Onsters, Become
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Sloane Drayson Knigge Comic Inventory (Without
Title Publisher Author(s) Illustrator(s) Year Number Donor Box # 1,000,000 DC One Million 80-Page Giant DC NA NA 1999 NA Sloane Drayson-Knigge 1 A Moment of Silence Marvel Bill Jemas Mark Bagley 2002 1 Sloane Drayson-Knigge 1 Alex Ross Millennium Edition Wizard Various Various 1999 NA Sloane Drayson-Knigge 1 Open Space Marvel Comics Lawrence Watt-Evans Alex Ross 1999 0 Sloane Drayson-Knigge 1 Alf Marvel Comics Michael Gallagher Dave Manak 1990 33 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 1 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 2 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 3 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 4 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 2000 5 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 2000 6 Sloane Drayson-Knigge 1 Aphrodite IX Top Cow Productions David Wohl and Dave Finch Dave Finch 2000 0 Sloane Drayson-Knigge 1 Archie Marries Veronica Archie Comics Publications Michael Uslan Stan Goldberg 2009 600 Sloane Drayson-Knigge 1 Archie Marries Veronica Archie Comics Publications Michael Uslan Stan Goldberg 2009 601 Sloane Drayson-Knigge 1 Archie Marries Veronica Archie Comics Publications Michael Uslan Stan Goldberg 2009 602 Sloane Drayson-Knigge 1 Archie Marries Betty Archie Comics Publications Michael Uslan Stan Goldberg 2009 603 Sloane Drayson-Knigge 1 Archie Marries Betty Archie Comics Publications Michael Uslan Stan Goldberg 2009 -
Saviors, PART 1
® Saviors, PART 1 Tim Seeley • Diego Bernard 201992 - 2012 Fred Benes • Arif Prianto Previously In Tim Seeley • writer Diego Bernard • penciller Cover A • John Tyler Christopher Fred Benes • inker Cover B • Diego Bernard, Fred Benes, SAVIORS, Pt. 1 Arif Prianto • colorists & Arif Prianto Troy Peteri • letterer Bryan Rountree, Matt Hawkins, & Filip Sablik • editors Witchblade created by Marc Silvestri, David Wohl, Brian Haberlin, & Michael Turner WITCHBLADE® ISSUE 158. JULY 2012. FIRST PRINTING Published by Image Comics Inc. Office of Publication: 2134 Allston Way, Second Floor, Berkeley, CA For Top Cow Productions, Inc. 94704. $2.99 US. WITCHBLADE® 2012 Top Cow Productions, Inc. All rights reserved. “Witchblade,” the Witchblade logos, and the likenesses of all featured Marc Silvestri - CEO characters (human or otherwise) featured herein are registered trademarks of Top Cow Productions, Inc. Image Comics and the Image Comics logo are Matt Hawkins - President and COO trademarks of Image Comics Inc. The characters, events, and stories in this Bryan Rountree – Managing Editor publication are entirely fictional. Any resemblance to actual persons (living or Elena Salcedo – Director of Operations dead), events, institutions, or locales, without satiric intent, is coincidental. No Betsy Gonia - Production Assistant portion of this publication may be reproduced or transmitted, in any form or by any means, without the express written permission of Top Cow Productions, Inc. Printed in the U.S.A. For information regarding the CPSIA on this printed material call: 203-595-3636 and provide reference # RICH – 448584. “The challenge is Trying To capTure imaginaTion wiTh lines. BuT when iT works, comics can Be amazing.” Jason howarD ExpEriEncE crEativity Image Comics® and its logos are registered trademarks of Image Comics, Inc. -
Option Agreement and Copyright Assignment in the Forms Attached Hereto As Exhibits "B" and "C," Respectively
EX-10.13 15 ex1013.htm EXHIBIT 10.13 Exhibit 10.13 Escape Artists Productions, LLC 10202 West Washington Boulevard Astaire Building, 3`d Floor Culver City, California 90232 As of February 15, 2002 Platinum Studios, LLC c/o Wyman & Isaacs, LLP 8840 Wilshire Boulevard, 2d Floor Beverly Hills, California 90211 Attention: Bob Wyman RE: "COWBOYS AND ALIENS" / Option and Acquisition of Rights Ladies and Gentlemen: The following terms, and all exhibits attached hereto (all of which are made a part hereof and incorporated herein by this reference), constitute the agreement ("Agreement") between Platinum Studios, LLC, a California limited liability company ("Owner") and Escape Artists Productions, LLC ("Company"), with respect to the unpublished comic book series and related literary materials (except for publication of a comic book "Ashcan Mini Comic" in May of 1997]) entitled "Cowboys and Aliens" ("Work"), created by Scott Mitchell Rosenberg ("Author"), and owned by Owner, and registered for copyright in the United States Copyright Office by Platinum Studios as the copyright claimant on May 19,1997, Entry No. VAU-349-417 and registered for Trademark in the United States Office of Patents and Trademarks on February 24, 1998, as Entry No.2139278. 1. CONDITIONS PRECEDENT. All of Company's obligations hereunder are subject to satisfaction of the following conditions precedent: 1.1 Executed Agreements. Company's receipt of fully executed copies of this Agreement; and 1.2 Chain-of-Title. Company's receipt and approval of all chain-of-title documentation (including, without limitation, fully executed copies of any releases required under Section 17 below) in connection with the Property (as defined in Section 2 hereinbelow) and Company's approval of the copyright status of the Property. -
Inside: Will Eisner! J. Michael Straczynski!
