Pasadena Symphony Presents Back to Back Beethoven

Total Page:16

File Type:pdf, Size:1020Kb

Pasadena Symphony Presents Back to Back Beethoven FOR IMMEDIATE RELEASE Pasadena Symphony Association Pasadena Symphony & POPS Contact: Neal Spinler [email protected] (626) 793-7172 ext. 13 January 14, 2013 Pasadena Symphony Presents Back to Back Beethoven Pasadena CA – The Pasadena Symphony will celebrate the music of Beethoven in back to back powerhouse concerts with his Symphony No. 9 and No. 5 on Saturday February, 15 and Saturday March 29, 2014 at Ambassador Auditorium with both matinee and evening performances at 2:00 p.m. and 8:00 p.m. Guest conductor Kazem Abdullah will lead the orchestra on Valentine’s weekend February 15, 2014 with Beethoven’s Symphony No. 9 - widely celebrated as the greatest music ever written, it is the ultimate testament to the human spirit through the power of music. Vocal Soloists are Tracy Cox, soprano; Laura Harrison, mezzo; Casey Candebat, tenor; Andrew Craig Brown, bass; and The Donald Brinegar Singers, chorus. Acclaimed Los Angeles composer Morten Lauridsen, one of the hottest tickets in choral music and recipient of the National Medal of Arts, compliments the program with his Mid-Winter Songs on Poems by Robert Graves and Nocturnes. The composer will present an intimate pre-concert conversation on his choral cycle one hour prior to each performance and will also play piano on Nocturnes . These concerts mark the 30 year anniversary of the Mid-Winter Songs s orchestral premiere at Ambassador Auditorium in 1983 by the Pasadena Chamber Orchestra conducted by Robert Duerr. A vibrant, versatile and compelling presence on the podium, American conductor Kazem Abdullah is one of the most watched up-and-coming talents on the international stage today. He assumed the post of Generalmusikdirektor of the City of Aachen, Germany, in 2012. His predecessors in this tradition-rich post include Fritz Busch, Herbert von Karajan, and Wolfgang Sawallisch. He also served as Assistant Conductor to James Levine at New York’s Metropolitan Opera. The New York Times lauded this first performance at the Metropolitan Opera as “...a confident performance… impressively responsive." Guest conductor Andrew Grams leads the orchestra on March 29, 2014 with the most famous 4 notes in all of Classical music– relentless, emotional, triumphant and victorious mark Beethoven’s Symphony No. 5. This concert will also feature Los Angeles based violinist, the prodigiously talented Simone Porter with the Bruch Violin Concerto. Grams has been collecting critical acclaim and "has been building a solid international career, revealed remarkable skill and sensitivity...he sculpted beautifully nuanced music." The Baltimore Sun. Performances take place at both 2:00 p.m. and 8:00 p.m. and are accompanied by pre- concert discussions one-hour before curtain. The Ambassador Auditorium is located at 131 Page 1 of 6 South St. John Avenue, Pasadena, CA. Ticket prices start at $35 and may be purchased online at www.pasadenasymphony-pops.org or by calling (626) 793-7172. IF YOU GO: • What: The Pasadena Symphony presents Beethoven’s Ninth and Fifth Symphonies • Special Guests: o Beethoven’s Ninth . Kazem Abdullah, Conductor . Tracy Cox, Soprano . Laura Harrison, Mezzo . Casey Candebat, Tenor . Andrew Craig Brown, Bass . The Donald Brinegar Singers, Chorus . Morten Lauridsen, Piano o Beethoven’s Fifth . Andrew Grams, Conductor . Simone Porter, Violin • When: Beethoven’s Ninth Symphony on Saturday, February 15th and Beethoven’s Fifth Symphony on Saturday March, 29th at 2:00 p.m. and 8:00 p.m. • Where: Ambassador Auditorium | 131 South St. John Avenue, Pasadena, CA 91105 • Cost: Tickets start at $35.00 • Parking: Valet parking is available on Green Street for $15. General parking is available next to the Auditorium at the covered parking structure for $10. ADAparking is located at the above-ground parking lot adjacent to the Auditorium (entrance on St. John Ave.) for $10. Parking purchased onsite is cash