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Dalton Rjchland Farm
% .WSLETTER OF THE HOWARD COUNTY HISTORICAL SOCIETY ;,,r4 very year at this time, the Howard DALTON County Historical Society searches Built circa 1925 on a brick and stone through the inventory of historic homes foundation that may date to 1770, Dalton in our commuaity and selects a handful stands on the remains of a house owned of extraordinary properties to be included by Alien Thomas and later by Samuel on our annual Holiday House Tour- K. George. The current house was built 'This year's tour, generously spon- by J. Lawrence Cl'ark and his wik Alice sored Ey The Creig Northrop Team of and combines the elegance and formality Long & Foster Real Estate, will be held of an earlier era with the practicality of Sunday December 15, 2013 from 1:00 a modern floor plan. D'alton is currently P.M. to approximately 6:30 P.M. as part owned by Richard Voelker, who invites of this annual fundraiser and raember- you to be his guest at this lovely home. ship drive and will feature four of the county's loveliest homes as well as The RJCHLAND FARM Shrine of St Anthony. Listed on the National Register ofHis- toric Places in 2008, the original 1781 log IMPORrL4NrFNOm -House Tour buses house, its additions and other outbuild- will be leaving 'from Frederick Road in front ings sit on part of a land grant surveyed of the Miller -Branch Library at located at by Thomas Worthington in 1719. Over 9421 Fredenck Road, ElHcott Ciiy, MD the centuries, the property was passed 2^042. -
Ravel & Rachmaninoff
NOTES ON THE PROGRAM BY LAURIE SHULMAN, ©2017 2018 Winter Festival America, Inspiring: Ravel & Rachmaninoff ONE-MINUTE NOTES Martinů: Thunderbolt P-47. A World War II American fighter jet was the inspiration for this orchestral scherzo. Martinů pays homage to technology, the machine age and the brave pilots who risked death, flying these bombers to win the war. Ravel: Piano Concerto in G Major. Ravel was enthralled by American jazz, whose influence is apparent in this jazzy concerto. The pristine slow movement concerto evokes Mozart’s spirit in its clarity and elegance. Ravel’s wit sparkles in the finale, proving that he often had a twinkle in his eye. Rachmaninoff: Symphonic Dances. Rachmaninoff’s final orchestral work, a commission from the Philadelphia Orchestra, brings together Russian dance and Eastern European mystery. Listen for the “Dies irae” at the thrilling close. MARTINŮ: Thunderbolt P-47, Scherzo for Orchestra, H. 309 BOHUSLAV MARTINŮ Born: December 8, 1890, in Polička, Czechoslovakia Died: August 28, 1959, in Liestal, nr. Basel, Switzerland Composed: 1945 World Premiere: December 19, 1945, in Washington, DC. Hans Kindler conducted the National Symphony. NJSO Premiere: These are the NJSO premiere performances. Duration: 11 minutes Between 1941 and 1945, Republic Aviation built 15,636 P-47 Thunderbolt fighter planes. Introduced in November 1942, the aircraft was a bomber equipped with machine guns. British, French and American air forces used them for the last three years of the war. Early in 1945, the Dutch émigré conductor Hans Kindler commissioned Bohuslav Martinů—himself an émigré from Czechoslovakia who had resided in the United States since March 1941—to write a piece for the National Symphony Orchestra. -
Record Group 6
