Un Renouevellement Urbain Alternatif

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Un Renouevellement Urbain Alternatif Mémoire de 2ème année Mention de master Ville et Environnements urbains Parcours Altervilles Département d’études politiques et territoriales Université Jean Monnet de Saint Etienne – Université de Lyon RENOUVELLEMENT URBAIN, PROJETS ARTISTIQUES ET PARTICIPATION DES HABITANTS : LE CAS DU QUARTIER KADEEJEEN A BANGKOK. Isadora Avveduto 6 septembre 2019 Directeur de mémoire : Fabien Bressan Membres de jury : Valérie Sala Pala 1 Remerciements. Tout d'abord, je voudrais remercier mon directeur de mémoire, Monsieur Bressan, d'avoir été toujours disponible et pour ses conseils toujours attentifs, qui se sont avérés essentiels en période de plus grande confusion pendant mon stage. Merci à Niramon Serisakul non seulement pour m'avoir accueilli dans son agence et pour m'avoir donné l'occasion de travailler avec l'Uddc, mais aussi pour m'avoir beaucoup appris sur la régénération urbaine à Bangkok. Merci aux personnes que j'ai interviewées et que j'ai rencontrées pendant la recherche pour leur disponibilité et leur patience avec la langue. En particulier, Frère Nat pour son aide avec le plus jeune du quartier et Madame Navinee pour avoir soutenu ma présence dans le quartier. Merci à mes camarades de classe et à tout les Master Altervilles, parce qu'au cours de ces deux années, j'ai beaucoup appris sur l’analyse de la critique de la critique des questions urbaines français et non. Enfin, je remercie ma famille pour le soutien qu'elle m'a apporté pendant ces années universitaires et qui croit toujours en moi. 2 Sommaire Remerciements............................................................................................................................... 2 Rapport de stage............................................................................................................................. 6 1. L’Urban design and Development Center et ses projets sur la ville de Bangkok ............. 6 1.1. L’Uddc : organisation et projets ................................................................................ 6 Des projets urbains multidisciplinaires .................................................................................. 8 1.2. Le renouvellement urbain du quartier Kadeejeen et le festival artistique Art in soi 12 2. Missions et résultats ............................................................................................................. 18 2.1. Mes missions à l’Uddc et à la Fondation Kadeejeen – Khlongsan ............................... 18 2.2. Les jeunes du quartier Kadeejeen et les cartes mentales comme dispositif de participation ......................................................................................................................... 21 3. Acquisition des compétences : du sentiment d’exclusion à l’autonomie professionnelle23 3.1. Mon rôle de stagiaire étrangère à l’Uddc ................................................................. 23 3.2. Des freins et un sentiment d’exclusion liés aux différences culturelles et aux limites propres à l’organisation de l’Uddc....................................................................................... 23 3.3. Des freins transformés en compétences professionnelles ........................................ 25 Conclusion ............................................................................................................................... 27 Introduction .................................................................................................................................. 31 Le siècle asiatique urbain et la pensée post-coloniale ............................................................. 32 Les villes asiatiques dans la scène international : des « nœuds mondiaux » remarquables et des effets négatives de l’urbanisation .................................................................................. 34 Le renouvellement urbain : une solution pour résoudre les problèmes d’urbanisation à Bangkok ? ................................................................................................................................ 35 La privatisation des espaces face à la disparition des communautés. .................................. 37 La régénération art-led comme levier pour un développement alternatif ?............................. 38 Présentation du cas d’étude : le quartier Kadeejeen et des transformations urbaines affectant les liens communautaires. ........................................................................................................ 39 Méthodologie de terrain ........................................................................................................... 40 Chapitre I - Le rôle de l’art dans les projets de développement urbain ....................................... 45 1.Une comparaison historique de l’émergence de la régénération urbaine culture-led en Asie et en Europe ............................................................................................................................. 45 1.1. Faire revivre les villes en déclin en Europe : « Capitale européenne de la culture » et « la politique de la ville » ................................................................................................. 46 1.2. Urbanisation et modernisation en Asie : la valorisation du capital culturel comme stratégie pour atténuer les effets de l’urbanisation .............................................................. 48 1.3. Culture-led en Asie et en Europe : le modèle de ville créative comme modèle dominante............................................................................................................................. 51 2. La régénération urbaine art-led et les enjeux sociaux et économiques dans les projets artistiques urbaines .................................................................................................................. 52 3 2.1. L’art comme outil social : l’art public et les pratiques community-based ............... 54 2.2. Les enjeux socio-économiques des projets artistiques participatifs ........................ 56 3. Les tendances et les limites de la régénération art-led : l’instrumentalisation des projets artistiques en faveurs des intérêts économiques et des choix politiques de marginalisation des classes populaires ..................................................................................................................... 57 3.1. La marginalisation de certains groupes sociaux ...................................................... 58 3.2. L’exclusion des populations les plus pauvres .......................................................... 59 Chapitre II - La régénération urbaine à Bangkok : entre privatisation de l’espace et auto- organisation des communautés .................................................................................................... 62 1.Repenser le débat des études urbaines : entre néo-libéralisme et développementalisme des politiques urbaines en Asie de l’Est ......................................................................................... 62 1.1 Le modèle occidental de la ville créative ................................................................. 62 1.2 Le modèle plus mixte des villes asiatiques .............................................................. 62 2. La régénération urbaine et la gouvernance des acteurs à Bangkok ................................ 65 2.1. La gouvernance et la planification urbaine bangkokien .......................................... 65 2.2. Une planification urbaine anti-sociale : faiblesse du public ou choix politiques ? .. 71 3. L’autre côté de la régénération urbaine bangkokien : la communauté, une force auto- organisatrice. ............................................................................................................................ 75 3.1. Kadeejeen comme lieu d’apprentissage culturel et de mobilisation des habitants ....... 75 3.2. Des problèmes d’espaces et d’accessibilités à Kadeejeen : une spécificité bangkokien ? ........................................................................................................................ 84 4. « C’est pourquoi nous utilisons l’art ! » : L’engagement des habitants face à la disparition des communautés. .................................................................................................. 92 Chapitre III - L’engagement des communautés du quartier Kadeejeen dans le projet urbain artistique et le rôle de l’art dans le développement social et économique du quartier. ............... 94 1.Dispositifs de participations, enjeux de redistributions et mobilisations des communautés : la notion de participation dans deux contextes différents, asiatique et européen .................... 94 2. Les dispositifs de participation dans le projet urbain à Kadeejeen. ..................................... 96 2.1. Le PPCP : un modèle de coopération entre communautés et organisations communautaires ................................................................................................................... 96 2.2. Une mobilisation de la communauté par les activités culturelles et artistiques ....... 99 3. L’art comme outil social : de l’art populaire à la mobilisation des habitants ................ 100 3.1. Une forme d’art populaire : « l’art est dans notre cœur » ........................................... 100 3.2. Les Festival Art in soi et l’art de rue comme levier d’inclusion sociale et de développement local .........................................................................................................
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