IINNSSIIDDEE:: WWIILLLL EEIISSNNEERR!! JJ.. MMIICCHHAAEELL SSTTRRAACCZZYYNNSSKKII!! $ 95 MAGAAZZIINEE August 5 2003 In the USA JJEEPPHH BBOOBB LLOOEEBB && SSCCHHRREECCKK JJIIMM LLEEEE DIANA SCHUTZ DDEENNNNYY OO’’NNEEIILL FFAABBIIAANN NNIICCIIEEZZAA GGEETTTTIINNGG AA NNOOVVEELL PPAAUULL PPUUBBLLIISSHHEEDD DDIINNII Batman, Bruce Wayne TM & ©2003 DC Comics MAGAZINE Issue #5 August 2003 Read Now! Message from the Editor . page 2 The Spirit of Comics Interview with Will Eisner . page 3 He Came From Hollywood Interview with J. Michael Straczynski . page 11 Keeper of the Bat-Mythos Interview with Bob Schreck . page 20 Platinum Reflections Interview with Scott Mitchell Rosenberg . page 30 Ride a Dark Horse Interview with Diana Schutz . page 38 All He Wants To Do Is Change The World Interview with Fabian Nicieza part 2 . page 47 A Man for All Media Interview with Paul Dini part 2 . page 63 Feedback . page 76 Books On Writing Nat Gertler’s Panel Two reviewed . page 77 Conceived by Nuts & Bolts Department DANNY FINGEROTH Script to Pencils to Finished Art: BATMAN #616 Editor in Chief Pages from “Hush,” Chapter 9 by Jeph Loeb, Jim Lee & Scott Williams . page 16 Script to Finished Art: GREEN LANTERN #167 Designer Pages from “The Blind, Part Two” by Benjamin Raab, Rich Burchett and Rodney Ramos . page 26 CHRISTOPHER DAY Script to Thumbnails to Printed Comic: Transcriber SUPERMAN ADVENTURES #40 STEVEN TICE Pages from “Old Wounds,” by Dan Slott, Ty Templeton, Michael Avon Oeming, Neil Vokes, and Terry Austin . page 36 Publisher JOHN MORROW Script to Finished Art: AMERICAN SPLENDOR Pages from “Payback” by Harvey Pekar and Dean Hapiel. page 40 COVER Script to Printed Comic 2: GRENDEL: DEVIL CHILD #1 Penciled by TOMMY CASTILLO Pages from “Full of Sound and Fury” by Diana Schutz, Tim Sale Inked by RODNEY RAMOS and Teddy Kristiansen . -
1 in the United States District Court for the Western
Case 1:11-cv-01029 Document 1 Filed 12/01/11 Page 1 of 8 IN THE UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT OF TEXAS AUSTIN DIVISION STEVEN JOHN BUSTI, § § § Plaintiff, § § v. § CIVIL ACTION NO. 1:11-cv-01029 § PLATINUM STUDIOS, INC., SCOTT § JURY DEMANDED MITCHELL ROSENBERG, § UNIVERSAL PICTURES, INC. D/B/A § UNIVERSAL STUDIOS, and § DREAMWORKS II DISTRIBUTION CO., LLC § § Defendants. § COMPLAINT FOR COPYRIGHT INFRINGEMENT Plaintiff, Steven John Busti, appearing through his undersigned counsel, alleges as follows: NATURE OF ACTION AND JURISDICTION 1. This is an action for copyright infringement under the Copyright Act of 1976, as amended, 17 U.S.C. § 101 et seq. (“Copyright Act”). 2. This Court has jurisdiction over the subject matter of this action pursuant to 28 U.S.C. §§ 1331 and 1338. The Court has personal jurisdiction over Defendants as they purposefully availed themselves of the forum state by selling infringing products in the state. Venue in this Judicial district is proper under 28 U.S.C. § 1391. PARTIES 3. Plaintiff Steven John Busti is an individual residing in Austin, Texas. 1 Case 1:11-cv-01029 Document 1 Filed 12/01/11 Page 2 of 8 4. Defendant Platinum Studios, Inc. is a California corporation with a principal place of business at 2029 S. Westgate Avenue, Los Angeles,California 90025. 5. Defendant Scott Mitchell Rosenberg is an individual residing in Los Los Angeles, California. He is the Chairman & CEO of Defendant Platinum Studios, Inc. 6. Defendant Universal Pictures, Inc. d/b/a Universal Studios is a Delaware Corporation with a principal place of business at 100 Universal City Plaza, Universal City, CA 91608 7. -
Comics and Videogames
