATION the Great Hunter Orion constellation lies in the northern sky, on the celestial equator. It is one of the brightest and best known constellations in the night sky. Orion is also known as the Hunter: it is associated with one in mythology. The constellation represents the mythical hunter Orion, who is often depicted in star maps as either facing the charge of Taurus, the bull, or chasing after the hare (constellation Lepus) with his two hunting dogs, represented by the nearby constellations Canis Major and Canis Minor. The constellation contains two of the ten brightest stars in the sky – Rigel (Beta Orionis) and Betelgeuse (Alpha Orionis) – a number of famous nebulae – the Orion Nebula, De Mairan’s Nebula and the Horsehead Nebula, among others, and one of the most prominent asterisms in the night sky – Orion’s Belt. FACTS • Orion is the 26th constellation in size, occupying an area of 594 square degrees. • It is located in the first quadrant of the northern hemisphere (NQ1) and can be seen at latitudes between +85° and -75°. • The neighboring constellations are Eridanus, Gemini, Lepus, Monoceros and Taurus. • Orion contains three Messier objects – M42, (NGC 1976) The Orion Nebula, M43, (NGC 1982) De Mairan’s Nebula, and M78, (NGC 2068) • It has seven stars with known planets. • There are two meteor showers associated with Orion, the Orionids and the Chi Orionids. The Orionid meteor shower reaches its peak around October 21 every year • Orion belongs to the Orion family of constellations, along with Canis Major, Canis Minor, Lepus and Monoceros MYTH The constellation Orion has its origins in Sumerian mythology, specifically in the myth of Gilgamesh.
    [Show full text]
  • Classical Images – Greek Perseus
    Classical images – Greek (birth of Pegasus from Medusa’s blood) Perseus Perseus and the birth of Perseus Running Gorgon, headless Medusa and small Perseus/ 2 Perseuses and Atehna with shield Attic bilingual white ground lekythos Black-figure pouring bowl with 3 handles th attr. Diosphos Painter, c. 500-450 BC Boiotia (Thebes), late 5 C BC New York, Metropolitan Museum of Art Boston MFA (Ac 01.8070) (1070) 1 Classical images – Greek (birth of Pegasus and Chrysaor from Medusa’s blood) Perseus The birth of Perseus and Chrysaor The birth of Perseus and Chrysaor Etruscan Athenian black-figure pyxis, 6ht C BC Munich Paris, Musée du Louvre (Ca 2588) The birth of Perseus and Chrysaor Sarcophagus from Golgoi (Cyprus) 2 Classical images – Greek (with Cetus) Perseus Corinthian black-figure amphora from Cerveteri, c. 575-550 BC Berlin, Antikensammlungen (inv F 1652) Athens, S Niarchos Collection Herakles and the Trojan Ketos Caeretan black-figure hydria; c. 530-520BC credit: www.theoi.com 3 Classical images – Greek (killing Medusa) Perseus Perseus receiving gifts of winged Perseus with hat, winged boots and kibisi over shoulder, straight sword, sandals, hat and kibisi looking away from Medusa (centaur) Eleusis, Museum Relief amphora, c. 660 BC Poaris, Musée du Louvre Perseus with Medusa’s head under his arm, with hat and winged boots Metope from Thermios, c. 630 BC 4 Athens, National Archeological Museum (13401) Classical images – Greek (killing Medusa) Perseus Perseus and the Graiai, winged Persues holding head of Medusa above Tunny fish boots, kibisis over shoulder, Stater of Mysia, Kyzikos, c. 400-330 BC stealing away with the head Boston, Museum of Fine Arts (04.1339) Attic, red-figure krater fragment Delos Museum (B7263) 5 Classical images – Greek (killing Medusa) Perseus Perseus and Polydektes with Athena at left Perseus decapitating Medusa with Athens to right Perseus averting gaze as he kills Medusa Attic red-figure bell-krater, c.