Special Collections in Performing Arts MUSIC LIBRARY ASSOCIATION ARCHIVES Michelle Smith Performing Arts Library Record Group VI. Notes University of Maryland, College Park, MD Finding Aid by Melissa E. Wertheimer, MLA Archivist, 2018 MUSIC LIBRARY ASSOCIATION ARCHIVES: COLLECTION SUMMARY INFORMATION Finding Aid created with Describing Archives: A Content Standard, 2nd Edition Repository Special Collections in Performing Arts, Michelle Smith Performing Arts Library, Clarice Smith Performing Arts Center, University of Maryland, College Park, MD 20742 Creator Music Library Association Title Music Library Association Archives Date 1931 – 2017 [ongoing] Extent Approximately 300 linear feet of paper records; 5GB of digital materials; sound recordings Languages English with additional documents in French, German, Italian, Portuguese, Russian, and Spanish. Preferred Citation Music Library Association Archives, Special Collections in Performing Arts, University of Maryland, College Park, MD COLLECTION SCOPE & CONTENTS The Music Library Association Archives contains the official records of the Music Library Association (MLA) that document the history, activities, and publications of the organization since its founding in 1931. MLA is the professional association for music libraries and librarianship in the United States with the mission to provide a professional forum for librarians, archivists, and others who support and preserve musical heritage. Formats in the records include manuscripts, financial ledgers, printed publications, sound recordings, oral histories, photographs, scrapbooks, microfilm, realia, born-digital files, musical scores, and artwork. The collection also contains records of select current and former regional chapters, including the Atlantic, Greater New York, Mountain-Plains, and New England Chapters. Records of the California, Midwest, New York State-Ontario, Pacific Northwest, Southeast, and Texas Chapters are housed in repositories within their geographic areas. -
Mediation Is Provided by Our Management Staff
What We Do. By arrangement with Jack Price, Price Rubin & Partners has been a leader in the Artist Management, Concert Management, Music, Entertainment and Performing Arts Industries since 1984 providing direct marketing ser- vices to emerging and highly-credentialed classical, jazz, dance, cross-over, country, western, folk, new-age and film artists. Our roster includes some of the most-accomplished and awarded artists performing today. More than just traditional artist representation services, Premium Management delivers super-targeted direct marketing to concert presenters and performing arts organizations who engage performing artists. Our marketing staff makes approximately 3500-4000 calls each month to decision-makers who buy talent. Our clients receive highly-individ- ualized targeted marketing that focuses on branding and getting them much-needed considering from performing arts presenters who will be engaging artists in the future. When interest is expressed our managers take over the lead and work to establish a relationship between the presenter and artist. Contract mediation is provided by our management staff. We also offer various marketing services as well as patron marketing, public relations, adver- tising, fundraising, audience development, general artist management, PRPRadioOne and Price Rubin Music Television. Founder Jack Price. The indomitable Jack Price started Price Rubin & Partners in 1984 in response to his own career as an internationally renowned and celebrated concert pianist. Jack took on the role as manager -
Chapter Three the Philadelphia Orchestra Stokowski Inherited 15