14 Creating Lara Croft The meaning of the comic books for the Tomb Raider franchise Josefa Much Since the creation of Lara Croft in 1996, it seems impossible to imagine the game industry without her. Her pop-cultural impact certainly affected the gaming industry, but the expansion of her character into a whole franchise has also immortalized her through action figures, cosplay, music videos, and appearances in many other media. If you take a closer look at the franchise, you will find a number of different videogames for different gaming platforms as well as three action films, six novels, and many comic books. Shortly after the release of the very firstTomb Raider game in 1996, the comic book pub- lisher Top Cow released a crossover with their own heroine Sara Pezzini aka Witchblade and Lara Croft: Tomb Raider/ Witchblade (Turner 1997, 1998). The Witchblade comic books were one of Top Cow’s most prominent series. As a result, something very interesting happened: Lara Croft was introduced into a new universe beyond her own games, and thus into a new storyworld. She became part of the Top Cow universe as both franchises collided. Two years later, the Tomb Raider received her own stand- alone comic book series. It not only focused on her adventures, but also on her personal thoughts and approach, introducing different characters and friends of hers. Later on, this would be used to create new crossovers with different Top Cow characters (e.g., Dark Crossing [Holland and Turner 2000a, 2000b]; Endgame [Rieber and Green 2003a, 2003b, 2003c; Silvestri and Tan 2003; Turner 2002c]; the Magdalena crossover [Bonny and Basaldua 2004a, 2004b, 2004c]; the Fathom/ Witchblade/ Tomb Raider crossover [Turner 2000, 2002a, 2002b]). -
TUCSON Comic Book and a Macbook Auction <Font Color
09/28/21 09:36:26 TUCSON Comic Book And A MacBook Auction <font color = 00ccff> Friday 6:30 PM 6/7/19 </font> ID: 820 <br> <font color = red> (FREE TRANSFER TO OUR TEMPE WAREHOUSE FOR THIS AUCTION) </font> Auction Opens: Fri, May 31 2:20pm MT Auction Closes: Fri, Jun 7 6:30pm MT Lot Title Lot Title 1700 Valiant Comics No 28 Dec Solar Man of the 1732 Eclipse Comics No 5 Star Reach Classics Atom 1733 Eclipse Comics No 6 Star Reach Classics 1701 Valiant Comics No 28 Dec Solar Man of the 1735 First Comics #20 Sep Starslayer Atom 1736 First Comics #20 Sep Starslayer 1702 Marvel Comics #1 Soleil 1737 First Comics #25 Feb Starslayer 1703 Blaspho Publishing No 1 This is SOLD-OUT 1738 First Comics #26 Mar Starslayer 1704 Blaspho Publishing No 1 This is SOLD-OUT 1739 First Comics #27 Apr Starslayer 1705 Malibu Comics #5 Ultraverse Solitaire 1740 First Comics #28 May Starslayer 1706 Malibu Comics #5 Ultraverse The Solution 1741 First Comics #29 Jun Starslayer 1707 Eclipse Comics No 5 Somerset Holmes 1742 First Comics #30 Jul Starslayer 1709 Archie 65th Anniv Sega Sonic the Hedgehog 1743 First Comics #33 Oct Starslayer 1710 Image Comics #1 Soulwind 1744 First Comics #34 Nov Starslayer 1712 DC Comics #1 Jul 95 Sovern Seven 1745 DC Comics No 0 Jul 99 Stars and S.T.R.I.P.E. 1713 DC Comics #1 Jul 95 Sovern Seven 1746 DC Comics No 1 Aug 99 Stars and S.T.R.I.P.E. -
Animation and Development. Una Gallagher B00475908 Mdes Design Communication, DES811, Paul Mckevitt, School of Creative Arts, University of Ulster
Two Lives: Animation and Development. Una Gallagher B00475908 MDes Design Communication, DES811, Paul McKevitt, School of creative Arts, University of Ulster. 1 Abstract “Two Lives” is a story split into two versions, a comic and an animation adaptation. Digital art, hand drawing, traditional animation and rotoscope animation are all combined to make these pieces a reality. “Two Lives” was produced by Pearlmoon Productions which was also founded during its production. The Author of this piece is co-founder of Pearlmoon Productions and oversees all creative direction, animation production, comic production, art, idea development, editing, visual presence, branding and many other roles within the group. The goal of “Two Lives” is to create a standalone story for the purpose of providing entertainment that can be enjoyed across many platforms. It was created using traditional and digital mediums and it is influenced heavily on eastern styled animation and comics. As part of that aim, Pearlmoon Productions serves a similar purpose, aiming to give multi-platform life to continuations, new project, and other forms of entertainment. “Two Lives” was reviewed well by peers and the production went smoothly. Future work derived from “Two Lives” will be a sequel comic book chronicling the continued stories of the main characters as they continue their lives. 1. Introduction “Two Lives” is both a comic book and animation that aims to bring a story into several mediums to create a new perspective on the story itself. Pearlmoon Productions was the name given to the people who created both the design, animation and the visual elements and the music and sound creators. -