    [Show full text]
  • Iconography of the Gorgons on Temple Decoration in Sicily and Western Greece
    ICONOGRAPHY OF THE GORGONS ON TEMPLE DECORATION IN SICILY AND WESTERN GREECE By Katrina Marie Heller Submitted to the Faculty of The Archaeological Studies Program Department of Sociology and Archaeology In partial fulfillment of the requirements for the degree of Bachelor of Science University of Wisconsin-La Crosse 2010 Copyright 2010 by Katrina Marie Heller All Rights Reserved ii ICONOGRAPHY OF THE GORGONS ON TEMPLE DECORATION IN SICILY AND WESTERN GREECE Katrina Marie Heller, B.S. University of Wisconsin - La Crosse, 2010 This paper provides a concise analysis of the Gorgon image as it has been featured on temples throughout the Greek world. The Gorgons, also known as Medusa and her two sisters, were common decorative motifs on temples beginning in the eighth century B.C. and reaching their peak of popularity in the sixth century B.C. Their image has been found to decorate various parts of the temple across Sicily, Southern Italy, Crete, and the Greek mainland. By analyzing the city in which the image was found, where on the temple the Gorgon was depicted, as well as stylistic variations, significant differences in these images were identified. While many of the Gorgon icons were used simply as decoration, others, such as those used as antefixes or in pediments may have been utilized as apotropaic devices to ward off evil. iii Acknowledgements I would first like to thank my family and friends for all of their encouragement throughout this project. A special thanks to my parents, Kathy and Gary Heller, who constantly support me in all I do. I need to thank Dr Jim Theler and Dr Christine Hippert for all of the assistance they have provided over the past year, not only for this project but also for their help and interest in my academic future.
    [Show full text]
  • Perseus, the Maiden Medusa, and the Imagery of Abduction
    HESPERIA 76 (2007) PERSEUS, THE MAIDEN Pages 73-ios MEDUSA, AND THE IMAGERY OF ABDUCTION ABSTRACT on Classical the author that the of Focusing red-figure vases, argues appearance the beautiful Medusa, which has been explained previously as an evolutionary development from the monstrous Archaic type, is determined by discursive context rather than by chronology. Painters used the beautiful Gorgon to certain about Perseus's it is not clear convey messages victory, though always whether she ismeant to evoke humor or pathos. The author further shows that Medusa's death was figured as a perversion of the erotic abductions common s to many Greek myths, and points out the beautiful Gorgon affinities with as abducted maidens such Persephone, Thetis, and Helen. on Among the events depicted the Pseudo-Hesiodic shield of Herakles is scene the flight of Perseus from Medusas sisters.1 The poet renders the in unforgettably vivid terms: Tai ?? uet' ccutov Topyovec ccttatito? xe koci on (paxal eppcoovio ??peva? uocTc?eiv. etc! ?? %?copou ??auocvxo? on 1. For useful suggestions drafts ?awouaecov ??%eoK? gcxko? juey?Acoopuuay?q) of this article, I thank Hedreen, Guy Kai em ?? Laurialan Reitzammer, Albert Hen ?c^?a ?ay?co?/ ?covpoi ?pcxKovxe ?OIG) richs, and the two anonymous Hes ?7Ul?)p?UVT' ?7UK\)pTG)OVT? Kapnva. reviewers. I am also to xco peria grateful Atxjia?ov ?' apa y?* p?v?i ?' ?x?paaaov o?ovxa? and to Melissa Haynes audiences ?ypia ?Epicopivco. ?nl ?? ?Eivo?ai Kapf|voi? at and Harvard Rutgers University Topy??oi? ??ov??TO p?ya? Oo?oc. University for their advice and sug and to the of gestions, Department And after him rushed the Gorgons, unapproachable and unspeakable, at Classics Harvard University, which as longing to seize him: they trod upon the pale adamant, the shield covered the cost of the illustrations.
    [Show full text]