<The "(PhiCacCeCpfiia Sound": The Formative Years (1912-1920) Candis nUreC^eCcf The "Philadelphia Sound": The Formative Years (1912-1920) HONORS THESIS Presented in Partial Fulfillment Of the Requirements For the UNIVERSITY OF NORTH TEXAS HONORS PROGRAM By Candis Threlkeld Denton, Texas April 1999 CamJm (J- <rSuJLJa) Student APfljROVED: acuity Advisor a-/ C Cjjy, Honors Director The "Philadelphia Sound": The Formative Years (1912-1920) HONORS THESIS Presented in Partial Fulfillment Of the Requirements For the UNIVERSITY OF NORTH TEXAS HONORS PROGRAM By Candis Threlkeld Denton, Texas April 1999 Student APPROVED: Faculty Advisor • n juts • Honors Director Acknowledgements This paper would not have been possible without the help of the following people, who aided me immensely while I was researching in Philadelphia: JoAnne Barry - archivist with the Philadelphia Orchestra Marjorie Hassen - curator of the Stokowski Collection, Otto E. Albrecht Music Library, University of Pennsylvania John Pollock and the Student Staff of the Ross Reading Room - Van Pelt Library, University of Pennsylvania Paul Sadedov - Music Librarian at the Free Library of Philadelphia Members of the Philadelphia Orchestra - who were a daily inspiration to me (I would particularly like to thank those members who took the time out to talk with me: Luis Biava, Booker Rowe, Richard Woodhams, David Bilger, Elizabeth Starr, and Pete Smith.) Phil - the security guard at the Academy who always helped me find JoAnne Barry, and who always greeted "Texas" with such a wonderful smile in the mornings Stephanie Wilson - one of my dearest friends who let me stay at her house during the second week of my trip - and who gave me great reed advice before my senior recital Janet Miller, Laura Lucas, and Darryl - Stephanie's housemates, who always made me always feel welcome I would also like to thank the following people at the University of North Texas for all of their assistance: Maestro Anshel Brusilow - director of orchestras and my faculty advisor Dr. -
Staatskapelle Dresden
Staatskapelle Dresden Staatskapelle Dresden Matthias Claudi PR und Marketing Theaterplatz 2 Christian Thielemann, Principal Conductor 01067 Dresden Germany Myung-Whun Chung, Principal Guest Conductor T 0351 4911 380 herberb Blomstedt, Conductor Laureate F 0351 4911 328 [email protected] Founded by Prince Elector Moritz von Sachsen in 1548, the Staatskapelle Dresden is one of the oldest orchestras in the world and steeped in tradition. Over its long history many distinguished conductors and internationally celebrated instrumentalists have left their mark on this onetime court orchestra. Previous directors include Heinrich Schütz, Johann Adolf Hasse, Carl Maria von Weber and Richard Wagner, who called the ensemble his »miraculous harp«. The list of prominent conductors of the last 100 years includes Ernst von Schuch, Fritz Reiner, Fritz Busch, Karl Böhm, Joseph Keilberth, Rudolf Kempe, Otmar Suitner, Kurt Sanderling, Herbert Blomstedt and Giuseppe Sinopoli. The orchestra was directed by Bernard Haitink from 2002-2004 and most recently by Fabio Luisi from 2007-2010. Principal Conductor since the 2012 / 2013 season has been Christian Thielemann. In May 2016 the former Principal Conductor Herbert Blomstedt received the title Conductor Laureate. This title has only been awarded to Sir Colin Davis before, who held it from 1990 until his death in April 2013. Myung-Whun Chung has been Principal Guest Conductor since the 2012 / 2013 season. Richard Strauss and the Staatskapelle were closely linked for more than sixty years. Nine of the composer’s operas were premiered in Dresden, including »Salome«, »Elektra« and »Der Rosenkavalier«, while Strauss’s »Alpine Symphony« was dedicated to the orchestra. Countless other famous composers have written works either dedicated to the orchestra or first performed in Dresden. -