British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont
University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2013 Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Salisbury, Derek, "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books" (2013). Graduate College Dissertations and Theses. 209. https://scholarworks.uvm.edu/graddis/209 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. -
BATMAN: a HERO UNMASKED Narrative Analysis of a Superhero Tale
BATMAN: A HERO UNMASKED Narrative Analysis of a Superhero Tale BY KELLY A. BERG NELLIS Dr. William Deering, Chairman Dr. Leslie Midkiff-DeBauche Dr. Mark Tolstedt A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Communication UNIVERSITY OF WISCONSIN Stevens Point, Wisconsin August 1995 FORMC Report of Thesis Proposal Review Colleen A. Berg Nellis The Advisory Committee has reviewed the thesis proposal of the above named student. It is the committee's recommendation: X A) That the proposal be approved and that the thesis be completed as proposed, subject to the following understandings: B) That the proposal be resubmitted when the following deficiencies have been incorporated into a revision: Advisory Committee: Date: .::!°®E: \ ~jjj_s ~~~~------Advisor ~-.... ~·,i._,__,.\...,,_ .,;,,,,,/-~-v ok. ABSTRACT Comics are an integral aspect of America's development and culture. The comics have chronicled historical milestones, determined fashion and shaped the way society viewed events and issues. They also offered entertainment and escape. The comics were particularly effective in providing heroes for Americans of all ages. One of those heroes -- or more accurately, superheroes -- is the Batman. A crime-fighting, masked avenger, the Batman was one of few comic characters that survived more than a half-century of changes in the country. Unlike his counterpart and rival -- Superman -- the Batman's popularity has been attributed to his embodiment of human qualities. Thus, as a hero, the Batman says something about the culture for which he is an ideal. The character's longevity and the alterations he endured offer a glimpse into the society that invoked the transformations. -
Let ABC Keep You Safe at Home Healthcare®
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Comics As PHILOSOPHY This Page Intentionally Left Blank Comics As PHILOSOPHY
Comics as PHILOSOPHY This page intentionally left blank Comics as PHILOSOPHY Edited by JEFF MCLAUGHLIN University Press of Mississippi / Jackson www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Copyright © 2005 by University Press of Mississippi All rights reserved Manufactured in the United States of America First edition 2005 ϱ Library of Congress Cataloging-in-Publication Data Comics as philosophy / edited by Jeff McLaughlin.— 1st ed. p. cm. Includes bibliographical references (p. ) and index. ISBN 1-57806-794-4 (cloth : alk. paper) 1. Comic books, strips, etc.—Moral and ethical aspects. 2. Comic books, strips, etc.—History and criticism. I. McLaughlin, Jeff. PN6712.C58 2005 741.5Ј09—dc22 2005004453 British Library Cataloging-in-Publication Data available To my late brother Gord, for letting me read his Fantastic Four. To my dad, for giving me my allowance to spend on comic books. And To my wife Deanna, Just because I love her. This page intentionally left blank Contents Acknowledgments ix Introduction xi What If? DC’s Crisis and Leibnizian Possible Worlds 3 —JEFF MCLAUGHLIN Describing and Discarding “Comics” as an 14 Impotent Act of Philosophical Rigor —ROBERT C. HARVEY “No Harm in Horror” 27 Ethical Dimensions of the Postwar Comic Book Controversy —AMY KISTE NYBERG Truth Be Told 46 Authorship and the Creation of the Black Captain America —STANFORD W. CARPENTER Plato, Spider-Man and the Meaning of Life 63 —JEREMY BARRIS Modernity, Race, and the American Superhero