only. • Pre-Concert Discussion: Pre-concert discussion begins one hour before curtain and is available to all ticket holders. # # # DOWNLOAD IMAGES AT http://www.pasadenasymphony-pops.org/pr-back2backbeethoven Artist Biographies Kazem Abdullah, conductor A vibrant, versatile and compelling presence on the podium, American conductor Kazem Abdullah is one of the most watched up-and-coming talents on the international stage today. He assumed the post of Generalmusikdirektor of the City of Aachen, Germany, in 2012. His predecessors in this tradition-rich post include Fritz Busch, Herbert von Karajan, and Wolfgang Sawallisch. Page 2 of 6 In his first season in Aachen, Kazem conducted Carmen, Hänsel und Gretel, Simon Boccanegra , and Die Zauberflöte. As GMD in Aachen, Kazem Abdullah will also serve as the artistic director of the 3rd International Aachen Chor Bienalle where he will lead several concerts with choirs from Germany, the Netherlands, Israel, Iceland and Brasil. Kazem Abdullah is also the Honorary patron of the Accordate Chamber Music series and the Honorary Patron for the bid for the Aachen-Maastrict bid to be the European capital of Culture in 2018. In addition to his many duties in Aachen, Kazem will also make his debut with the Pittsburgh Symphony in May 2013. Abdullah continues to develop relationships with national and international orchestras and opera houses. Among his orchestral credits are the Berliner Kammerphilharmonie, Philharmonisches Orchester der Stadt Nürnburg, Staatskapelle Weimar, Finnish Radio Symphony Orchestra, Helsinki Philharmonic Orchestra, Orquesta Filarmónica de la Ciudad de México, Oregon, Indianapolis, and Detroit Symphony Orchestras; and the Chicago Sinfonietta, and National Arts Center Orchestra of Ottawa. Maestro Abdullah has guested with such esteemed companies as the Atlanta Opera, where he conducted Cosi fan tutte; and the Théâtre du Châtelet de Paris, where he led sold-out performances of Scott Joplin’s Treemonisha; and finally his Metropolitan Opera debut in 2009, where he conducted Gluck’s Orfeo ed Euridice. The New York Times lauded this first performance at the Metropolitan Opera as “...a confident performance… impressively responsive to the singers during their long stretches of orchestra-accompanied recitative." Born in Indiana, Kazem Abdullah began his music studies at the age of ten. He graduated from the Cincinnati Conservatory of Music with a Bachelor of Music in Clarinet. He then studied at the University of Southern California before joining The New World Symphony as a clarinetist under Michael Tilson Thomas for two seasons, after which he continued his musical studies at The Peabody Institute of the John Hopkins University. Mr. Abdullah served as Assistant Conductor at the Metropolitan Opera in New York, a three-year post to which he was appointed by Music Director James Levine. A recipient of a prestigious 2010 Solti Foundation U.S Career Assistance Award, Abdullah was named #4 by The Daily Beast on its 2009 list of “Young Rock Stars of the Conducting World.” Mr. Abdullah’s conducting teachers include Jorma Panula, Gustav Meier, Stefan Asbury, Bernard Haitink, and James Levine. Morten Lauridsen, composer The music of Morten Lauridsen occupies a permanent place in the standard vocal repertoire of the Twenty-First Century. His compositions are performed throughout the world and have been recorded on over two hundred CDs, including several that have received Grammy nominations. Mr. Lauridsen (b. 1943) served as Composer-in-Residence of the Los Angeles Master Chorale from 1995-2001 and is currently Distinguished Professor of Composition at the University of Southern California Thornton School of Music. An award-winning documentary, Shining Night – A Portrait of Composer Morten Lauridsen, was released in 2012. In 2006, Morten Lauridsen was named an “American Choral Master” by the National Endowment for the Arts and in 2007 he was awarded the National Medal of Arts in a White House ceremony “for his composition of radiant