Philharmonic Au Dito R 1 U M
LUBOSHUTZ and NEMENOFF April 4, 1948 DRAPER and ADLER April 10, 1948 ARTUR RUBINSTEIN April 27, 1948 MENUHIN April 29, 1948 NELSON EDDY May 1, 1948 PHILHARMONIC AU DITO R 1 U M VOL. XLIV TENTH ISSUE Nos. 68 to 72 RUDOLF f No S® Beethoven: S°"^„passionala") Minor, Op. S’ ’e( MM.71l -SSsr0*“” « >"c Beethoven. h6tique") B1DÛ SAYÂO o»a>a°;'h"!™ »no. Celeb'“’ed °P” CoW»b» _ ------------------------- RUOOtf bKch . St«» --------------THE pWUde'Pw»®rc’^®®?ra Iren* W°s’ „„a olh.r,„. sr.oi «■ o'--d s,°3"' RUDOLF SERKIN >. among the scores of great artists who choose to record exclusively for COLUMBIA RECORDS Page One 1948 MEET THE ARTISTS 1949 /leJ'Uj.m&n, DeLuxe Selective Course Your Choice of 12 out of 18 $10 - $17 - $22 - $27 plus Tax (Subject to Change) HOROWITZ DEC. 7 HEIFETZ JAN. 11 SPECIAL EVENT SPECIAL EVENT 1. ORICINAL DON COSSACK CHORUS & DANCERS, Jaroff, Director Tues. Nov. 1 6 2. ICOR CORIN, A Baritone with a thrilling voice and dynamic personality . Tues. Nov. 23 3. To be Announced Later 4. PATRICE MUNSEL......................................................................................................... Tues. Jan. IS Will again enchant us-by her beautiful voice and great personal charm. 5. MIKLOS GAFNI, Sensational Hungarian Tenor...................................................... Tues. Jan. 25 6. To be Announced Later 7. ROBERT CASADESUS, Master Pianist . Always a “Must”...............................Tues. Feb. 8 8. BLANCHE THEBOM, Voice . Beauty . Personality....................................Tues. Feb. 15 9. MARIAN ANDERSON, America’s Greatest Contralto................................. Sun. Mat. Feb. 27 10. RUDOLF FIRKUSNY..................................................................................................Tues. March 1 Whose most sensational success on Feb. 29 last, seated him firmly, according to verdict of audience and critics alike, among the few Master Pianists now living. -
Toscanini VII, 1937-1942
Toscanini VII, 1937-1942: NBC, London, Netherlands, Lucerne, Buenos Aires, Philadelphia We now return to our regularly scheduled program, and with it will come my first detailed analyses of Toscanini’s style in various music because, for once, we have a number of complete performances by alternate orchestras to compare. This is paramount because it shows quite clear- ly that, although he had a uniform approach to music and insisted on both technical perfection and emotional commitment from his orchestras, he did not, as Stokowski or Furtwängler did, impose a specific sound on his orchestras. Although he insisted on uniform bowing in the case of the Philadelphia Orchestra, for instance, one can still discern the classic Philadelphia Orchestra sound, despite its being “neatened up” to meet his standards. In the case of the BBC Symphony, for instance, the sound he elicited from them was not far removed from the sound that Adrian Boult got out of them, in part because Boult himself preferred a lean, clean sound as did Tosca- nini. We shall also see that, for better or worse, the various guest conductors of the NBC Sym- phony Orchestra did not get vastly improved sound result out of them, not even that wizard of orchestral sound, Leopold Stokowki, because the sound profile of the orchestra was neither warm in timbre nor fluid in phrasing. Toscanini’s agreement to come back to New York to head an orchestra created (pretty much) for him is still shrouded in mystery. All we know for certain is that Samuel Chotzinoff, representing David Sarnoff and RCA, went to see him in Italy and made him the offer, and that he first turned it down. -