choral works combining musical beauty, power, and spiritual depth.” Page 3 of 6 Tracy Cox, Soprano Texas-born soprano Tracy Cox recently completed her third year in the Domingo-Thornton Young Artist program at Los Angeles Opera. While with LA Opera, she made her professional debut as Marcellina in Le Nozze di Figaro, conducted by Plácido Domingo, and sang the role of Pisana in I Due Foscari, the company’s 2012 season opener. In 2013 she sang the roles of Alice in Wolf Trap Opera's production of Falstaff, and the Female Chorus in Benjamin Britten's The Rape of Lucretia, conducted by James Conlon as part of the Britten 100/LA project. Ms. Cox most recently performed in Hungary's Széchenyi square in a nationaly-televised concert with the Philharmonic Orchestra of Györ. In May she made her debut with the Cincinnati Symphony in the title role of Debussy's Le Damoiselle Élue. During the 2011-12 season, she sang Second Lady in Ernst Krenek’s Das geheime Königreich conducted by Maestro Conlon as part of his Recovered Voices series, and in June 2012, she made her International concert debut at the Vishnevskaya Opera Center in Moscow. Tracy was awarded the Birgit Nilsson prize at the 2013 Operalia Competition in Verona, and was a National Finalist in the 2013 Metropolitan Opera National Council Auditions. Ms. Cox was also named a 2013 recipient of the prestigious Sara Tucker Study Grant from the Richard Tucker Foundation. Ms.Cox won the 2012 Marilyn Horne Song Competition, and was presented in recital by the Broad Stage in Santa Monica, California, and the National Opera Center, in New York City. The artist received her master’s degree from UCLA where she performed Medea in Cavalli’s Giasone, The Older Woman in Jonathan Dove’s Flight, the Sorceress in Dido & Aeneas, and Nettie Fowler in Carousel. Laura Harrison, mezzo-soprano Laura Harrison is originally from Vancouver, B.C., Canada. She completed her Doctorate of Musical Arts degree at USC. She has been a member of the Pacific Chorale and John Alexander Singers since 2001 and a member of "de Angelis Vocal Ensemble" since 2006.
Recommended publications
  • Chamber Chorale Tour Program 2014
    The Chamber Chorale 2013-2014 Concert Season David B. Weiller, conductor Spencer Baker, pianist October 18 UNLV Choral Ensembles: If Music Be the Food of Love (Dr. Arturo Rando-Grillot Recital Hall) November 7 29th Annual Invitational Madrigal & Chamber Choir Festival (Dr. Arturo Rando-Grillot Recital Hall) November 8 American Choral Directors Association - Western Division Student Symposium hosted by the UNLV ACDA Student Chapter (Artemus W. Ham Concert Hall) November 30 Masterworks Concert: Mozart Requiem - Concert Singers, Chamber Chorale and University Symphony (Artemus W. Ham Concert Hall) CALIFORNIA TOUR March 14 FESTIVAL PERFORMANCE: Chapman University Invitational Choral Festival (Orange) March 16 SUNDAY WORSHIP SERVICE: First United Methodist Church (Glendale) March 16 CONCERT: Occidental College (Los Angeles) March 17 SINGING EXCHANGE: Harvard-Westlake School Chamber Singers (Studio City) March 17 SINGING EXCHANGE: Ramona Convent Secondary School Choirs (Alhambra) March 17 SINGING EXCHANGE: Glendale College Concert Singers (Glendale) March 18 SINGING EXCHANGE: The Buckley School Concert Choir (Sherman Oaks) March 18 SINGING EXCHANGE: Occidental College Glee Club (Los Angeles) March 18 SINGING EXCHANGE: Glendale College Chamber Singers (Glendale) March 19 SINGING EXCHANGE: Mira Costa High School Vocal Ensemble (Manhattan Beach) March 19 SINGING EXCHANGE: College of the Canyons Chamber Singers (Santa Clarita) April 12 An Evening With the UNLV Choral Ensembles (Green Valley Presbyterian Church, Henderson) April 27 Chamber Chorale 2014 Home Concert & Alumni Reunion (Dr. Arturo Rando-Grillot Recital Hall) May 2 Grand Finale: Concert Singers & Chamber Chorale, Coronado High School Madrigals (Dr. Arturo Rando-Grillot Recital Hall) - Program - The program will be selected from the following repertoire. THE GREATEST OF THESE IS LOVE Warum, Op.
    [Show full text]
  • MEDIA RELEASE Diane Wittry Outstanding Alumnus Award
    FOR IMMEDIATE RELEASE Media Contact: Michael Dowlan [email protected] (213) 740-3233 Images available upon request DIANE WITTRY RECEIVES USC THORNTON SCHOOL OF MUSIC’S OUTSTANDING ALUMNUS AWARD Presented annually at USC Thornton’s Honors Convocation, the Outstanding Alumnus Award is conferred upon a Thornton graduate whose artistic or scholarly accomplishments reflect the ideals of the school and further the art of music. LOS ANGELES (April 23, 2013) – On Thursday, May 16, the University of Southern California Thornton School of Music will present the Outstanding Alumnus Award to acclaimed conductor Diane Wittry as part of the School’s Honors Convocation. She will also address the USC Thornton graduating class the following day during the official Commencement Ceremony. Wittry, who graduated with honors from USC Thornton in 1983 and earned a Master’s from the school two years later, is an esteemed music director, guest conductor, composer, and author. Past winners of USC Thornton’s Outstanding Alumnus Award have included 2007 National Medal of Arts recipient Morten Lauridsen; Grant Gershon, music director of the Los Angeles Master Chorale and resident conductor of the Los Angeles Opera; the Los Angeles Guitar Quartet (LAGQ); conductor Michael Tilson Thomas; and opera star Marilyn Horne, among many others. “We are thrilled to celebrate Diane Wittry with the Outstanding Alumnus Award,” said Robert Cutietta, Dean of the USC Thornton School of Music. “Her work as a conductor, music director, composer, and author is a perfect example of how her entrepreneurial spirit has led to a successful career, serving as a model for others to follow.” Wittry currently serves as the music director of the Allentown Symphony Orchestra, where she has championed an exciting, innovative programming style for concerts of all types.
    [Show full text]
  • What Is Conductorcise® ?
    WHAT IS CONDUCTORCISE® ? Place yourself in the sneakers of an orchestra conductor and raise your baton to a mighty Sousa march, an impetuous Strauss polka, or an elegant Tchaikovsky waltz as you enjoy a great musical workout. CONDUCTORCISE® is a combination aerobic workout, symphonic performance, and music history lesson that swings to the sounds of the masters. A unique program recognized internationally by health and fitness experts, CONDUCTORCISE® fosters upper body fitness that can help strengthen your heart and open your ears and mind in a natural, invigorating workout. This low-impact fitness fusion for all ages stimulates the cardio-vascular system, energizes and engages the senses and creates balance, stretching, blood circulation and brain stimulation throughout the workout. Learn basic conducting techniques, improve cognitive and listening skills, and discover the lives and work of great composers, as you keep your body and mind in tune, relieve stress and secure balance, increase circulation, manage diabetes, and build upper body strength. The brain child of clarinetist/Conductor David Dworkin, it’s an exhilarating and unique alternative to “traditional” exercise programs that has successfully traveled the globe. The only program of its kind in the world, Dworkin has brought it to pre-school children, teenagers, healthy seniors, and those in assisted- living facilities, as well as stroke, wheelchair bound, and Alzheimer’s patients and beyond, allowing participants to keep ones “body and mind in tune.” Who Leads CONDUCTORCISE®: Maestro David Dworkin Maestro David Dworkin has led orchestras across America and abroad, and served as conductor and Artistic Consultant of three PBS Television documentaries in the series Grow Old With Me, including “The Poetry of Aging,” featuring Richard Kiley, Julie Harris, and James Earl Jones.