The Phiiharmonic-Symphony Society 1842 of New York Consolidated 1928
THE PHIIHARMONIC-SYMPHONY SOCIETY 1842 OF NEW YORK CONSOLIDATED 1928 1952 ONE HUNDRED ELEVENTH SEASON 1953 Musical Director: DIMITRI MITROPOULOS Guest Conductors: BRUNO WALTER, GEORGE SZELL, GUIDO CANTELLI Associate Conductor: FRANCO AUTORI For Young People’s Concerts: IGOR BUKETOFF CARNEGIE HALL 5176th Concert SUNDAY AFTERNOON, APRIL 19, 1953, at 2:30 Under the Direction of DIMITRI MITROPOULOS Assisting Artist: ARTUR RUBINSTEIN, Pianist FRANCK-PIERNE Prelude, Chorale and Fugue SCRIABIN The Poem of Ecstasy, Opus 54 Intermission SAINT-SAËNS Concerto for Piano and Orchestra, No. 2, G minor, Opus 22 I. Andante sostenuto II. Allegretto scherzando III. Presto Artur Rubinstein FRANCK Symphonic Variations for Piano and Orchestra Artur Rubinstein (Mr. Rubinstein plays the Steinway Piano) ARTHUR JUDSON, BRUNO ZIRATO, Managers THE STEINWAY is the Official Piano of The Philharmonic-Symphony Society COLUMBIA AND VICTOR RECORDS THE PHILHARMONIC-SYMPHONY SOCIETY OF NEW YORK BOARD OF DIRECTORS •Floyd G. Blair........ ........President •Mrs. Lytle Hull... Vice-President •Mrs. John T. Pratt Vice-President ♦Ralph F. Colin Vice-President •Paul G. Pennoyer Vice-President ♦David M. Keiser Treasurer •William Rosenwald Assistant Treasurer •Parker McCollester Secretary •Arthur Judson Executive Secretary Arthur A. Ballantine Arthur A. Houghton, Jr. Mrs. William C. Breed Mrs. Arthur Lehman Chester Burden Mrs. Henry R. Luce •Mrs. Elbridge Gerry Chadwick David H. McAlpin Henry E. Coe Richard E. Myers Pierpont V. Davis William S. Paley Maitland A. Edey •Francis T. P. Plimpton Nevil Ford Mrs. David Rockefeller Mr. J. Peter Grace, Jr. Mrs. George H. Shaw G. Lauder Greenway Spyros P. Skouras •Mrs. Charles S. Guggenheimer •Mrs. Frederick T. Steinway •William R. -
ARSC Journal
HISTORIC VOCAL RECORDINGS STARS OF THE VIENNA OPERA (1946-1953): MOZART: Die Entfuhrung aus dem Serail--Wer ein Liebchen hat gafunden. Ludwig Weber, basso (Felix Prohaska, conductor) ••.• Konstanze ••• 0 wie angstlich; Wenn der Freude. Walther Ludwig, tenor (Wilhelm Loibner) •••• 0, wie will ich triumphieren. Weber (Prohaska). Nozze di Figaro--Non piu andrai. Erich Kunz, baritone (Herbert von Karajan) •••• Voi che sapete. Irmgard Seefried, soprano (Karajan) •••• Dove sono. Elisabeth Schwarzkopf, soprano (Karajan) . ..• Sull'aria. Schwarzkopf, Seefried (Karajan). .• Deh vieni, non tardar. Seefried (Karajan). Don Giovanni--Madamina, il catalogo e questo. Kunz (Otto Ackermann) •••• Laci darem la mano. Seefried, Kunz (Karajan) • ••• Dalla sua pace. Richard Tauber, tenor (Walter Goehr) •••• Batti, batti, o bel Masetto. Seefried (Karajan) •.•• Il mio tesoro. Tauber (Goehr) •••• Non mi dir. Maria Cebotari, soprano (Karajan). Zauberfl.Ote- Der Vogelfanger bin ich ja. Kunz (Karajan) •••• Dies Bildnis ist be zaubernd schon. Anton Dermota, tenor (Karajan) •••• 0 zittre nicht; Der Holle Rache. Wilma Lipp, soprano (Wilhelm Furtwangler). Ein Miidchen oder Weibchen. Kunz (Rudolf Moralt). BEETHOVEN: Fidelio--Ach war' ich schon. Sena Jurinac, soprano (Furtwangler) •••• Mir ist so wunderbar. Martha Modl, soprano; Jurinac; Rudolf Schock, tenor; Gottlob Frick, basso (Furtwangler) •••• Hat man nicht. Weber (Prohaska). WEBER: Freischutz--Hier im ird'schen Jammertal; Schweig! Schweig! Weber (Prohaska). NICOLAI: Die lustigen Weiher von Windsor--Nun eilt herbei. Cebotari {Prohaska). WAGNER: Meistersinger--Und doch, 'swill halt nicht gehn; Doch eines Abends spat. Hans Hotter, baritone (Meinhard von Zallinger). Die Walkilre--Leb' wohl. Hotter (Zallinger). Gotterdammerung --Hier sitz' ich. Weber (Moralt). SMETANA: Die verkaufte Braut--Wie fremd und tot. Hilde Konetzni, soprano (Karajan). J. STRAUSS: Zigeuner baron--0 habet acht. -