    [Show full text]
  • Dayton Opera Artistic Director Thomas Bankston to Retire at the Conclusion of His 25Th Season with Dayton Opera in June 2021
    Dayton Opera Artistic Director Thomas Bankston to Retire at the Conclusion of His 25th Season with Dayton Opera in June 2021 CONTACT: ANGELA WHITEHEAD Communications & Media Manager Dayton Performing Arts Alliance Phone 937-224-3521 x 1138 [email protected] DAYTON, OH (February 7, 2020) – The Dayton Performing Arts Alliance (DPAA) has announced today that Thomas Bankston, Artistic Director of Dayton Opera, will retire in June 2021, at the conclusion of the newly announced 2020–2021 Celebrate Season, Dayton Opera’s 60th anniversary season. “The coming together of three especially celebratory events in the 2020-21 season – Dayton Opera’s 60th anniversary, my 25th season, and the closing of that season with a world premiere opera production, Finding Wright – seemed like a fitting time at which to bring to a close my 41 year career in the professional opera business. Dayton Opera has been a huge part of my life and will always hold a special place in my heart. Especially all the wonderful friendships and associations I have made with artists, staff and volunteers that will make my retirement a truly bittersweet one,” said Tom Bankston. The 2020–2021 season will mark Bankston’s 25th season providing artistic leadership for Dayton Opera, the longest term of artistic leadership in the company’s history. In 1996, he began his work with the company, sharing his wide-ranging knowledge of the field of opera between Dayton Opera and Cincinnati Opera, the company where in 1982 he began his work as an opera administrator. At the start of the 2001–2002 season, he left Cincinnati Opera and assumed the position of Artistic Director for Dayton Opera on a full-time basis, and then was named General & Artistic Director of Dayton Opera in 2004.
    [Show full text]
  • Rudolf Buchbinder, Piano
    Cal Performances Presents Sunday, September 21, 2008, 3pm Hertz Hall Rudolf Buchbinder, piano PROGRAM Ludwig van Beethoven (1770–1827) Piano Sonata No. 3 in C major, Op. 2, No. 3 (1795) Allegro con brio Adagio Scherzo: Allegro Allegro assai Beethoven Piano Sonata No. 22 in F major, Op. 54 (1804) In tempo d’un Menuetto Allegretto INTERMISSION Beethoven Piano Sonata No. 24 in F-sharp major, Op. 78 (1809) Adagio cantabile — Allegro ma non troppo Allegro vivace Beethoven Piano Sonata No. 25 in G major, Op. 79 (1809) Presto alla tedesca Andante Vivace Beethoven Piano Sonata No. 28 in A major, Op. 101 (1816) Allegretto, ma non troppo Vivace alla marcia Adagio, ma non troppo, con affetto — Tempo del primo pezzo — Allegro This performance is made possible, in part, through the generosity of The Hon. Kathryn Walt Hall and Craig Hall. Cal Performances’ 2008–2009 season is sponsored by Wells Fargo. CAL PERFORMANCES 25 About the Artist About the Artist performed Diabelli Variations collection written by Mozart and Beethoven. Mr. Buchbinder will visit Mr. Buchbinder attaches considerable impor- 50 Austrian composers. His 18-disc set of Haydn’s Munich several times throughout the season, per- tance to the meticulous study of musical sources. works earned him the Grand Prix du Disque, and forming the complete cycle of Beethoven sona- He owns more than 18 complete editions of his cycle of Mozart’s complete piano concertos with tas at the Prinzregententheater. In October and Beethoven’s sonatas and has an extensive collec- the Vienna Symphony Orchestra, recorded live at November, he will tour the United States with the tion of autograph scores, first editions and original the Vienna Konzerthaus, was chosen by Joachim Dresden Staatskapelle under Luisi, performing at documents.
    [Show full text]
  • DIE LIEBE DER DANAE July 29 – August 7, 2011
    DIE LIEBE DER DANAE July 29 – August 7, 2011 the richard b. fisher center for the performing arts at bard college About The Richard B. Fisher Center for the Performing Arts at Bard College The Richard B. Fisher Center for the Performing Arts, an environment for world-class artistic presentation in the Hudson Valley, was designed by Frank Gehry and opened in 2003. Risk-taking performances and provocative programs take place in the 800-seat Sosnoff Theater, a proscenium-arch space; and in the 220-seat Theater Two, which features a flexible seating configuration. The Center is home to Bard College’s Theater and Dance Programs, and host to two annual summer festivals: SummerScape, which offers opera, dance, theater, operetta, film, and cabaret; and the Bard Music Festival, which celebrates its 22nd year in August, with “Sibelius and His World.” The Center bears the name of the late Richard B. Fisher, the former chair of Bard College’s Board of Trustees. This magnificent building is a tribute to his vision and leadership. The outstanding arts events that take place here would not be possible without the contributions made by the Friends of the Fisher Center. We are grateful for their support and welcome all donations. ©2011 Bard College. All rights reserved. Cover Danae and the Shower of Gold (krater detail), ca. 430 bce. Réunion des Musées Nationaux/Art Resource, NY. Inside Back Cover ©Peter Aaron ’68/Esto The Richard B. Fisher Center for the Performing Arts at Bard College Chair Jeanne Donovan Fisher President Leon Botstein Honorary Patron Martti Ahtisaari, Nobel Peace Prize laureate and former president of Finland Die Liebe der Danae (The Love of Danae) Music by Richard Strauss Libretto by Joseph Gregor, after a scenario by Hugo von Hofmannsthal Directed by Kevin Newbury American Symphony Orchestra Conducted by Leon Botstein, Music Director Set Design by Rafael Viñoly and Mimi Lien Choreography by Ken Roht Costume Design by Jessica Jahn Lighting Design by D.
    [Show full text]
  • With a Rich History Steeped in Tradition, the Courage to Stand Apart and An
    With a rich history steeped in tradition, the courage to stand apart and an enduring joy of discovery, the Wiener Symphoniker are the beating heart of the metropolis of classical music, Vienna. For 120 years, the orchestra has shaped the special sound of its native city, forging a link between past, present and future like no other. In Andrés Orozco-Estrada - for several years now an adopted Viennese - the orchestra has found a Chief Conductor to lead this skilful ensemble forward from the 20-21 season onward, and at the same time revisit its musical roots. That the Wiener Symphoniker were formed in 1900 of all years is no coincidence. The fresh wind of Viennese Modernism swirled around this new orchestra, which confronted the challenges of the 20th century with confidence and vision. This initially included the assured command of the city's musical past: they were the first orchestra to present all of Beethoven's symphonies in the Austrian capital as one cycle. The humanist and forward-looking legacy of Beethoven and Viennese Romanticism seems tailor-made for the Symphoniker, who are justly leaders in this repertoire to this day. That pioneering spirit, however, is also evident in the fact that within a very short time the Wiener Symphoniker rose to become one of the most important European orchestras for the premiering of new works. They have given the world premieres of many milestones of music history, such as Anton Bruckner's Ninth Symphony, Arnold Schönberg's Gurre-Lieder, Maurice Ravel's Piano Concerto for the Left Hand and Franz Schmidt's The Book of the Seven Seals - concerts that opened a door onto completely new worlds of sound and made these accessible to the greater masses.