Newsletter 2-2005
THE BOHUSLAV MARTINŮ FOUNDATION & THE BOHUSLAV MARTINŮ INSTITUTE MAY—AUGUST 2005 The Greek Passion / VOL. Finally in Greece V / NO. Interview with Neeme Järvi 2 Martinů & Hans Kindler The Final Years ofthe Life of Bohuslav Martinů Antonín Tučapský on Martinů NEWS & EVENTS ts– Conten VOL. V / NO.2 MAY—AUGUST 2005 Bohuslav Martinů in Liestal, May 1956 > Photo from Max Kellerhals’archive e WelcomE —EDITORIAL —REPORT OF MAY SYMPOSIUM OF EDITORIAL BOARD —INTERNATIONAL MARTINŮ CIRCLE r Reviews —BBC SYMPHONY ORCHESTRA —CD REVIEWS —GILGAMESH y Reviews f Research THE GREEK PASSION THE FINAL YEARS OF THE FINALLY IN GREECE LIFE OF BOHUSLAV MARTINŮ • ALEŠ BŘEZINA • LUCIE BERNÁ u Interview j Memoirs WITH… NEEME JÄRVI ANTONÍN TUČAPSKÝ • EVA VELICKÁ ON MARTINŮ i Research k Events MARTINŮ & HANS KINDLER —CONCERTS • F. JAMES RYBKA & BORIS I. RYBKA —BALLETS —FESTIVALS a Memoirs l News MEMORIES OF —THE MARTINŮ INSTITUTE’S CORNER MONSIEUR MARTINŮ —NEW RECORDING —OBITUARIES • ADRIAN SCHÜRCH —BOHUSLAV MARTINŮ DISCUSSION GROUP me– b Welco THE BOHUSLAV MARTINŮ REPORT ON THE MAY SYMPOSIUM OF THE EDITORIAL NEWSLETTER is published by the Bohuslav Martinů EDITORIAL BOARD Foundation in collaboration with the DEAR READERS, Bohuslav Martinů Institute in Prague THE MEETING of the editorial board in 2005 was held on 14–15 May in the premises we are happy to present the new face of the Bohuslav Martinů Institute. It was attended by the chair of the editorial board of the Bohuslav Martinů Newsletter, EDITORS Aleš Březina as well as Sandra Bergmannová of the Charles University Institute of published by the Bohuslav Martinů Zoja Seyčková Musicology and the Bohuslav Martinů Institute, Dietrich Berke, Klaus Döge of the Foundation and Institute.We hope you Jindra Jilečková Richard Wagner-Gesamtausgabe, Jarmila Gabrielová of the Charles University Institute will enjoy the new graphical look. -
Richard STRAUSS Intermezzo Elisabeth Söderström
RICHARD STRAUSS INTERMEZZO Elisabeth Söderström Glyndebourne Festival Opera London Philharmonic Orchestra Sir John Pritchard RICHARD STRAUSS © SZ Photo/Lebrecht Music & Arts Photo Library Richard Strauss (1864 –1949) Intermezzo A bourgeois comedy with symphonic interludes in two acts Libretto by the composer English translation by Andrew Porter Christine Elisabeth Söderström soprano Robert Storch, her husband, a conductor Marco Bakker baritone Anna, their maid Elizabeth Gale soprano Franzl, their eight-year-old son Richard Allfrey spoken Baron Lummer Alexander Oliver tenor The Notary Thomas Lawlor bass-baritone His wife Rae Woodland soprano Stroh, another conductor Anthony Rolfe Johnson tenor A Commercial Counsellor Donald Bell Robert’s Skat baritone partners A Legal Counsellor Brian Donlan baritone { A Singer Dennis Wicks bass Fanny, the Storchs’ cook Barbara Dix spoken Marie, a maid Susan Varley spoken Therese, a maid Angela Whittingham spoken Resi, a young girl Cynthia Buchan soprano Glyndebourne Festival Opera London Philharmonic Orchestra Sir John Pritchard 3 compact disc one Time Page Act I Scene 1 1 ‘Anna, Anna! Where can the silly creature be?’ 5:52 [p.28] The Wife, the Husband, Anna 2 ‘Have you got all the master’s things?’ 6:02 [p.32] The Wife, Anna, the Husband 3 ‘And now I’ll have my hair done!’ 11:16 [p.35] The Wife, Anna, The Son, Housemaid, Cook 4 'Oh! Frau Huß! Good morning' 2:59 [p.39] The Wife, Anna Scene 2 5 ‘You blockhead! Can’t you see, this is a toboggan run?’ 4:08 [p.39] The Wife, Baron Lummer 6 Waltz 1:55 [p.40]