    [Show full text]
  • Department Historyrevised Copy
    The Music Department of Wayne State University A History: 1994-2019 By Mary A. Wischusen, PhD To Wayne State University on its Sesquicentennial Year, To the Music Department on its Centennial Year, and To all WSU music faculty and students, past, present, and future. ii Contents Preface and Acknowledgements ……………………………………………………………………...........v Abbreviations ……………………………………………………………………………............................ix Dennis Tini, Chair: 1993-2005 …………………………………………………………………………….1 Faculty .…………………………………………………………………………..............................2 Staff ………………………………………………………………………………………………...7 Fundraising and Scholarships …………………………………………………................................7 Societies and Organizations ……………………………………………..........................................8 New Music Department Programs and Initiatives …………………………………………………9 Outreach and Recruitment Programs …………………………………………….……………….15 Collaborative Programs …………………………………………………………………………...18 Awards and Honors ……………………………………………………………………………….21 Other Noteworthy Concerts and Events …………………………………………………………..24 John Vander Weg, Chair: 2005-2013 ………………………………………………................................37 Faculty………………………………………………………………..............................................37 Staff …………………………………………………………………………………………….....39 Fundraising and Scholarships …………………………………………………..............................40 New Music Department Programs and Initiatives ……………………………………………..…41 Outreach and Recruitment Programs ……………………………………………………………..45 Collaborative Programs …………………………………………………………………………...47 Awards
    [Show full text]
  • Rockwell New Kids in the Neighborhood
    Mark Singleton, Artistic Director Rockwell New Kids in the Neighborhood joined by The Vernon Chorale and Conard High School’s Solo Choir and featuring the CCSU University Singers, directed by Dr. Pamela Perry Voce Chamber Artists, Dylan Armstrong, oboe, Tom Cooke, clarinet and Dan Campolieta, piano October 20, 2012 7:30 p.m. Immanuel Congregational Church 10 Woodland Street, Hartford, Connecticut 06105 PROGRAM I Tonight Eternity Alone From Dusk at Sea, by Thomas S. Jones, Jr. René Clausen (1953 - ) Tonight eternity alone is near, The sunset and the dark’ning blue, Tonight eternity alone is near, There is no place for fear, Only the wonder of its truth. All That Hath Life & Breath Praise Ye the Lord! adapted from Psalms 96 and 22 René Clausen Sarah Armstrong, soprano All that hath life and breath praise ye the Lord, Shout to the Lord, Alleluia! Praise the Lord with joyful song, Sing to the Lord with thanksgiving, Alleluia, praise Him! Praise the Lord with joyful song, Alleluia Sing to the Lord a new-made song, Praise His name, Alleluia. Unto Thee, O Lord, have I made supplication, and cried unto the rock of my salvation; But Thou hast heard my voice, and renewed my weary spirit. All that hath life and breath praise ye the Lord, Shout to the Lord, Alleluia! Praise Him, laud, Him, Alleluia! II Entreat Me Not to Leave You Adapted from, Ruth 1:16-17 Dan Forrest (1978 - ) Entreat me not to leave you, nor turn back from following after you. For where you go, I will go; And where you live, I will live; Your people shall be my people, And your God, my God.
    [Show full text]
  • Voyager's Gold Record
    Voyager's Gold Record https://en.wikipedia.org/wiki/Voyager_Golden_Record #14 score, next page. YouTube (Perlman): https://www.youtube.com/watch?v=aVzIfSsskM0 Each Voyager space probe carries a gold-plated audio-visual disc in the event that the spacecraft is ever found by intelligent life forms from other planetary systems.[83] The disc carries photos of the Earth and its lifeforms, a range of scientific information, spoken greetings from people such as the Secretary- General of the United Nations and the President of the United States and a medley, "Sounds of Earth," that includes the sounds of whales, a baby crying, waves breaking on a shore, and a collection of music, including works by Mozart, Blind Willie Johnson, Chuck Berry, and Valya Balkanska. Other Eastern and Western classics are included, as well as various performances of indigenous music from around the world. The record also contains greetings in 55 different languages.[84] Track listing The track listing is as it appears on the 2017 reissue by ozmarecords. No. Title Length "Greeting from Kurt Waldheim, Secretary-General of the United Nations" (by Various 1. 0:44 Artists) 2. "Greetings in 55 Languages" (by Various Artists) 3:46 3. "United Nations Greetings/Whale Songs" (by Various Artists) 4:04 4. "The Sounds of Earth" (by Various Artists) 12:19 "Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro (Johann Sebastian 5. 4:44 Bach)" (by Munich Bach Orchestra/Karl Richter) "Ketawang: Puspåwårnå (Kinds of Flowers)" (by Pura Paku Alaman Palace 6. 4:47 Orchestra/K.R.T. Wasitodipuro) 7.
    [Show full text]
  • Bellini's Norma
    Bellini’s Norma - A discographical survey by Ralph Moore There are around 130 recordings of Norma in the catalogue of which only ten were made in the studio. The penultimate version of those was made as long as thirty-five years ago, then, after a long gap, Cecilia Bartoli made a new recording between 2011 and 2013 which is really hors concours for reasons which I elaborate in my review below. The comparative scarcity of studio accounts is partially explained by the difficulty of casting the eponymous role, which epitomises bel canto style yet also lends itself to verismo interpretation, requiring a vocalist of supreme ability and versatility. Its challenges have thus been essayed by the greatest sopranos in history, beginning with Giuditta Pasta, who created the role of Norma in 1831. Subsequent famous exponents include Maria Malibran, Jenny Lind and Lilli Lehmann in the nineteenth century, through to Claudia Muzio, Rosa Ponselle and Gina Cigna in the first part of the twentieth. Maria Callas, then Joan Sutherland, dominated the role post-war; both performed it frequently and each made two bench-mark studio recordings. Callas in particular is to this day identified with Norma alongside Tosca; she performed it on stage over eighty times and her interpretation casts a long shadow over. Artists since, such as Gencer, Caballé, Scotto, Sills, and, more recently, Sondra Radvanovsky have had success with it, but none has really challenged the supremacy of Callas and Sutherland. Now that the age of expensive studio opera recordings is largely over in favour of recording live or concert performances, and given that there seemed to be little commercial or artistic rationale for producing another recording to challenge those already in the catalogue, the appearance of the new Bartoli recording was a surprise, but it sought to justify its existence via the claim that it authentically reinstates the integrity of Bellini’s original concept in matters such as voice categories, ornamentation and instrumentation.
    [Show full text]
  • Season 2012-2013
    27 Season 2012-2013 Sunday, October 28, at 3:00 The Philadelphia Orchestra 28th Season of Chamber Music Concerts—Perelman Theater Mozart Duo No. 1 in G major, K. 423, for violin and viola I. Allegro II. Adagio III. Rondo: Allegro William Polk Violin Marvin Moon Viola Dvorˇák String Quintet in E-flat major, Op. 97 I. Allegro non tanto II. Allegro vivo III. Larghetto IV. Finale: Allegro giusto Kimberly Fisher Violin William Polk Violin Marvin Moon Viola Choong-Jin Chang Viola John Koen Cello Intermission Brahms Piano Quartet No. 1 in G minor, Op. 25 I. Allegro II. Intermezzo: Allegro ma non troppo III. Andante con moto IV. Rondo alla zingarese: Presto Cynthia Raim Piano (Guest) Paul Arnold Violin Kerri Ryan Viola Yumi Kendall Cello This program runs approximately 2 hours. 228 Story Title The Philadelphia Orchestra Jessica Griffin Renowned for its distinctive vivid world of opera and Orchestra boasts a new sound, beloved for its choral music. partnership with the keen ability to capture the National Centre for the Philadelphia is home and hearts and imaginations Performing Arts in Beijing. the Orchestra nurtures of audiences, and admired The Orchestra annually an important relationship for an unrivaled legacy of performs at Carnegie Hall not only with patrons who “firsts” in music-making, and the Kennedy Center support the main season The Philadelphia Orchestra while also enjoying a at the Kimmel Center for is one of the preeminent three-week residency in the Performing Arts but orchestras in the world. Saratoga Springs, N.Y., and also those who enjoy the a strong partnership with The Philadelphia Orchestra’s other area the Bravo! Vail Valley Music Orchestra has cultivated performances at the Mann Festival.
    [Show full text]